Ghost Hunters

If there’s somethin’ strange in your neighborhood, who you gonna call? Ghost Hunters! Specifically, the team behind the TV show Bi Ghostal! These four ghost hunters have been brought together by their experiences of the supernatural and sat down with us for a riveting discussion on the paranormal as they finish their latest season of the show. From near-miss encounters and creepy childhoods to unconventional ghost hunting methods, they share stories that will give you quite a fright and even more to think about. So bring your flashlights, your night vision goggles, and your Geiger counters, it’s time to get spooky! MERCH HERE! https://artistsonartistsonartistsonartists.com/shop This episode was filmed in the beautiful Dynasty Typewriter Theater, and tech-produced by Samuel Curtis. For live shows and events you can find more about them at dynastytypewriter.com. To learn more about the BTS of this episode and to find a world of challenges, games, inside scoop, and the Artists being themselves, subscribe to our Patreon! You won't be disappointed with what you find. Check out patreon.com/aoaoaoapod Artists on Artists on Artists on Artists is an improvised Hollywood roundtable podcast Created and Hosted by Kylie Brakeman, Jeremy Culhane, Angela Giarratana and Patrick McDonald. It is a production of Will Ferrell’s Big Money Players and iHeartMedia Podcasts. Executive Produced by Matt Apodaca and produced by Alexandra Dennis and Laservision Productions. Music By Gabriel Ponton, editing by Conner McCabe, and social media editing by Adam Keller. Thumbnails by Josh Fleury and logo design by Lucy Tomkiewicz. Hollywood's talking. Make sure you're listening. Subscribe to us on Apple Podcasts, Spotify, and YouTube! Please rate us five stars! See omnystudio.com/listener https://omnystudio.com/listener for privacy information.

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• 2:39Speaker 05

  Welcome back to Artists on Artists on Artists on Artists. This week on the show, we gathered the cast of a very well-known-in-hotel-rooms ghost show by Ghostel.

• 2:51Speaker 06

  Ghosts have been a phenomenon since the beginning of man. We have always wondered what happens after death. Well, these four ghost hunters explore it and try to find answers in By Ghostel.

• 3:05Speaker 04

  Whether or not you're a skeptic, ghost hunting is a verified job that makes people lots of money. From going to old abandoned buildings to talking to spirits through, basically, radios, ghost hunters have found a way to connect not only with the supernatural, but also with audiences at home.

• 3:25Speaker 05

  So turn on that spirit box, press record, get that night vision camera on, and let's hunt ghosts!

• 3:37Speaker 06

  Let's listen in.

• 3:42Speaker 04

  We should check the space first.

• 3:43Speaker 05

  We should check the space.

• 3:45Speaker 06

  Absolutely.

• 3:45Speaker 04

  And we should communicate with the spirits as well.

• 3:47Speaker 06

  I'm getting a little...

• 3:48Speaker 04

  Oh, hold on a minute, hold on a minute. This is off. This isn't working. That is crazy.

• 3:52Speaker 06

  I'm getting a little reading, uh...

• 3:54Speaker 05

  Was it working before?

• 3:55Speaker 04

  It was working before. And when I entered, it's no longer working.

• 3:58Speaker 05

  Oh, shit, guys. Hard drive's going crazy.

• 4:01Speaker 04

  What's going on? What's it saying?

• 4:02Speaker 05

  Hard drive is going crazy. It's, the readings are off the charts. It's messaging, it's messaging all the thermal imagery devices in the county, and they're all spiking. Thermal images in the county? Okay, it's on now. So does that mean it's coming?

• 4:17Speaker 04

  Hold on, let me sense it. Let me get some sensors. Hold on a minute.

• 4:23Speaker 04

  Oh my gosh. When I pressed this button, it turned red.

• 4:29Speaker 05

  Wait, wait. Play that back?

• 4:36Speaker 06

  That could have been something. That definitely, because that didn't happen when we first listened to it.

• 4:40Speaker 04

  That's crazy.

• 4:41Speaker 05

  Yeah.

• 4:41Speaker 06

  Yeah, I'm getting a .25 on my PF-PF reading. I don't know what that could mean. Could either mean that there's some sort of presence here, or that it is over 80 degrees in this room. I'll try to dial it in a little bit. Come back to me.

• 4:54Speaker 05

  Great. Now, I know this podcast wanted us to talk process, but I just also want to hunt a little.

• 4:59Speaker 06

  Yeah.

• 5:00Speaker 04

  Of course.

• 5:00Speaker 05

  We do have to hunt a little. This is, of course, one of the more haunted locations in the two locations that we hunt in. We are, of course, the team behind the show by Ghostel. We hunt ghosts in LA and New York exclusively.

• 5:17Speaker 06

  Yeah.

• 5:18Speaker 04

  Because of some experiences in our past, we all have a connection to the thin veil that connects us and the outside worlds. We have had experiences that let us know.

• 5:29Speaker 05

  The mic will get you. You don't have to, you don't have to go super loud.

• 5:32Speaker 04

  Am I being too loud?

• 5:33Speaker 05

  We're not in the tunnels anymore or something? So you could just kind of just like talk normally, like a podcast.

• 5:37Speaker 04

  What I like to do is speak for not only the people in the room, but for any ghosts that are beyond the veil. Because as many people know, the veil can muffle audio. So I wanted to make sure ghosts can hear me too.

• 5:49Speaker 05

  It's a good point.

• 5:49Speaker 06

  Let's jump into it and tell each other's names to the camera, and what was their situation that led us to be able to have a connection with the other side?

• 5:58Speaker 04

  That's right. Let's tell each other's names. His is Tuttle.

• 6:01Speaker 06

  Hi, I'm Tuttle. I was kicked by a horse, and now I believe I can talk to ghosts.

• 6:09Speaker 06

  When I was seven years old, I was bucked off a pony. It nailed me right in the temple. Doctors thought I would die. I woke up immediately, and I believe now I can talk to the other side.

• 6:19Speaker 04

  I still cannot believe the precision of that pony to hit you in the temple.

• 6:23Speaker 06

  It bucked me off and bam, right in the temple, like it was trying to kill me, trying to kill me.

• 6:28Speaker 05

  Tuttle, what did you see in the hospital room that day?

• 6:31Speaker 06

  Well, I saw some doctors. I saw some nurses. I saw my mom, my dad, my sister, and my brother. And also, I heard a voice.

• 6:39Speaker 04

  What did the voice say?

• 6:40Speaker 06

  The voice said, "You ain't going yet. You ain't going yet." And I felt some sort of feeling across my face, like I had been slapped as hard as a man could be slapped. It was like this, "Pah, pah, pah, pah." And I went, "Mama, mama." And she said, "Tuttle, you're alive." And I said, "Mama, I'm more than alive. I can talk to things now."

• 7:02Speaker 04

  Wow.

• 7:03Speaker 06

  Ever since then, I've been helping people figure out what the hell is going on with their homes, what the hell is going on with their theaters, what the hell is going on with their hotels, what the hell is going on with a lot of different things like stables, what the hell is going on with them, anything that could be haunted, like a boat, or, or like, like, like a children's school, or, or, you know, like, like, or like a, like a big gymnasium, or, or even like, like, like a, like a farm.

• 7:33Speaker 04

  Hold on, Tuttle. Order some more.

• 7:36Speaker 06

  Oh, oh, like, like...

• 7:37Speaker 05

  Hold on, keep going.

• 7:40Speaker 06

  Helping people with their, the places where they fix cars at night, helping people with gas stations, helping people like old, like old, like old roller rinks and stuff.

• 7:50Speaker 05

  Tuttle, I'm gonna stop you right there. I need to hear more.

• 7:55Speaker 06

  I'm just help, help people where they sell pianos. I'm helping people, you know, where they're building the pianos, big, big, kind of big spaces that feel empty and remodel old hospitals.

• 8:08Speaker 05

  Tuttle, we all have to say our names. Keep going.

• 8:12Speaker 06

  You know, any, any old sock wards, torn down places with Native American burials. And I'm helping them figure out...

• 8:19Speaker 05

  Tuttle, enough! Five more.

• 8:23Speaker 06

  You know, I'm helping them where they're building watches and clocks and stuff. I'm helping them find, find a ghost if you got, got them in suitcases every once in a while. Or old planes. I'm helping them in big terminals, see if anything bad happened in terminals. And I'm helping them in fields, big fields where war is happening.

• 8:42Speaker 05

  Tuttle, stop! One more!

• 8:44Speaker 06

  And of course, I'm helping them where it helps the most their inner hearts.

