Pod Insights The Watch The Best Shows of the Year (So Far) About this episode Chris and Andy talk about the trailers for Tony Gilroy’s ‘Behemoth!’ (10:51) and Ryan Murphy’s adaptation of Bret Easton Ellis’s novel ‘The Shards’ (16:26). Then they reveal their favorite shows of the year so far, including everything from ‘Industry’ and ‘The Pitt’ to ‘A Knight of the Seven Kingdoms’ and ‘Beef,' and they reflect on the year in television up until this point (20:09). Later, The Watch: After Dark (0:00).
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Hosts: Chris Ryan and Andy Greenwald
Producers: Kaya McMullen and Kai Grady
Studio Production: Sarah Reddy
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Transcript 16,757 words · 7 speakers
Speaker names marked ? are inferred from speaking time and the show’s known hosts — they are not voice-verified.
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1:00 Speaker 01 The best part of waking up? A full cup of Folgers coffee and music on full blast.
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1:35 Speaker 02 I need support staff to clear the room.
1:38 Chris Ryan? Stand up and walk, now! Hello and welcome to The Watch. My name is Chris Ryan. I am an editor at TheRinger.com. And joining me in the studio, tearfully singing Talk Tonight, instead of Wonderwall, it's Andy Greenwald!
1:56 Andy Greenwald? It's terrible.
1:56 Chris Ryan? It's not coming home.
1:58 Andy Greenwald? It turns out it is not coming home. Thank you for having me on the Bill Simmons Podcast, Chris. I appreciate it.
2:03 Chris Ryan? Yeah.
2:04 Andy Greenwald? It's nice to be here.
2:05 Chris Ryan? I guess I should say, I got to host the Bill Simmons Podcast yesterday. I had Ian Wright and Anthony DiBundo and Sean Fantasy on. We talked about the England Argentina match. We talked about the Odyssey. DiBundo and Ian Wright had a lot of thoughts on the Odyssey.
2:20 Andy Greenwald? Did they?
2:21 Chris Ryan? And Sean Fantasy thought Thomas Tuchel was a coward.
2:24 Andy Greenwald? It's a great zag.
2:24 Chris Ryan? Yeah.
2:25 Andy Greenwald? I, first of all, congratulations.
2:27 Chris Ryan? Thanks, man.
2:27 Andy Greenwald? It's no small achievement. It's a great podcast.
2:29 Chris Ryan? It is.
2:31 Andy Greenwald? Would you like a constructive note?
2:33 Chris Ryan? Sure.
2:33 Andy Greenwald? I just think-
2:34 Chris Ryan? Did you listen?
2:36 Andy Greenwald? I started it.
2:37 Chris Ryan? Oh, yeah?
2:37 Andy Greenwald? Yeah. No, it's good. It's, it's, listen, it's good. It's good. My note, though, is the next time that he gives you the keys to his choice ride, I think you gotta be a little bit more like the parking garage attendants in Ferris Bueller Stay Off.
2:53 Chris Ryan? So you think I played it too safe?
2:55 Andy Greenwald? I think you gotta open it up. You know what I mean?
2:57 Chris Ryan? Do you, when you say that-
2:58 Andy Greenwald? Yeah.
2:58 Chris Ryan? Do you mean I needed to open it up, like, me personally? And just start going like, "Bing bong, it's Wayne Jenkins"? Or do you think, like, is it morning zoo it up? Or do you think the guests were too conservative?
3:10 Andy Greenwald? No, no, no. I just think, first of all, great question, great phrasing.
3:14 Chris Ryan? Yeah.
3:15 Andy Greenwald? You would have done numbers if you had done CR's side talk.
3:20 Andy Greenwald? I don't know. I just feel like I want, you did bring some of yourself to it, clearly, because you brought soccer and you brought Sean Fantasy.
3:28 Chris Ryan? And the Odyssey. Yeah, I like that.
3:29 Andy Greenwald? You like that stuff.
3:30 Chris Ryan? Yeah.
3:31 Andy Greenwald? I'm just trying to think of, like, maybe some more personal, like, a deep dive into Len Diten's, like, later works.
3:36 Chris Ryan? So you wanted to be included, is what you're saying?
3:38 Andy Greenwald? No, no, you wouldn't talk to me.
3:39 Chris Ryan? Yeah.
3:40 Andy Greenwald? You would talk to, like, Len Diten's son, Ben Diten, or something. You know what I mean?
3:44 Chris Ryan? Here's the thing you gotta learn about being political in this world is-
3:47 Andy Greenwald? Yes, yes, yeah.
3:49 Chris Ryan? You and me, we're the, we're the primary. But when you get to Bill, it's the general, and you gotta pivot to the center of it.
3:55 Andy Greenwald? Right, because I'm running to your left. That's totally right. When you get to the general-
4:01 Chris Ryan? That's when I turn into Haley Stevens.
4:05 Andy Greenwald? Totally true.
4:06 Chris Ryan? My heads will get that one.
4:07 Andy Greenwald? It's totally right.
4:08 Chris Ryan? My right heads.
4:09 Andy Greenwald? Okay, well, I thought you did a great job.
4:10 Chris Ryan? Thanks, no, thank you.
4:11 Andy Greenwald? That is exciting, and we have a lot to talk about.
4:13 Chris Ryan? Did you actually listen? I can't tell.
4:15 Andy Greenwald? I started it, but then I was sitting in my car, and I was gonna like crush more of it on like 4X. And then you saw me sitting in my car in the parking lot.
4:21 Chris Ryan? And I was like, what's up, man?
4:22 Andy Greenwald? Well, no, you did the thing you usually do, which is check if I'm weeping, which was cool. I wasn't. Can you imagine if every day you're like, it's gonna be that kind of pod?
4:32 Chris Ryan? You're fucking crying again? Andy, what a day on the podcast today.
4:35 Andy Greenwald? Yeah.
4:35 Chris Ryan? Because we'll do some watch after dark about our weekend in Philly and our experience with the World Cup as it comes to a conclusion.
4:43 Andy Greenwald? That's all coming at the end? Oh, man, I'm chomping at the bit.
4:45 Chris Ryan? If you want to do it now, then-
4:46 Andy Greenwald? No, no, but-
4:46 Chris Ryan? After dark can be in the morning.
4:48 Andy Greenwald? Tell the people, I think that's gonna happen for most of America.
4:51 Chris Ryan? For now, you're still the co-host here, so you can, you can make the decisions too.
4:54 Andy Greenwald? Isn't after dark gonna be the norm for most of America once daylight savings time becomes permanent? Did you read about this?
5:00 Chris Ryan? I did read about this. I mean, I've been reading the news this whole, this whole month.
5:03 Andy Greenwald? No wonder you're so cheerful. Okay, finish, finish the rundown.
5:06 Chris Ryan? I'm in a good mood.
5:07 Andy Greenwald? I know.
5:08 Chris Ryan? And I'll tell you why.
5:09 Andy Greenwald? Yeah.
5:09 Chris Ryan? Because today, we're gonna do the best TV of the year so far.
5:12 Andy Greenwald? Okay.
5:13 Chris Ryan? We've reached this sort of like, you know, obviously, it's quite late in July. It's an odd time to be doing the best TV of the first half of the year, because it's more than half of the year is over. But now that we got all the Emmy shows kind of out of our system and under the wire to be considered for-
5:30 Andy Greenwald? Yeah.
5:30 Chris Ryan? -awards consideration, and we have hit a little bit of a dead zone where, you know, you've got How's the Dragon Still Running, people may be catching up on things like The Agency, Cape Fear wrapping up, and then kinda not a lot other than like Ted Lasso, The Will Ferrell Show, The Hawk. You know, I talked about this with Joanna, but like, they're, they're taking, taking July and August off out here in Hollyweird, and- I wanted to just kind of put a marker on like, okay, what do we think? What's the best of what we've gotten so far and whether we think it's a good year? There may be some surprise entries in there of shows that we have not had a chance to really discuss that deeply.
6:09 Andy Greenwald? Oh, right. You want to fold that into this because there's a show in particular I want to talk about, but it's on my list.
6:13 Chris Ryan? We could do it. I know that you have a comprehensive notes app that covers your entire life. And if you would like to structure this show on the fly, we can.
6:22 Andy Greenwald? Sure. Bananas, ground turkey, olive oil.
6:26 Chris Ryan? Clean glasses.
6:27 Andy Greenwald? And then some notes about the rise of Alamo on Euphoria season three.
6:32 Chris Ryan? But yeah, we can do, we could do World Cup in Philly right now.
6:36 Andy Greenwald? No, let's do, okay, so let's do World Cup at the end because we do have a lot to talk about. Obviously, I am wearing a shirt to support La Furia Roja España, which has been my team from the beginning.
6:48 Chris Ryan? Fucking elite. If you immediately changed, your entire vibe was like, it was like the tiki taka.
6:56 Andy Greenwald? It always has been. I don't use large plates at home, ever. Only pequeño.
7:03 Chris Ryan? Do you like a tin fish?
7:04 Andy Greenwald? Yeah, yeah, sure. Who, who doesn't?
7:08 Chris Ryan? I'm not allowed to have tin fish in my house, really.
7:10 Andy Greenwald? What?
7:11 Chris Ryan? Yeah, my wife doesn't like the smell.
7:13 Andy Greenwald? So you're, so you go outside like an alley cat?
7:15 Chris Ryan? No, I just don't eat fish at all. I mean, like, I, I don't really dabble. Yeah.
7:20 Andy Greenwald? Oh, come through. We'll crack a couple tins. Like when I'm in England and they're like, tinnies on the train? I thought they meant like some beautiful Portuguese squid, you know?
7:31 Chris Ryan? Are you popular on trains in England?
7:33 Andy Greenwald? So popular. Well, breakfast is more hard boiled egg season. You know what I mean? Okay, we'll do that at the end, but I did want to say that we had a lovely, brief encounter, much like the film.
7:44 Chris Ryan? Yeah.
7:44 Andy Greenwald? In Philadelphia this weekend where we watched England's last.
7:47 Chris Ryan? Victory. Yeah.
7:48 Andy Greenwald? And it was, it's great to see you.
7:50 Chris Ryan? Yeah, England, Norway, we, we watched a Bad Brother and it was awesome. What a vibe.
7:56 Andy Greenwald? Can I just, I feel like this is, this is important for the listeners to understand that like, so I, I flew across the country. I went straight from the airport to Bad Brother and to walk into this wonderful public house crowded. And I spotted you at the end of the bar and you're chatting with Nick, who's awesome as the owner. And now I know what it's like to be friends with Norm and walk into Cheers.
8:21 Chris Ryan? Well, Norm was a little bit antisocial.
8:24 Andy Greenwald? Okay, so you are well-butrid Norm.
8:27 Chris Ryan? Yeah.
8:28 Andy Greenwald? Like, super popular, chatty.
8:29 Chris Ryan? Norm was like, "I don't want to talk to anybody. I just want giant mugs of beer before, so I can avoid going home to my wife."
8:34 Andy Greenwald? You're resisting what I'm trying to say here.
8:36 Chris Ryan? I understand what you're trying to say.
8:37 Andy Greenwald? Which is that you are the king of these fair amount streets, and it was very cool to be basking in your aura, frankly. Just for a short time.
8:45 Chris Ryan? It was a great place to watch the game, and I appreciate you being there. And then I went out and saw my buddies from this band called The Shyness Clinic, who were very active in the late 90s in Boston when I was living there. And I lived with some of them in Mission Hill in Boston in the late 90s. They got their band back together for the first time in like, more than 25 years. And it was incredible to see them. They played at the Yuki Hall, they played New York and Boston as well. And it was awesome to see them.
9:15 Andy Greenwald? Those are great guys. Do you think we should bring back our late 90s zine that we talked about making?
9:21 Chris Ryan? I think that this is the zine.
9:22 Andy Greenwald? This is literally it.
9:23 Chris Ryan? It's literally the zine.
9:24 Andy Greenwald? So you went and you saw a great show, great friends. I brought my older daughter to visit my aging parents. And the one thing that I was eager to tell you was, I was sort of hopeful that there might be some new opportunities for cross-cultural dialogue. Because my daughter had been in New York with her other grandparents, who took her to see Ragtime, the musical that is back on Broadway.
9:49 Chris Ryan? It's Dr. O season.
