Pod Insights 60 Songs That Explain the '90s “Live Like You Were Dying”— Tim McGraw About this episode This week, Rob puts his pretensions about country music aside with a closer look at Tim McGraw’s simple but moving song, “Live Like You Were Dying,” that encourages even the most sarcastic of 20-something-year-olds to romanticize their life. He talks about his late father-in-law who shared the same zest for life as the song’s narrator, and he encourages all his listeners to go sky diving, rocky mountain climbing, and to share a song they love with someone they love.
Host: Rob Harvilla
Producers: Olivia Crerie, Chris Sutton, and Justin Sayles
Learn more about your ad choices. Visit podcastchoices.com/adchoices
Transcript 0:00 Speaker 00 Hey, it's Danny Kelly and it's officially fantasy football season, which means the Ringer Fantasy Football Show is back with the latest news from around the NFL and everything you need to get ready for the fantasy football season. So join us at the Ringer Fantasy Football Show on Spotify or on our new YouTube channel.
0:19 Speaker 01 When the sun goes down, the appetizers come out. Yeah, you heard that right. Late night, half-priced appetizers are here at Applebee's. Saucy, sweet and spicy boneless wings, crispy cheesy mozzarella sticks, creamy spinach and artichoke dip. Your favorite app's half-priced, available every single night because why should appetizers have curfews? Tap the banner to learn more. Dining only for a limited time at participating locations. Restrictions apply. Copyright 2026 Applebee's Restaurant LLC.
0:49 Speaker 02 Observe. The North American dad. 50s, great polo collection. He enters his vehicle information on Carvana. An offer appears in minutes. Remarkable. He squints, reads it again, smiles and says, dang, that's a good offer. The highest form of approval. No haggling, no hassle, no one called him boss. He's still on the couch. Astonishing. Sell your car today on carvana.com. Pickup fees may apply.
1:22 Speaker 03 Interstate 880. I was heading south on 880 in Northern California, driving from Oakland down toward San Jose. That's when I first heard it. Early evening, sunset perhaps. I might have been passing right by Oracle Arena, where the Golden State Warriors used to play, and Oakland Coliseum, where the Oakland A's used to play, right when the song started. But that detail is a little too specific, too florid, too romantic. That part's probably made up. I probably made up the sunset too, obviously. But 880, I remember. I'm heading south on 880 from Oakland toward San Jose and I got the radio on.
2:07 Speaker 03 I got country radio on.
2:23 Speaker 03 Here we have country music superstar Tim McGraw singing a song he released in 2004. And myself, I'm in my mid twenties here in 2004 when I first hear Tim McGraw sing the words, "I was in my early 40s with a lot of life before me." And so unavoidably, I first hear these lines through the foggy arrogance of relative youth. See, Tim, I've got even more of my life before me. And as for the life I've lived already, I'm proud to say that I haven't spent much of that time taking country music that seriously. I do not yet take country music terribly seriously.
3:05 Speaker 03 I'm getting into country, finally, but I'm still putting "getting into country" in scare quotes. I'm listening to country music in a tentative, arms-length, faux-intellectual, almost smug sort of way, like I'm doing country music a favor. I'm like, yeah, okay, maybe these Brooks and Dunn guys are cool, but they're not as cool as like Arcade Fire, you know? I've still got a snotty alt-rock teenager turned indie-rock adult mentality, and I am learning to love country songs the same way I love indie-rock songs. But any country song that permeates my semi-consciousness still has to pass through a thin but tangible irony barrier.
3:50 Speaker 03 First, I almost gotta like the country song as a joke, okay? And so, as I rumble down 880, I roll my eyes, perhaps, right here, when Tim puts a little extra schmaltz on the line, "Talking bout sweet time." But I miss the blunt, the shattering, the masterfully plainspoken, total lack of schmaltz Tim puts on the line, "Talking bout the options."
4:20 Speaker 04 I spent most of the next days looking at the x-rays, talking bout the options, and talking bout sweet time.
4:34 Speaker 03 Yeah, I've been listening to this new to me country song for just 45 seconds, but I'm already super locked in. I am listening hard. I have alarmed myself with how hard I am listening. And so subconsciously, I'm already trying to convince myself that Tim McGraw lacks the fundamental artistry and sophistication of like, Wilco or Joanna Newsom. But consciously already, it ain't working. Truth is, I've already fully bought into Tim McGraw's artistry and sophistication. If you want the truth, the loaded and poignant and terrible word "x-rays" was the moment where I fully bought in. We ain't even hit
5:15 Speaker 03 the pre-chorus yet, and I'm already fully emotionally invested.
5:38 Speaker 03 And for a split second, I cling to the "man what you do" right there. The smug indie-rockin' foggy arrogance of relative youth part of my brain tries to seize on the cheeseball barroom conversational tone of this song. This song, unambiguously about a guy who has a huge health scare and it turbocharges his will to live as a way of diminishing, of disqualifying this song from true greatness. But then the chorus hits. And yeah, my attempt to convince myself that I only dig this song ironically, this ain't gonna work. It turns out Tim McGraw sincerely kicks ass.