• 8:49Speaker 04

  Thank you, Tuttle.

• 8:50Speaker 06

  Hey, you guys welcome, and thanks for letting me join the team, even though I'm not from the coast region.

• 8:54Speaker 04

  Thank you, Tuttle, so much. We're glad you're here, and we're excited for the journeys that we've been on and will continue to be on.

• 9:01Speaker 06

  Yeah, we had some crazy journeys. Isn't that right, Stefano?

• 9:07Speaker 05

  A hundred percent is right. I am so grateful to be with this cast, with this team, with this group of hunters and warriors. Sorry.

• 9:15Speaker 06

  Wait, what was that?

• 9:16Speaker 05

  Wait, what was that?

• 9:18Speaker 06

  Something...

• 9:18Speaker 05

  Is something moving through you?

• 9:19Speaker 04

  Six months ago, Stefano received a ghost from a girlfriend.

• 9:24Speaker 05

  I had sex with a witch.

• 9:27Speaker 06

  We told him not to.

• 9:29Speaker 05

  We told him not to.

• 9:31Speaker 06

  That girl sells stuff on Etsy. Nobody should be buying.

• 9:34Speaker 05

  But that set of teeth, I had to see if there was something going on.

• 9:40Speaker 06

  Stefano's a teeth guy. I know you hear like boobs, butt guy. No, Stefano is a teeth guy.

• 9:47Speaker 04

  Because of an experience in his childhood, Stefano has a sexual attraction to teeth.

• 9:56Speaker 05

  Stefano and I walked by a... Dentist one time and Stefano could not keep it together.

• 10:04Speaker 05

  I just want to say I'm so grateful that all my best friends know me so deeply. Especially, I grew up next to Casey. We grew up next to each other in a house, in similar neighbors in houses. But I want to say, I was a skeptic. Casey was a kid that was always looking, and I was a skeptic until I had sex with a witch.

• 10:23Speaker 06

  So it was just recently? No, it was your first.

• 10:26Speaker 05

  And then my eyes were opened, and ever since then, how could I deny the otherworldly? And you are so, you have been so different ever since you had sex with the witch.

• 10:35Speaker 04

  It is, very different. You used to believe that braces were like panties for teeth, but now you believe they're like jeans.

• 10:45Speaker 05

  It's just kind of helping them, and it's making them look better. But it doesn't do anything for you. And that's right. My belief in ghosts is perfectly connected to my attraction to teeth.

• 10:59Speaker 06

  Are you sure you want to do that?

• 11:05Speaker 05

  Ever since that witch fucked me sideways and opened my eyes to the other world. I can no longer trust any noise in a dark room or look at teeth the same way. Did you hear that?

• 11:20Speaker 06

  Did you guys hear that?

• 11:21Speaker 05

  Yeah. I genuinely heard that. The reader's going crazy.

• 11:24Speaker 06

  I got 0294. Hold on, listen.

• 11:30Speaker 05

  Wait, enhance, slow that down.

• 11:33Speaker 04

  Let us look at that.

• 11:34Speaker 05

  Wait, stop. Play that back, slow down. I'm your mother.

• 11:40Speaker 06

  Whoa. Somebody's mother is here.

• 11:43Speaker 04

  That might be mine.

• 11:44Speaker 05

  Go Casey, go.

• 11:45Speaker 04

  My name is Casey. I am the host of Go By Ghostal. And when I was six years old, I was living next door to Casey, or I was Stefano.

• 11:54Speaker 05

  Stefano.

• 11:55Speaker 04

  And I say I live next door to Casey because I had a mirror that moved a little bit slower than myself. It was a trick mirror, and I believed it was a ghost. I don't know how it worked, but the mirror was just a little bit slower. So I would turn, and then I look back, and then it would turn.

• 12:13Speaker 06

  That does sound like a ghost.

• 12:14Speaker 04

  It might have been a real ghost. It was fucking weird, and I haven't seen anybody else have that type of mirror. My mom said she got it at a yard sale, and it was a trick, but I do believe it might have been a ghost. Because of that, I began to see spooky things, like the monsters on TV. I love scary shows.

• 12:34Speaker 05

  Oh, you just like watch. Because of the mirror, you started watching TV?

• 12:38Speaker 04

  Yes. Because I had a supernatural experience, I became attracted to horror television shows and even horror comedies. And I began to watch them all the time, and it changed my view on reality. Instead of sitting in a room, wondering if I was safe, I would sit in a room and hope I was in danger. Because fear was exciting.

• 12:57Speaker 05

  I will say, out of everyone on the team, Casey, you are a fan of ghost media.

• 13:03Speaker 04

  I am.

• 13:03Speaker 05

  So that's also, because like, sure, we want to get a, we want to find ghosts.

• 13:07Speaker 06

  Don't.

• 13:07Speaker 05

  We also want to make a good episode of television.

• 13:09Speaker 06

  Yeah, don't get Casey Star on CBS's Ghosts.

• 13:13Speaker 05

  No.

• 13:14Speaker 04

  I am obsessed with CBS's Ghosts. The really fresh take on living in a house with ghosts, and they're from all different eras. Which no, makes you know they did their research, because ghosts are from different eras. I am obsessed with ghosts, and one day, I hope to turn By Ghostal into a coffee shop in the valley somewhere. That's spooky, too.

• 13:38Speaker 05

  You hope to turn our ghost hunting show into a coffee shop?

• 13:42Speaker 04

  I hope to open By Ghostal, the coffee shop, where I have scary coffee names, and there's pictures of ghosts on the walls. It's haunted, but a coffee shop.

• 13:51Speaker 05

  What are some of the scary coffee names you've come up with?

• 13:54Speaker 04

  Freddie Voorhees Latte.

• 13:56Speaker 05

  Okay. Okay, you have to stop. Do three more.

• 14:00Speaker 04

  Okay, Freddie, Freddie, oh, Jason Voorhees Latte, sorry. Freddy Krueger Macchiato. Babadook Tees.

• 14:09Speaker 05

  There's just none of these are puns in the coffee.

• 14:11Speaker 06

  Yeah.

• 14:12Speaker 05

  These are plays on words.

• 14:14Speaker 04

  No, they're scary things and coffees, together forever, on my menu.

• 14:19Speaker 06

  Amazing, absolutely amazing. I mean, what a big team we built, but we wouldn't be complete without, of course.

• 14:24Speaker 05

  My name is Veronica, and ever since I was a little girl, all of the women in my family have this. We see ghosts and can bro down with them. Whenever, just in this moment, whenever we are just in this moment, I am seeing multiple figures step forward.

• 14:45Speaker 06

  Whenever we are just in this moment.

• 14:47Speaker 05

  Whenever we are just in this moment, I am seeing multiple figures step forward.

• 14:51Speaker 04

  We should mention Veronica lost the use of language for a little bit and has gotten it back, and we're so happy. A ghost got into her mouth, and she couldn't speak for a year.

• 15:00Speaker 05

  And I wanted to look at her mouth every day to make sure things were okay.

• 15:03Speaker 04

  I don't think that's why you were looking.

• 15:05Speaker 05

  I also don't think that's why you were looking, but I appreciate the concern nonetheless. That year was one of the darkest of my life. In that time, the ghosts did not permit me to speak. They took away my voice so that I could listen to theirs. And in that time, my connection to the other world grew stronger and stronger and stronger. And now I can bro down with literally any ghost who steps forward. Just now, there is a football player I'm getting with the letter M stepping forward. M, does that M mean anything to you? Normally, there are more people.

• 15:38Speaker 06

  So you got a football player with the letter M on the back or in the front? Where?

• 15:41Speaker 05

  I'm getting the letter. He's saying M? The letter M.

• 15:44Speaker 04

  His name is M.

• 15:44Speaker 05

  The name is, I'm getting the letter M. So the letter M could be connected to his name, it could be connected to his shirt, it could be connected to his catchphrase. It could be connected to his profession.

• 15:54Speaker 06

  Maybe it's something to do with Michigan, and if it's that, we can't touch that, that's not on the coast.

• 15:58Speaker 04

  That is not in our purview. We do LA and New York.

• 16:01Speaker 05

  This is not a coastal ghost. I am now going to have to ask you respectfully, bro, bro, respectfully, you're gonna have to go. Love you, though, dude, love you.

• 16:12Speaker 06

  There's something about Veronica's kind of ability with ghosts, they really respect her in a bro way. I've never seen somebody bro down with ghosts harder than Veronica.