9:51 Andy Greenwald? So I, you know, my father has strong opinions about musicals and Dr. O. So I mentioned that she had seen the musical. And my father went on a, I would say, quite repetitive rant about how only in this recent iteration of the show at Lincoln Center has The New York Times given it its due. The New York Times had it out for that show, a fine show. While he's kind of just sort of really dug in on that point, I noticed on the bookshelf, like, he does have, obviously, many books, but like-
10:24 Chris Ryan? Every issue of the New York Times ever.
10:26 Andy Greenwald? Cat-crossed index for Frank Rich's Wrong Opinions. I went to the bookshelf and I pulled down what turned out to be a first edition of Yale Doctorow's 1975 novel Ragtime.
10:37 Chris Ryan? Yeah.
10:37 Andy Greenwald? That sponsored, that sponsored, inspired this musical. And I was like, to my daughter, I was like, "Look, you know, look, triangles of literature, whatever." And the first thing that I realized was the problem. She took the book, she was interested.
10:48 Chris Ryan? Yeah.
10:48 Andy Greenwald? She turned to the back cover, and 70s hardcovers, as you remember, the author photo often is the entire back. So it's fucking Ed Doctorow, Jim Henson-ass corduroy and beard, full bald bate, just looking like, "Yeah, I wrote this shit. I'll do it again next year." So immediately, she was like, "I don't know about this."
11:08 Chris Ryan? Right.
11:09 Andy Greenwald? She flipped through it, and this is, by the way, on the way over, she was like, "Maybe I'll read the book, it's so interesting, American history." I was like, "Yeah, yeah, yeah."
11:16 Chris Ryan? It's all happening.
11:17 Andy Greenwald? We're vibing.
11:17 Chris Ryan? Let's fucking watch Ken Burns and Civil War together.
11:19 Andy Greenwald? Maybe one day you'll have a podcast. And so she, she sort of looked through and then like, put it aside. And I was like, huh, I guess she didn't want to really delve into the classics, so I opened it up.
11:31 Andy Greenwald? You, you forget, you know, we're from a different era, different generation. And beginning of chapter two, and I'm, I'm slightly misquoting here, but I believe the beginning of chapter two is, "Mother and father were displeased that Houdini's visit had interrupted their coitus."
11:52 Andy Greenwald? Like, that's really what literature was?
11:55 Chris Ryan? Yeah, for sure. Yeah. I mean, like, you get to, like, three-page descriptions of a phallus by John Updike-
12:02 Andy Greenwald? Oh, yeah.
12:03 Chris Ryan? You find out some self, things about yourself as a reader.
12:05 Andy Greenwald? What's exciting with Updike is you're not sure whose phallus it is until, like, the third paragraph.
12:09 Chris Ryan? It's a lot of guys playing basketball.
12:11 Andy Greenwald? Exactly. The steam room was quite large back then, so is he talking about others? Is it a mirror situation? So, you know, culture moves on. It's all right.
12:21 Chris Ryan? I have a couple of things about culture to ask you about before we get to our list. Number one, one of the central creatives at the foundation of this podcast, someone whose work we return to over and over again- Tony Gilroy.
12:35 Andy Greenwald? Yes.
12:36 Chris Ryan? Words, they function as like the intro to this podcast. When you hear Stand Up and Walk, that's obviously from The Bourne Legacy, Edward Norton in the crisis suite. He's got a new movie coming out. It's his first theatrical feature since Clayton, right?
12:56 Andy Greenwald? The Bourne Legacy.
12:57 Chris Ryan? Since The Bourne Legacy, right?
12:58 Andy Greenwald? Yeah.
12:58 Chris Ryan? Excuse me.
12:59 Andy Greenwald? Are we going to have to replace the opening of this podcast with Pedro Pascal being like, I've always loved the cello.
13:06 Andy Greenwald? Do you think that would give the same kind of?
13:08 Chris Ryan? I think we would have even more, deeper completion rates.
13:13 Andy Greenwald? I mean, look, this is, this is, this is The Ringer's number one Yael Doctorow podcast already.
13:18 Chris Ryan? I'm sure Brian Curtis is like, well.
13:20 Andy Greenwald? That's actually true. He's coming for our crown.
13:22 Chris Ryan? But I was wondering if you'd saw the Behemoth trailer. This is his film about a classical musician who plays in film, in orchestras, but also primarily in film scores. And that cellist is played by Pedro Pascal, as Andy mentioned. Also starring the film Eva Victor, Will Arnett and Olivia Wilde, who we just saw in The Invite. What did you make of, of the teaser? Cause it is very much teaser. I think there's like three lines of dialogue in it.
13:51 Andy Greenwald? I think that it is a, look, you already said it. We are deeply in the tank for Uncle Tony. We're very excited about this movie. We've had the chance to talk to him about it. He is very excited and passionate about this project. And very bullish on how it was turning out when we, when we heard from him. And I love that Searchlight was like, yes, we see your vision here. We understand that this is not canonically part of the Reed Richards Expanded Universe, and yet we are still going to release it in the theaters. And they're steering into, it appears that in the marketing that they're steering into what the movie is,
14:32 Andy Greenwald? which is a very, very kind of heady, emotional, psychological, not exactly thriller, but drama that makes music and also like a deep, deep love of movies and how movies used to get made, which is very autobiographical for Ternix. His father Frank is a famous writer for the stage and screen.
14:51 Andy Greenwald? I thought, I think the marketing looks up to the task, which was exciting to see.
14:55 Chris Ryan? It'll probably, imagine Fox Searchlight, it's probably gonna be a fall, late fall, like, awards season release.
15:02 Andy Greenwald? It's scheduled for December, which gives it runway to be in a festival.
15:06 Chris Ryan? Good.
15:06 Andy Greenwald? I would imagine. I defer to Bill Simmons podcast guest Sean Fennessy for that. Bit of info, did he drop any of that yesterday?
15:15 Chris Ryan? I feel like I insulted you a little bit.
15:17 Andy Greenwald? Not at all. You would not want me talking about The Odyssey on a podcast, listening to it by millions, because I haven't seen it and don't really have a take.
15:26 Chris Ryan? Did you read it?
15:27 Andy Greenwald? In school.
15:28 Chris Ryan? Did you guys read The Odyssey in school?
15:30 Andy Greenwald? Oh, well, we were both at Quaker schools, but some were a little more rigorous, I guess.
15:34 Chris Ryan? Well, I was a three-sport athlete, so, you know, did not a lot of time for Cyclops.
15:39 Andy Greenwald? Did you pay for nerds?
15:40 Chris Ryan? The only Cyclops I acknowledged was that umpire behind me, am I right?
15:45 Andy Greenwald? It's good. Did you pay for some nerd to do the papers for you?
15:49 Chris Ryan? No, I was probably the nerd doing the papers. But did you actually read The Odyssey?
15:53 Andy Greenwald? I believe I read The Odyssey in college, in college, but for fun.
15:58 Chris Ryan? No way.
15:58 Andy Greenwald? No.
15:58 Chris Ryan? No!
16:00 Andy Greenwald? Come on, I'm just trying to steer you a bit.
16:01 Chris Ryan? There was that moment there where I was reading, like, the letters of Robert Lowell and Elizabeth Bishop, and I was like, this is gonna be such a lucrative life for myself.
16:09 Andy Greenwald? I can really, if you squint, you can see the path towards profitability.
16:12 Chris Ryan? 30 years later, I'm just like, yeah, John Travolta was really bad in domestic disturbance.
16:17 Andy Greenwald? Bing bong.
16:19 Andy Greenwald? Good stuff.
16:20 Chris Ryan? There was another trailer that I wanted to ask you about, but I don't know if you've actually seen it.
16:25 Andy Greenwald? Last behemoth take.
16:26 Chris Ryan? Oh, sure.
16:26 Andy Greenwald? I did have another question. So, do you feel like this, is this a heat check moment for Will Arnett, dramatic actor? Do you, when you see?
16:35 Chris Ryan? Isn't, is this thing on, is the heat check, right?
16:38 Andy Greenwald? Well.
16:38 Chris Ryan? We've now, we've now entered the hot zone.
16:41 Andy Greenwald? Do you think?
16:41 Chris Ryan? I don't even know what that term would be. It's like, when you let a heat check shooter just keep shooting?
16:46 Andy Greenwald? Right. So, my point was that, like, he is...
16:50 Chris Ryan? I guess that's like Cam Thomas, you know, who's now out of the league. It's like, you just keep chucking it up there, man. You got it.
16:57 Andy Greenwald? Unlike Will, unlike Will Arnett, Cam Thomas does not have a podcast to fall back on.
17:01 Chris Ryan? He easily could, though.
17:03 Andy Greenwald? Do you think?
17:03 Chris Ryan? Yeah.
17:03 Andy Greenwald? Do you think the NBA needs more ex-player podcasts?
17:06 Chris Ryan? Just as much as they do Will Arnett podcasts, yeah.
17:08 Andy Greenwald? That's the take you should have used on Bill. I just wondered if like, I thought it was interesting that, and I think Olivia Wilde, you and I both think was incredible in the invite.
17:16 Chris Ryan? Yes.
17:17 Andy Greenwald? So I'm excited to see her acting in this movie. And I think it's interesting, he cast people. You know, it is a very like 2025. I don't, Tony doesn't work like this, but in terms of studios like greenlighting people, I think coming into like being in 2025, being like, oh, Will Arnett's probably going to get an Oscar nomination for this thing on. Pedro Pascal is going to be in the number one movie of the year, Fantastic Four.
17:40 Chris Ryan? Well, they both replaced other actors on this movie.
17:42 Andy Greenwald? That's true.
17:43 Chris Ryan? So Pedro Pascal replaced Oscar Isaac, who was initially attached, and then Will Arnett came in for David Harbour.
17:48 Andy Greenwald? Right, so Moon Knight and Red Guardian were originally going to be in it.
17:51 Chris Ryan? Yeah.
17:52 Andy Greenwald? And we ended up with Mr. Fantastic and Job.
17:54 Chris Ryan? Yeah.
17:55 Andy Greenwald? Okay, win.
17:56 Chris Ryan? I have a question for you that I did not prepare you for, so I don't know if you have an answer.
18:01 Andy Greenwald? I'll take some coffee.
18:02 Chris Ryan? Have one sip.
18:02 Andy Greenwald? Mm, mm.
18:05 Chris Ryan? Will, will we, I'll use, I'll use we.
18:08 Andy Greenwald? Yeah.
18:09 Chris Ryan? Will we be breaking our Ryan Murphy fast?
18:14 Andy Greenwald? Oh, our embargo.
18:15 Chris Ryan? To check out The Shards, his adaptation of Bret Easton Ellis's.
18:19 Andy Greenwald? I'm so glad you asked this question. Yes. Yes, we will. Yes, we will.
18:24 Chris Ryan? Did you watch the trailer?
18:25 Andy Greenwald? I didn't, actually.
18:26 Chris Ryan? Okay.
18:26 Andy Greenwald? How was it?
18:27 Chris Ryan? It did not scream Bret Easton Ellis to me.
18:29 Andy Greenwald? Did it scream Ryan Murphy?
18:30 Chris Ryan? More than that, more than Bret Easton Ellis. I think that there are like, the Bret Easton Ellis of it came through in the voiceover narration about what these characters like to do, which is hump and do coke.
18:40 Andy Greenwald? Get after it?
18:40 Chris Ryan? Yeah. But I haven't read The Shards, is it any good?
18:43 Andy Greenwald? I didn't finish The Shards.
18:45 Chris Ryan? Okay.
18:46 Andy Greenwald? I was, I went back to, you know, poet, epic poetry.
18:52 Andy Greenwald? Speaking, that actually is not the, if you're putting your arms around my collegiate experience, reading experience, it really did toggle between Bret Easton Ellis.
19:01 Chris Ryan? And Homer.
19:04 Andy Greenwald? I am a big fan of Bret Easton Ellis's novels and sometimes apologist of his novels. And I usually have had the, the, the get up and go to finish them, even the weaker ones, I couldn't do it with The Shards.
19:19 Chris Ryan? What would you say is the best?
19:24 Andy Greenwald? Best.
19:25 Chris Ryan? What's your favorite?
19:26 Andy Greenwald? Rules of Attraction. I love Rules of Attraction. And the movie's pretty good, too. But, um.
