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Alison Russell breaks down the creation of her song "The Returner," detailing how a performance by Joni Mitchell at Newport in 2022 sparked the concept of joyful survival. The guest explains how co-writers JT Nero and Drew Lindsay crafted the groove and chorus as a triumphant fight song, while she wrote and refined the verses to maintain forward momentum. She also discusses assembling an all-female ensemble featuring Wendy and Lisa to record the track live in Los Angeles.
Host Rishi Hirway introduces the episode and shares his upcoming tour schedule.
The episode highlights two sponsors, Gusto and LinkedIn, explaining their services and offers.
Rishi introduces Alison Russell, detailing her Grammy wins, Juno Award, and career milestones.
Alison recounts how her tour with Brandi Carlile and Joni Mitchell inspired the song’s title and theme.
Alison reads a poem she wrote, celebrating Joni Mitchell’s return to the stage.
Alison and her collaborators discuss how they wrote, demoed, and produced “The Returner.”
Details of the live recording with the all‑female ensemble and the studio setup are shared.
Alison reflects on how creating the song helped her redefine her self‑image and break free from past trauma.
The episode concludes with a full play of “The Returner” and final thanks from the host.
Witnessing Joni Mitchell's Returnstory
The guest describes being part of the circle of artists backing Joni Mitchell at Newport in 2022, which inspired the concept of the returner.
Shifting From Trauma to Joyinsight
Contrasting her autobiographical first album about childhood abuse, the guest wanted her second record to feel like a forward-moving, joyful fight song.
Shaping a Celebratory Groovestrategy
Co-writer Drew Lindsay sent beat ideas designed to make listeners feel the celebratory soundtrack of self-worth before any words were written.
Discarding an Unsingable Versestory
The guest plays an early demo verse featuring overly dense and poetic language that proved completely unwieldy and unsingable.
Assembling an All-Female Ensemblestrategy
Intentional about gender parity, the guest gathered a band of prominent women musicians including Wendy and Lisa to record the album.
By casting the room with the right players and using the Neil Young Crazy Horse method, the entire song was recorded live in three takes.
Liberation Through Songwritinginsight
The guest reflects on how making the song helped break cycles of self-hating talk and proved that people can choose to let go of past limitations.
“The seed was planted, actually, at Newport in 2022.”
“I am changed, I am charged, I am spinning.”
“That feeling of deep liberation that the things you thought you knew are not what you know.”
“We actually can choose and we get to choose to let those go and discover something new.”
Allison Russell is a singer and songwriter originally from Montreal and now based in Nashville. She’s a Grammy-winner and an eight-time Grammy nominee. And she’s also won Canada’s Juno Award, an Americana award, and more. She starred in Hadestown on Broadway. She spent years in bands and collaborating with others before she released her first solo album in 2021. Her most recent album came out in 2026, and is called In The Hour of Chaos. But for this episode, Allison and I talked about the title track from her second album, The Returner, which came out in 2023. She recorded it with an all-female ensemble that included Wendy & Lisa of The Revolution. It was co-written with JT Nero, her husband, and Drew Lindsay, her brother-in-law, and the two of them also co-produced the song with Allison. For more info, visit songexploder.net/allison-russell. https://songexploder.net/allison-russell
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