• 16:20Speaker 05

  A lot of us will do different things when interacting with ghosts, but the way you kind of always take a knee and just like sit down with the ghost, I've never seen a ghost hunter on TV sit down and hang. Because the saddest thing about the male loneliness epidemic is that it's been happening for years and years and years and years and years. And so many of these men died before they were able to put a name to that. All these Civil War generals, all these ancient Roman soldiers, all these ancient, you know, guys who were cowboys, they never got to, hey, say, you know what, hey, in this moment, I am feeling male lonely.

• 16:59Speaker 04

  Yeah.

• 16:59Speaker 05

  They never got to say that. If Paul Revere could.

• 17:03Speaker 06

  It was so important when you taught me the phrase male lonely, like, it's an adjective. I am feeling male lonely.

• 17:11Speaker 04

  M, male lonely. Do you think that football player was male lonely?

• 17:15Speaker 05

  Well, maybe it's must see teeth.

• 17:19Speaker 04

  Maybe it's must see TV.

• 17:21Speaker 05

  Do you want me to call him back?

• 17:23Speaker 06

  Yeah, I think calling back, let's see what we can get. I'll see if I can hear anything that he records.

• 17:27Speaker 04

  And I will sense him on my light monitor.

• 17:29Speaker 06

  Whoa, this is going crazy.

• 17:30Speaker 05

  Hey, dog, hey, boss man, hey, boss man, step back into the space, bro. We just want to talk to you for a second. Can I dap you up, brother? Can I dap you up? Can I dap you up, brother? Whoa.

• 17:41Speaker 06

  Wait a second, I just heard something back.

• 17:43Speaker 05

  What'd you hear?

• 17:44Speaker 06

  Let's replay it, see what he said. You're gonna say, can I dap you up?

• 17:47Speaker 05

  Can I dap you up, brother?

• 17:48Speaker 04

  I'm good. No, thanks, I'm good, thank you.

• 17:51Speaker 05

  Why are you here?

• 17:54Speaker 05

  Hey.

• 17:55Speaker 06

  Wait, let's play that again.

• 17:56Speaker 04

  Oh, my goodness, I'm shaking.

• 17:58Speaker 06

  Say.

• 17:59Speaker 05

  Say what you just said. Why are you here?

• 18:02Speaker 04

  I was just a little lost, I was just a little lost, looking for, um, I was just looking for something. What can we do for you?

• 18:12Speaker 04

  I'm just, I was just wondering, um, where, do you guys, um, do you guys know where, um, I'm trying to do the Macarena somewhere? I love dancing. M, Macarena.

• 18:22Speaker 05

  M, Macarena, of course, it all makes sense. Wait, play the Macarena, and then maybe we'll get him to appear in the corporeal form.

• 18:32Speaker 04

  Hey, hey, hey. Boom, boom, boom.

• 18:44Speaker 05

  Oh, man, I love that song, thank you. Whoa, look at that flashing light.

• 18:49Speaker 04

  Holy shit, I have goosebumps.

• 18:50Speaker 05

  Oh, my God.

• 18:51Speaker 04

  Holy shit, I have chills.

• 18:52Speaker 05

  Oh, my God, were my pants cuffed before?

• 18:55Speaker 04

  No.

• 18:56Speaker 05

  Were my pants cuffed before?

• 18:58Speaker 04

  No, dude.

• 19:00Speaker 05

  No. We have to.

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• 21:37Speaker 06

  Say that even though we can't prove it was a ghost, things make it unabashedly clear that that could have easily been a ghost.

• 21:44Speaker 04

  We must talk about our favorite ghost encounters and maybe even play clips.

• 21:48Speaker 06

  Yeah, that's a great idea.

• 21:49Speaker 05

  That's a great idea.

• 21:50Speaker 06

  We can play clips from some of our favorite.

• 21:52Speaker 04

  Whoa. Don't fuck with me. That actually was scary.

• 21:56Speaker 06

  That was actually terrifying.

• 21:59Speaker 05

  I'll tell you this, our show is one of the top shows for ghosts. That is so true. That is absolutely true, Stefano. And if you look up at the metrics for how many people are watching ghost shows with ours, it's at the top always.

• 22:17Speaker 04

  Yes.

• 22:18Speaker 05

  Like, I don't know why the views aren't there, but the ghosts are.

• 22:21Speaker 06

  Yeah.

• 22:21Speaker 04

  Yeah.

• 22:23Speaker 05

  Like, it's hard because we have so many ghost encounters.

• 22:28Speaker 04

  We have a lot and nobody is watching us. We want to be clear, it's happening for real and it's crazy. And they come to us and they ask us for things and we do things for them.

• 22:37Speaker 06

  It's crazy.

• 22:37Speaker 05

  Let's play some of our favorite moments.

• 22:39Speaker 06

  Yeah, and I'll establish, you know, something about a lot of these ghost shows, similar to ours, is it's very hard to prove that we've actually had any real ghost encounter.

• 22:48Speaker 05

  Of course.

• 22:49Speaker 06

  We see a lot of thermal scans where something heats up and we go, now that's gotta be something that wasn't there before. We hear a lot of noises, a lot of sounds, but there's no way to actually prove you've seen a ghost and we just hate skeptics.

• 23:03Speaker 05

  And the thing is, you know, there's something that I like to call the ghost camera fallacy. You know, people assume that because you're filming these encounters, you're faking them. It's Hollywood magic. Fallacy. And that's not true. It's a fallacy, dude.

• 23:17Speaker 06

  That's the fallacy.

• 23:18Speaker 05

  That's the fallacy.

• 23:19Speaker 06

  The fallacy part is, that's not true.

• 23:21Speaker 04

  And it's a lie.

• 23:22Speaker 05

  Suck my fallacy.

• 23:24Speaker 06

  Yeah, suck my fallacy.

• 23:25Speaker 05

  Suck my fallacy for real. Suck my fallacy, these ghosts are real.

• 23:29Speaker 06

  All them haters can suck my fucking fallacy.

• 23:32Speaker 05

  Suck my fallacy right now.

• 23:33Speaker 04

  You must go to CafePress.com and find our buy ghost sale merch that says suck my fallacy on the front.

• 23:39Speaker 06

  Yeah.

• 23:40Speaker 05

  We have some of the most authentic encounters that I have ever, I've ever seen on a ghost show.

• 23:46Speaker 04

  Yeah.

• 23:46Speaker 05

  I think we should play some of our best clips.

• 23:48Speaker 06

  Yeah.

• 23:48Speaker 05

  Yeah. My favorite moment was when we went to the old, when we went to St. Patrick's Cathedral in the middle of New York City.

• 23:59Speaker 06

  This was terrifying.

• 24:01Speaker 05

  The coast. The coast, east coast.

• 24:04Speaker 04

  We are here at St. Patrick's Cathedral. We are walking down the aisle of the main cathedral, looking for different souls that might have found their way into the church. I am looking around, they're turning the lights off on us.

• 24:19Speaker 05

  Whoa, whoa, whoa, whoa, whoa, whoa, whoa.

• 24:22Speaker 04

  Holy shit.

• 24:22Speaker 05

  Holy shit.

• 24:23Speaker 04

  Holy shit. What are you guys, you guys feel that?

• 24:25Speaker 05

  What are you seeing?

• 24:25Speaker 04

  Okay, okay, okay.

• 24:26Speaker 05

  Guys, I hit a cold spot. It's cold.

• 24:29Speaker 04

  Okay, I'm running over there, I'm running to you, I'm running to you, I'm running to you. Oh my gosh.

• 24:32Speaker 05

  Oh my god.

• 24:33Speaker 04

  Oh my gosh. Okay, so this cold spots, okay, okay, okay.

• 24:36Speaker 05

  Wait, guys, guys, guys, guys, sorry to be behind here. Where are you feeling it cold? I don't feel it.

• 24:40Speaker 04

  Come over here closer to us.

• 24:41Speaker 05

  Come over here, come over here, close, put your hand in the center, don't you, do you feel that cold spot?

• 24:46Speaker 04

  Come closer to my face. Come closer to my face.

• 24:49Speaker 05

  Oh, I feel cold.

• 24:51Speaker 04

  Yeah, it's cold right here.

• 24:53Speaker 06

  Meanwhile. Hey guys, I'm Tuttle. So I'm, I'm kind of alone in one of these chapels. They're, they're all in the main cathedral. They put me off the side of the chapel, they say, hey Tuttle, you do your own thing, you got it, we got it. So I'm, I'm, I'm, I'm, I'm just here to, you know. Tuttle.

• 25:12Speaker 06

  Hello?