19:33 Chris Ryan? What's, did you do one where it's like? No, it's, I keep, I sometimes get like mid to late McInerney and mid to like.
19:40 Andy Greenwald? Yeah, yeah, yeah.
19:41 Chris Ryan? Confused, but is, which one set, had one set in Japan?
19:45 Andy Greenwald? Oh, that's, that, you mean, you're talking about McInerney's second novel, Ransom?
19:49 Chris Ryan? Yeah.
19:49 Andy Greenwald? Which, in which an incredibly handsome guy named like Mac Jackinerney, like goes to Japan to like study the purity of karate at a dojo and like sleep with women? We used to be a proper country, okay? Are we allowed to say that? That book is so insane and it is 100% just been memory hold.
20:09 Chris Ryan? Do you think if we pitched that to Paramount Plus right now, we would get greenlit?
20:13 Andy Greenwald? Paramount's the studio that's interested. I'll tell you that much.
20:18 Andy Greenwald? So, all this is to say, the, my, really, I think maybe the only Ryan Murphy project that I've really enjoyed was the OJ, American Crime Story, OJ season and we.
20:31 Chris Ryan? I liked the, I liked, what I, I think I, I think I finished, I liked the Versace one, too.
20:36 Andy Greenwald? Oh, yeah, that was, okay, so, but particularly, I thought the OJ one and to, and to a different degree, the, the Versace one. I just thought that was a perfect combination of subject matter and artist or story and storyteller because the OJ story is tawdry and I think Ryan Murphy is a poet laureate of particular, particular flavor of like California tawdry. So I think the marriage of him with Bredy Sineless is a, potentially a really good one. Like in the sense that they, I think, would operate well together.
21:07 Chris Ryan? Yeah.
21:08 Andy Greenwald? So I am interested.
21:09 Chris Ryan? Okay, well, that'll be something new and fresh for us and we, we could use a refresh.
21:13 Andy Greenwald? It also has your preferred Homer, Homer gear.
21:16 Chris Ryan? It's got Homer gear and Kaia Gerber, am I right?
21:18 Andy Greenwald? Two of your favorites who just did it on their own. You know what I mean? Just like.
21:23 Chris Ryan? Look, as a nepo, I can't really blame them.
21:25 Andy Greenwald? It's true.
21:26 Chris Ryan? Yeah.
21:27 Andy Greenwald? Do you guys have a meeting? That's where you go to?
21:30 Chris Ryan? Hey, Kaia, what's up?
21:33 Chris Ryan? Cool, what are you reading?
21:34 Andy Greenwald? She's got a copy of your dad's like 1981 video guide open.
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24:36 Chris Ryan? Okay, so do you want to call this the best shows of the year, or do you want to call it our favorite shows of the year? Here's the thing that I've been struggling with, Andy.
24:43 Andy Greenwald? Okay.
24:43 Chris Ryan? The unknowability of the totality of television, you know? And also, maybe, maybe not wanting to know everything. And, you know, because it's like, it's like, I think that there are going to be some things that get left out here. There are going to be some things that we didn't finish.
24:55 Andy Greenwald? From this list that we're gonna offer up?
24:57 Chris Ryan? You could, you could make arguments that some things should be, get in, should get in there. But I have, I have felt more challenged this year than usual by staying on top of like, everything that's relevant in television.
25:09 Andy Greenwald? Do you have like, a list of, not to put you on the spot, but do you have like, a woulda, couldas list? Like, things that you kind of hoped, you hoped to engage with, or things that you feel remiss? Because I'll tell you one thing, my conscience is clear.
25:21 Chris Ryan? Is it?
25:22 Andy Greenwald? Crystal.
25:23 Chris Ryan? You don't care?
25:24 Andy Greenwald? No, I didn't say I don't care, but like, I, hit me if you have some, because I'm curious.
25:29 Chris Ryan? I mean, like, it's like Riot Girls, like, the Sally, yeah, you know?
25:32 Andy Greenwald? Okay.
25:33 Chris Ryan? Like, I feel bad for not saying that. Like, we've been criminally behind on, or really ignorant of Dark Winds. I really only watched the first few episodes of Interview with the Vampire, so I'm not prepared for, like, the vampire list at, like, things like that, where I know that there are things of people I really respect, their opinion, love, and I just haven't caught up on it. And I think probably, they look at us and they're like, damn, those guys like Star City, a lot.
25:56 Andy Greenwald? It's true. What about, um, maybe we'll get to it when we finally can get to it, but I do find, I do find what's happened to that show, The Gold, so interesting, in that we really, really Really loved the first season of it. They made a second season of it, which was released in the UK last year, and I believe is now coming to our shores via PBS Masterpiece or something in the fall.
26:18 Chris Ryan? I have to tell you something.
26:19 Andy Greenwald? That is so specific.
26:21 Chris Ryan? Last night I had a couple of glasses of rosé.
26:23 Andy Greenwald? No shame in it?
26:24 Chris Ryan? And.
26:25 Andy Greenwald? This was after you recorded the Bill Simmons podcast?
26:27 Chris Ryan? Yes, it was after. And then I tucked into bed because I knew I had to come in here and chat with you.
26:33 Andy Greenwald? You need to rest for that.
26:35 Chris Ryan? I'm about midway through London Falling, the Patrick Radenkeef book.
26:39 Andy Greenwald? Oh, yeah.
26:42 Chris Ryan? And right as I was like getting into bed, the fucking, the gold case comes up in the book.
26:49 Andy Greenwald? No.
26:50 Chris Ryan? And I was just like, the fucking streams are crossing, let's go!
26:53 Andy Greenwald? Did you sit bolt upright in bed?
26:54 Chris Ryan? Yes, yes.
26:56 Andy Greenwald? Was Viva alarmed?
26:57 Chris Ryan? No.
26:59 Andy Greenwald? That's cool.
27:00 Chris Ryan? Yeah, I was like, this is what it's all about, man.
27:04 Andy Greenwald? I'm just, I'm just trying to think, though, of any example of something that was relatively available, like the season, season one.
27:11 Chris Ryan? Uh huh.
27:12 Andy Greenwald? And now it's like you have to, it's like, oh, I used to get this product at Albertson's or Acme or whatever your local supermarket is, but now it's only available by bespoke delivery from like
27:24 Chris Ryan? Sure.
27:25 Andy Greenwald? The Tinned Fish Shop, you know, outside of Seville.
27:27 Chris Ryan? I almost wish we could go back to like going to like websites like arakgoals.net
27:32 Andy Greenwald? That was you, dude.
27:33 Chris Ryan? That was me. That was my spot.
27:34 Andy Greenwald? Arakgoals, pardon.
27:38 Chris Ryan? Because that's where I used to watch like live streamed soccer.
27:41 Andy Greenwald? That's also where you were like, you ever heard about a show called Black Mirror?
27:44 Chris Ryan? Yeah.
27:45 Andy Greenwald? And I was like, no, is it in the UK? And you were like, not yet.
27:47 Chris Ryan? No.
27:48 Andy Greenwald? It's only on this website.
27:50 Chris Ryan? It was like, basically, you had to like download episodes of Black Mirror off of BBC from sort of like torrents and stuff.
27:55 Andy Greenwald? Is the statute of limitations clear on that, do you think?
27:59 Chris Ryan? They can come for me if they want, but.
28:00 Andy Greenwald? That's what I like to hear.
28:02 Chris Ryan? I can think of a few defense attorneys who would take my case up.
28:05 Andy Greenwald? Okay. Well, I think this is also smart because I think we've learned in recent elections that like Gen Z voters, they don't really care. What they care about is how you own it. You know what I mean? Like own your problematic past or posts, as the case may be for you.
28:20 Chris Ryan? How do you want to do our best of?
28:22 Andy Greenwald? What did you do? What did, I mean, did you make 10?
28:23 Chris Ryan? I have a long list of 17 shows.
28:25 Andy Greenwald? Oh, damn.
28:26 Chris Ryan? I have a numbered list of 10.
28:30 Andy Greenwald? I have a numbered list of 10. I bet we have tons of overlap, as listeners of the podcast would suggest.
28:35 Chris Ryan? Well, I was wondering, ordinarily, I would count us down. But I think that it might be a little bit more interesting if we sort of said, we stipulate that these are the top 5, which I think would probably, for both of us, the same things. Would you like to tell me your top 5?
28:47 Andy Greenwald? Of course, I'm looking at it, and I'm like, who wrote this list?
28:50 Chris Ryan? I'll tell you what my top 5 is while you think about yours.
28:53 Andy Greenwald? What's weird about my list, because we were discussing before we started, like, how I use the Notes app, is that my list is like, The Pit, Almonds. You know what I mean?
29:00 Chris Ryan? Almonds is a great show.
29:01 Andy Greenwald? Almonds are really good for you. Okay, yeah, why don't you go?
29:04 Chris Ryan? And as far as I know, not, like, smothered in parasites.
29:08 Andy Greenwald? As far as you know?
29:08 Chris Ryan? Yeah. Number 1, I have Widows Bay.
29:11 Andy Greenwald? Me too.
29:13 Chris Ryan? Number 2, I have Industry.
29:14 Andy Greenwald? Okay.
29:15 Chris Ryan? Number 3, I have Star City.
29:16 Andy Greenwald? That's my number 3, too.
29:17 Chris Ryan? Yeah. Number 4, I have The Pit.
29:20 Andy Greenwald? Wow, yeah, okay.
29:21 Chris Ryan? What, is that okay?
29:21 Andy Greenwald? Yeah, we're Spider-Man meme right now.
29:23 Chris Ryan? And number 5, I have Night of the Seven Kingdoms.
29:25 Andy Greenwald? Okay, we are exactly the same, boy, except at number 2, instead of Industry, I have Beef.
29:32 Chris Ryan? Is Industry in your top 5?
29:34 Andy Greenwald? Top 5, no. Top 10, yes.
29:36 Chris Ryan? Interesting.
29:36 Andy Greenwald? Yeah.
29:37 Chris Ryan? Okay.
29:37 Andy Greenwald? I am, I'm being consistent.
29:40 Chris Ryan? Is Widows Bay recency bias? Is it, it's the shiny new car on the lot? What is it that makes it the number 1 show for us so far?
29:50 Andy Greenwald? I think that it's a combination of all the things we love best about TV. I think that it's, without question, we, I know this is true for me, but I think it's true for us collectively in the podcast. We really get excited about something that is getting everyone excited. We get excited about the potential for surprise, even in this over-indexed media landscape. We get excited about the, it's a very pure-
30:19 Andy Greenwald? Old fashioned kind of joy of sharing the good news that there is something really wonderful out there that you can discover and adopt. And the week to week release of Widows Bay reminded me of the week to week release of The Pit, season one. It did remind me of like those first beautiful few weeks, five years ago or four years ago, when the pit, sorry, when the bear dropped.
30:42 Chris Ryan? Mm hmm.
30:43 Andy Greenwald? So that collective euphoria is definitely part of it.
30:45 Chris Ryan? Sure.
30:46 Andy Greenwald? But the other thing about it was no show that's been out this year so far brought me, A, as much joy, but also just made me so deeply, deeply impressed.
30:55 Chris Ryan? Okay.
30:55 Andy Greenwald? In the sense of like the aesthetic and writerly and producerial and directorial achievement of it was just at such a high bar that it just, it made me very happy.
31:07 Chris Ryan? Yeah, I think that there is always going to be an extra 10% of juice that comes out of being like, wow, new people, new characters, actors who I'm familiar with in different roles, like getting to express themselves in different ways. And I think the totality, the realization of the world that Katie Dipold and Hiro Morai brought to us was just astonishing. They came on the show, we talked about that. I kind of had like a moment of revelation when Hiro was talking about, you know, putting, working with Katie to build out the visual world of that show. And, you know, and I often, I think, get seduced by the, by camera movement or, you know, expressive lighting or whatever I think are the tools of the director or the ways that
31:52 Chris Ryan? a director might sign their name. And to hear him talking about, you know, set design, production design, costume design, building out like a thematic and consistent kind of way to see this whole thing, that to me is direction, you know?
32:09 Andy Greenwald? Yeah.
32:09 Chris Ryan? And Katie is obviously like the creator of the show and a brilliant writer. And I think brought her sensibility of kind of the Mike Schur sitcom era.
32:20 Andy Greenwald? Mm hmm.
