Sci-Fi Show Reboot (with Eugene Cordero)

THE LOOK MERCH: https://artistsonartistsonartistsonartists.com/ Aliens, Vulcans, and Krylons, oh my! From Star Wars to Star Trek and beyond, every generation loves to watch scrappy space voyagers explore new planets and blast their way out of intergalactic challenges, and this year’s hottest new show Space Spaceship is no exception. This week on the pod we are so lucky to have the cast of Space Spaceship with us after shooting their spinoff of the iconic Space Ship franchise. The cast takes us through their creative process, how they have approached the unique challenges of this world and these characters (especially the non-human ones), the drama behind the scenes, and more. So beam up into the studio with us and listen in, this episode is sure to be a *blast*! Eugene Cordero had us doubled over in laughter on this episode and we were so lucky to have him! Find him in literally all your favorite TV shows and films including Star Trek Lower Decks and his new movie Bolio, and on socials at @eugcordero! This episode was filmed in the beautiful Dynasty Typewriter Theater, and tech-produced by Samuel Curtis. For live shows and events you can find more about them at dynastytypewriter.com. To learn more about the BTS of this episode and to find a world of challenges, games, inside scoop, and the Artists being themselves, subscribe to our Patreon! You won't be disappointed with what you find. Check out patreon.com/aoaoaoapod Artists on Artists on Artists on Artists is an improvised Hollywood roundtable podcast Created and Hosted by Kylie Brakeman, Jeremy Culhane, Angela Giarratana and Patrick McDonald. It is a production of Will Ferrell’s Big Money Players and iHeartMedia Podcasts. Executive Produced by Matt Apodaca and produced by Alexandra Dennis and Laservision Productions. Music By Gabriel Ponton, editing by Conner McCabe, and social media editing by Adam Keller. Thumbnails by Josh Fleury and logo design by Lucy Tomkiewicz. Hollywood's talking. Make sure you're listening. Subscribe to us on Apple Podcasts, Spotify, and YouTube! Please rate us five stars! See omnystudio.com/listener https://omnystudio.com/listener for privacy information.

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• 2:38Speaker 07

  Welcome back to Artists on Artists on Artists on Artists. This week, it's the cast of a brand new space show, Space Spaceship. Space, the final frontier, and Hollywood's favorite little gimmick for a show. Many shows have been made about space, but this new show, Space Spaceship, well, it's a little bit different than what you're used to. We sit down to talk with the cast of the newest show, Space Spaceship, to see how their spaceship really does in space.

• 3:09Speaker 06

  So beam yourself up, set your phasers to stun, and get ready to argue about minute details that they just made up. Let's listen in.

• 3:22Speaker 02

  Gosh, it's been like a year since we shot, I feel like.

• 3:25Speaker 04

  I know, and another six months or seven months before it comes out.

• 3:29Speaker 02

  Yeah, it's crazy. We got a long time. What do you guys even do with yourselves?

• 3:33Speaker 07

  I know, it's sort of like we're living in our friends moment where it's the time before and at a certain point, you know, this is going to drop on Paramount Plus and we're not going to be able to go outside.

• 3:45Speaker 02

  Yeah, literally.

• 3:46Speaker 04

  Oh, no, it's gonna, it's gonna rock everybody's socks.

• 3:49Speaker 05

  It's gonna rock and it's gonna also take off.

• 3:53Speaker 02

  It will take off. That's good. That's really good.

• 3:56Speaker 05

  Thank you so much. Thank you guys.

• 3:58Speaker 07

  It's gonna rock and it's gonna take off.

• 3:59Speaker 05

  It's really good. It's gonna, it's gonna, it's gonna take off.

• 4:02Speaker 02

  I think we've been told that we can just speak however we want and then they'll edit anything that kind of violates the NDA. Okay, great. We can go free and. Oh, good.

• 4:10Speaker 05

  I love an NDA pass.

• 4:12Speaker 02

  Yeah, they're gonna do a strict NDA pass. Yeah, yeah, yeah.

• 4:16Speaker 05

  Okay, I don't even know where to literally begin.

• 4:19Speaker 07

  Should we introduce ourselves and we could just go around?

• 4:24Speaker 02

  Yeah, I think that's a great idea. I mean, obviously, we pay homage to the original space series.

• 4:32Speaker 02

  The first one being Spaceship. Of course, now we are Space Spaceship. Yeah. A spinoff of the original Spaceship. And we were talking about this before, but if you were to read it, it goes space, then space, then spaceship.

• 4:47Speaker 07

  And to clarify, the space in the middle is the space you'd take when you're typing it. So space, spacebar, spaceship.

• 4:56Speaker 02

  So, yeah, and as I mentioned, we don't even need to be saying this, right? It's implied. Space Spaceship. You don't ever say there's a space when there is a space in any sentence.

• 5:04Speaker 07

  This is an audio medium, right? So I feel like we have to be extra clear.

• 5:07Speaker 02

  But I'm not talking like I blank am blank David blank, right?

• 5:11Speaker 07

  Well, no, you'd say I space David space.

• 5:13Speaker 05

  You wouldn't say blank.

• 5:14Speaker 02

  Yeah, well, by blank is implied as space. Blank seems like there's a missing word.

• 5:17Speaker 04

  I think there's also a chance that there's gonna be one of those Krylons underneath or whatever that's called.

• 5:23Speaker 02

  Chyron?

• 5:23Speaker 04

  Chyron?

• 5:24Speaker 02

  Yeah, yeah. Krylon?

• 5:25Speaker 04

  Krylon is my character. Sorry to jump into it.

• 5:27Speaker 05

  That's crazy.

• 5:29Speaker 02

  You thought they were gonna have your own character?

• 5:31Speaker 04

  I know, sorry.

• 5:32Speaker 02

  Your own character bouncing around?

• 5:34Speaker 05

  You just said it.

• 5:35Speaker 04

  What was the word? What's the actual word?

• 5:37Speaker 07

  Chyron? It's chyron.

• 5:38Speaker 04

  I'm a Krylon, obviously. I know, hey, I don't want to spoil it since, you know, it's not coming out for a while. But when you had, you know, Ted do such an amazing job as the original Krylon, the fact that I got to also be of that race is absolutely wonderful.

• 6:01Speaker 02

  It's crazy that you're of that race.

• 6:03Speaker 04

  I can't believe it.

• 6:04Speaker 02

  Did you get to sit down with him, Ted?

• 6:06Speaker 04

  I, we got to talk through email because he, you know, because after the whole show, he kind of disappeared from the world.

• 6:14Speaker 02

  Yeah.

• 6:15Speaker 04

  Moved to Madagascar, I think it was. It was. So then we talked through emails. The tips he did give me were good luck. Oh, and that felt good.

• 6:26Speaker 05

  That's good.

• 6:27Speaker 02

  That's so good.

• 6:28Speaker 04

  You know, just for somebody like that to even respond is amazing. I wrote this three-page email. If you would print it out, it'd be three pages.

• 6:39Speaker 05

  I was gonna say, how'd you know the pages?

• 6:40Speaker 04

  I said, if you'd print it out.

• 6:42Speaker 05

  Yeah, well, because it's just, yeah.

• 6:44Speaker 02

  Yeah, just kind of sicklers for information.

• 6:46Speaker 04

  Yeah, no, and I'm saying like, maybe the font would be like 12. So three pages, it's a lot.

• 6:51Speaker 02

  Yeah, yeah, totally, totally.

• 6:53Speaker 05

  Double space.

• 6:54Speaker 02

  And he responded with.

• 6:56Speaker 04

  Good luck. And I think like just from that was enough for me to go like, thank you.

• 7:04Speaker 07

  Did you feel like it was a friendly good luck or do you think it was a good luck period?

• 7:10Speaker 04

  There was a period there.

• 7:11Speaker 07

  Oh, shoot.

• 7:12Speaker 04

  But like, if that's the whole email, I would hope that you'd end it.

• 7:16Speaker 02

  Yeah.

• 7:17Speaker 04

  Because if he put like, you know, anything else, then I'd think that there's a second part of that email and he just sent it before it was done.

• 7:25Speaker 02

  That makes sense.

• 7:26Speaker 07

  That's true.

• 7:27Speaker 04

  This was done, it showed me that that was all he was gonna say.

• 7:30Speaker 02

  He shut the door.

• 7:32Speaker 04

  But, you know, but thank you, Ted. I hope I do our race, our alien race proud.

• 7:40Speaker 02

  I feel like you did.

• 7:41Speaker 04

  Oh, thank you.

• 7:42Speaker 02

  I feel like you did.

• 7:43Speaker 04

  Hey, listen, I, spending, you know, seven hours in a chair to make sure that my brows were just perfect.

• 7:51Speaker 05

  It's just for the brows.

• 7:52Speaker 04

  It was just for the brow.

• 7:53Speaker 02

  Well, the brows are the nerve receptors for the entire body.

• 7:57Speaker 04

  Right.

• 7:57Speaker 02

  For that race.

• 7:58Speaker 07

  For the Krylon people or the Krylon aliens, I should say, you know, the, they speak through their eyebrows.

• 8:05Speaker 04

  Yes, yeah, yeah.

• 8:06Speaker 07

  And so getting your eyebrows done is like a, it's, it's, it's a matter of communication. It's life and death.

• 8:13Speaker 04

  Yeah, they have to, you know, get rid of this whole one, put the mouth on that one.