• 25:15Speaker 06

  Sorry, I'm by myself, so I don't really have anybody to say you guys see that, but.

• 25:19Speaker 04

  Meanwhile, in the main cathedral, there once was a man that died because he missed his wife so much. So I put on a dress and I'm pretending to be a wife. And now as a wife, I'm going to see if he's gonna try to flirt with me.

• 25:33Speaker 05

  Casey, be careful, you look just like a wife.

• 25:36Speaker 04

  I know. Oh goodness, I wish I had a man to make something for, whether it be a homecraft or even a.

• 25:44Speaker 05

  Clang.

• 25:45Speaker 04

  Oh. Oh my gosh, the cross, the cross fell over, that cross that was crooked when we walked in, it fell over.

• 25:52Speaker 05

  It fell over? Meanwhile, hey, I'm Veronica, I'm here in the confessional booth, dressed as a priest. And I'm going to see if I can get any spirits to come in and confess their sins to me.

• 26:04Speaker 04

  Is this confession?

• 26:06Speaker 05

  Whoa, that came in super clear.

• 26:09Speaker 05

  Yes, it is a confession.

• 26:11Speaker 04

  I only have 20 minutes, I'm going back to my bank.

• 26:12Speaker 05

  Bro, bro, listen. I am in need of communicating with you. Please tell me why you're still here in this realm.

• 26:23Speaker 04

  I just stopped by to confess during work because I just.

• 26:26Speaker 05

  I was blown away by how casual this ghost was speaking to me. I could not believe the casual tenor and how clear the message was.

• 26:36Speaker 04

  I have to be back at the TV bank.

• 26:37Speaker 05

  Spirit, tell me now, do you have any unfinished business here? Anything you wish to confess before you pass on to the next realm?

• 26:44Speaker 04

  I masturbated at work, just now.

• 26:46Speaker 05

  I could not believe this ghost was giving me such a clear confession.

• 26:50Speaker 06

  Meanwhile.

• 26:52Speaker 06

  So, yeah.

• 26:55Speaker 06

  Hey guys.

• 26:59Speaker 06

  It's me, the guy whose wife died. Wait, sorry, are you guys hearing this? Are you guys hearing this? I heard two distinct noises. I heard, it's me, the guy whose wife died and.

• 27:11Speaker 06

  Some sort of bird.

• 27:12Speaker 04

  Meanwhile, oh, time to take off my stockings. I should take off.

• 27:18Speaker 05

  That episode I don't think really shows that we saw ghosts because we did look into it.

• 27:23Speaker 06

  I don't know.

• 27:23Speaker 05

  That was a real person who went to the confessional, but it looked like a ghost.

• 27:27Speaker 06

  Some finance guy who like masturbated at work and then also got off on confessing it to a priest.

• 27:32Speaker 05

  So maybe that's not a good episode to show. It was tough that we couldn't show the actual footage of the man because he was getting off to that.

• 27:39Speaker 04

  But it was a very good episode to show because it shows that when Tuttle gets scared, he kind of begins to sound like Cartman, which I thought was very interesting.

• 27:47Speaker 05

  It's, and I think that's when we learned, like, separating is kind of hard.

• 27:52Speaker 06

  I got that Cartman fear, I got that Cartman fear.

• 27:55Speaker 05

  But you know, we're, we're taking after the precedent that other ghost shows have sent where they send one scared guy alone into a room and we lock him up.

• 28:05Speaker 06

  Always send me, poor, poor old Tuttle alone.

• 28:08Speaker 05

  Poor Tuttle.

• 28:09Speaker 04

  Are you scared right now?

• 28:10Speaker 06

  I'm a little scared. That lightning earlier really scared me.

• 28:13Speaker 05

  Really freaked you? Oh no, you just sounded like Cartman again. Tuttle, it's okay, Tuttle, it's okay.

• 28:17Speaker 06

  It's how I always sound, I think.

• 28:19Speaker 05

  Tuttle, Tuttle, Tuttle, you're scared.

• 28:20Speaker 06

  I'm a little scared.

• 28:21Speaker 05

  Tuttle, you're scared.

• 28:22Speaker 06

  Nah, it's always how I sound.

• 28:23Speaker 05

  Like when I'm scared, I get goosebumps. When you're scared, you sound like this.

• 28:26Speaker 06

  Always how I sound.

• 28:27Speaker 04

  You don't sound like this.

• 28:29Speaker 06

  This is always how I sound.

• 28:30Speaker 05

  Tuttle, Tuttle, it's okay to be scared. Tuttle must be scared shitless right now.

• 28:34Speaker 06

  I like that episode for two reasons. One, I definitely heard a ghost, you know, like, that's kind of undeniable. You guys, you guys keep on saying Tuttle ain't, ain't here, nothing. But then you, I loved when you started taking off your stockings.

• 28:46Speaker 05

  That's my favorite part about Casey, is he's always going, going to go the extra mile.

• 28:50Speaker 04

  There is no doubt that the ghosts in there knew I was a wife.

• 28:54Speaker 06

  It was a ma, Casey does this thing that, you know, we, we push and pull a lot. Sometimes I feel like what Casey's doing, some people online say this, and I disagree wholeheartedly, that sometimes Casey is being so big and loud that ghosts would be terrified and scared and don't even want to go near him. But I disagree, I think you're doing a great job bringing them closer. I mean, have you ever had a full ghost encounter? Like, has anything talked to you?

• 29:18Speaker 04

  I certainly have, and I want to say, anybody who's worried I'm being too loud for a ghost, I want to remind you that you leave your ears in the corporal realm. I remind you that your ears do not go with you, which are the mechanisms that bring voice to your brain. They have neither brain nor ear nor voice. So I use my vibrations to shock their vibratious, innervatious souls. And I have seen a ghost.

• 29:45Speaker 06

  Well, of course, we'll play our, one of us.

• 29:47Speaker 04

  Okay, well, recently, I was recently in one of our episodes, one of my favorite new episodes.

• 29:53Speaker 05

  Season 42.

• 29:54Speaker 04

  Season 42.

• 29:55Speaker 06

  We do four seasons a year.

• 29:57Speaker 04

  We do four seasons a year.

• 29:59Speaker 05

  We are prolific.

• 30:01Speaker 04

  This was, we were of course in the San Vicente bungalows in Santa Montica.

• 30:05Speaker 05

  Scary.

• 30:06Speaker 04

  Very scary.

• 30:07Speaker 05

  A scary ghost.

• 30:07Speaker 04

  A very scary ghost.

• 30:09Speaker 05

  Built on the grounds of an old Hollywood bathhouse, true story.

• 30:12Speaker 04

  Yes, so there were a lot of ghosts that were sweaty, wet, and looking for a break.

• 30:18Speaker 06

  Let's play the clip.

• 30:20Speaker 04

  Hi, I am here in the San Vicente bungalows in a spa outfit. I am shirtless and wearing a towel. I'm pretending to be sitting in a sauna, seeing if other ghosts will come in and try to talk to me.

• 30:34Speaker 04

  Oh, it's so hot in here. Better take off my stockings.

• 30:41Speaker 04

  Oh my gosh, oh my gosh, I'm getting chills. Oh my gosh, my hair's standing on end, my penis is standing on end, oh my gosh.

• 30:50Speaker 04

  Oh my gosh, my hair's standing on end, my penis is standing on end, oh my gosh.

• 30:53Speaker 06

  So just pause right now. And we got to be honest, that was a complete mistake. We had a microphone attached to Casey's belly and he was hungry. So when he was confusing for noises from a ghost was actually his own belly.

• 31:07Speaker 05

  And that's when we realized Casey's got some wires turned, that when he's hungry, he's horny, and he's horny, he's hungry, and there's just a lot of.

• 31:14Speaker 04

  I will admit in hindsight, I heard my own grumbling stomach and got aroused.

• 31:23Speaker 06

  Let's keep on playing the clip.

• 31:27Speaker 04

  Oh, my gosh. Oh, my gosh. Oh, my gosh. Who are you, spirit? Well, actually, I should act like I'm in a spa. Pretty crazy day there, huh?

• 31:36Speaker 04

  Occupied. Busy. Occupied. Occupied.

• 31:41Speaker 05

  I have a Postmates order for Casey.

• 31:43Speaker 04

  Leave that there. What is it?

• 31:45Speaker 05

  It's the Sweet Green you ordered.

• 31:46Speaker 04

  Oh, yeah. Leave that down there. Do you get? Does it? It's mostly bread, right?

• 31:53Speaker 04

  I said it's mostly bread. It's lettuce with six sides of bread.