32:20 Chris Ryan? And molded it with some of the best elements of not mystery box television, but genre television.
32:28 Andy Greenwald? Absolutely. I couldn't agree more.
32:29 Chris Ryan? Um, for me, industry took the biggest swings, took the most chances, broke the most tarts, bloody the most noses. Ruin the most bank accounts, you know, like it was, I think I just will just never ever look at this show as anything less than among the best things that have come out this decade. And what it's done with the characters, I think, once we get done with it next year and take a step back and see like, can you fucking believe when you go back to episode one and you see Yasmin and Harper on their first days at Pier Point, where we leave them and especially where we left
33:09 Chris Ryan? them in this previous season, it's an unbelievable journey. And it still feels plausible, it still feels real, it still feels very, very current. And it's thrilling to look at and it's thrilling to watch.
33:22 Andy Greenwald? Separate and apart from, you know, I thought the season was incredible and had incredible highs and also had some, to my mind, lows. So it's in my top 10, but not my top five. But I think the way that I think about the show and the thing that fills me with the most excitement about the show, and this is recency bias, but I think Mickey and Conrad would appreciate this, is when you watch as much World Cup as I've been watching for the last few weeks, as we all have hopefully, you know, especially when you get-
33:51 Chris Ryan? As you supported Rojas.
33:53 Andy Greenwald? Well, I'm listening purely in the Catalan feed.
33:55 Chris Ryan? Yeah.
33:57 Andy Greenwald? The, my favorite thing is when the English announcers are calling the matches and like someone just immediately dribbles and shoots over the crossbar and they're like, you'd like to see a bit more cleverness, a bit more invention, a bit more optimism there, you know, when whoever has the ball. And that's what I think about when I think about industry where I'm like, okay, they, they've, they've, they've got the ball. They never fail to try something.
34:24 Chris Ryan? They do not try to defend a one-nothing lead.
34:26 Andy Greenwald? They do not park the bus. They do not even have a-
34:29 Chris Ryan? And they could, you could do yet another season of crazy investments over here at Pier Point and Eric swinging his bat on the floor, you know, like-
34:37 Andy Greenwald? They do not have an emergency brake on the vehicle that they're driving and what, what do we root for, you know, when we watch things? So I think that's unique and thrilling.
34:47 Chris Ryan? We didn't get to talk about the Star City finale together.
34:50 Andy Greenwald? Excuse me, beef erasure.
34:52 Chris Ryan? Well, I was just, I don't know.
34:54 Andy Greenwald? We're going to Star City. I just want to say. Sorry, I'm acting like you were a vegan.
34:57 Chris Ryan? Go ahead and talk about beef.
34:59 Andy Greenwald? No, I just, I just want to say again, like, my admiration for this season has only grown.
35:03 Chris Ryan? Industry's not in your top five. My bad.
35:04 Andy Greenwald? Yeah.
35:05 Chris Ryan? Yeah.
35:05 Andy Greenwald? I just think that Lee Jungson, Sonny, who, who created the show, like, is using contemporary television at such an elite level. And what I mean by that is like the Netflix model and the Netflix largess and the auteur showrunner model to make something. And like the celebrity star machine in terms of who he's casting and who he has access to. And like Phineas is doing the, the music. But to do it, to make something that is so, such a tightrope walk of, of farce and searing emotional social drama. That's about right now and the way that we live through screens and internationally all at once. I find, I find, I find thrilling. I just thought that show was incredible.
35:45 Chris Ryan? Yeah, it's in my, it's on my.
35:48 Andy Greenwald? It's on your long list.
35:48 Chris Ryan? Top 10, yeah, but it's not, it's not in, it's not in my top 10.
35:52 Andy Greenwald? I'm glad we didn't, I'm glad though you were good. I did want to talk Star City because we didn't get to talk about the finale. Your thoughts are not on the record.
35:58 Chris Ryan? They're, they're not. I think that my, my big takeaway was like the extent to which that functions as both a, a series and season finale.
36:09 Chris Ryan? I think obviously there's final moments that suggest like, you know, the story going forward. And obviously there's a timeline that for all mankind is laid out with several of the characters from Star City. That suggests story to, to be told, yet to be told. I really, really, really, really want a second season. I would love to see it. But, you know, if you were just going to do like a, a short novella about, you know, the, the Soviet side of this story. This would be the perfect one.
36:41 Andy Greenwald? But don't you think there is too much, I know that you want it, so I'm not asking you to be devil's advocate here, but like. Because the show so brilliantly privileged the inner emotional life of characters versus, you know, the Narcos Wikipedia, even fake history model of just showing us cogs in the larger machine.
36:57 Chris Ryan? Yeah.
36:58 Andy Greenwald? That like, there's almost too much still left on the table to feel good about a result. Like, I think, I want it, I know you're not arguing otherwise, but like, I want the second season, not because I need to know what happened with the Venus program.
37:12 Chris Ryan? Yeah.
37:12 Andy Greenwald? But more like, these particular people at this moment in this fake history, what happened to them?
37:17 Chris Ryan? Yeah, I want to see what happens with Anastasia and Sasha. I want to see what happens with Eurna. Yeah, absolutely.
37:22 Andy Greenwald? I also want to say, because I got to talk to the showrunners, Matt and Ben, but I didn't, I don't think I get to talk too much specifically without them. And I did see someone saying, you know, the usual, like, oh, we just, we glazed the shows that the showrunners come on to talk about. And I don't-
37:37 Chris Ryan? It goes the opposite way, guys. We glazed the shows and then we ask the showrunners-
37:40 Andy Greenwald? Because that makes us interested in talking to them. I want to be really clear about something. Like, I didn't, we didn't invite them on, and then I watched the finale, and there was like, oh, I guess I'll just dance around some stuff. Like, I fucking love that when it came down to the decision to, do we make the single most emotionally compelling finale possible, or do we listen to the bright boys in the science consulting department and say like, oh, actually, Anastasia probably couldn't jump from orbit and land in Finland to rescue her arranged marriage husband?
38:11 Chris Ryan? Yeah.
38:12 Andy Greenwald? They said, fuck logic, we're going with our heart here. Like, that's what, it was interesting to me. And so, you could talk all you want about how the show does not have fealty to the historical record of Finlandization, where Finland sent people back who tried to come over from the Soviet Union, or you could just be like, that's so sick, and it suits the characters.
38:32 Chris Ryan? Also, the whole, maybe Finland's, like, relationship to Finlandization be different if Russia, if the Soviets had gotten to the moon? Can't they explain anything away by having this ripple effect coming off of their moon landing?
38:45 Andy Greenwald? Also, if you genuinely watch that show, and you're like, this would be better if it was closer to the historical record, or to the logistics of orbital space travel, then- I don't know, touch grass nerd.
38:59 Chris Ryan? I don't even know who we're talking to, but the entire act, the entire show is an act of suspension of disbelief.
39:05 Andy Greenwald? Yes.
39:06 Chris Ryan? It's Soviet speaking and colloquial English and at points like acting way more like English people than probably Soviets.
39:13 Andy Greenwald? Have you heard, we often, small sample size this, but like, have you, do you have any anecdotal experience in your life of people being like, oh, should I check that out and then liking it despite having some skepticism?
39:24 Chris Ryan? Star City specifically?
39:26 Andy Greenwald? Yeah.
39:26 Chris Ryan? Um, yes.
39:27 Andy Greenwald? You've converted some people?
39:28 Chris Ryan? Yes.
39:28 Andy Greenwald? Good.
39:29 Chris Ryan? Yeah. We, we, we, we converted Tracy Letts.
39:32 Andy Greenwald? Oh, yeah.
39:33 Chris Ryan? I mean, I don't think he was skeptical. I just think he was like, I had, I would never have thought to check this out were it not for your enthusiasm. So.
39:40 Andy Greenwald? How come he doesn't want to be third chair of this podcast?
39:42 Chris Ryan? I think you.
39:45 Andy Greenwald? I police this side of the table too fiercely?
39:47 Chris Ryan? I think that there's room for one big, big personality on that side of the table. I would be interested to see the vibe between you two.
39:53 Andy Greenwald? Uh, we get along.
39:55 Chris Ryan? Yeah. No, you get along great, but I think like.
39:58 Andy Greenwald? Yeah.
39:58 Chris Ryan? I'm Chris Paul, man. Everybody gets a shot.
40:00 Andy Greenwald? Okay.
40:02 Chris Ryan? I don't need, I don't need to say what I think.
40:04 Andy Greenwald? Famously beloved teammate, Chris Paul. Just celebrated in every locker room he's ever been in.
40:10 Chris Ryan? Right. He just demands a lot.
40:12 Andy Greenwald? He gets it.
40:13 Chris Ryan? The pit, I guess I've diminished here because of its consistency. I, you know, I, I got excited about Windows Bay. I get excited about Star City. I think industry just took me places that I never would have guessed it would have at the beginning of the season. The pit essentially iterated on its first season, did the very wise thing of not having, it didn't have a mass shooting. It didn't have like a mass casualty event. It was just like, this was a very hard day. This is about doctors needing their own medicine, you know? I know, I thought it was, I thought it was remarkable and especially as the last few episodes I thought were extraordinary.
40:48 Andy Greenwald? Yeah.
40:48 Chris Ryan? Um, I, it's, it's, it's no criticism that it's at fourth here. It's just where it wound up. Was it at fourth for you?
40:54 Andy Greenwald? We had the same top five.
40:55 Chris Ryan? And Night of the Seven Kingdoms, I, I would love to know if there was any influence on this season of House of the Dragon by Night of the Seven Kingdoms. I'm sure that's not how TV production works where, I'm sure they were basically done House of the Dragon by the time Night of the Seven Kingdoms was airing.
41:10 Andy Greenwald? Uh, I think they overlap. They don't film in the same place.
41:13 Chris Ryan? No.
41:14 Andy Greenwald? Um, House of the Dragon films at my beloved Leavesden Studios near scenic Watford, England.
41:19 Chris Ryan? Yeah.
41:20 Andy Greenwald? And, um, I think, I think Night of the Seven Kingdoms was back in Belfast, if I'm not mistaken.
41:25 Chris Ryan? Yeah.
41:26 Andy Greenwald? I actually think, and I haven't rewatched since it aired earlier in the year, but I feel like Night of the Seven Kingdoms, despite getting Emmy attention and being nominated for Best Drama Series in its first season, is almost underrated. And I feel even more impressed by its achievements in the light of this season of House of the Dragon. I'm not trying to like rage bait or pit them against each other, but-
41:48 Chris Ryan? It's just you and me, man. You don't have to, don't worry about them.
41:51 Andy Greenwald? But now Tracy's listening, and he's like leaning in, you know what I mean? And I want, I want him to respect this take. We didn't really talk about it, it's totally fine. I don't have a lot to add to the conversation about this week's House of the Dragon episode, but I was noticing the way that it feels in ways good and frankly, bad, that the show has so clearly ventured out beyond the peer, so to speak. Like, whether it's the lack of George Martin, or whether it's the, like a-
42:21 Chris Ryan? You mean off the text?
42:23 Andy Greenwald? Not just the text, but just like this-
42:24 Chris Ryan? Okay, because it's still relatively, like, close to it, yeah.
42:26 Andy Greenwald? I just have no, like, taking the, making the aesthetic decision to do the Rhaenyra POV episode-
42:33 Chris Ryan? Yeah.
42:34 Andy Greenwald? -was a bold swing that I didn't know was in its playbook, and that was exciting to see. And we were joking to, like, casting, casting, what's his name, the American guy, Dan, I can't believe you say it, like, Dan Fogelberg, as-
42:47 Chris Ryan? Fogler.
42:48 Andy Greenwald? Fogler, sorry, yes, as Torren, the new master of coin. Like, these are some, these feel like aesthetic choices that are outside of what I would have expected.
42:57 Chris Ryan? It certainly breaks from the orthodoxy of the first two seasons.
43:00 Andy Greenwald? Or kind of the template that was set by Game of Thrones. And remember, one of the weirdest things about House of the Dragon is that, like, it has the same theme music. It is so intent, I'm telling you, "It's Sunday, remember what it feels like? Let's get back to that." This week's episode was fucking interminable, but it also had, like, these moments, Jesus Christ, but, like, I turned it on after England and I was just, like, watching those last 10 minutes again for two hours. There's the scenes inside of Tumbleton where it's just like, "Oh, Martha Stewart's Westeros", where the color palette is totally different. And I have wanted things like that on the show-
43:33 Chris Ryan? Yeah.