• 8:17Speaker 02

  And then glue your mouth shut.

• 8:18Speaker 04

  And then glue my mouth shut.

• 8:21Speaker 05

  It's fascinating too, especially, and I don't want to like spoil anything, but at the end of the season, when we do see the meteor coming, we see it on your brow.

• 8:28Speaker 04

  Yeah, yeah, yeah. It shines back.

• 8:32Speaker 02

  Do it, do it again.

• 8:33Speaker 04

  It shines back.

• 8:34Speaker 05

  It shines back and we go, oh my God, check the ship.

• 8:36Speaker 04

  Well, the thing is, is we've done all these episodes. In my email to him, three pages, 12-point. I was like, hey, how did you express yourself so much? And then go back to do all the VO later.

• 8:51Speaker 02

  Was a big question you wish you'd asked.

• 8:52Speaker 04

  I wish he answered and he said, good luck, because that made me go, oh, it's gonna be harder than I said.

• 8:56Speaker 07

  Yeah.

• 8:57Speaker 04

  And it was. It was great to be on set with the all of you.

• 9:03Speaker 04

  It was tough to like have my mouth covered, only, you know, just dynamic breathing through my nose.

• 9:10Speaker 02

  Yeah. I would say it's hardest during lunch. Oh, lunch was awful. Yeah, yeah, yeah. Asking questions, there was no way for you to really respond. No, and have you noticed, like, my nose is pretty fucked up. I guess his was fucked up after years. Because, like, just trying to do all liquid and just snorting the shit out of stuff.

• 9:26Speaker 05

  For sure, and that's why I kept hitting up their group texts, um, every weekend.

• 9:30Speaker 02

  Thank you.

• 9:30Speaker 05

  We were in Vancouver and I was like, I'd love to see each other on the weekends, but it feels like when we were shooting, and I know we have like long hours on Monday through Friday. But it did feel like Saturday and Sunday is the time that we could have hung out a little.

• 9:41Speaker 02

  And you were so active on the group texts during the shooting because you couldn't speak to us, but we didn't have our phones. Yes, yeah, yeah, so like, you know, essays I'd write. They're haunting. I look back at them.

• 9:51Speaker 07

  Yeah, looking back at some of those memes were really funny. I wish I could have like reacted to them and built on them in real time.

• 9:58Speaker 02

  Wow, hey, um, look at them now. They still hold up.

• 10:03Speaker 02

  But yeah, that is, it was tough but good. I mean, I learned lessons early on. I wish somebody would have told me, Ted, or whatever, would have told me, hey, don't you gum before they cover your mouth. Because then it's just like, wow, that's a day. It's there.

• 10:17Speaker 05

  What a hard lesson to learn.

• 10:18Speaker 02

  Yeah, I mean, I swallowed it within...

• 10:25Speaker 02

  Let me think.

• 10:27Speaker 05

  Now take a turn.

• 10:28Speaker 02

  Yeah, yeah, yeah.

• 10:28Speaker 07

  Yeah, it's a long day.

• 10:29Speaker 02

  I don't know. Okay. I can't remember exactly. Thought about it, you don't know? Yeah, yeah, yeah. It's a long day.

• 10:35Speaker 02

  But I had to have swallowed it because that's... Of course. But you don't have it now.

• 10:41Speaker 02

  Yep, yep. No, you don't have it. That's good. Yeah, yeah, yeah. That would have been a long time now. A year ago? Yeah, a long time. If you still have that going there, that would be amazing. Hey, my mouth felt numb, but I, I will say, watching you all work and enjoy it, and only express it through my eyes and through my texts that you didn't receive until later. But, but I was gushing in those texts. Oh, you were so nice, so nice. You were a fearless leader. Oh, come on. Unbelievable. Guys, come on. Captain. Captain.

• 11:13Speaker 05

  America's heartthrob.

• 11:14Speaker 07

  Captain.

• 11:15Speaker 02

  Yes.

• 11:15Speaker 07

  In Captain We Trust.

• 11:17Speaker 02

  Yes. I saw your action figure. They made it. Yeah, it's crazy. They haven't leaked it yet, but, uh, I mean, they, they leaked it. They haven't released it yet, but man, it looks good. A purposeful leak and then, uh, not a release yet, but yeah, I love it. I mean, I, it's, it's always been a dream of mine to see myself as an action figure. And it's so fun that it's come to life. Yeah, Fangoria exclusive. They leaked it to Fangoria. Yeah, they leaked it on Fangoria and the people that are commenting on Fangoria. Oh, my God. I can't believe he has wings. Yes. And I'm like, yeah. Yeah, watch the show.

• 11:47Speaker 05

  Guys, we're redoing it. It's a reboot. He's got wings. Like, I don't know what else to say.

• 11:51Speaker 02

  It's a spin-off reboot. I've got wings. Wings on a spaceship. Yep, wings on a spaceship and God, the comedy that comes from the, the wings on the spaceship. You all constantly, I mean, what's the classic line? You don't need a fly, we're in space, you know?

• 12:05Speaker 05

  Yeah.

• 12:05Speaker 02

  Yeah, but it was something about having him just gave you just like, I don't know, you were so brash. Yeah. But then the wings brought, you know, because they were like butterfly-y.

• 12:17Speaker 05

  Yeah.

• 12:18Speaker 02

  Literally. They're butterfly heads. But like, they bring out a certain confidence because I could never see the wings. I could only feel them on my back. Interesting, right? So sometimes, you know, sometimes now I'm like, put those wings back on me. Having a tough day, having a big meeting, I'm like, put the wings back on me so I can become Captain.

• 12:34Speaker 07

  Yeah, give you that confidence again.

• 12:36Speaker 02

  Captain Crutch.

• 12:37Speaker 05

  And you're so young. You are like so young. Did you just like graduate theater school and just immediately booked it?

• 12:42Speaker 02

  Uh, yeah, I graduated NYU. That's so crazy, huh? Yeah, it's crazy. It's been my dream. It was so lucky to get that audition. Um, my mom is a big producer on the show, so it was just awesome that she put me in front of all the producers.

• 12:55Speaker 07

  That's so lucky that your mom was...

• 12:57Speaker 02

  And also your dad was the original captain. My dad is the original captain.

• 13:00Speaker 05

  I forget that that's also how you got the job.

• 13:03Speaker 02

  Yes, yeah, yeah, yeah. So I, the thing is, I tweeted some tweets about my dad, about how funny it is, like, kind of like, um, working with him and like being around him and they were like, whoa, we had this spinoff. I think you guys should do it. That's awesome. You just got a tweet or a DM on Twitter. Isn't that crazy? It's crazy. I mean, especially with since we haven't seen you in like 26 years.

• 13:21Speaker 05

  How long has it been?

• 13:21Speaker 02

  Where have you been? It's well since the show went off and then I'm back, you know? You're back. I, uh, painted houses for 25 years. Oh, my gosh. Up and, and, uh... The same color? Uh, same. I painted every house the same color. If you needed, if you needed white, you call Daryl.

• 13:36Speaker 05

  I remember the last time I think I saw you on my timeline was like rumors of you maybe being in Dancing With The Stars? And then everyone in the comments was like, who is that?

• 13:45Speaker 02

  Yes, yes.

• 13:46Speaker 07

  Yes, I heard you were considered for Celebrity Jeopardy.

• 13:50Speaker 02

  Yes, I, so I have been considered for every celebrity adjacent reality show. That's crazy. I almost did I'm a Celebrity Get Me Out of Here in the UK. Oh, wow. Yeah. How do people not know the original Doipie, the cyborg? You know? I have my fans. Shout out to the Doipes. I love you guys. You guys are amazing. I love seeing them at the conventions. It's, I thought...

• 14:11Speaker 05

  You can always tell there's always two.

• 14:12Speaker 02

  There's always two Doipes and they're wearing the exact headset that they sold, uh, that one weird makeup company sold that, guys, stop wearing those. Those were recalls. That's very... Those have mercury in them. Stop.

• 14:26Speaker 05

  Kids, go to bed. They have mercury.

• 14:28Speaker 02

  Kids, go to bed. There's mercury in those. Don't put them on your head or in your mouth. Take the mouthpiece out. You're getting sick. And they won't. And they never do. They love it. But Doipie 43, I mean, this is like the 43rd version of Doipie in this universe. I'm really excited for people to see... Oh, man. The difference. I mean, how does it feel to bring something new to an original character? It feels like I'm almost stepping into a past life, like almost as if I'm becoming Cleopatra, you know? I, I, I'm not him anymore. Well, you're also not 13 years old anymore. I'm also not 13 and I'm also, you know, not a, a, a youth extra small, right? Yes. I got bigger. I got buffer. I got fatter. Yeah.

• 15:10Speaker 02

  I got a lot. There's a lot of layers under here now and I'm a different type of Doipie. Yeah. And I hope you see the new Doipie in my performance. Yes, I, I think you were incredible. I loved the original series. Uh, I loved watching you as this child actor. I mean, you were, you know, on every cereal box you were, you know? So charming, so cute. I feel, I feel so lucky. I had the original toy. Oh, my God, yes. Because I was just like, man, this is so... Yeah, thank you, man. Fun to play with. Thank you.

• 15:41Speaker 07

  And your grape juice jingle, it got me through preschool, do you know?

• 15:45Speaker 02

  You want me to do it?