• 31:57Speaker 05

  What did you say?

• 31:59Speaker 06

  Pause. Now, as much as you think that's a ghost, it was actually two different people delivering the Sweet Greens. Like, you know, when a couple pulls up. Now, what is going on?

• 32:09Speaker 03

  And there's simply no way they're both making money off this.

• 32:12Speaker 04

  Nothing spookier.

• 32:13Speaker 05

  And you're like, who asked if the other could come?

• 32:17Speaker 03

  And you guys are so codependent.

• 32:19Speaker 05

  There's a story here that I'm trying to figure out, and I'm too scared to ask.

• 32:24Speaker 04

  There are many unexplainable things in this world, but nothing is spookier than when a gig worker brings his wife.

• 32:31Speaker 05

  Or when the wife brings somebody, and you don't know who that is. And you're like, was this the only time they could hang?

• 32:39Speaker 06

  Let's get back into it.

• 32:41Speaker 04

  Okay. Thank you. Thank you both. I hope this is your last delivery.

• 32:45Speaker 05

  Sure. We have one more, babe.

• 32:49Speaker 06

  Meanwhile. Okay, hi, it's me, Tuttle. And they, well, I'm here at the San Francisco Bugle. I'm in the steam room where they are, the back rooms of the steam room. They say if you come here late at night, you can hear somebody talking to somebody else like an old mob deal. And I'm just wondering if.

• 33:09Speaker 04

  Tuttle.

• 33:11Speaker 06

  Hello?

• 33:12Speaker 04

  Tuttle, we've been watching you.

• 33:14Speaker 05

  How many monies are you willing to spend, Tuttle?

• 33:19Speaker 06

  What's going on? Oh, damn it. Oh, goddammit.

• 33:23Speaker 05

  How many monies are you willing to spend, Tuttle? Monies.

• 33:28Speaker 06

  I'm so scared.

• 33:28Speaker 05

  How many monies is your life worth, Tuttle?

• 33:31Speaker 06

  What's your names? Oh, goddammit. Oh, goddammit. Kenny. Oh, goddamn. Kenny. Oh, goddamn. What are your names? What are your names?

• 33:40Speaker 04

  Tuttle. I'm off. We know our names. We knew you before you joined the human realm. Come back, Tuttle.

• 33:48Speaker 06

  What are you talking about?

• 33:49Speaker 05

  Come back, Tuttle.

• 33:53Speaker 05

  Go into the light. Remember us from the hospital room?

• 33:57Speaker 06

  Oh, goddammit. Oh, my god. I'm so scared. I remember you guys. You guys were hanging out with me.

• 34:02Speaker 05

  We know the pony, Tuttle.

• 34:05Speaker 04

  Meanwhile, I am putting on fake sweat to make it look like I've been sitting in a sauna for a long time.

• 34:13Speaker 05

  Hey, so sorry.

• 34:14Speaker 04

  Occupado.

• 34:15Speaker 05

  We need a four-digit code before we leave for the Postmates.

• 34:18Speaker 04

  Oh, you're the couple again?

• 34:19Speaker 05

  Yeah.

• 34:19Speaker 04

  Yeah. Did you? Did you send it?

• 34:21Speaker 05

  No, you have to give us the code.

• 34:23Speaker 04

  Where? Did it come as a text or an email?

• 34:25Speaker 05

  It should be. It should be a text on your phone.

• 34:28Speaker 04

  Uh, I don't have it as a text.

• 34:30Speaker 03

  Hey, guys, babes, my car's parked in a loading zone. So are you guys gonna be back soon? Hey, baby?

• 34:37Speaker 05

  In that moment, Casey was back behind. I was behind Casey, Stefano. And that's when I went, I hear a hot woman. That must be a ghost.

• 34:46Speaker 04

  Yeah. And then he knocked me out of the way. Oh, move!

• 34:50Speaker 06

  Now, just for a pause for a second, we did realize that was a third person in the first person's car.

• 34:55Speaker 04

  Yeah.

• 34:55Speaker 06

  We, it led to a bigger mystery than before. I have never, ever seen a gig worker bring two other people.

• 35:01Speaker 04

  And she was older than them.

• 35:07Speaker 07

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• 35:35Speaker 04

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• 35:48Speaker 03

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• 37:06Speaker 03

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• 38:08Speaker 03

  We eventually deduced. What we deduced from that interaction was that they were a throuple.

• 38:15Speaker 04

  Yes.

• 38:16Speaker 03

  But she.

• 38:16Speaker 05

  But she's older.

• 38:17Speaker 03

  Was older, which is a dynamic we find to be very interesting.

• 38:22Speaker 04

  I've never seen a throuple where the third is an older person.

• 38:27Speaker 03

  Normally, people in throuples play with their own age.

• 38:31Speaker 05

  And she mentions parking behind them, which means is she just following them around in a separate car for this Postmates drop off?

• 38:39Speaker 06

  It was definitely a mystery for all of us.

• 38:41Speaker 04

  And where was she going if they were going together? Why did she need to move? Why did she need the car to move?

• 38:46Speaker 03

  Our leading theory is that the people who were driving the Postmates car had a lot of stuff in the backseat. So they did not have enough room for their third to ride along. But she still wanted to participate.

• 38:57Speaker 05

  And that's when we asked if we could ghost hunt the backseat of their car.

• 39:00Speaker 04

  Yes. And that was episode 42.

• 39:02Speaker 06

  Yeah, it was great. I mean, that was such a good example of you seeing a ghost, for sure.

• 39:06Speaker 04

  I think so. And yours. I mean, we don't know about yours.

• 39:08Speaker 06

  Well, it was just, I found it interesting. Like, you guys are just always saying, I don't know about yours. Mine felt very clearly three people that I had seen before in the hospital. But I felt like we just got distracted on the whole gig worker situation that was going on.

• 39:20Speaker 04

  It could be the orb light thing. You know, orbs are easily disproved. And EMF readers, I mean, they're, they're, they're very easy to disprove.

• 39:26Speaker 06

  Absolutely.

• 39:27Speaker 05

  And Tuttle, we gotta follow the story.

• 39:28Speaker 06

  Yeah, absolutely.

• 39:29Speaker 05

  And obviously, that throuple had a story.

• 39:31Speaker 06

  Three clear voices saying, we saw you in the hospital room. And we know the pony referencing something I've told very few people. But, yeah, you guys brought it right.

• 39:38Speaker 03

  What's tough, Tuttle, is that a lot of times we are not in the room with you due to choices we made organizationally. So we can't be there to verify your claims.

• 39:47Speaker 06

  Yeah, absolutely. I totally get that. I totally get that.

• 39:49Speaker 03

  So a lot of the experiences you have are between you and the spirit world.

• 39:52Speaker 06

  Absolutely. And it's always been like that. And always will be like that. No matter how hard I try, this world to tell people what my real abilities are.

• 39:59Speaker 05

  You're scared again.

• 40:00Speaker 03

  You're getting scared.

• 40:01Speaker 04

  Veronica, you had an undeniable spiritual experience at Ellis Island.

• 40:05Speaker 06

  Yes.

• 40:05Speaker 03

  I had an undeniable spiritual experience at Ellis Island. There I was at Ellis Island. I was dressed up as a employee of Ellis Island, the museum, so that no one would suspect who I was. No one would know that I was actually a ghost communicator in disguise.

• 40:25Speaker 04

  And you went through full employment.

• 40:27Speaker 03

  I on-boarded for several months.

• 40:30Speaker 05

  What an incredible.

• 40:31Speaker 03

  I developed relationships with my coworkers so that I could leverage them to trade shifts later. I got in deep on the scheduling system. I completed seven sexual harassment seminars because I failed the first six times.

• 40:47Speaker 05

  Oh, so Ellis Island just says one? And you failed it that many times?

• 40:50Speaker 04

  Was it one question that kept stumping you or several?

• 40:54Speaker 03

  There was one question that I learned was an automatic fail if you get it wrong. Which is, is there ever a situation where you have to touch your fellow coworkers behind? And I said yes, because I am coming from the ghost hunting world, where sometimes we have to get physical.

• 41:14Speaker 05

  When there's a ghost on someone's ass, it's so tough to navigate. Because you have to touch.

• 41:19Speaker 03

  It's impossible to not touch. You have to have your back. I have had all of your backs at a certain point.

• 41:25Speaker 05

  You have.

• 41:25Speaker 06

  More than just my back.

• 41:28Speaker 03

  There is always a situation in ghost hunting where this comes up. So it was a tough thing for me to acclimate to government-owned facilities where this is not the case.