43:34 Andy Greenwald? -but it feels so like, the, I understand why often production design on Westerosi shows have been conservative, because it is hard to say, "We've always done it this way, but what if we did this?" It is challenging.
43:46 Chris Ryan? Sure.
43:47 Andy Greenwald? Night of the Seven Kingdoms- Felt effortless in the way it was like, no, no, it's gonna be this now. And I'm not saying it was as bold of a turn as some of, even some of the decisions seen to seen in House of the Dragon this year. But it, it launched itself and asserted itself as its own thing so quickly that I'm very impressed by it.
44:06 Chris Ryan? I greatly prefer this version of this story where we're getting outside of the, essentially the two family castles. Like, I, I was actually curious whether or not there's a term, or if there is an exercise when you're in a writer's room, where you're kind of diagramming how, these are the two main characters, and then from these two characters, these two characters will come, and then from these two, not, not necessarily like they begat them, but how, you know, now that we've got like Ormond and, you know, Aegon and Laris are over here, and we've got like all these different tones, and all these different like kind of aims that these characters may have, what they want out of all of this.
44:48 Chris Ryan? And you know, that has come at the expense maybe of the Valyrian family tree, where I think Corlys has been sidelined since his, you know, if you're not gonna mint my kids, then you can go fuck yourself. Like, we haven't had as much of him. But I, I really enjoy, I am enjoying this version of the show much more than the first two seasons.
45:09 Andy Greenwald? Yeah, without question. I just think that like, everything about the show, including my own reactions to it, feel very reactive and still like in the light of what we are used to, or what we've come to expect, or what we've enjoyed before, from this type of storytelling, or this specific IP world, where Night of the Seven Kingdoms was like, hey, man, it's just a tournament. Let's chill out.
45:30 Chris Ryan? Yeah, right.
45:30 Andy Greenwald? Let's just, and like, I, I don't remember the last time, it, it had been since Game of Thrones, honestly, where I was like, I just fucking love this new character. I'm psyched. This is awesome. Let's just hang out here.
45:41 Chris Ryan? Which is the new character that you loved?
45:42 Andy Greenwald? Many. Specifically, I was thinking about, what's his name? I, I'm not gonna remember all these people's names.
45:47 Chris Ryan? The Baratheon? The guy who the
45:50 Andy Greenwald? Daniel Lings, yeah.
45:51 Chris Ryan? Yeah, Daniel Lings. I bet that you and I are gonna have some variance in our bottom five.
45:55 Andy Greenwald? Great.
45:56 Chris Ryan? I want to hear yours.
45:59 Andy Greenwald? Okay, you want me to go six to 10? Or 10 to 6?
46:02 Chris Ryan? Six to 10.
46:02 Andy Greenwald? Six to 10.
46:03 Chris Ryan? Let's keep going in the same direction.
46:04 Andy Greenwald? NBC's Rise and Fall of Reggie Dinkins.
46:07 Chris Ryan? Great pick.
46:08 Andy Greenwald? Seven, HBO's Industry. Eight, the show that I'm most excited to talk to you about today. HBO's The Dark Wizard.
46:14 Chris Ryan? Love you. Yeah.
46:16 Andy Greenwald? I do the work. Slowly. But I do the work.
46:20 Chris Ryan? I never expected you to watch it. I was just like, this is great. Check it out if you if you miss 100 Foot Wave.
46:25 Andy Greenwald? But you're also like, check it out if you like things that are great.
46:28 Chris Ryan? Yeah.
46:28 Andy Greenwald? And I did. I like things that are great. Number nine, the Disney Corporation's Wonder Man.
46:34 Chris Ryan? I have that on my long list.
46:36 Andy Greenwald? And then I put The Agency at number 10, only because I haven't finished it. And it could be a it could be a grower.
46:43 Chris Ryan? Sure.
46:44 Andy Greenwald? But the Agency, season two. But just in terms of like my engagement with it, it deserved a spot.
46:49 Chris Ryan? My number six is The Bear.
46:52 Andy Greenwald? Look at you.
46:53 Chris Ryan? Yeah, The Bear. I think those last two episodes make the beginning of the season a little bit more cohesive to me. I think if you look at it in totality with Gary, the standalone episode with Burnthall and Abin Moss-Bakrak, between Gary, between moments in the first few episodes of the final season, and then specifically episodes seven and eight. I just think it's a it was a wonderful send off. And I really, I think perhaps there's some sentiment, but I also really admire how the visual style of the show evolved. The stillness in some ways that it achieves in the last season compared to the frenetic nature of the first season. And I thought that there were some really beautiful performances, specifically from
47:38 Chris Ryan? Bakrak in this final season.
47:40 Andy Greenwald? This is amazing. I do think you're right to highlight something that I think is probably going to be overlooked a little bit, which is for all of the, I think, fair criticism The Bear's gotten in recent seasons of like, story, narrative, character paralysis.
47:55 Andy Greenwald? I think it's important to differentiate that from the observation that the creative team did clearly look at this as an opportunity to do something different in terms of the filmmaking.
48:07 Chris Ryan? Yes.
48:07 Andy Greenwald? Like, we are going to do a season that is going to be this, and it will feel distinct in the terms of like, how much time passes, the music choices, the camera movement and all that. You can't just say it was more of the same in that regard.
48:19 Chris Ryan? I also wonder whether time will be a little bit kinder to this series if you binge it, if you rediscover it, if you re-watch it. I don't know, in our landscape now, if that's something people are doing with shows of recent vintage like this. But I do think that, looked at as a whole, as a total meal, it's gonna be a better experience than, is it, are they gonna get out of this kitchen, or is like, he gonna quit, is what, like, what's gonna happen next? Like, you know, I think, now that I've seen the entire thing, I appreciate it more.
48:48 Andy Greenwald? I think that's really interesting, because the show is about time. I mean, two seasons were just about a ticking clock.
48:54 Chris Ryan? Yeah.
48:54 Andy Greenwald? And when it is now, it has now been set free from the bounds of The Mad Titan Kronos. And I just wanted to bring it back to the Odyssey if I could. And it may have a different, it may be a different experience.
49:09 Chris Ryan? Yeah. We can talk about Dark Wizard in a second. It's my number seven.
49:14 Andy Greenwald? Nice.
49:15 Chris Ryan? Number eight, Shorzy, as usual. And number nine, The Agency, Almost Done That. Been ticking away. Thought this season has been excellent. Pacing-wise, much improved over the first one. I think also, like, you know, as is the case with The Bureau, you see these supporting characters become, they could have their own show, they could have, they're as novels' worth of interesting material for these various supporting characters. So, The Bear, Dark Wizard, Shorzy, The Agency. And my last one is Something Very Bad Is Going To Happen. The-
49:47 Andy Greenwald? I wondered if I was gonna make it on your list.
49:48 Chris Ryan? Netflix series about a cursed woman. And I thought that was great. And a really interesting kind of partner show to Widows Bay, in that it was trying to play with horror over like, a long-form story, which is one of the most difficult things to do.
50:03 Andy Greenwald? Yeah, I couldn't, I watched the first episode and admired it, and couldn't, couldn't do it. Because of just the ratio. I thought it was very cool, and it was very visually- Compelling and as far as my limited between my fingers peeking out knowledge of horror, I was like, whoa, she's nailing it.
50:22 Chris Ryan? Yeah.
50:22 Andy Greenwald? But it wasn't, it just wasn't leavened with the comedy.
50:25 Chris Ryan? Yeah.
50:25 Andy Greenwald? Nor should it have been. It's its own show, but that was a bridge too far from it.
50:29 Chris Ryan? There's a lot of bleeding out of their eyes.
50:30 Andy Greenwald? Yeah.
50:32 Chris Ryan? Let's talk a little bit about in depth about Dark Wizard. What prompted you to revisit this?
50:38 Andy Greenwald? Yeah.
50:38 Chris Ryan? Did you watch the first episode?
50:40 Andy Greenwald? No, I never, I.
50:41 Chris Ryan? Okay. What prompted you to turn it on?
50:43 Andy Greenwald? Well, a couple, a couple of things.
50:46 Andy Greenwald? You, I mean sincerely, you were like, it's really good.
50:50 Chris Ryan? Yeah.
50:52 Andy Greenwald? I, my reasons for not engaging with it were really stupid and pithy, which was, I was like, I think I've given enough of my time to wizards named Potter on the HBO network recently, which was a killer text to send once.
51:08 Chris Ryan? Did you send it to me?
51:09 Andy Greenwald? You were among the recipients. You know, I sometimes, sometimes recycle material.
51:16 Andy Greenwald? I had no, I had no reason not to do it other than just like time and because it didn't feel the urgency of scripted or whatever. And then, yeah, when I was traveling, I was like, there are four episodes of this and it's probably, you know, you know, there's a certain way that you can engage with a documentary that is like perfect for airplanes.
51:32 Chris Ryan? Yes.
51:32 Andy Greenwald? So it was.
51:33 Chris Ryan? Where you get off the plane, you're like, I am an expert in this subject now.
51:36 Andy Greenwald? Yes, I can't wait to tell everyone.
51:38 Chris Ryan? Yeah.
51:39 Andy Greenwald? Also, it's good. It was kind of undercut by the fact that I did have working wifi on this airplane, but there is like a really interesting like Faraday cage of, of the brain that happens when you start watching a documentary in which you are blessedly ignorant of everything, in which you're like, now I can't use Google anymore because what if I accidentally find out what happens? So before we, can we do like a few minutes of table setting? Cause I want to just try to get people to watch it.
52:08 Chris Ryan? Yeah, I'll just say, this is a four part docu-series directed by Peter Mortimer and Nick Rosen, who have made several films and I think some other series about alpinists, you know, about, about mountain climbers. They made a film called The Alpinist that you can watch on Peacock, which is extraordinary. And I think one thing that's sort of, this, and then Dark Wizard follows.
52:33 Chris Ryan? A man named Dean Potter, who is an infamous climber from the late 90s and early 2000s, kind of a contemporary of Alex Honnold, and Potter sort of made Yosemite and the valleys below the mountains and El Cap and all the famous mountains in Yosemite, his playground, and was kind of a punk rock icon of mountain climbing as it entered the mainstream consciousness through the proliferation of like video cameras and then more and more high-end cameras that could capture that kind of action. And he was also the, basically the face of Patagonia as it became more than just like the stuff you wore when you were camping, it was like
53:16 Chris Ryan? a lifestyle brand as well. And I think was, you know, featured in several photographic campaigns for Patagonia. He is defined by his boundary pushing. You know, he was one of the people who was like, I can go climbing with a parachute so that if I fall-
53:36 Andy Greenwald? He invented this.
53:37 Chris Ryan? Yes. Like he brought parachutes with him while he would-
53:39 Andy Greenwald? Yeah, because he's such a wild thrill seeker who referred to, I didn't realize this was a phrase, the death consequence as a potential outcome for his activities and what that does to you and to your mind. He was just chasing highs and he himself was like very clearly and admittedly bipolar and had mental health struggles and was always pushing. And so went from free soloing at an absurd unprecedented degree to base jumping-
54:08 Chris Ryan? Yeah.
54:09 Andy Greenwald? -to then realizing he could combine them into something he quite cleverly and clearly, you know, helpfully called freebasing-
54:15 Chris Ryan? Yes.
54:16 Andy Greenwald? -where you could free solo places and if you fell, you could just pull your chute-
54:19 Chris Ryan? Yeah.
54:20 Andy Greenwald? -and then started doing wingsuit flying.
54:22 Chris Ryan? Which is essentially like human flight. You know, it's jumping off a mountain to fly.
54:26 Andy Greenwald? In a suit.
54:27 Chris Ryan? So I would say just for people who haven't checked this out, and we could talk a little bit more in-depth about it in a second with a spoiler warning, the thing that- Blows my mind almost as much as what Potter does is the fact that they were able to capture this stuff.
54:44 Andy Greenwald? All of it.
54:44 Chris Ryan? Because I imagine as this show goes on, you know, I don't know if drone technology is, is.
54:51 Andy Greenwald? It doesn't seem like it.
54:53 Chris Ryan? Become widespread, but you basically have Potter like was compulsively documented everything in his life. If he didn't have a camera crew with him, he had his buddy filming him and.