• 15:46Speaker 07

  Please.

• 15:48Speaker 05

  I can't imagine what it would be like now that you're old singing it. I bet it sounds funny.

• 15:52Speaker 02

  If you wanna give a belch, drink a big old glass of squelch. Aw, man. Doesn't sound as good.

• 15:58Speaker 07

  It's good stuff. It just is a little lower than I remember.

• 16:01Speaker 02

  Yeah, it was much higher.

• 16:02Speaker 05

  It sounded sweeter.

• 16:03Speaker 07

  I do remember that.

• 16:04Speaker 02

  Yeah, I look, I, you know, I am so grateful for what I got to do at 13. Uh, there's so many actors out there that won't be able to do that in their adult lives. Uh, do I wish that I was a child star in an era where everything was a little more regulated and protected? No, I don't. I loved everything I got to do. Get me in there as a kid, cover me in metal, put metal in my mouth. Let's go for it.

• 16:27Speaker 05

  Can I ask, did you just like freak out when you got the call that we're gonna do this again?

• 16:32Speaker 02

  And you were coming back?

• 16:33Speaker 05

  Like, I can't imagine, like, you probably wished for that every single day of your life.

• 16:37Speaker 02

  Yeah, but I gave it up. You know, there was a period where I was like, it's done. And, and then I, the first response was, no, no, no, not again. I can't. I can't, you know? I just got rid of the melanoma. It's, it's so intense. And that was an intense therapy that we got through and, and, and surgery and, and, but now I'm back. You're back. Yeah. It's cool because, because it's TV. Yeah, but... I like that it's TV and I like to be on it. I'm sure you had fun painting houses white for a while and it's so good to see you again. Thank you. I mean, I was cast pretty early, obviously after you, because you were the reason it was being made, but I got cast pretty early and I remember when they said it was gonna be digitally, that your character was gonna be digital now.

• 17:18Speaker 05

  It made more sense when they first said that.

• 17:20Speaker 02

  And then they were gonna just hire, um, a child's voice to then it be, even though it's, it's version 43, it would still be the same size and age because kids are gonna love that. I don't know if you guys have seen the, um, the, the toy for that character now, but, um, it's not as, it's not the same. Doipie 43 is looking, um, interesting. They weirdly like didn't, they tried to cover you all in male, but... Right. In metal, but like they just kind of left some pieces out, like your stomach is kind of out. Yeah, and it's not covered. It's like, it's like flesh color. If we can talk about it. It looks like you're actually like, yeah. An accident. Like, your just, your belly is kind of sticking out. What happened?

• 18:05Speaker 02

  It looks like you rubbed a pillow. I know. And there's just like makeup that has come off. I know, and I know.

• 18:10Speaker 05

  It looks like flabby metal and I've never seen something like that.

• 18:12Speaker 02

  Yeah, so it's, it's sharp metal and then it does kind of force kind of this muffin top. And I do wish they would, I do wish they would give me... Something to cover it. They said there's no metal that is shaped like my muffin.

• 18:24Speaker 06

  Well, it's so crazy because when we were shooting it, they were like, we'll fix this and we'll fix this in post.

• 18:28Speaker 02

  They really were saying.

• 18:34Speaker 04

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• 19:33Speaker 04

  My name is Jessa. One of the things I love the most about working for United Healthcare is that everybody matters. Every moment matters. There's a person behind every problem. I care because it's what I was put on this earth to do. I'm Ben and I work at United Healthcare. I am just one piece of a larger puzzle, but every piece matters. It's more than just work. We want to make the healthcare system better for everyone. I care because I want to make a difference. That's what committed to care means to me.

• 20:04Speaker 05

  Join me, Cyndi Lauper, with Chef Michelle Bernstein and Dr. Panico to talk about psoriasis and psoriatic arthritis, the potential connection and risk of developing permanent joint damage.

• 20:18Speaker 06

  Cosentyx secukinumab is prescribed for adults with moderate to severe plaque psoriasis 300-milligram dose and adults with active psoriatic arthritis 150-milligram dose. Don't use if you're allergic to Cosentyx. Before starting, get checked for tuberculosis. An increased risk of infections and lowered ability to fight them may occur, like tuberculosis or other serious bacterial, fungal, or viral infections. Some are fatal. Tell your doctor if you have an infection or symptoms like fevers, sweats, chills, muscle aches, or cough, had a vaccine or plan to, or if inflammatory bowel disease symptoms develop or worsen. Serious allergic reactions and severe eczema-like skin reactions may occur. Learn more at 1-844-COSENTIX or cocentix.com/cindy.

• 21:09Speaker 02

  They promised me.

• 21:10Speaker 06

  We're gonna fix it in post because this has just gotta be a problem or that's how you like. Well, to be honest, you always in between, in between setups, you would put the robe back on.

• 21:20Speaker 02

  Yeah.

• 21:20Speaker 06

  And then when you were.

• 21:21Speaker 02

  Do you blame me?

• 21:22Speaker 06

  Yeah. And then you'd take it off and then it would just be sitting in the middle area. So that was rubbing.

• 21:26Speaker 07

  Right. And then there was kind of lint and stuff from the robe.

• 21:28Speaker 06

  Makeup is kind of coming off.

• 21:29Speaker 02

  Makeup is getting pulled off and they're like, oh, we'll fix it because they were gonna do the whole thing in CGI anyway. So it's like, sure.

• 21:34Speaker 05

  And now the toy's got the lint on it.

• 21:38Speaker 07

  I would have shaved my belly. The part was the, I would have shaved that. Well, that toy maker was. The toy maker was by your side, day in, day out. He, I've never seen a toy maker on set like that.

• 21:50Speaker 02

  I've never seen a toy maker call the shots like that. You know what I will say?

• 21:53Speaker 07

  The toy maker kind of said, you do what I say.

• 21:56Speaker 06

  Well, to be honest.

• 21:57Speaker 02

  They would make a good toy.

• 21:58Speaker 07

  That's not what a toy would look like.

• 21:59Speaker 06

  Old cartoons, old cartoons used to be toys first.

• 22:02Speaker 05

  Toys first, story second.

• 22:03Speaker 06

  Story second. So I think that's what they were going with. Now, when you're action figure, when it does come out, it's not really even an action figure. It's just a figure. And it's like.

• 22:14Speaker 07

  Inaction. We're inaction.

• 22:15Speaker 02

  Inaction figure.

• 22:16Speaker 05

  He's also sitting.

• 22:17Speaker 07

  And the robot doesn't even have a butt. Like, they made him sit. I think something happened with the toy maker because we were like best friends for like six weeks.

• 22:25Speaker 06

  Yeah.

• 22:25Speaker 07

  We had one lunch, one-on-one. He stopped talking to me. He was so cold to me. I think I offended him. Well, yeah, the toy maker said that you like laughed about his wife's job, like that, that, that the toy maker.

• 22:40Speaker 05

  Is that what the toy maker said to you?

• 22:42Speaker 07

  That's what the toy maker said to me because I.

• 22:44Speaker 02

  Toy maker said you laughed at his wife's job.

• 22:45Speaker 07

  So, so your wife, um, like she, she works at Sephora and. His wife? No, his, his wife is a secret shopper at Sephora and she got fired for eating all the lipstick.

• 22:55Speaker 06

  Okay, that is, I'm glad I wasn't there.

• 22:57Speaker 07

  Yeah. Yeah, that's crazy. That woman sounds crazy.

• 23:01Speaker 06

  It does, but you can't, you can't tell him.

• 23:03Speaker 07

  That's just what the toy maker said to me.

• 23:05Speaker 06

  You can't tell him that his wife is crazy.

• 23:07Speaker 07

  Yeah. Well. She's crazy though.

• 23:09Speaker 05

  But look at your action figure.

• 23:11Speaker 06

  I mean, it's not, I thought it was like a pop figure at first, but then you realize it's just a tube all the way down. Like there's, it's not like a big head.

• 23:20Speaker 07

  Fucked me.

• 23:21Speaker 06

  It's not a big head and that a small body. It was just big.

• 23:23Speaker 07

  I know this. I'm gonna have to sign these. I'm gonna have to look at these every single day.

• 23:27Speaker 05

  Not that many people are gonna want you to sign it.

• 23:28Speaker 06

  It's a tube, but then in the middle it pops out a little bit. It's like when you take a cupcake and you do the thing where you cut it in half and you put the bottom on top.

• 23:37Speaker 07

  Oh, I know.

• 23:38Speaker 05

  That's exactly what it looks like.

• 23:39Speaker 07

  Thanks, guys. I know that. Yeah, that's awesome.

• 23:41Speaker 02

  It's awesome.

• 23:41Speaker 05

  Anyway, glad you're here and they made it work.

• 23:43Speaker 07

  Yeah, happy to be here.

• 23:44Speaker 06

  Come on, let's jump into your, okay, let's jump into you.

• 23:46Speaker 07

  Okay, well, I'm in the hot seat then. Um, hi, I'm Chester Arthur. I am, um, of course.

• 23:55Speaker 05

  Chester A. Arthur.

• 23:58Speaker 07

  Yeah, Chester A. Arthur. Um, I am, I of course play, um, uh, uh, Biggs the Hacker.

• 24:06Speaker 06

  Yeah, Biggs the Hacker.

• 24:08Speaker 07

  I have, I deal with a lot of, um, sort of lengthy paragraphs of technological exposition.