• 41:38Speaker 05

  When I thought there was a ghost in between both of my balls, you had.

• 41:43Speaker 06

  You're so helpful in that situation.

• 41:44Speaker 05

  You were so helpful.

• 41:45Speaker 03

  I had to get down there, up in between your balls, and tell the ghost, bro, this is not where you want to be.

• 41:52Speaker 04

  Do you remember what happened after that? Do you remember what happened after that?

• 41:56Speaker 03

  It's hazy.

• 41:57Speaker 05

  Roll the tape.

• 42:00Speaker 05

  Oh, my god. I don't know if I could do this anymore with the radio in between my balls.

• 42:04Speaker 06

  Stefano believes he has a ghost between his balls. Veronica's here to help him out.

• 42:09Speaker 03

  Listen.

• 42:09Speaker 05

  Veronica, quick.

• 42:10Speaker 03

  Stefano, you can't move, okay? I am going to attempt to talk to the bro between your scrotum. Hello? Hey?

• 42:18Speaker 05

  Hey, man. What's up? First of all, what the hell is up, man? No, not, not much, boss man, not much.

• 42:24Speaker 06

  Veronica believes by helping them get Bro out-

• 42:25Speaker 05

  Ow, ow, don't touch my dick!

• 42:26Speaker 06

  And help with their male loneliness, she can get the ghost out of Stefano's balls.

• 42:31Speaker 05

  I like to dap up a ghost before I communicate with them, because it opens the portal to communication. "Hey, brother, what's up?" "No, good to see you." "Hey, boss man, what's up?" "Keep it good?" "Yeah, Mets have a crazy season this season." "Yeah, that's nuts." "Boss man, what's up, boss man?" "Hey, listen, bro, I know you're real male lonely, and you gotta get in between a scrotum to hang out."

• 42:50Speaker 06

  Veronica believes she must get as close as she can to the ghost-

• 42:53Speaker 05

  Veronica, please, is it, is it working? I, I have to, I can't do this anymore. I'm really getting there with, with this guy.

• 43:00Speaker 04

  Hey, we have to open up this Sabaro in like 20 minutes.

• 43:03Speaker 05

  Not yet. We need a minute. Please, I'm begging you! Listen, bro, I don't know if you can hear me, but I want you to know, you don't have to hide in a scrotum to make sure that you, to feel seen, you know? You can tell me if something's up. You wanna grab a quick bite in the séance room? We set up a séance over there if you wanna come hang with me. Veronica, I can't hear the ghost. Is he responding to you? I, I think so. Hey, hey, guys. I'm pretty sure.

• 43:32Speaker 06

  I don't wanna interrupt, but I was in the bathroom just ago, and I heard a voice saying, "12, 13, 43," over and over again to me, like it was like the day I was gonna die or something bad is gonna happen.

• 43:42Speaker 05

  Tuttle, respectfully, I have a weird spot in between my balls that Veronica's looking at. God damn it, god damn it, okay, I'll be back.

• 43:49Speaker 04

  I am dressed as an Italian pizza man.

• 43:52Speaker 06

  Wow, what a great clip.

• 43:53Speaker 05

  What a great clip!

• 43:54Speaker 06

  You know, I thought we'd see the place of Ellis Island, but I'm glad we went to the Sabaro instead.

• 43:58Speaker 04

  Well, that was a different episode.

• 43:59Speaker 05

  That was a different episode.

• 43:59Speaker 04

  We haven't even gotten to what happened at Ellis Island.

• 44:02Speaker 05

  We have to get to Ellis Island.

• 44:03Speaker 06

  Let's go to Ellis Island.

• 44:04Speaker 05

  Let's go to Ellis Island.

• 44:05Speaker 04

  We must hear about your spiritual experience at Ellis Island.

• 44:07Speaker 05

  This is my, well, as you know, Ellis Island was an immigrant story. Ellis Island is a place where-

• 44:13Speaker 06

  Ellis Island was an immigrant story. It was. The island itself, it's like New York's a character. Ellis Island was an immigrant story.

• 44:22Speaker 04

  Not only is it a place where immigrants went through, in itself is an immigrant story.

• 44:26Speaker 05

  It is an immigrant story. The story of Ellis Island is one of an immigrant's story.

• 44:30Speaker 04

  Of course.

• 44:31Speaker 05

  So many souls passed through Ellis Island, not just on their way for citizenship, but also on their way to the great beyond, because some people had heart attacks in line.

• 44:43Speaker 04

  That's correct.

• 44:44Speaker 06

  That is, that has to be correct.

• 44:45Speaker 05

  That has to be correct.

• 44:46Speaker 06

  We can't deny that.

• 44:48Speaker 05

  That just has to be correct statistically. So, what I did was I dressed up as an Ellis Island employee, and I was actually legally an Ellis Island employee. We've gotten that far. So, I stood in line, I waited, I got the closing shift. I made sure to trade three ways with Brian to not arouse suspicion. I obtained the closing shift and brought you guys in. Then, I started to communicate with the bros who were in line. A lot of these people were Polish immigrants from the year 1880.

• 45:19Speaker 06

  1880?

• 45:20Speaker 04

  Yeah, no, it's 16. Little early, but it's 16.

• 45:23Speaker 05

  I think it all makes sense.

• 45:24Speaker 04

  No, it's right.

• 45:25Speaker 05

  I think it all makes sense.

• 45:26Speaker 04

  It's, uh, it's about 15 years early, but it's close.

• 45:29Speaker 05

  I mean, carry the one, I think it's fine.

• 45:30Speaker 04

  Yeah, it's close, it's really, 18, it's really close.

• 45:32Speaker 06

  Hey, I'm proud of you for getting so close, you know?

• 45:34Speaker 05

  The vibe I was getting was pretty close to then.

• 45:36Speaker 04

  Okay.

• 45:37Speaker 06

  Okay, let's jump in.

• 45:38Speaker 05

  Here's the clip.

• 45:40Speaker 06

  Veronica is dressed up as an employee of Ellis Island in order to look to win. We'll see if she can connect to a ghost. She's aiming for Polish immigrants. We'll see how close she can get.

• 45:50Speaker 05

  Hey, bro. Hey, bro. Hey!

• 45:56Speaker 05

  I am currently hearing the dialogue of two Polish immigrants. It is here coming forward, clear as day. They are stepping forward into our realm. I am going to attempt to dap them up.

• 46:08Speaker 06

  Veronica believes that that nonsense kind of language is Polish. We'll see what happens.

• 46:13Speaker 05

  Hey, bros, what's up? What's up? Hey, what's up, boss man? You coming into the country? What's up?

• 46:20Speaker 05

  I could not communicate with them. It sent chills down my spine.

• 46:25Speaker 06

  Veronica would later learn that these were two tourists taking a late museum tour. They didn't understand when it closed.

• 46:34Speaker 05

  I am not understanding a word they're saying. However, I'm picking up on one word, which sounds like pierogi. So I'm going to attempt to use that to my advantage. "Hey, boss man, I know a great pierogi spot in New York City." Pierogi! Greenpoint in Brooklyn. You ever been to Greenpoint? Ghosty. Hey, that's awesome. You know, you wanna, um, I, what if, what if we took a picture? We could maybe follow each other on Instagram? And then I can, you know, um, and then we can- No, no. I was floundering. I was getting nowhere with these spirits. I knew they were there, but I couldn't make heads or tails of them.

• 47:12Speaker 06

  Upon further watch of this, there was clearly a Polish ghost right behind Veronica, but that she never paid attention to because she was very distracted by the tourists.

• 47:23Speaker 05

  Yeah, bro, that's me, exactly. No, no, no! You wanna be my friend. Hey, selfie! No, no, behind you! Oh my god. I now have irrefutable photographic evidence of two ghosts.

• 47:38Speaker 06

  Veronica would later learn that she took the camera the wrong way, thus missing the ghost of the selfie but taking a photo of the two tourists. Hey, guys, um, I hate to interrupt, but, um, there was a situation over there in the back rooms where it felt like some sort of Irishman was grabbing my throat.

• 47:53Speaker 04

  Cut to that. We're coming for ya.

• 47:56Speaker 06

  Hey, god damn it.

• 47:57Speaker 04

  You might remember us from the hospital. Do you remember us?

• 48:01Speaker 06

  Riding your pony to the other side. Can you guys see this? Can you guys hear this on the camera?

• 48:06Speaker 05

  I got turncoats!