55:06 Andy Greenwald? Sweet Winkie.
55:07 Chris Ryan? Yeah. And so those guys would basically have rope climbs next to him that would go up, or maybe they would get taken to the top of a, of a peak and then they would rappel down to film Potter coming up. But the footage in the show is fucking extraordinary and it's a similar sensation you get from, you're watching Hundred Foot Wave, although a lot of that I think is done with drones where you're like, how the hell am I getting like this swooping shot of this guy going down a titular Hundred Foot Wave? The same thing is going on in Dark Wizard where you're just like, I just can't believe there was a camera there when this guy fell off a mountain and threw a parachute up in the air. I mean, it's unreal to watch.
55:44 Andy Greenwald? And the, the camera, the omnipresence of the cameras and the documentation and the, and the show does a really beautiful job with his, with Potter's journals and drawings and animating them. And just the, the outrageous, like 24/7 seemingly access to his mind as well as his actions also speaks to one of the really compelling tensions of the show, which is he believed what he was doing was art. He believed what he was doing is spirituality. And he had, like many people who believe those things in the vice grip of contemporary life, had a very challenging relationship to publicity, to profit, to partnerships and participation. And that, so the fact that he's just like, I am a private person
56:28 Andy Greenwald? communing with nature, but I must be, all of this must be documented, is the central tension. And some of the most compelling parts of the series on an emotional level are the central tension between.
56:41 Andy Greenwald? Potter being like deeply Gen X and then everyone else younger than him.
56:46 Chris Ryan? Yeah.
56:46 Andy Greenwald? And you watch him trying to navigate this just like middle finger anti authoritarianism, spiritual lifestyle. And then Alex Honnold shows up on the scene and he's roughly a decade younger. I think he's like eight or nine years younger and he's like an IT guy. He has no fear. He has no qualms about turning free climbing, free soloing El Cap into a Squarespace ad. And the relationship that each of them have to each other, but also to their work and also to their own minds is so fascinating.
57:17 Chris Ryan? Well, it's just, it's unbelievable. It's the, it's, it's, and it can be applied to so many different, that relationship and their different approaches to mountain climbing could be applied to so many different arenas of life where Potter labors over and stresses over and frets over like, how am I going to climb this? I'm, I could die. Like, it's not the right time yet. It's not, you know, he's legitimately.
57:40 Andy Greenwald? I wasn't feeling it.
57:41 Chris Ryan? He's legitimately scared, but I think he's also participating in a narrative about like a guy facing a great challenge. And Honnold's like, I fucking climbed it. I climbed it. I looked like, I looked at it and then I just climbed up it. And, you know, like,
57:52 Andy Greenwald? Hit a checklist.
57:54 Chris Ryan? And it, and it not only is it like drives Potter nuts because this guy keeps beating him two things that he wanted to do, but he's almost challenging the very idea that one individual could claim ownership over a mountain or over a climb. Like Honnold's like, if you want to beat me, beat me. Otherwise, like, get out of my way. And it's not that, you know, I, I love all of that. I love the social subculture of Yosemite and guys living in the valley and guys hanging out there year round and getting to know the Rangers and what they eat and like the stews that they eat and kind of like the, not dumpster diving, but the way they'll be like, oh, you can go over here to pick up good wifi or you can eat, you know, that you, you sometimes like people leave food behind here and you
58:35 Chris Ryan? can pick it up and stuff like that. All fascinating. I think obviously to talk any more in depth about the show.
58:42 Andy Greenwald? One thing before spoilers.
58:43 Chris Ryan? Okay.
58:45 Andy Greenwald? Invariably, if we are watching either in person or more often in our own respective Faraday cages, sporting events, I will ask or text, obviously, none of us play professional football, but if we did, like, what position do you think you would enjoy doing? Or I'll ask you about, like, we're watching World Cup, I'm like, better to be good at basketball or be good at soccer for one day?
59:07 Chris Ryan? Sure.
59:07 Andy Greenwald? And either way, it's part of like the fantasy of like, these people are the best at doing something that looks fun, or must feel great to be able to do.
59:14 Chris Ryan? Yeah.
59:14 Andy Greenwald? And that is part of the thrill. I will say that free soloing has jumped above 100-foot wave surfing as the thing I have no interest in ever doing and feel no spiritual connection to whatsoever.
59:27 Chris Ryan? I, I.
59:27 Andy Greenwald? It is fucking terrifying.
59:29 Chris Ryan? I think it's incredibly healthy in life to have things you like to look at.
59:32 Andy Greenwald? Sure. Yeah.
59:33 Chris Ryan? Not everything needs to be a participation thing, and I don't have any interest in doing either of those things, but I realize that, like, I really love watching people, like, accomplish great feats in nature. I mean, it.
59:49 Andy Greenwald? True.
59:50 Chris Ryan? It's just, it, it's a great use of the endless libraries of content to have more and more exciting nature documentaries. There is, um, okay, so here, we'll put a little pin in this.
1:00:03 Andy Greenwald? Yeah, we'll do a little spoiler.
1:00:04 Chris Ryan? And we'll spoil a bit of Dark Wizard.
1:00:07 Andy Greenwald? Yeah.
1:00:07 Chris Ryan? It's been out for a while, so maybe people have gotten a chance to see it. And I think also, this is in general, if you Google Dean Potter, you'll see that he passed away in 2015. He died while doing one of these freebase jumps.
1:00:20 Andy Greenwald? The way he was doing the flying.
1:00:22 Chris Ryan? The flying, yeah. In Yosemite. Ethically and journalistically, they make a decision in this, in this series, similar to the one, I can't remember the name of it, but there was a freediving documentary about a woman who, you know, would do these free dives very deep into the ocean and come back up, and there's all these, like, you know, depressurization and, you know, making sure you can make here and here, and how long can you hold your breath? And in a similar way, the documentary keeps up the appearance that this person may be alive. Like, the way that they frame the interviews, uh, like, it's not a shock, but if you don't
1:01:07 Chris Ryan? Google, you'll be like, ah, this person died.
1:01:10 Andy Greenwald? I mean, I would say.
1:01:13 Andy Greenwald? It was, it's pretty clear to me that he is not participating in the documentary and that the access-
1:01:17 Chris Ryan? In the present tense.
1:01:18 Andy Greenwald? Well, and the fact that they have unfettered access to his private journals and things suggests. But, so I was in that fugue state because I did the first two on one flight and then a few days later I did the other ones. And so I was stuck. I knew that he was-
1:01:31 Chris Ryan? I wasn't sure. I can't remember if you texted me, were like, is Dean Potter still out there?
1:01:35 Andy Greenwald? I did not.
1:01:36 Chris Ryan? No, okay.
1:01:37 Andy Greenwald? I did not. Does sound like me, but I didn't in this case. But, holding that knowledge and then wondering, you know, simultaneously, what, which of these things is going to kill him? Because it could be almost anything that he's doing in any of the episodes. And then how is it in the fabric of the documentary?
1:01:55 Chris Ryan? Yeah.
1:01:55 Andy Greenwald? Because the documentary is not like a, it's not like a, you know, the cup game when you're getting scammed on the street. Where it's like, they're just trying to reveal something to you. It's actually like trying to tell you a story about risk and adventure and mental health and friendship, male friendship, honestly.
1:02:12 Chris Ryan? I think that there's like an obvious, they made a narrative decision not to say that he dies in the first episode. And they do it to create a sense of tension rather than a sense of tragedy. It is obviously tragic what happened, but you can say in the beginning that this guy was a divisive and beloved figure-
1:02:30 Andy Greenwald? Yeah.
1:02:30 Chris Ryan? -in this community and was constantly pushing and what this show is about or what this story is about is about people who willingly take their life in their hands and what happens when one thing goes wrong and what hap- whether or not, whether or not like that's an acceptable sort of consequence of a hobby, essentially. You know, like it can be a lifestyle, it can be something that brings you closer to kind of an epiphany or a state of spiritual nirvana, but it still is a hobby, you know, like-
1:02:59 Andy Greenwald? Yeah.
1:02:59 Chris Ryan? And you can die doing it.
1:03:01 Andy Greenwald? And one of the most touching and affecting and surprising turns in the documentary is that- Although I don't think it's surprising for people who are paying attention to this more as a story of mental health or addiction, which I think tends to follow a similar pattern, which is that in the fourth episode, the way it's, but also essentially in the last act of his life, he had a moment of calm.
1:03:24 Chris Ryan? Yes.
1:03:24 Andy Greenwald? And he had a moment of a connection with a partner, this woman Jen, who he'd worked with before, who he, at Patagonia, whom he reconnected with, her children and the role that he played in her, in their life. And then, out of nowhere, he gets a fucking dog who becomes his best friend and starts repelling around the world and face jumping with him.
1:03:41 Chris Ryan? A lot of comments about whether or not that was a humane thing to do with the dog.
1:03:45 Andy Greenwald? Dog seems psyched.
1:03:46 Chris Ryan? Dog is psyched, yeah.
1:03:47 Andy Greenwald? Dog seems psyched. Only to be pulled back in by the old demons, among them are ego.
1:03:55 Chris Ryan? Yeah.
1:03:56 Andy Greenwald? About being able to do more than other people or to be challenged by younger people. And it's really affecting the way that story is told. I think that, like, they make such smart and really compelling editorial decisions, which is lingering on not just the ways that Dean Potter's psychology hurt the people around him, which is a familiar story, again, anytime you watch Greatness, there's always the people who get left behind, but really underscoring how the people in his wake loved him, like profoundly in ways that could never be matched. And so there's a lot of like, there's a lot of middle-aged men crying.
1:04:30 Chris Ryan? Yeah.
1:04:30 Andy Greenwald? In the last part, which, you know, who among us? I thought that was really, really affecting in that there's an incredible moment in the last one where one of the guys who got really hurt by Dean and broke off with him years before breaks down and basically is like, calls out to someone behind the camera and we realize that someone working on the show is one of the other guys.
1:04:49 Chris Ryan? Yeah.
1:04:50 Andy Greenwald? And he's like, can you say something? He's like, you're being a pansy. And then he comes over and they hug each other. And I'm like, what was left in this guy's wake is present.
1:04:58 Chris Ryan? Sure.
1:05:01 Andy Greenwald? The other thing I really wanted to say was the last 20 minutes of the third episode, maybe, we don't do this, but if we were doing like scenes of the year or sequences of the year.
1:05:12 Chris Ryan? Is that China?
1:05:12 Andy Greenwald? China.
1:05:13 Chris Ryan? Yeah.
1:05:14 Andy Greenwald? It is so fucking insane and so powerful and depressing and intense. Basically, what happens is at a very low point in his life and career, before he kind of briefly resurfaced as a family guy.
1:05:29 Chris Ryan? Yeah.
1:05:30 Andy Greenwald? And has just, he's dating someone who took her life on his property and at a very, very low point, isolated from everyone except good old Winkie. Dean is offered the chance to go, basically, put on a show on live television.
1:05:44 Chris Ryan? Chinese state television, yeah.
1:05:45 Andy Greenwald? Chinese state television, where they pay him $200,000 to do a big base jump and then do a, like a rope line.
1:05:53 Chris Ryan? A wire walk, yeah.
1:05:54 Andy Greenwald? A wire walk. And he's there and the conditions aren't, it's not just that the conditions aren't ideal or are unfamiliar, it's that it's the opposite of everything he's been doing up to this point, where he's surrounded and crowded and there's voices and everything that would be distracting to anyone, but particularly to someone who's like a soul surfer of this shit. And that there's all this footage of like him trying to do this walk. First yelling at everyone for putting up a net, saying, "I don't, I'm not a circus performer. I don't do this shit with a net. Take the net away." So that there is a death consequence.
1:06:25 Chris Ryan? Walking above a canyon, yeah.
1:06:27 Andy Greenwald? And the day before, he's practicing with a tether, which isn't super cool either, because basically he, he's walking and then will fall and has to catch and like spins around it.
1:06:38 Chris Ryan? Yeah.
1:06:38 Andy Greenwald? And they're, the cameras are watching him do this and fail and fail and fail. And he doesn't make it very far at all. And the narration is telling us that like, even if he made it to the middle, it would be harder than anything he'd ever done because it's wobbling, because it's farther.
1:06:51 Chris Ryan? Yeah.