• 24:17Speaker 05

  Connor, you good at it?

• 24:18Speaker 02

  We need you to be on set all the time.

• 24:22Speaker 06

  Man, the amount of times that I think my mouth is covered, thank God. Cause I don't have to do all of this techno babble.

• 24:30Speaker 07

  It's all nonsense.

• 24:30Speaker 06

  Amazing.

• 24:31Speaker 07

  Can you do one for us? Well, please. Of course, I was, I was pretty off book for this section, so, um, I'll, I'll go ahead and do the, um, the, the arrival on, on the third moon.

• 24:43Speaker 06

  Yeah.

• 24:43Speaker 02

  Yes.

• 24:44Speaker 07

  I'll do the, the part where we're landing on the third moon. Okay.

• 24:48Speaker 07

  Captain, engaging vortex speed. Go, go, go, 15. There's a problem. The third moon is putting out radiation waves that are not congruent to the Y-axis. We have to double act the X-axis in order to get more hyperdrive. No, we're not gonna get hyperdrive that way. If we stay on the axis, we don't get hyperdrive. We only get hyperdrive by putting the vortex into 70-lock speed. 70-lock speed gets us into the vortex that will get us black hole into the gravitational pull. I bet my hat on that.

• 25:23Speaker 06

  Nice.

• 25:24Speaker 05

  I bet my hat on that.

• 25:27Speaker 06

  If you didn't have your sign off or your catchphrase, I was gonna be like, this has to be it. And when you said, I only know the part where we already landed on there, I was like, please don't do that part because you don't have it. This was the part of us getting there that was very important.

• 25:42Speaker 07

  I want to say, and people will know this.

• 25:43Speaker 06

  Honestly, what's we got on the moon? You didn't say shit.

• 25:45Speaker 05

  You don't say anything when we get there.

• 25:47Speaker 07

  I don't really say, when people are falling in love, when people are having fights, like I'm not really involved in that. I am kind of just the break so that people watching it know that something scientific is happening.

• 25:57Speaker 02

  I didn't know that black hole could be a verb.

• 25:59Speaker 07

  Exactly. Get into black hole.

• 26:01Speaker 02

  70 to black hole.

• 26:02Speaker 07

  And I, I just wanted to.

• 26:03Speaker 06

  It was, it's always been true. If you watch some of the, the smaller episodes, the ones that people don't know of the original space show.

• 26:11Speaker 07

  Yes. Yeah.

• 26:11Speaker 06

  Um, of Spaceship, uh, the originals.

• 26:14Speaker 07

  Space.

• 26:15Speaker 06

  But I call it space show now because this, since this is space, space, space show, I call that one space show so that everybody knows it's the original.

• 26:22Speaker 07

  Yeah, yeah, that's, that's a good way to do it. Yeah, yeah, yeah.

• 26:25Speaker 06

  Or Spaceship.

• 26:25Speaker 05

  But the original, you're right, black holes, there's a lot more verbiage.

• 26:29Speaker 07

  Well, yeah, they, so science has improved just so much since then, you know? And back then, when they were doing the original show, you know, people didn't know jack about black holes. They thought it was a verb. They thought it was something that you could do, you know? I think that there was actually a term throwing around in frat circles where it's like, dude, you're, you're black holing me right now.

• 26:49Speaker 06

  Yeah.

• 26:49Speaker 07

  As in like, you're making me chuck a lot of beer. I'm gonna freak out, you know?

• 26:53Speaker 05

  Oh, wow.

• 26:54Speaker 02

  That's where the verbiage started.

• 26:56Speaker 07

  I heard. Yeah, this is what I heard.

• 26:58Speaker 02

  The whole X and Y axis is so important to the show too.

• 27:00Speaker 05

  No, it's so important. Can I just say?

• 27:03Speaker 07

  X and Y is.

• 27:06Speaker 07

  Without the X and Y, we don't know where we are.

• 27:11Speaker 05

  It's crucial. You have to.

• 27:13Speaker 07

  It's final. It's a two dimensional.

• 27:16Speaker 07

  You have to know where you are on a, on a plane.

• 27:19Speaker 06

  Well, especially when, when we're dealing with the pilot, uh, if you look at their screen, it's a grid.

• 27:25Speaker 07

  Yeah.

• 27:25Speaker 05

  It's a literal Y and X axis.

• 27:28Speaker 06

  It's a Y and X axis.

• 27:29Speaker 02

  You don't need that third dimension. You just need it to be.

• 27:31Speaker 07

  X and Y.

• 27:31Speaker 06

  Just get us there. Black hole is there.

• 27:34Speaker 05

  Black hole is there to the Y axis.

• 27:36Speaker 02

  At the end of the day, bet your hat on it and black hole us there with 70 speed.

• 27:40Speaker 07

  Whenever I'm reading the script and I get to the point that says I bet my hat on it, I breathe a sigh of relief. And I always. Thank God. I love the writers too, because every time I watch some sort of sci-fi or fantasy thing, I always wonder, why do they? They choose that word in English that we all use. And I love that your character has hats. You're from the planet, you're from the planet Zygo. And you guys still call them hats. It's so fun. Well, we need something for people to latch on to, right? And in all alien species, we need something that we can relate to. Sometimes it's love, sometimes it's parenthood, sometimes it's communication. Sometimes it's the societal expectation of hats. All species of my alien race take off their hat when they're in the presence of a lady. Yeah, right.

• 28:19Speaker 05

  And there you go, and that's relatable.

• 28:21Speaker 07

  And I love it. Honestly, I know I just, because I'm just a bit, I like collecting the toys of everybody. And, and seeing all of the prototypes. I asked if I can get sent all of them so I can play with them. Obviously, I just wa- looked at yours. Yeah, thanks. Appreciate it. But the crazy thing, the crazy thing about your character is it says, I bet my hat on it. But in order to make it happen, you push on the neck. You push on the neck, you have to like, push. And like, everything else is hard, like a thing, and then there's, it's a really soft neck. And you just push your two fingers there. And I think, I, I got a little preview of this happening because one time I awoke in the middle of the night and the toy maker was standing over my bed. Oh, yeah. What did you say?

• 29:06Speaker 07

  Well, I didn't say anything, I was petrified by fear. Don't talk about his wife. And he just, I have one, you tell me, brother. He took, he took two fingers and he put them in my neck. Oh, no. And I said, what?

• 29:20Speaker 05

  Was he testing out a button placement?

• 29:22Speaker 07

  He was testing, he was testing how it would feel. If you, when he did it and you said, what, what, what, that made you talk. So he probably realized that it worked.

• 29:32Speaker 05

  How do I get her to say stuff?

• 29:34Speaker 07

  Thank goodness he didn't touch you anywhere else and then that happened. Oh, my god.

• 29:36Speaker 05

  You would have had some weird sound effects, huh? I took my hat off your hat.

• 29:41Speaker 07

  I would have done that now, too, if I think about it. If I'm a toy maker, I would go to some woman's house in the middle of the night, push on her neck and see if she makes a sound. See what happens. See, she talks. See, she talks.

• 29:53Speaker 02

  You gotta know.

• 29:53Speaker 07

  You gotta know. You can't ask him how to work that. No. You gotta visit him at home. What's the inspiration for the hat? Can you tell us? The hat? Yeah. What's the inspiration for it? What's it based off? Oh, the, the hat is based off of, you know, those tinfoil hats that people wear in conspiracy circles? Sure. Well, this, this alien type of people, they're, they're very connected to that line of thinking of everyone's out to get me. I am paranoid, we're, we're a very paranoid people, that's why we make good scientists.

• 30:25Speaker 02

  And thanks for using the right kind of phrasing around aliens, we're alien type of people.

• 30:30Speaker 07

  Yeah, yeah, yeah. Because we're all, we're all trying to be people.

• 30:33Speaker 05

  Well, that's why she's wearing a hat, right? Like, she's, at the end of the day, she's a girl on the computer.

• 30:38Speaker 07

  Yeah. A girl on the computer. But of course, you're not a girl on a computer. No, far from it even, come on.

• 30:45Speaker 05

  Thanks, guys.

• 30:47Speaker 05

  Really, really grateful to be here. My name is Quinn Miranda and I play 2052.

• 30:55Speaker 07

  Yes.

• 30:56Speaker 05

  A little ball that flies through the space. That's kind of a girl figuring it out.

• 31:04Speaker 02

  Yeah. 2052 is a girl figuring it out. It's like, you think it's gonna be this super, super like intelligent species, but actually it's just kind of like a sassy girl who's over it all.

• 31:15Speaker 07

  Yeah, she's the comic relief that teens can relate to that can also sell toys. And in the original series, it was quite literally just a ball of light that had some, with some voiceover. But I know that a lot of our, our fearless showrunner looked at that and thought, you know, this could be a girl, a thing that girls can relate to.

• 31:35Speaker 02

  Yes.

• 31:36Speaker 05

  Yeah.

• 31:36Speaker 02

  And thanks so much, you were there shooting with us, that you wear a blue suit and a, and a special 3D kind of capture on your head all day. So people thinking that it was just all post, I want to give roses to you, Quinn.

• 31:51Speaker 07

  Yes, because Quinn, also you, because you were still playing it, you moved around like a ball of light. You ran around. I mean, and that's. You were so fast.