• 48:07Speaker 04

  12, 13, 43. 12, 13, 43. 12, 13, 42.

• 48:13Speaker 05

  Shut up, shut up, I wanna hear that. Shut up, oh, shut up, you assholes, shut up!

• 48:21Speaker 06

  Hey, what, what kind of message you trying? What happens on 12, 13, 43? What happens on 12, 13, 43?

• 48:26Speaker 04

  Meanwhile, I'm in the harbor, dressed as the Statue of Liberty.

• 48:33Speaker 06

  Wow, what a great episode that was.

• 48:35Speaker 05

  Casey- That was when I was gone.

• 48:42Speaker 04

  Yeah, you were gone.

• 48:43Speaker 06

  Well, you were on your own-

• 48:44Speaker 05

  I think I was gone for that one.

• 48:45Speaker 06

  You said Ellis Island spooked me out too much. I'll be up the coast seeing what I can find.

• 48:50Speaker 05

  I was gone.

• 48:50Speaker 06

  And boy, did you find something.

• 48:52Speaker 05

  You were in Cape Cod in that moment.

• 48:54Speaker 06

  Can we cut, can we show the Cape Cod experience?

• 48:56Speaker 04

  I do believe we have footage of you enjoying yourself in Cape Cod.

• 49:00Speaker 06

  It was, there was a very supernatural moment though, right? Buried in there. But most of it was, you just enjoyed yourself in Cape Cod.

• 49:07Speaker 05

  The Reddit said that that Hunters was haunted. I wanted to see.

• 49:12Speaker 06

  Let's cut to it.

• 49:13Speaker 04

  Hi, honey, how you doing?

• 49:14Speaker 05

  Yeah, I'm doing great. Can I get the sampler platter, please?

• 49:16Speaker 04

  Yeah, of course. So that comes with three tough flavors of wings. So you wanna pick your flavors? Or we can pick for you?

• 49:22Speaker 05

  Um, which flavor do ghosts like more?

• 49:25Speaker 04

  Um, I guess I wouldn't know that. The most popular is buffalo.

• 49:30Speaker 05

  You got a nice smile there.

• 49:31Speaker 04

  Thank you so much. Uh, honey, is that it? So, uh, buffalo, lemon pepper, we got mango habanero, we got, um, our barbecue, we got, um, uh, Asian flavor spice.

• 49:42Speaker 05

  Stop, keep listing them.

• 49:44Speaker 04

  Okay, um, I think, I think I'm about it. It's, we don't have a lot of options here. People usually just get-

• 49:50Speaker 05

  Keep going.

• 49:51Speaker 04

  Okay, so I'm just gonna get you down for a sampler and we'll just pick in the back.

• 49:55Speaker 05

  Okay.

• 49:56Speaker 04

  All right.

• 49:58Speaker 05

  In that moment, she walked away, but I saw, looked like a hologram of a tail.

• 50:15Speaker 05

  Oh, fuck, I'm not with the crew. I don't have my stuff. All I have is my walkie. Ghost, are you there? Are you there?

• 50:29Speaker 05

  What, what are you here for? What, what do you need?

• 50:36Speaker 05

  Sampler platter.

• 50:39Speaker 05

  Perfect, I just ordered one.

• 50:41Speaker 04

  Honey, can you cover him? Cause I don't like him. He's giving me a coat, he's a coat orange.

• 50:44Speaker 05

  He's giving you the-

• 50:45Speaker 04

  He's a coat orange, yeah.

• 50:46Speaker 05

  He's a coat, oh, well, honey, do you wanna, do you wanna, I'm- I'm a little slammed right now. Do you want to take and put a button up your buttons?

• 50:54Speaker 04

  Yeah, I'm gonna, I'm gonna put on a cardigan.

• 50:57Speaker 05

  Yeah.

• 51:00Speaker 05

  I'm sorry, I'm just slammed.

• 51:01Speaker 06

  It's so cold in this Hunters. It's like they know what we're dressed in.

• 51:05Speaker 04

  Why is it so cold in here?

• 51:07Speaker 05

  It is so cold in this Hunters. Honestly, I feel like everybody is conspiring against us.

• 51:12Speaker 04

  I put on a cardigan because that was too cold in this Hunters.

• 51:15Speaker 06

  We found that these Hunters, restaurant waiters, very interesting. We decided to follow them and start a show.

• 51:23Speaker 04

  Jeremy, you're looking like really sad right now.

• 51:25Speaker 06

  Thank you so much. I tried BetterHelp and it didn't work.

• 51:30Speaker 04

  Check out our Patreon.

• 51:31Speaker 06

  Instead of getting therapy.

• 51:37Speaker 04

  So yeah, you came back from Cape Cod.

• 51:40Speaker 05

  And I guess I was gone for that one too.

• 51:41Speaker 04

  You came back from Cape Cod with a spinoff, which was really cool.

• 51:43Speaker 05

  Yeah, and it was also about those girls, but I was happy to be there.

• 51:48Speaker 06

  Well, I will say the hologram of the tail, what do you think that was?

• 51:51Speaker 05

  I don't know. I just, I was dying to know.

• 51:52Speaker 06

  Hey, we just cut you off. You've just gotten some sort of contact over your walking, talking.

• 51:55Speaker 05

  But then we follow those girls.

• 51:57Speaker 06

  It was just so cold in that Hunters though.

• 52:00Speaker 05

  And honestly, I'm really- It is tough. Our cameras, we have a, I think there's a glitch with our cameras where we keep following service workers. Like, I think that, I think we gotta get that fixed. Well, I think there's a lot of ghosts.

• 52:14Speaker 06

  They've just got such interesting stories.

• 52:16Speaker 04

  They're very interesting. I find them interesting.

• 52:19Speaker 05

  We didn't realize that we had the first footage of like how Hunters women are treated.

• 52:24Speaker 04

  Nobody had ever known.

• 52:27Speaker 05

  Nobody had ever documented how Hunters women were really treated. We're really excited about, we're, we're in the final stages of cutting this footage down and we're gonna submit it to Sundance, so.

• 52:37Speaker 04

  We believe it is gonna be more shocking than the AI doc.

• 52:43Speaker 05

  I just think like people always made so many assumptions, but they don't know what it's really like in there and it's cold.

• 52:47Speaker 06

  But well, let's jump to one of my favorite clips. I mean, this is so exciting because three of you really had a big part in this. This was in the old ballet hall in, in, in, in Venice Beach. There's a big ballet hall.

• 53:03Speaker 04

  It's a hall.

• 53:03Speaker 05

  Yeah.

• 53:04Speaker 06

  It's a big hall where they used to do ballet shows, really old, old, old ballet shows in the early 1850s, 1860s. Right when people, right when Los Angeles kind of was being settled in, in a way. And, and it was so interesting to see how you guys handled this situation. I mean, it was, it spooked me the hell, the hell up.

• 53:23Speaker 04

  This was one of the spookiest encounters we have ever, ever experienced on ByGhost.

• 53:29Speaker 05

  What I think is the spookiest is, a ghost is spooky, but a ghost in a tutu is chilling.

• 53:35Speaker 06

  And this is one of these moments where I know we have to deny.

• 53:38Speaker 05

  Hear that?

• 53:39Speaker 04

  Yes.

• 53:39Speaker 06

  Wait a second. Do you hear that?

• 53:43Speaker 04

  Oh.

• 53:43Speaker 06

  What's that? Oh my God.

• 53:46Speaker 05

  Oh my God.

• 53:46Speaker 06

  It's just like the ballet hall.

• 53:48Speaker 05

  It's just like the ballet. Do you think one of us has an attachment?

• 53:55Speaker 04

  Are we summoning?

• 53:57Speaker 05

  Because if we brought a spirit back with us from the ballet hall and they have formed an attachment to us, there is no hope. And I can tell right now, I'm getting very agitated. I'm feeling very agitated. I'm feeling right now in this moment, like I could eat all of you.

• 54:16Speaker 06

  Oh my God, this might be her attachment. She could eat all of us.

• 54:19Speaker 05

  I could eat all of you.

• 54:21Speaker 04

  My hair's standing on end, my penis is standing on end. This is crazy.

• 54:23Speaker 05

  Holy shit, Casey's hungry. Here we go.

• 54:26Speaker 04

  Oh my gosh, oh my gosh, oh my gosh, oh my gosh.

• 54:27Speaker 06

  Let's try to talk to the ghost. Hello, are you there?

• 54:30Speaker 04

  Spirit, spirit, do you hear us?

• 54:34Speaker 05

  Plie, plie, plie.