1:06:52 Andy Greenwald? And then that night, he yells at Winkie and tells him he's worthless for not bringing, and I, this is a direct quote, "butt weed", which is apparently the weed you bring to China by storing it within your body cavity.
1:07:02 Chris Ryan? Yes.
1:07:03 Andy Greenwald? Winkie did not do that.
1:07:04 Chris Ryan? Winkie is his photographer and kind of like, you know, his guy.
1:07:08 Andy Greenwald? Kind of like older, like, but who loves him. And then the next day, the cameras are there and there is no net and he has not been able to do this with a tether. And he does it. And at the end, he collapses weeping onto these Chinese rocks. And like the Chinese announcers are like, it's translated with the subtitles are like, Mr. Potter is very emotional.
1:07:32 Andy Greenwald? This is just an incredibly visceral and horrifying encapsulation
1:07:37 Chris Ryan? Yeah.
1:07:37 Andy Greenwald? of what the world does to all of us to some small degree, but particularly to this guy, who whether simplistically or not, and clearly ruinously, kind of believed in his own.
1:07:51 Chris Ryan? Mythology.
1:07:51 Andy Greenwald? Mythology, that's the word.
1:07:53 Chris Ryan? And he's, and he's, that's a great encapsulation of all of his best and worst impulses. Like he, there is a degree of an entertainer in him, you know, but there is also a degree of like a solitary artist. How do you, how do you make those two things converge on Chinese state television, you know?
1:08:09 Andy Greenwald? And how do you define your life if it's only by risking death?
1:08:12 Chris Ryan? Yeah, and also like you're doing something where you're responsible for other people. And it's like, if you're gonna essentially like the, your wrinkle, the thing you bring to the game is I might die. Like that's dangerous for other people and it's also dangerous for the people who love you. It's an extraordinary show.
1:08:26 Andy Greenwald? It was awesome.
1:08:27 Chris Ryan? It was awesome. I'm glad you checked it out.
1:08:28 Andy Greenwald? Thank you for your recommendation. See, I'm not just a co-host, I'm also a beneficiary.
1:08:32 Chris Ryan? Should we do a little bit of After Dark about the World Cup before we get out of here?
1:08:36 Andy Greenwald? Yes, and do you want me to save my Sugar season two takes till next week?
1:08:39 Chris Ryan? Uh, how many did you watch?
1:08:41 Andy Greenwald? I just watched, I just, I just watched one, man. I, I, you know, just like.
1:08:50 Chris Ryan? Did you stroke out for a second?
1:08:51 Andy Greenwald? The light just went out. You know, you know, my review is honestly, I could have just, you know, the part.
1:08:56 Chris Ryan? You know, you know, it's worth pulling back the curtain is that he and I were talking, Andy and I were talking about like what to talk about on this episode and, you know, Lucky, the new Apple show. Sugar is back. And we both were like, I don't want to be down on a first episode of anything.
1:09:13 Andy Greenwald? Right now, it just didn't feel good, like.
1:09:14 Chris Ryan? Not after England lost.
1:09:16 Andy Greenwald? No, but I did, I mean, I watched, I did watch the first part of the first episode of Lucky and one of my favorite things about it is that it 1,000%, I have no inside knowledge, but like clearly it started with a scene and then said X months earlier, but someone at Apple got the note that we're all sick of that. So it just took the chyron away, like.
1:09:37 Chris Ryan? Oh, so it's just a flashback without telling you what's happening?
1:09:40 Andy Greenwald? Yeah, but it still was like, it'll be more exciting soon. Don't worry. Yeah, but yes, we didn't want to be negative, but like, there's something about Sugar, because it's like, every few days, I'm like, there's an L.A. noir show with Colin Farrell, and he looks great in suits, and we love him, and I can't quite kick it. And my review of it ultimately is, like, that scene from the end of episode three of Succession, season four, where they're at the bar in New York City, and Logan says, "I love you, but you're not serious people."
1:10:10 Chris Ryan? Yeah.
1:10:11 Andy Greenwald? That's my review of Sugar. It is such like, if we still had, like, if I still was a participant in the website and was like, writing things, I would probably devote way too much time writing about this show.
1:10:24 Chris Ryan? Yeah.
1:10:25 Andy Greenwald? Because it is an exemplar of like, what are we doing? Because Colin Farrell being a private detective in L.A. with Apple's budget is like, let's do it.
1:10:33 Chris Ryan? And shooting in L.A., right?
1:10:34 Andy Greenwald? Yeah.
1:10:34 Chris Ryan? Yeah, with most of the Breaking Bad cast and production team, yeah.
1:10:39 Andy Greenwald? Well, and, like, did so many things for season two that I'm like, that I admire, like, what they've done with the cast, and like, I'm just looking at the people they've added. Added for season two are actors we really like.
1:10:55 Chris Ryan? Tony Dalton.
1:10:55 Andy Greenwald? Tony Dalton, Jin Ha, Sasha Kaya, Shay Wiggum. Like, that's awesome. And, but, as many people know, and I'm sorry for the spoiler, it is an L.A. noir show that has revealed that our main character is also an alien, an alien who understands the world through old films, so it does The Dream On, in which every so often, it cuts to the movie that the scene is aping, which is cool when Fernando Morelles is doing it in the pilot, and then just fucking exhausting in season two, episode one, reshooting pool, and it's showing scenes of like, The Hustler. What's truly amazing, and I do feel like people who are studying how TV gets made these days about this season, is that the opening before, the first eight minutes of
1:11:39 Andy Greenwald? season two, is the most impressive yada yada I've maybe ever seen, in which Sam Catlin, who used to work on the Vince Gilligan universe and worked on Severance briefly, is now fully running the show after coming on later, I think, in season one. And so the first eight minutes are like, remember all that shit about all the other aliens and his hunt for his alien sister and the alien brother who ran off with the knowledge of her existence? Gimme eight minutes. Give me fucking eight minutes in a hotel room in Bangkok and we'll just be a detective show, I promise.
1:12:12 Chris Ryan? Okay.
1:12:12 Andy Greenwald? And it almost gets there so that once he's finally back and investigating like brothers, boxer brothers in Koreatown, I'm like, okay. And it leans into other things. I'm like, I don't care where this alien gets his money and he buys like Hemingway's house in the Hollywood Hills. I'm like, let's, let's do that.
1:12:30 Chris Ryan? Yeah.
1:12:31 Andy Greenwald? But because it is a contemporary TV show and it just feels this fealty to like, because there must be some people who are watching it being like, look, I don't know about detectives, but I fucking love aliens. There is this, it just feels the need to like, try to touch this third or at this point, fourth rail, in which case he's like, at the end of this, beginning of, he's beginning a new investigation and at the end of the episode, he's like, maybe more of my brothers are still out there and he sends out like an alien distress signal.
1:12:55 Chris Ryan? I'm like, just, nobody cares that he's an alien. Here's what Sugar reminds me of. Yes. It's not reminds me of because this has never happened, but it would almost be like you go to a, a California, you know, eatery.
1:13:07 Andy Greenwald? Yeah, sure.
1:13:08 Chris Ryan? And somebody's just like, uh, we've, we've, sir, you, you ordered and we brought you the Branzino and you're like, I love Branzino. And they're like, and it's, um, the Branzino, would you, would you like some Parmesan with it? And you're like, absolutely not.
1:13:21 Andy Greenwald? Yeah.
1:13:22 Chris Ryan? Those two things shouldn't go together.
1:13:23 Andy Greenwald? Correct.
1:13:24 Chris Ryan? And they're like, we've also roasted some Parmesan inside the Branzino, you know?
1:13:27 Andy Greenwald? Would you like to tell us about how, would you like us to tell you about how we do things here?
1:13:31 Chris Ryan? Yeah. And it's, we put cheese inside of a roasted fish. You can't get it out. You know what I mean?
1:13:35 Andy Greenwald? You can't get it out.
1:13:36 Chris Ryan? Now you're, now you're stuck with these two flavors that have been separated for a reason and are now brought together. And there are probably, there is probably a pretty cool hour and 45 minute detective movie from 1997 about an alien. And I, and I, I think it could have worked and I admire Colin Farrell for just trying stuff, but this was always like, it's in fact, like you cannot separate it.
1:14:00 Andy Greenwald? Yes.
1:14:01 Chris Ryan? And if you're pulling in it, and so I, I just, I, and for that reason, I'm out.
1:14:05 Andy Greenwald? serialization, serialization, intense canonical serialization is the like de facto storytelling model of our time and it is also kind of the anchor and the curse.
1:14:15 Chris Ryan? Yeah.
1:14:16 Andy Greenwald? Because.
1:14:18 Andy Greenwald? Just start it over would be better. Just start it in the right place is so crucial. But much like, I am sure that there are a lot of-
1:14:26 Chris Ryan? It would've been better if he wakes up and is like, "God, it was a weird dream about me being an alien. Now I can be a detective."
1:14:31 Andy Greenwald? There's a, I imagine right now, there's some big brains who are dispatched to Atlanta to the set of Man of Tomorrow, being like, "So Supergirl, rejected soundly. How do we now rework this movie to pick up the threads that people liked, but not the ones they didn't like? And how do we edit Lobo out of this? Or reduce Millie Alka, whatever." We're always, they're always trying to backfill and frontfill at the same time, instead of telling the story. And the other sin is, and I mean no disrespect to all the lovely, talented people who must've worked on the show. If you're gonna be in noir, you gotta get some crackling dialogue. You can't just cosplay it. And there's a scene in this episode where Colin Farrell, who looks the part, he's incredible, beautiful suit, beautiful car. And he's raising a cocktail in a bar and he's having some, you know, like smoky conversation with a woman.
1:15:16 Andy Greenwald? And this is the dialogue, okay? Unpack this for me. She says, "I'm Charlotte." And he says, "Like the web?" And she says, "Like the spider's web."
1:15:27 Chris Ryan? What other web would there be?
1:15:28 Andy Greenwald? What other web is it? The worldwide fucking web? What other web? What was that?
1:15:36 Chris Ryan? I mean, I didn't think you were gonna do anything on Sugar. You have like a whole presentation here. This is amazing.
1:15:41 Andy Greenwald? What's the difference? So when she says, "He's like a spider's web," which I guess is an effective tool to capture prey.
1:15:47 Chris Ryan? Yeah.
1:15:48 Andy Greenwald? And she's like, "No, no, I'm like the web that writes messages so a pig will live." And he's like, "Oh, I see how that's gonna be relevant, because I'm a farmer." Do you know, like-
1:15:58 Chris Ryan? Did he say that?
1:15:58 Andy Greenwald? No, but I'm trying to make it make sense.
1:16:01 Chris Ryan? I won't be watching. Thank you. You saved me some time.
1:16:03 Andy Greenwald? I just, I just want things to be good, man.
1:16:06 Chris Ryan? I know, and this is a passion project for you, you know? I get it.
1:16:10 Chris Ryan? Did you have any observations about the World Cup you'd like to share?
1:16:14 Andy Greenwald? Well, I did say, I did say in our text thread yesterday with our Englishmate Joe that like, now I do, I feel like now I can apply for citizenship. Like, I already have spent a lot of time there and do enjoy a piece of steamed fish and then the night at the pub having a small beer.
1:16:33 Andy Greenwald? Sorry, application rejected. I'm just saying that like, I did feel like this was my first full World Cup supporting the Three Lions and like,
1:16:41 Chris Ryan? What would you do if confronted with Liam Gallagher's adage about, we don't go out for one. If I'm going out, we're having hundreds.
1:16:48 Andy Greenwald? I have had drinks with Conrad Kay. Like, I, and my drinks, I've watched him have drinks. You know, I, I confronted it every day along with my mortality and the heat death of my liver when I was there. I'm not good at that anymore, but,
1:17:07 Chris Ryan? So watching England get its heart torn out on international television prepares you for your inevitable?
1:17:12 Andy Greenwald? Migration? No, it just made me feel like I'd earned it more because, you know, as a, as a lifelong fan of my beloved Tottenham Hotspur, like, you know, we had a, we had a rough spell recently, but we're poised to come back stronger than ever thanks to some crucial international signings.
1:17:29 Chris Ryan? You are the sugar of being a Tottenham fan. You're like, I'm alive on this planet.
1:17:34 Andy Greenwald? Yeah.