• 32:00Speaker 05

  Can I tell you, that's how my agents got me in the room for this, because they went, she's a ball of light at a dinner party. You have to have her read for this. And it was like such a blessing, it's exhausting, right? I'm, I'm running, right? And I keep going like, I feel like we could at least get a puppeteer in here or something, because the ball does sit on top of my head practically. And I have to run, run, run, run, run, run. But I can't sound like I'm running, I have to sound like I'm just floating, which is hard.

• 32:29Speaker 07

  You're wearing those little booties and also you're underselling yourself. Running is an understatement, you're doing somersaults. Yes. You're crawling up on the set. Because that ball is moving up and down and all around the place. So like, to get there, you were moving and you had the, the 3D helmet on, but then you had the ball here, which I will say, I have, I ruined a couple of takes where I'm supposed to be looking at the ball, but I was looking at your eyes instead.

• 32:51Speaker 02

  So then they're like, what?

• 32:52Speaker 05

  Because I'm usually.

• 32:53Speaker 02

  Yeah, I'm looking below.

• 32:54Speaker 07

  You look like you're in pain.

• 32:55Speaker 05

  And you can see me.

• 32:56Speaker 02

  My favorite thing is when you go, hey, my ball is up here.

• 33:00Speaker 05

  And we have to put that in the blueberry reel, because it's so crazy. But I mean, especially, I want to give a shout out to all of our props and our set deck people, because they have to build me all of these, like, these, these green screen slides. I'm going down slides.

• 33:14Speaker 07

  Yes.

• 33:14Speaker 05

  I'm going through tunnels, I'm just doing a lot. But 2052 is such a blessing for me to play and a, and a great company of incredible actors I get to be with.

• 33:25Speaker 02

  Absolutely.

• 33:25Speaker 05

  Every single day I pinch myself after I like sit and I really detox and I have like four Gatorades and I finally get the amount of electrolytes in my body back. And I go, I am so incredibly grateful to be an actor.

• 33:37Speaker 07

  I think about the fact that I would sit in a chair for seven hours to have the makeup done. And I used to look over at you and like, oh, you just have to be in this blue suit and whatever. But the amount of running and moving you have to do and like, the seesaw scenes where they put you on that seesaw so that the orb goes up and down. Crazy. Was bonkers. And they had Glenn, that giant grip on the other side of the seesaw. And he would just get off of it so that it would land real hard. Unbelievable. No bedside manner.

• 34:08Speaker 05

  The night before, when you get the call sheet and it says seesaw scenes for the whole afternoon, I'll be honest, my heart stops.

• 34:15Speaker 07

  Yeah.

• 34:15Speaker 05

  And I go, I don't know if I can do that.

• 34:17Speaker 07

  I know, I know. Well, Glenn's heart did, you know, he passed away. Yeah, he did die, rest in peace Glenn. Rest in peace Glenn. I mean, he was huge. He was huge and we were like, just do it in a minute fasting. Eat at noon, bud. Really big. Eat at noon and eat until six. I told him.

• 34:32Speaker 02

  And he's always saying, the breakfast burrito on set is the best part of the day.

• 34:35Speaker 07

  So we'd have six.

• 34:38Speaker 07

  He would just eat them through the day and he wouldn't put it in a fridge, it would just get warmer and warmer, room temperature and worse. It's a hot room.

• 34:45Speaker 05

  And you're always in the chair glued up.

• 34:46Speaker 07

  I've texted the shit out of that guy. You would, you would burrito report Glenn on those texts. I have, if, if anybody got Glenn's phone after he passed and see the amount of texts that I sent Glenn, some of them seemed real rude. I was tired at the end of the day. Yeah, I also want to see. Like, so many texts were just enough is enough.

• 35:06Speaker 05

  Dude, that's maple syrup, not water.

• 35:08Speaker 07

  I, and I don't want to, I don't want to, I didn't love Glenn, but I. You can't even swallow that.

• 35:14Speaker 07

  It was so thick. I know.

• 35:17Speaker 02

  Redmond's been covered in maple syrup.

• 35:19Speaker 07

  Awful. You know what he'd do? He would go to where the tea was and he'd rip up the honey packets and put honey packets in his maple syrup. So it was just.

• 35:29Speaker 02

  Honeying up his maple syrup?

• 35:31Speaker 07

  It was just sweet on sweet.

• 35:32Speaker 05

  That's my cup of tea. And I go, Glenn, that is sludge.

• 35:35Speaker 07

  I'm like, Glenn, it's 8:00 PM, you should be done eating already. I know, but guys, I do think we're being insensitive, Glenn did die in a plane crash. Yeah, I had nothing to do with it.

• 35:44Speaker 05

  That could have happened to anybody.

• 35:46Speaker 02

  At a certain point, you have to wonder why that plane went down.

• 35:48Speaker 07

  No, no.

• 35:51Speaker 05

  There was like a whole problem with the clouds that day.

• 35:53Speaker 07

  Yeah, the whole, yeah, I heard it was a whole problem with the clouds. They were like the clouds.

• 35:58Speaker 05

  The clouds got in front of the pilot.

• 36:00Speaker 07

  They got thick.

• 36:00Speaker 05

  They got really thick.

• 36:01Speaker 02

  Thick and heavy.

• 36:02Speaker 07

  Thick and heavy clouds. Wish they had you there so they could get through.

• 36:07Speaker 07

  Only if I had had those numbers, we should have been fine.

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• 37:14Speaker 01

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• 37:45Speaker 05

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• 38:50Speaker 02

  Well, let's talk about favorite episodes, maybe?

• 38:52Speaker 07

  Yeah, let's talk about favorite episodes.

• 38:54Speaker 02

  Moments from episodes. I mean, there's so many that come to mind.

• 38:57Speaker 07

  I mean, I think the moment where we landed on that planet that was all disco ball.

• 39:04Speaker 02

  I mean, do the, do the opening of it when we landed. All right, not if you want to do it, or how we got there. Yeah.

• 39:10Speaker 07

  Yeah, do how we got there.

• 39:11Speaker 02

  Whatever you land on.

• 39:12Speaker 07

  I'll do how we got there, and then you guys can talk about what we did once we're there. Cause I-

• 39:17Speaker 02

  We might have to stop down after you explain it, but yeah, let's talk.

• 39:20Speaker 07

  I think it'll be pretty clear.

• 39:21Speaker 05

  I think, I think you won't be able to poke holes at it. Oh, yeah.

• 39:24Speaker 07

  No, I don't think, this, these writers really, they really have my back here. Engaging system overdrive. Engaging. Locking in. Locking in numbers. Seven, forty-five, nine. Hovering above. Dividing below.

• 39:43Speaker 07

  Pulling lever, pulling lever up. Y-axis double across.

• 39:50Speaker 07

  Entering hyperdrive into hyperspace. Black hole, black hole. Dodge, weave, weave, weave, dodge. Locking in seven, locking in forty-five. No, sir. Forty-five is too low. That's what I said. Forty-five is too low. No. We need to get the hydrogen levels up to fifteen before we can engage black hole. Well, I'm doing it anyway. Locking in, locking in, locking in. Lever up, lever down, lever up, lever down. Button up, button down, button up, button down.

• 40:20Speaker 05

  Button down.

• 40:22Speaker 07

  Button down. Y-axis across. Z-axis below.

• 40:27Speaker 05

  There it is.

• 40:27Speaker 02

  Z. There's the third axis. We introduced Z in the pilot. That's how you know it's not the normal show.

• 40:33Speaker 07

  Piloting across X-axis. Now Y-axis. Hovering. We're close, we're close. Entering atmosphere. I bet my hat on it.

• 40:42Speaker 02

  Wow. That was awesome, because I didn't know what you were betting your hat on. Yeah.

• 40:46Speaker 07

  At a certain point, you know, I as an actor had to figure out some of those lines because sometimes what I'm betting my hat on is just sort of like, I chose to read it as. See that?

• 40:58Speaker 02

  Yeah.

• 40:59Speaker 07

  You know, and sometimes it's not clear in the dialogue what I'm betting my hat on.

• 41:02Speaker 02

  The beautiful thing is, I always thought your role was exposition. But it's just because you explaining the movements and actions that you're doing. Well, I'll be, I'll be honest, reading the script, and, and, and I loved, I loved what the showrunners did, and I loved how the writers, and props to the directors who did all the episodes, because they, they looked fantastic. Yes. When I was reading the script, I realized that she was just saying the stage direct. And some of it, but she was so locked in that even the writers were like, we gotta keep all of this. Lever up, lever down. I mean, the lever was so important, you know? Cause the lever was just like what you were supposed to do, and then the fact that you had memorized it, and you had made it real.

• 41:44Speaker 07

  I mean, guys, it's so tough looking at these final draft scripts, you know? These script formatted scripts, because how on earth do you tell when you're talking and when you're moving?

• 41:57Speaker 02

  It's all words. It's all words. They're sending it in final draft format, and so you're opening up on Word, you're confused as hell.

• 42:03Speaker 05

  It's so different.

• 42:03Speaker 07

  Well, that's my problem. That's my problem.

• 42:06Speaker 02

  Expected us to have final drafts. Crazy.

• 42:08Speaker 05

  I put it into a Word document, and I go, what, is this robot talk, or is this just the transfer of the file?

• 42:13Speaker 07

  Exactly. They really got to figure out a way to get us a PDF of the script.