• 54:38Speaker 06

  And you sure you, that's not just you making that noise? You sure? You promise it's not you doing a prank on us, Veronica?

• 54:43Speaker 05

  Veronica, you sure?

• 54:44Speaker 06

  Are you doing a prank on us, Veronica?

• 54:45Speaker 04

  Veronica, is, has a female-

• 54:46Speaker 05

  I promise, I promise.

• 54:49Speaker 04

  Has a female ballerina jealous of you being friends with all the guys gotten into your body?

• 54:54Speaker 05

  Veronica, that's gotta be it. This is so fucked up.

• 54:57Speaker 06

  Speak through the ghost.

• 54:57Speaker 05

  It's the one ghost I can't talk to. I can't bro down with a woman. There's no way.

• 55:03Speaker 06

  Well, let her speak through you. Excuse me.

• 55:09Speaker 05

  Plie, plie, repartee. An old woman. Repartee, plie.

• 55:13Speaker 04

  She's the headmistress.

• 55:15Speaker 05

  The headmaster.

• 55:16Speaker 06

  What we know so far is that she could be a ballerina and she is either Veronica is hungry or she is hungry because she did say she could eat all of us. Don't forget that part.

• 55:27Speaker 05

  Mrs., we want to know, why have you taken our friend's body?

• 55:32Speaker 03

  I have taken the body.

• 55:34Speaker 06

  Oh my God, a voice change.

• 55:36Speaker 03

  Because I'm very hungry.

• 55:40Speaker 06

  She's the hungry one, not Veronica.

• 55:41Speaker 03

  They don't feed us in the ballet hall and I'm only hungry for one thing. It was a food I was introduced to 15 years ago in a hospital room.

• 55:55Speaker 04

  What?

• 55:57Speaker 05

  15 years?

• 55:58Speaker 06

  That's right. I'm 22.

• 56:00Speaker 05

  15 years ago. Wait, wait. What food did you get in the hospital room?

• 56:04Speaker 03

  I'm hungry for a soul I met in the hospital room.

• 56:09Speaker 06

  Oh goddammit, oh goddammit.

• 56:11Speaker 03

  I'm hungry.

• 56:13Speaker 04

  What was the food, Tuttle? What did you eat?

• 56:15Speaker 06

  You guys, she's not, she doesn't want the food I ate. She wants my soul. Are you not, listen to her.

• 56:19Speaker 05

  Casey, Casey.

• 56:20Speaker 06

  Are you not, listen to her.

• 56:21Speaker 05

  Casey, I'm hard as a rock. Look at her teeth.

• 56:23Speaker 03

  I'm gonna eat a soul.

• 56:24Speaker 04

  Those aren't Veronica's teeth.

• 56:26Speaker 05

  No, I, I wanna fuck those teeth.

• 56:29Speaker 04

  No, those are Veronica's teeth.

• 56:31Speaker 06

  Guys, please help me. Please, please, please.

• 56:33Speaker 03

  And I'm even hungrier when they sound like cartwheels.

• 56:38Speaker 04

  Okay.

• 56:38Speaker 05

  I don't sound like cartwheels, goddammit.

• 56:39Speaker 04

  I'm helping. I'm putting on a ballerina outfit.

• 56:42Speaker 05

  This doesn't help.

• 56:43Speaker 06

  This doesn't help, Casey.

• 56:44Speaker 05

  This doesn't help.

• 56:45Speaker 04

  I can help. I am now just a beautiful.

• 56:48Speaker 03

  Your tricks will never, hold on.

• 56:51Speaker 04

  Five, six, seven, eight. Step, step, step, and step, and step, turn.

• 56:56Speaker 03

  Abigail, is that you?

• 56:57Speaker 04

  Yes, and I'm going to go all the way to the New York Ballet and leave Venice behind.

• 57:02Speaker 03

  Abigail, no.

• 57:03Speaker 04

  Yes.

• 57:04Speaker 03

  It was supposed to be the two of us together.

• 57:06Speaker 04

  Well then come with me. Come with me out of this hall and-

• 57:11Speaker 05

  Knock, knock, sorry. Me and my kids are here. I'm, I have an order for Buffalo Wild Wings.

• 57:15Speaker 06

  You have an order for Buffalo Wild Wings?

• 57:17Speaker 05

  I just picked them up from school.

• 57:18Speaker 04

  Buffalo, have, lady, have you had Buffalo Wild Wings?

• 57:22Speaker 03

  I've never had Buffalo Wild Wings. Perhaps I'll give it a try.

• 57:30Speaker 05

  I'm gonna kiss her. I'm gonna kiss her. I'm gonna kiss her.

• 57:33Speaker 04

  Kiss her, kiss her, kiss her.

• 57:42Speaker 06

  Thank you, guys.

• 57:43Speaker 05

  Wow.

• 57:43Speaker 06

  It turns out your tutu and you committing sexual harassment on a coworker saved my life.

• 57:52Speaker 05

  Wow.

• 57:52Speaker 06

  I will always be indebted to you because the truth is-

• 57:55Speaker 04

  So you stop speaking for a second. How are you?

• 57:58Speaker 05

  Please, one second.

• 58:01Speaker 06

  Nope, no problem, no problem.

• 58:02Speaker 04

  So just, I understand that was scary for you?

• 58:05Speaker 06

  Yeah.

• 58:05Speaker 04

  That was, so that was scary.

• 58:09Speaker 06

  I think she's fine. I think she's fine.

• 58:11Speaker 05

  Oh my God, there was like a real fucking ghost in there.

• 58:13Speaker 04

  I know, I know.

• 58:14Speaker 05

  Veronica, I'm so sorry I made out with you. I didn't ask. I didn't ask. I'm gonna throw up. I'm gonna throw up. I'm gonna throw up. I'm gonna throw up. Why? No, I'm sorry.

• 58:25Speaker 04

  Are you throwing up because of the ghost or because of the kiss from Stefano?

• 58:29Speaker 05

  Nah, it's all happened at the same time. Oh my God. Oh my God. I don't want to do the show anymore. I don't want to-

• 58:38Speaker 04

  What? You can't quit.

• 58:39Speaker 05

  I don't want to do the show anymore. If that, if that can fucking happen, I'm never fucking doing that again.

• 58:45Speaker 05

  Veronica's different. Veronica, is this because I kissed you? Is this because I kissed you?

• 58:50Speaker 03

  No, no, no, no, no.

• 58:53Speaker 06

  Find your voice. Find it again. Find it again.

• 58:54Speaker 05

  No.

• 58:57Speaker 06

  You're back.

• 58:57Speaker 05

  I'm sorry for what I said. I would never quit this show, but you have to understand, being full on possessed is something I don't wish on any of you and I don't wish it to ever happen to any of us.

• 59:09Speaker 04

  Thank you, Veronica.

• 59:11Speaker 06

  And I've got something to tell you guys. Thank you. The three of you worked together to free me from this prison I'm in. That's right. Tuttle was dead 15 years ago.

• 59:29Speaker 05

  This has been Artist on Artist on Artist. Answering the question now, that's why I call it showbiz.

• 59:33Speaker 04

  Live from the beautiful Dynasty Typewriter. Go to the after shows on our Patreon and go see us talk about this and so many other things, including a cool musical that we did recently. It's wild stuff over there.

• 59:48Speaker 05

  Where's Jeremy been this whole time?

• 59:50Speaker 04

  Jeremy?

• 59:51Speaker 05

  Jeremy?

• 59:52Speaker 04

  Jeremy's been dead for 20 years.

• 59:53Speaker 05

  Jeremy's never been here. Bye. Bye.

• 59:57Speaker 04

  Artist on Artist on Artist on Artist is an improvised Hollywood Roundtable podcast created and hosted by Kylie Brakeman, Jeremy Culhane, Angelie Giarratana, and Patrick McDonald. It is a production of Will Ferrell's Big Money Players and iHeart Media Podcasts. Executive produced by Matt Apodaca and produced by Alexandra Dennis and Laser Vision Productions. Music by Gabriel Ponton and edited by Conner McCabe. Funnel art by Josh Fleury and logo design by Lucy Tomkiewicz. Special thanks to Samuel Curtis and the beautiful Dynasty Typewriter Theater. The opinions expressed on this podcast do not reflect the opinions of anyone who works on it, not even the performers, because this is an improvised podcast and we don't know what the heck we're talking about.

• 1:00:39Speaker 04

  Full video versions of AOA are available on YouTube, so please like and subscribe and leave us five star reviews wherever you get your podcasts. That's all for now. Good night, Hollywood.

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