1:17:36 Chris Ryan? I read a lot of the Athletic articles and now I'm ready to go.
1:17:40 Andy Greenwald? Well, in my defense,
1:17:42 Chris Ryan? And then we cut to like famous Gareth Bale goals.
1:17:46 Andy Greenwald? In my defense, I did, I've spent a lot of time in London recently and I've had, I have lovely friends across the aisle, both sides of the aisle.
1:17:54 Chris Ryan? Both sides of the North London aisle.
1:17:55 Andy Greenwald? Well, and just across the Premier League and English football generally. And I must say that culturally and emotionally, I really, really connected with the absolute abject misery and self-loathing of Tottenham fans, especially over the last season.
1:18:12 Chris Ryan? I assure you, all 20 clubs feel the exact same way about themselves.
1:18:16 Andy Greenwald? It did feel right. I just felt like I was vibing with these friends in particular and where they were in their relationship to sport. And I also thought, I thought two things and I'll share them, just, just us, just us, dormice.
1:18:31 Chris Ryan? Just this alien detective.
1:18:34 Andy Greenwald? Just this alien fucking podcasters. One was.
1:18:38 Chris Ryan? This is where I take my skin off.
1:18:42 Andy Greenwald? Underneath it is just Liverpool red.
1:18:44 Chris Ryan? It's Bill.
1:18:46 Andy Greenwald? He's hosting this podcast. He would put up with this shit.
1:18:52 Andy Greenwald? That I did feel like some sort of perverse sports pride of like joining a team. I was committing as they were getting relegated. I was like, this would be a good arc. I'm OK with this. That even if we have to fight our way back to the Premier League, like, that's fine. So I did feel like that was a good choice. That was not front running. And yet secretly, my next step was realizing, you know, because we finally got rid of, you know, the money manager who was really dragging the squad down with his.
1:19:19 Chris Ryan? Daniel Levy?
1:19:20 Andy Greenwald? Well, I knew that. I just didn't want to embarrass you. Yeah, with his, you know, his, his, uh, little bit of a skinflint, you know? Like, he wouldn't pay more than 100 pounds for a transfer.
1:19:29 Chris Ryan? He drove a hard bargain.
1:19:30 Andy Greenwald? That's right. So, so to join a team now that they're like, I guess we better spend and buy everybody?
1:19:38 Chris Ryan? Yes.
1:19:39 Andy Greenwald? Is a really good time to become a fan.
1:19:41 Chris Ryan? It is. If it blows up, you will be insolvent, but, uh.
1:19:44 Andy Greenwald? I mean, that's all of us. I also did feel like it was important to throw myself across the landmine of this club's, I would say, complicated relationship to Judaism.
1:19:59 Andy Greenwald? You know, like, and then their fanbase and some of the chants and some of the... I was like, I think that, I think this is a dialogue that could benefit from my presence.
1:20:07 Chris Ryan? Are you excited to engage with people about it?
1:20:09 Andy Greenwald? Thrilled, especially online.
1:20:10 Chris Ryan? Yeah.
1:20:11 Andy Greenwald? I think it'll be good.
1:20:11 Chris Ryan? Well, I think that, you know, if you thought TV internet was annoying, wait till you fucking get a load of this.
1:20:17 Andy Greenwald? But do you think generally, like, I mean, you did share a lot of, I thought, quite smart thoughts about England's failed strategy yesterday. But as a longer and actually credentialed football fan, is there anything you would like to share about England's flameout and my burgeoning attempt? I mean, every four years, I'm like, I'm going to get really into club soccer.
1:20:35 Chris Ryan? I want to know how, how accountable you want me to keep you? How, do you want me to hold you accountable for this, this new hot, new passion of yours? Like, do you want me to be like, hey, man, 11 a.m., Tottenham's playing Everton?
1:20:47 Andy Greenwald? Yes.
1:20:48 Chris Ryan? On Peacock.
1:20:49 Andy Greenwald? That will be good for both of us, because you hate Everton.
1:20:51 Chris Ryan? And you'll, I don't like Everton, but like, I just want to know, like, is this something where you're like? You want me to, you know, measure you as you, as you go along?
1:21:00 Andy Greenwald? Yes.
1:21:00 Chris Ryan? Or is it just like, let you have your experience?
1:21:02 Andy Greenwald? I mean, I think that, no, I want, I want, I want to be held accountable.
1:21:06 Chris Ryan? Okay.
1:21:06 Andy Greenwald? I
1:21:06 Chris Ryan? Cause I don't have children, so it's okay for me to watch stuff whenever.
1:21:10 Andy Greenwald? To be fair, maybe it's just like accrued hours.
1:21:12 Chris Ryan? Yeah.
1:21:13 Andy Greenwald? But like, so far you haven't questioned my 76ers fandom bona fides, even though I don't really watch the games.
1:21:19 Chris Ryan? Well, I don't really think you super love watching sports. I think they stress you out. I think you love following sports.
1:21:25 Andy Greenwald? I have, but yeah, well, the World Cup, maybe because of the lack of like decades of deep emotional parasocial
1:21:32 Chris Ryan? Sure.
1:21:33 Andy Greenwald? fuckery.
1:21:33 Chris Ryan? Yeah.
1:21:34 Andy Greenwald? Has just been a pure joy.
1:21:35 Chris Ryan? And you've never come out one side or the other on the Falklands either.
1:21:38 Andy Greenwald? Well, that's right. I, I'm like, let, let the voters of Maine decide that one too.
1:21:41 Chris Ryan? That's right.
1:21:42 Andy Greenwald? Throw that one on the fire for them. I would like to be held accountable. I am excited. Every four years I do say some version of like, now is the time to just really become a dedicated Premier League fan. And then I run up against the realities of life and time zones, but I think it's, I think I'm, I think I'm ready.
1:21:57 Chris Ryan? I'll say this about yesterday's match.
1:21:59 Andy Greenwald? Yeah.
1:22:00 Chris Ryan? Fuck.
1:22:00 Andy Greenwald? Yeah, it sucked.
1:22:01 Chris Ryan? Also, when Letaro Martinez scored the winner.
1:22:07 Andy Greenwald? Yeah.
1:22:08 Chris Ryan? The reaction of the Argentinian players.
1:22:10 Andy Greenwald? Yeah.
1:22:11 Chris Ryan? Is, is, is the, the plunger going into the vein? That is what it is all about. Like
1:22:17 Andy Greenwald? Yeah, yeah, yeah.
1:22:18 Chris Ryan? It's a, it's a celebration, but it's like a connection with their fans. And it's also like an act that is
1:22:27 Chris Ryan? unique in sports, I think.
1:22:28 Andy Greenwald? Yeah.
1:22:29 Chris Ryan? Scoring a goal for your national team to win a match of that consequence.
1:22:33 Andy Greenwald? Yeah.
1:22:35 Chris Ryan? It blows my mind every time it happens and it happens every, you know, a couple of months, every couple of years, like whatever the, in a Premier League match, in a Champions League match, you'll see something and you're just like, holy fucking shit, I can't believe, like 80,000 people are having like, uh, uh, an absolute like out of body experience. The guys on the field are the same people as the people in the stands. Like, it just feels like that is, that is something that I chase all the time with this sport. It's why I will never quit it.
1:23:05 Andy Greenwald? Yeah.
1:23:05 Chris Ryan? And it's why for as much of like, you know, A secondary market ticket hiking, you know, bullshit festival that you could see the World Cup as, it's still like unlike anything else. And I was talking to Ian about this when I was just like, you know, we were, we were talking about our buddies at Bad Brother and Nick at the bar who is in Philadelphia during the group stages was like, dude, just like some nights, like 25 Ecuadorians would just come and hang out. You know, it's like, that never happens. That's not, there's not like a normal experience where people travel like this and people go to support their countries and their, and their sides like this. And it's, it's really astonishing. So on the one hand, like while I don't love that Argentina team, like watching them win in some
1:23:49 Chris Ryan? way was like, why I also love the sport. The other object of fascination about yesterday is that they have had, I've watched multiple generations at this point of the England national team and several managers. And there is something so deeply interesting about whether or not there is like an inherent characteristic in the English football players specifically, that is like, I can't really, I can't imagine a success too big, you know, like whether they, whether they actually do start freaking out if
1:24:24 Andy Greenwald? If it looks like they're gonna win.
1:24:25 Chris Ryan? If it looks like they're gonna win. Yeah. And in some ways, they would have been better off going down 1-0, you know?
1:24:30 Andy Greenwald? Yeah, but that fits the narrative.
1:24:32 Chris Ryan? Cause they could have just been like
1:24:33 Andy Greenwald? Classic international underdogs.
1:24:34 Chris Ryan? We're going out on our shields and we're gonna play, play football and we're gonna run at these guys and we're, we're gonna go for it, you know? And that instead, they kind of accidentally ceded that role to the Argentinians. And it was, it was a weird match, weird first half, people kicking the shit out of each other and then just like bang, bang, bang, and it's over. And I was like, oh, that was a month.
1:24:55 Andy Greenwald? And I think I have not, I certainly have not earned my place at the commentator's table, but I think even I shot a WhatsApp being like
1:25:04 Chris Ryan? This seems like the wrong strategy.
1:25:05 Andy Greenwald? I do think they should play offense.
1:25:07 Chris Ryan? You don't score one touchdown and go, okay, prevent defense.
1:25:10 Andy Greenwald? I mean, there are teams that have done that.
1:25:12 Chris Ryan? Sure. Yeah.
1:25:12 Andy Greenwald? But it doesn't seem like a winning strategy. What would your, not to shine too bright a light on it, but what do you think your father would have thought about England going to defeat due to the strategical maneuverings of a German?
1:25:27 Chris Ryan? I don't want to comment on how my father would have felt about that.
1:25:32 Andy Greenwald? That specifically.
1:25:33 Chris Ryan? Yeah, I mean, who knows? Maybe he would have evolved a lot in the last 10 years, you know?
1:25:37 Andy Greenwald? Old wounds would have healed.
1:25:38 Chris Ryan? Yeah, you know, like after Brexit, he would have been like, no, we're all part of one European family. But like, I think he had some resentment for the Germans.
1:25:47 Andy Greenwald? Sure. For his time.
1:25:49 Chris Ryan? Yeah.
1:25:49 Andy Greenwald? The world has moved on. But now, speaking of moving on, you know, that is why I reclaim my Spanish heritage, because, because, because as a fan of Pedro Porro, who of course has played right back for my beloved Spurs since 2022. I want him to succeed. No, that's just in my brain app.
1:26:08 Chris Ryan? Yeah.
1:26:08 Andy Greenwald? That's something I've known for, I want to say, days, maybe hours.
1:26:13 Chris Ryan? Yeah.
1:26:14 Andy Greenwald? And it just feels good to be at least rooting for one of my guys, you know, in the final.
1:26:19 Chris Ryan? I'm picking Spain for the final.
1:26:21 Andy Greenwald? Even though, I believe McAllister plays for Liverpool, right?
1:26:24 Chris Ryan? That's okay. Victor Munoz, a winger that Liverpool just bought, is a Spanish player.
1:26:32 Andy Greenwald? I know. Tell the camera. I know.
1:26:35 Chris Ryan? Thank you to Kai, Kaya, and Sarah for recording us, producing us, filming us today.
1:26:40 Andy Greenwald? Making us look good.
1:26:41 Chris Ryan? Making us look great. And we'll be back on Monday. Hot D. What else? Maybe you'll have seen The Odyssey. Who knows?
1:26:49 Andy Greenwald? I would like to. But IMAX tickets, hard to get.
1:26:53 Chris Ryan? Just, I have like a phone bootleg you can just check out.
1:26:56 Andy Greenwald? If I watch The Odyssey on iraqgoals.com this weekend on my phone.
1:27:00 Chris Ryan? Dot net. Yeah.
1:27:01 Andy Greenwald? Oh, sorry. Sorry. Well, I just really blew up that other website. Sure, it's gonna be fine. Good luck to your Brasser.
1:27:09 Chris Ryan? You guys have a great weekend.
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Previous Will Apple Own the Emmys This Year? Plus, ‘House of the Dragon’ S3E4 With Joanna Robinson. Next Is ‘Avengers: Doomsday’ Dead on Arrival? Plus, ‘House of the Dragon’ Season 3, Episode 5. Page updated October 29, 2026 · transcript and summary are machine-generated