• 42:17Speaker 02

  And also, you think us saying space, space, spaceship is difficult? They wrote space for every single word in the script.

• 42:22Speaker 05

  It's impossible. But here's the thing, as you say, I take my hat off to that, and the ball is just on the T, and then the captain. I mean, we should play the scene.

• 42:29Speaker 02

  We gotta play the scene.

• 42:29Speaker 05

  I love when you look at the view of, when we land, and you always look at the view, and it's just, it's, it's-

• 42:35Speaker 02

  Of the disco ball planet?

• 42:36Speaker 05

  Yeah, it's gorgeous. It's gorgeous.

• 42:39Speaker 02

  We've touched down.

• 42:42Speaker 02

  Another planet, another devastating catastrophe, just on the bounds of happening. Captain, should I, um, should I scan for life forms?

• 42:54Speaker 02

  Doimpy. Shut up already. I've got it from here.

• 42:59Speaker 05

  Hey, wait a second. Are we talking shit about Doimpy? I'm over here.

• 43:03Speaker 02

  Two thousand fifty-two.

• 43:06Speaker 05

  Don't want to miss a session where we can talk shit about my favorite dude.

• 43:13Speaker 02

  Uh-oh.

• 43:14Speaker 05

  Uh-oh.

• 43:14Speaker 02

  Savage read from Clyron. Clyron is non-stop.

• 43:20Speaker 02

  That's what I did on the day.

• 43:21Speaker 07

  Something I just realized about this show that's pretty interesting in the dynamic is that you have almost no one to talk to.

• 43:31Speaker 02

  Right, because you stay on the ship.

• 43:32Speaker 07

  Because I stay on the ship. I'm in half the world. You are a ball of light, you're a robot, and you can only talk through your eyebrows.

• 43:40Speaker 02

  Well, once we get that ADR in. Once you get the ADR in. Once you get the ADR in.

• 43:44Speaker 05

  It's live.

• 43:46Speaker 02

  It shows that we're best friends, because during, when we did, when we did the chemistry reads, Yes. I was able to talk during all of it. It was awesome. We had such good chemistry.

• 43:55Speaker 07

  We gotta get the ADR in.

• 43:57Speaker 02

  But once you get the ADR in, it's like, it's weird, it's weird that you guys just had to memorize, because we were like, oh, can somebody off-camera just read his lines? They said, no, it'll mess. They said, no, it'll mess up the dialogue, and it's like, no, because he would be talking to-

• 44:11Speaker 07

  Yeah.

• 44:12Speaker 02

  I couldn't say, I texted the shit out of you guys. This doesn't make sense.

• 44:16Speaker 07

  It just wasn't happening in real time. One very, one of our EPs was really hell-bent on, like, that wouldn't happen in space. Nobody would be reading off-camera in space.

• 44:26Speaker 05

  Right. He's an, he's an interesting hang.

• 44:28Speaker 07

  He, every time he didn't like something, he'd just say that wouldn't happen in space.

• 44:31Speaker 05

  He's an interesting hang. But I'll say, this doesn't stop us from the amount of incredible guest stars we have this season.

• 44:37Speaker 02

  Oh, my gosh.

• 44:38Speaker 05

  And you have some love interests, like, you do have people to talk to that are from other planets, that I think we just have to, we have to shout out.

• 44:45Speaker 02

  Yes.

• 44:46Speaker 05

  All of the amazing actors that are in this season.

• 44:49Speaker 02

  Maisy Williams? Maisy, Maisy Williams came as, as my love interest. Insane.

• 44:55Speaker 05

  Gracie Abrams?

• 44:56Speaker 02

  Gracie Abrams came in as that singing alien. It was, or, sorry, alien type people.

• 45:02Speaker 05

  Alien type people.

• 45:04Speaker 02

  Lacey Chabert. Lacey Chabert, Lacey Mosley.

• 45:08Speaker 05

  Lacey Mosley.

• 45:09Speaker 02

  They played the twins. The twins, the Lacey twins. And they were so, when we were not sure which one was falling in love with you, it was hilarious. Yeah.

• 45:18Speaker 07

  Millie Bobby Brown played Queen Europa, who became sort of a mentor. Bobby Brown of makeup?

• 45:28Speaker 02

  Yeah, Bobby Brown makeup. Makeup artist. The makeup artist Bobby Brown came in just to work on your tummy. Yeah, that was, that was more of a hail Mary. Yeah.

• 45:35Speaker 05

  What a cool guest star to get a makeup artist in there.

• 45:39Speaker 02

  Yeah, so there's a, we've labeled it a guest artist because we had to move on shooting, and she wasn't done. So she's, she's- She's in the, so she's in the episode. She's engineer Bobby Brown fixing my midsection. Just patting your belly the whole time. Thorax expert, which I didn't like, being told I had a thorax.

• 45:59Speaker 05

  My favorite episode of the whole season is when they are all on the ship, and they're going through that long journey, and they decide to have a birthday party for your character.

• 46:10Speaker 02

  Oh, my gosh. Such an interesting episode.

• 46:13Speaker 05

  And they all get a little wasted.

• 46:14Speaker 02

  Yeah. Yeah. Well, I think we wanted to show, or they wanted to show, the showrunners wanted to show, not interesting hang necessarily, but more of like, how this character has like, a deeper personality and actually likes everybody else on the ship, because at that point, they're like, oh, does he even get along with everybody? I mean, the Clyron, yeah, it's so buttoned up. It's so buttoned up. Such a moral-based character. It's all about ethics and what to do.

• 46:42Speaker 05

  Let's see him lose control.

• 46:43Speaker 02

  Yes, and I know for sure, on the original series, Ted never lost control. They never showed that side of, of our race, so it was fun to see what that's like, because now that I know that this is how the original series was shot, and now this is how we're shooting it, where you don't hear the voiceover, you would think that my character was so buttoned up, but it's just because everybody had to take a longer pause to think, are the lines gonna be done by this? Well, this is the scene, it's like, we're celebrating your, your birthday, and we have all off-book memorized your lines. Yes. And you were just doing such a good job acting with your face to, to kind of like, let us know what the lines are.

• 47:23Speaker 02

  Oh, thank you. I tried, I tried. I mean, they did have to come in with the menthol for my eyes to make me cry. Yeah. Just because they always were watery, because I was breathing through my nose.

• 47:33Speaker 05

  And that's what happened, yeah.

• 47:34Speaker 02

  So they had to like, get extra, because they were like, oh, well, this just looks like how he's usually doing it. Yeah. And that was me texting you guys for help that I'm having a hard time breathing. Yeah, but we were all so in the scene that we could not see.

• 47:48Speaker 05

  And they should have had somebody texting you like a second AD or something for safety.

• 47:52Speaker 02

  Yes, yeah. It wasn't happening, especially when it was time to start eating the cake and it was just like all in my eyes. Well, let's watch the scene. Let's show them the scene. Yeah, that's great.

• 48:01Speaker 07

  Alert, alert. It is a very special birthday day for our very own Clyron.

• 48:08Speaker 02

  Wow, Doink B saying something right for once.

• 48:12Speaker 05

  Um, I'll retweet that.

• 48:14Speaker 02

  That's hilarious. 2052. Clyron, we had no idea it was your birthday. How old are you turning?

• 48:22Speaker 02

  What? That's insane. I didn't know Clyrons could even get to that age.

• 48:28Speaker 02

  Oh, no.

• 48:28Speaker 05

  Oh, no. Is that, uh, tears, I see?

• 48:32Speaker 02

  I think so.

• 48:33Speaker 07

  Clyron, unlocking freezer systems now. Is there a preference to chocolate or vanilla space cake?

• 48:41Speaker 02

  I knew it.

• 48:42Speaker 07

  Oh, classic.

• 48:44Speaker 05

  Fuck, I'm on a diet.

• 48:46Speaker 07

  Analyzing appetite. I think we're all interested in some space cake.

• 48:49Speaker 02

  Okay, Doink B, get out of the room. Please just leave as we're talking here. Thank you.

• 48:56Speaker 05

  Oh. He's taking a shit.

• 48:58Speaker 02

  No, he's eating. He's eating.

• 49:00Speaker 05

  Oh, my bad.

• 49:01Speaker 07

  Oh, he's eating.

• 49:02Speaker 02

  2052. Wow, what a powerful scene.

• 49:07Speaker 07

  What a powerful scene. It's tough because I know there was a part in the script where you were eating and there was a part of the script where you were taking a shit and it's really hard to remember which is which. Yeah, it's tough. When we don't hear the lines.

• 49:17Speaker 02

  And I was supposed to introduce a whole villain in that scene too, but we had to cut that actor too because you told me to leave the room. Something about your voice just got under my skin away. I'll be honest, it's just changed so much from the 13 year old version.

• 49:32Speaker 05

  Sure. Just such a bump and you see us get bumped during the scene.

• 49:36Speaker 02

  Yeah, it like, it's almost 43 versions later of this character has just made the character feel a little bit more curmudgeon or useless on the show. Yeah, it's like no real need for a Doink B 43. Yeah, I would love the original. Oh, my. So it is me. And that is me, right? That is me. I am the original.

• 49:58Speaker 07

  But that kid.

• 49:59Speaker 02

  So the kid is me.

• 50:00Speaker 05

  Or finding a kid that has that essence.

