Summary
Written by a model from the transcript; not yet reviewed.
Ina Garten sits down with Tony and Emmy Award-winning actor Nathan Lane for whiskey sours and a wide-ranging conversation about theater, comedy, and life. Lane reflects on the intense stamina required to star in Broadway productions like Death of a Salesman, the deep bonds formed with cast members, and the surprising theatrical driver's license he needed to drive a car on stage. The two also discuss Lane's long-term relationship with his husband Devlin, their memories of comedy legends Mel Brooks and Carl Reiner, and the strange realities of public fame.
- Before every performance of Death of a Salesman, the cast gathered in Nathan Lane's dressing room for fifteen minutes to talk, gossip, and share how much they did not want to do the play. 4:24
- To handle driving a car on stage during Death of a Salesman, Nathan Lane had to obtain a theatrical driver's license after taking a written test at Sardi's. 6:38
- After receiving a flattering profile calling him the greatest stage entertainer of the last decade, Nathan Lane deliberately sought out challenging dramatic roles to shift public perception. 10:42
- When facing communication hurdles in a relationship, working through specific emotional exercises from relationship books can help couples find their way back together. 19:27
Chapters
- 0:02Intro and Welcome
Ina Garten opens the podcast, introduces Nathan Lane, and sets the tone for a relaxed conversation.
- 2:19Early Memories of Whiskey Sours
Nathan recalls childhood memories tied to whiskey sours and the family tradition of making the drink.
- 3:12Behind the Scenes of Death of a Salesman
The pair discuss the demanding schedule, camaraderie, and emotional impact of performing in the long-running play.
- 7:20Closing Reflections and Farewell
The episode wraps up with final thoughts, gratitude, and a toast to their friendship.
- 17:15Personal Life and Long‑Term Partnership
Nathan shares the story of meeting his partner, the challenges of a long‑distance relationship, and the decision to marry.
- 30:22Documentary and Memoir Projects
Discussion of Nathan's upcoming documentary, his thoughts on memoir writing, and the importance of controlling his own narrative.
- 33:49Celebrity Life and Public Recognition
Nathan and Ina talk about the nuances of fame, public interactions, and the perks and pitfalls of being a well‑known actor.
Highlights
- 4:24
Nathan Lane describes the pre-show ritual where the cast of Death of a Salesman gathered in his dressing room for fifteen minutes to bond before going on stage.
- 6:38
Theatrical Driver's Licensestory
Nathan Lane humorously explains how he had to acquire a theatrical driver's license at Sardi's in order to drive a car onto the stage.
- 10:42
Shifting Public Perceptioninsight
Nathan Lane explains how being labeled the greatest stage entertainer of the last decade motivated him to challenge himself with more dramatic roles.
- 24:09
Movie Night with Mel and Carlstory
Nathan Lane shares a charming anecdote about watching the movie Random Harvest with Mel Brooks and Carl Reiner, complete with tray tables and running commentary.
- 27:00
The Birdcage Casting Shiftstory
Nathan Lane reveals that Steve Martin was originally slated to star in The Birdcage before scheduling conflicts opened up the iconic role for him.
- 29:42
Nathan Lane reflects on finally winning his first Emmy Award after seven previous nominations for his role in Only Murders in the Building.
- 34:41
Dealing with Public Recognitioninsight
Nathan Lane and Ina Garten discuss the awkward and sometimes intrusive encounters they experience when recognized by fans in public.
Quotes
Sponsored segments
- Whole Foods Market 0:43–1:20
- Talbotz 1:23–1:57
- Whole Foods Market 20:41–22:25
- Whole Foods Market 38:35–39:13
About this episode
This week Ina welcomes the one and only Nathan Lane to her apartment in NYC for a bourbon sour and hilarious conversation. They talk about his critically acclaimed run in Death of a Salesman on Broadway, their shared love of funny dog videos, and Nathan’s experience working with comedy greats like Steve Martin, Martin Short, and Mel Brooks. Beloved hostess Ina Garten welcomes listeners into her New York City apartment for Happy Hour with Ina Garten. Every Wednesday, she sits down with people she’d like to meet from the worlds of culture, food, art, sports, and entertainment for the kinds of conversations you would love to overhear at a great dinner party. Warm, funny, personal, and often unexpected, Happy Hour mixes in-depth conversation with stories, recipes, and, of course, cocktails. Pull up a chair, pour yourself a drink, and join the conversation. SUBSCRIBE ► Subscribe to Happy Hour with Ina Garten for new episodes every Wednesday: https://www.youtube.com/@HappyHourwithIna?sub_confirmation=1 FOLLOW THE SHOW ► Happy Hour on YouTube: https://www.youtube.com/@HappyHourwithIna?sub_confirmation=1 ► Happy Hour on Instagram: https://www.instagram.com/happyhourwithina ► Happy Hour on TikTok: https://www.tiktok.com/@happyhourwithina ► Happy Hour on Substack: https://happyhourwithinagarten.substack.com/welcome ► Happy Hour on Facebook: https://www.facebook.com/profile.php?id=61589319634655 Host: Ina Garten Executive Producers: Jenna Weiss-Berman, Ali Jaffe Ramis, and Deborah Davis Contributing Producer: Kate Tyler Producer: Jules Natt Video Editor: Tim Fernandez Associate Producer: Mica Pollan Bahn Sound Recording: Joe Plourde Audio Mixing: Matt Tierney Camera Operators: Joe Valenzuela and Kyle Derry Music by Pink Martini Special Thanks to Cinematographer Dion Beebe Happy Hour with Ina is a Vox Media podcast. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Transcript
6,958 words · 2 speakers
Speaker names marked are inferred from speaking time and the show’s known hosts — they are not voice-verified.
Topics
- The Birdcage
- The Producers
- Only Murders in the Building
- The Gilded Age
- Death of a Salesman
- Finding the Love You Want
- The Addams Family
- Vox Media
- Pink Martini
- The School for Scandal
Page updated · transcript and summary are machine-generated