• 50:02Speaker 02

  Yeah, but it wouldn't be that. It would be, it would be me. I would have it. But the fun thing was is it felt like any 13 year old at the time.

• 50:09Speaker 05

  Yes, I feel like it is. So the youth is the character. It literally is anything but you.

• 50:15Speaker 02

  One thing I will say when it comes to episodes, one of my favorite things is classic in spaceship show form. We tackle current issues through a sci-fi lens. Yes. If that is not maybe the most important thing of sci-fi.

• 50:28Speaker 07

  Oh, my gosh.

• 50:29Speaker 02

  Talk about today's issues. There's a very, very, very powerful episode of the original spaceship about apartheid. That was really, really incredible. Really amazing. And we tried to, we tried to tackle a modern day issue on our own show. It's a little different.

• 50:43Speaker 05

  I find that the showrunners kind of put a bunch of modern day issues in one episode if I'm like, I, I.

• 50:48Speaker 02

  There was that one.

• 50:49Speaker 05

  Maybe I'm overstepping, but I will say there was a lot going on in that episode.

• 50:52Speaker 02

  We tried to do it all in just one rather than like, just kind of teasing or tackling everything throughout. Yeah, we went to this planet called Volpexia, which is kind of a irreversible, has an irreversible curse on it. And we handled like a lot of the modern day issues. Kind of one fell swoop.

• 51:11Speaker 05

  Yeah. Play the, the like, uh, that really big, beautiful, full cast scene at the end of that episode, if you guys don't mind. I think it's just beautiful work.

• 51:19Speaker 02

  Yeah. Alert, alert. I would like to make an announcement. I am bisexual.

• 51:29Speaker 05

  Well, that just happened.

• 51:32Speaker 02

  Yeah, could have called that one years ago.

• 51:35Speaker 07

  Captain, Captain, there's a problem with the levers. We're dumping too much pollution into the stream into hyperdrive.

• 51:43Speaker 02

  Well, why do you think I'm tied up to this Volpixian high school? It's because it's on stolen land. That's why I'm tied up. They're stealing the land and dumping chemicals into the high school.

• 51:56Speaker 02

  Exactly.

• 51:57Speaker 07

  Exactly.

• 51:57Speaker 02

  Sorry, alien type of people. You're right.

• 52:02Speaker 07

  Uh, guys, I gotta tell you something.

• 52:06Speaker 07

  I just took a pregnancy test. I'm pregnant and I have no access to getting rid of the baby and I'm a ball of light.

• 52:13Speaker 02

  Oh, my God.

• 52:14Speaker 07

  Oh, my God.

• 52:15Speaker 02

  Well, you should keep it. And I don't want you to get rid of it.

• 52:22Speaker 02

  Alert, alert. There are other options, though. I don't think there are.

• 52:26Speaker 07

  Yes, the X and Y axis, there is a facility where you can get care, but unfortunately, space health insurance is so expensive. Clyron, your old, your family used to speak of these places.

• 52:41Speaker 02

  Clyron.

• 52:44Speaker 02

  Speak. Wow.

• 52:46Speaker 07

  What?

• 52:47Speaker 02

  Wow.

• 52:47Speaker 07

  Oh, my God.

• 52:48Speaker 02

  That's what your people had to go through? Unbelievable.

• 52:52Speaker 05

  But I'm a ball of light. How am I gonna get an abortion?

• 52:56Speaker 02

  You won't be getting an abortion. Alert, there is a very, very, very evil alien race named the Glumps. The Clonald Glumps. Oh, my God. They think it's all right to dress up as animals and have sex?

• 53:15Speaker 02

  Yes.

• 53:16Speaker 07

  Wait, an anomaly on the screen. It appears that there's a group of children, aliens, and they have stepparents. And that's okay.

• 53:30Speaker 02

  Wow, what a powerful episode. Rewatching it, I think they wrote my character anti-abortion.

• 53:37Speaker 07

  Yeah, I think they did.

• 53:38Speaker 05

  I don't think it's a thing.

• 53:40Speaker 02

  And I think I was just so into it that day. Anti-furry, anti-abortion. Anti-furry, anti-abortion. And whenever we talk to the showrunner about it, who's a terrible hang, we'd like have to, we'd have to go visit him and he's always on that swing. Remember that swingy setup? Yes. Inside. Inside.

• 53:57Speaker 07

  He's always wearing sunglasses, swinging back and forth with a dirty soda.

• 54:02Speaker 05

  And you go, this is not a good hang. You're in a swing. This is a terrible hang.

• 54:06Speaker 02

  He'd just like point to the fact that he's swinging and you can't talk.

• 54:10Speaker 05

  Like, oh, I'm on the phone.

• 54:12Speaker 02

  Yeah, I'm on the swing. But I'm on the swing. Swing and talk. Like, swingy takes up so much mental space, you couldn't possibly talk. The only way you could talk to him is if you pushed. Also, I tried. And they would only be on the way back and we'd talk. Terrible.

• 54:30Speaker 07

  Alert, alert, emergency alert. There's a Patreon you need to subscribe to. Hold on, pause the episode.

• 54:39Speaker 07

  Oh, my God. How fun would it be to just hang out with us like maybe at weird times of the day, like 7:00 AM or 11:30 PM? Little peek behind the curtain. This episode was recorded between nine to five, but if you want to see what we're like after hours, you gotta join the Patreon. We'll recap episodes and then also we'll do weird stuff like bully Jeremy. We bully Jeremy. We make him do 12 weeks of dancing in a row. We made Patrick write an entire screenplay in one day and we're doing an Oscars draft. So come on by. It's three bucks. See you there. Bye.

• 55:12Speaker 02

  Trying to talk to him too, because I think he thought a really big hot button issue was, uh, not recognizing stepparents as parents.

• 55:20Speaker 07

  I do think that he recently became a stepdad and so I think it was, it sort of trickled into the work. He's like, and I have something too.

• 55:30Speaker 02

  Specific to end on that one. Yeah.

• 55:32Speaker 05

  I, I do, I would be remiss if we didn't before we leave, show one more scene. Um, when Clyron, you get hacked.

• 55:39Speaker 02

  Yes.

• 55:39Speaker 05

  And you, and your eyebrows speak and you have that insane monologue.

• 55:43Speaker 02

  Actually, they added the ADR for this one already. They did. Yeah.

• 55:45Speaker 05

  So we have you doing it.

• 55:47Speaker 02

  So we can hear it.

• 55:48Speaker 05

  I would just like really love to see that one.

• 55:51Speaker 07

  Yes, yes. So this is when we're landing on, um.

• 55:54Speaker 02

  Oh, yeah, we're landing, so.

• 56:01Speaker 02

  Let's get to set us to land.

• 56:03Speaker 07

  So we're about to land.

• 56:04Speaker 02

  Let's get there first.

• 56:05Speaker 05

  Yeah.

• 56:06Speaker 02

  After we get there, I, uh, we arrive.

• 56:09Speaker 07

  We'll get there first. We'll get there first and then we arrive and then you're hacked.

• 56:12Speaker 02

  We're hacked so that I can actually talk, but we had landed on my planet. Yes. And I finally get to see Clyron.

• 56:20Speaker 07

  Clyron.

• 56:20Speaker 02

  Yes.

• 56:22Speaker 07

  Captain engaging Clyron system activator. Engaging, engaging, hovering, hovering above, hovering below. Locking in, fan swiping, swipe dissolve, swipe dissolve, checkerboard. Checkerboard.

• 56:37Speaker 02

  Checker. Oh, no.

• 56:38Speaker 07

  Valencia filter.

• 56:41Speaker 05

  No, it's Instagram.

• 56:42Speaker 07

  Exposure up, exposure up, saturation down. No, saturation split the difference. Saturation to 50, lower contrast, up shadows, too far. Brightness up? No. Push brightness down, push whites up. No. Blacks down.

• 57:00Speaker 07

  Swipe dissolve fade to black, flash to white. We've landed and I'd hand my hat on that.

• 57:08Speaker 02

  Hand my hat. You'd have to hand your hat on that.

• 57:13Speaker 02

  Hand your hat?

• 57:15Speaker 05

  You could have been hacked.

• 57:17Speaker 02

  Yeah. Well, we're here, Clyron, at your home planet. Hey, best friend. Hey, best friend. It's so different here. What do you mean? Everybody's dead. What? Well, let's go. Clyron, what are you talking about? Your whole civilization has been wiped out. So that means I'm the only one left.

• 57:42Speaker 05

  Wait, we're leaving?

• 57:44Speaker 02

  Analyzing, analyzing. Could you just shut up for a second? But there's one life form still out there. Yeah, it's you. You stay here forever by yourself. I do understand. You stay here forever by yourself because we're never coming back.

• 57:59Speaker 05

  Duh.

• 58:00Speaker 02

  That is, that is not in the script. We're never coming back to this planet. You're acting kind of hacked right now. And you need to stay here. Maybe it's for the best. He's acting irrational. He has been hacked. I don't know what your deal is, but I can smell you.

• 58:16Speaker 02

  I am a robot.

• 58:18Speaker 05

  Hey, bro, coming from another robot, get out.

• 58:21Speaker 02

  They can't do this. They can't make me.

• 58:26Speaker 02

  All right. You did good.

• 58:30Speaker 02

  When you were small, you did better. But now you've done good. Thank you for everything you've done. Make this planet great again. Bobby Brown, get off me. We're leaving. Make this planet as great as you can.

• 58:48Speaker 02

  Okay. Wait a second. What's that beetle attached to your ear, Clyron?

• 58:56Speaker 02

  Now that's the Clyron I know and remember. Then I'll stay.

• 59:01Speaker 05

  That just happened.

• 59:02Speaker 02

  No, I think you should stay here. Make this planet great again.

• 59:10Speaker 02

  Dump the swamp.

• 59:13Speaker 02

  Of this planet. You see how it's all swampy? He's clearing. Clear the swamp. All right. Okay. Wow. That was, you know, I noticed more. I'm getting. In that, like, they wrote you a very specific way. I think so. And I didn't think about that until, like, some of the possible future episodes where, like, you have a UFC fight on the ship. Yeah, yeah, yeah, yeah. It was like, UFC fight on the ship. They got like, uh, they had like, uh, my, my, they were trying to hire that guy that was gonna be like, my second, and he was like, eating worms the whole time. Isn't that what you kept saying Quiet Piggy to me, too? I kept, they kept on writing Quiet Piggy.

• 59:54Speaker 05

  Interesting.

• 59:55Speaker 02

  And every time you shook hands, you turned your hand over. Pull, pull as hard as I can to prove that I was the best captain. Yeah. So then after a while. I tried to talk to the show here, but he just kept swinging.

• 1:00:09Speaker 02

  I, I would try to catch him on the way back. He's like, hey, so what is the, and he would. He will not talk on this one.

• 1:00:14Speaker 07

  He won't talk on the swing. That's what's really hard.

• 1:00:16Speaker 05

  Beautiful way that the scenes just fizzled out.

• 1:00:19Speaker 02

  I hate to go.

• 1:00:20Speaker 05

  They just slowly.

• 1:00:21Speaker 07

  I love what I love about this show.

• 1:00:23Speaker 05

  It's so, it puts you to sleep.

• 1:00:26Speaker 02

  The spacing in between the words, the editing is crazy. There's so much dead space.

• 1:00:31Speaker 07

  They leave a lot in.

• 1:00:32Speaker 05

  And it goes slow until out of nowhere you go, nothing's going on.

• 1:00:38Speaker 02

  And then credits. You'd assume some sort of action sequence or some compelling drive in every episode.

• 1:00:44Speaker 05

  All of a sudden, it's a lullaby, putting you to bed.

• 1:00:46Speaker 02

  But I'd be remiss to skip the new catchphrase coming out of this episode. I hand my hat on that one. I hand my hat.

• 1:00:53Speaker 07

  I hand my hat. Now that was actually a misprint in final draft.

• 1:00:57Speaker 02

  Really?

• 1:00:58Speaker 07

  I, well, I believe it was, uh, because I, I, I say everything that's written. You know, I'm not, I'm not deviating. I trust that the word is God, the script is God, the writers are the Bible. I am not gonna say anything that they didn't tell me to say. So I hand my hat on that.

• 1:01:17Speaker 02

  Sure.

• 1:01:17Speaker 05

  Amazing.

• 1:01:18Speaker 02

  I hand my hat on that. I hand my hat on that.

• 1:01:21Speaker 05

  Speaking of, I'll see you all at, uh, the Comic Con.

• 1:01:25Speaker 02

  Oh, yeah.

• 1:01:26Speaker 07

  Very excited for Comic Con.

• 1:01:27Speaker 02

  We got Space Con. We're doing Goofy Con. Are you guys doing Goofy Con?

• 1:01:31Speaker 05

  I'm not.

• 1:01:31Speaker 02

  Uh, no, I think that's in, um, that's in Des Moines. It's in Des Moines.

• 1:01:36Speaker 07

  You're doing Goofy Con in Des Moines. You guys are all doing UFO Con, right?

• 1:01:39Speaker 02

  Yes, yes, yes, yes, yes. Where is that?

• 1:01:41Speaker 07

  Oh, uh, it's Area 51. You're probably busy.

• 1:01:44Speaker 02

  Yeah. Yeah, you're probably busy. UFO Con, it's like, seven days. Oh, it's awesome. They put you up at the best place.

• 1:01:50Speaker 07

  Five-star resort.

• 1:01:52Speaker 05

  I didn't know they had Nobus outside.

• 1:01:55Speaker 02

  You wouldn't think they could. In the desert? With the fish that they're serving, you wouldn't think they could have a Nobu outside.

• 1:02:00Speaker 07

  Not with that kind of fish. They could have a Nobu in the middle of Nevada.

• 1:02:04Speaker 02

  But they do it. They like, they, they pump in the air or something to make it like, cool enough. And they, they have like that Vegas air, so it smells good. It smells. Pump in the good Vegas air. I'll be there for season two, because you guys are gonna watch Space Spaceship and, and it's gonna go, it's gonna go to the top. If you're searching for our show, it's Space, Space, Spaceship.

• 1:02:24Speaker 07

  So make sure to type the space, but when you're telling your friends to say it, don't say the other space.

• 1:02:29Speaker 02

  Yeah.

• 1:02:30Speaker 07

  Only say verbally Space Spaceship.

• 1:02:32Speaker 02

  And be, to be clear, Space, Space, Space Spaceship is another show. It's another spinoff, that Space, Base, Spaceship, if you were to read it, and if you were to explain how it's read, Space, Base, Space, Space, Spaceship.

• 1:02:45Speaker 05

  And if you have Apple TV, we're noticing if you dictate, if you hit the microphone to dictate what to type in, you should say two spaces.

• 1:02:53Speaker 02

  Yes.

• 1:02:53Speaker 05

  But if you have YouTube TV, you shouldn't say double spaces.

• 1:02:57Speaker 02

  Absolutely. And if you are coming to UFO Con or any of the cons we're going to, I will not sign Funkos anymore. I'm just sick of, everybody's using the blue ink pen, and I know you're just pushing that on the other ones to make multiples. Whoa. And, uh, that's taking away from the artists' money.

• 1:03:15Speaker 05

  Thank you for saying that.

• 1:03:16Speaker 02

  And for me, I'm not gonna be signing any more breasts. It was an awesome time, but I'm happily engaged, and I've been told that's not a cool thing to do anymore. And I should be clear, I'm not signing any more rolls of cookie dough. Split open, right?

• 1:03:31Speaker 02

  Lightly split open and press.

• 1:03:33Speaker 05

  With like peanut butter all over it?

• 1:03:34Speaker 02

  And then, but then the, but then the container is painted silver. Yeah. So that it just looks like. They painted silver. Just where you only see the cookie dough. And sometimes they push it in the middle of a pipe.

• 1:03:44Speaker 05

  Yeah.

• 1:03:44Speaker 02

  Sometimes they put pipe around the middle of a roll of cookie dough and they cut open the end. I just won't sign that anymore. I think those are kind of harsh and rude. But you will still sign the cupcakes that people have squished. I'll sign the, I'll sign the, the right way to eat a cupcake, whether it be Chrissy Teigen or whatever.

• 1:03:57Speaker 05

  A hundred percent. I won't be signing any boxes of Plan B. My 2052 doesn't get an abortion.

• 1:04:04Speaker 02

  It's just incorrect.

• 1:04:05Speaker 05

  It's just not what she does. She wouldn't do it.

• 1:04:07Speaker 02

  You didn't watch the whole episode, or you fell asleep.

• 1:04:09Speaker 05

  Yeah, I literally.

• 1:04:09Speaker 02

  But it's beautiful when your kids come out in their tiny little balls of light.

• 1:04:13Speaker 05

  And then your character goes, I'm glad you kept it.

• 1:04:15Speaker 02

  I'm glad you kept it, aren't you? But then it was weird that you ate two. I ate two. They were delicious.

• 1:04:23Speaker 02

  This has been Artists on Artists on Artists on Artists. Instagram, so now that's why I call it show business. Good night.

• 1:04:29Speaker 07

  Give it up for our guest.

• 1:04:30Speaker 02

  Eugene Cordero. Follow Eugene on everything. Where can they see you, Eugene? What are you up to? Anything to plug?

• 1:04:36Speaker 05

  Nope.

• 1:04:37Speaker 07

  We'll link it all.

• 1:04:38Speaker 02

  From the beautiful Dynasty Typewriter.

• 1:04:41Speaker 07

  See you later. Patreon. We'll talk all about this. Bye. Artists on Artists on Artists on Artists is an improvised Hollywood Roundtable podcast created and hosted by Kylie Brakeman, Jeremy Culhane, Angela Giarratana, and Patrick McDonald. It is a production of Will Ferrell's Big Money Players and iHeart Media Podcasts. Executive produced by Matt Apodaca and produced by Alexandra Dennis and Laser Vision Productions. Music by Gabriel Ponton and edited by Connor McCain. Thumbnail art is by Josh Fleury and logo design is by Lucy Tompkins. Special thanks to Samuel Curtis and the beautiful Dynasty Typewriter Theater.

• 1:05:17Speaker 07

  The opinions expressed on this podcast do not reflect the opinions of anyone who works on it, not even the performers, because this is an improvised podcast and we don't know what the heck we're talking about. Full video versions of AOA OA OA are available on YouTube, so please like and subscribe and leave us a five-star review wherever you get your podcasts. That's all for now. Good night, Hollywood.

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• 1:08:24Speaker 00

  This is an iHeart Podcast. Guaranteed Human.