6:33 Speaker 03 Okay. Is this phrase, "Rocky mountain climbin' a bit cheeseball"? Sure. Is the doodly super macho man specificity of, "I went 2.7 seconds on a bull named Fu Manchu," a bit cheeseball? Absolutely. This may shock you, but I myself don't have much rodeo experience. Though I'm guessing 2.7 seconds is not a very long time to last, even on a bull named Fu Manchu. Given that I'm in my mid twenties and therefore in peak physical condition, I'm guessing that I myself could have lasted at least like 4.5 seconds on Fu Manchu. I'm just saying, is this whole chorus, and really this whole song, a bit cheeseball?
7:17 Speaker 03 In its unabashed sentimentality and grandiosity and commitment to ferocious beer commercial type uplift? Sure. But also, this chord change right here, my friends, it's coming, and you are not prepared. The first chord change here, the minor fall implied by this major lift, the glorious ascent here, from Google, Google, Google, G to B7, right on the words "spoke sweeter." This is the moment. This is the final heroic Rocky mountain climbin' push to the summit of true greatness. This is some legit, "one small melodic step for man, one giant leap for mankind" shit.
8:00 Speaker 03 All four of my tires lifted off the road on the words "spoke sweeter."
8:22 Speaker 03 That is an apex mountain chord change, my friends. And I brrr love deeper and I brrr spoke sweeter. Astounding, that's a G to a B7. I looked it up. I don't want to oversell my elitism. My smug mid twenties antipathy toward country music. Let's not overdo the self deprecation here. Though I do wonder why I'm listening to country radio right this second. The likely answer is that K M E L was doing commercials. K M E L, the beloved, my beloved Bay Area rap station, one oh six point one K M E L. That's my eternal jam, right? That's my first choice in the car. The whole time I lived in Oakland in the mid two thousands. So I can hear E forty, Keek to Sneak, Mac Dre, the Federation.
9:08 Speaker 03 Another time, I love K M E L. And if K M E L is doing commercials, I got a solid second choice. Radio wise, I jumped a live one oh five, the alt rock station, one oh five point three. So I can hear what Franz Ferdinand or the Yeah, Yeah, Yeahs or whatever. So, yeah, dollars to donuts. I am listening to Tim McGraw on the radio right now because K M E L was doing commercials. So I flipped the live one oh five, which was also doing commercials. So I started flipping around and I hit on, I'm guessing the country station K R T Y. Ninety five point three out of San Jose. Actually, if we do want to crank up the self deprecation and oversell my elitism toward country music, we could say that my driving south on eight eighty from Oakland towards
9:51 Speaker 03 San Jose is relevant here because in my mid twenties brain, and also this is basically true objectively, but mostly it's in my mid twenties brain. Oakland is cool, but south of Oakland is less cool broadly. Yeah, you know what's south of Oakland? Fremont, the city of Fremont. You know what Fremont is? Fremont is the city they're always threatening to move my beloved Oakland A's to. They're constantly threatening to build a new A's stadium in Fremont, and I hold that against Fremont. I take that threat personally and I take it out on Fremont. You know where the A's play now? Sacramento. You know what's actually in Fremont?
10:36 Speaker 03 The chain restaurants. As a mid twenties Oakland resident, I moved there from Ohio. Mind you, I am absolutely a dimwit transplant. I don't know shit about shit about California, not to be self-deprecating. As a proud, super knowledgeable Oakland resident, all I know about Fremont is that's where the chain restaurants are. Your Olive Gardens and Red Lobsters. Fremont's where I take my girl to get all you can eat shrimp at Red Lobster and it's a two hour wait on a Friday night. And I'm just sitting in the parking lot being all elitist. Like, these people live in the culinary mecca of Northern California and they're waiting to eat at Red Lobster? As though I am not waiting alongside them?
11:19 Speaker 03 As though I too will not be scarfing down all you can eat shrimp in two hours? This is the enlightened attitude I brought to country music at the time. What's with all these unsophisticated people enjoying this thing I would very much like to also enjoy? I don't mean to complain about radio stations doing commercials, by the way. I genuinely dig the rhythm of that. The way the commercials only build anticipation for when the music comes back. I've come to appreciate ad breaks as a fine art. Let me give you an example.
11:58 Speaker 01 This episode is brought to you by Panda Express. Telling someone you love them, it isn't always easy, but showing them through food, sometimes that's better than words, especially when that food's what cooked at Panda Express, a Joe House favorite. Pick from delicious classics like orange chicken, honey walnut shrimp, kung pao chicken and black pepper sirloin steak. Perfect for when you're watching the team you love or eating with the person you love. Have you eaten yet? Click or tap the banner to order or visit a Panda Express near you.
12:31 Speaker 01 This episode is brought to you by WeatherTech. Whether it's a pumpkin spice coffee that goes splat in your seat, or a weekend tailgate that leaves your trunk full of gear and who knows what. You're gonna want WeatherTech in your vehicle. Whether you call it fall, autumn, or spooky season. Whether the mess is your fault, the kids, the dogs, or the weather's fault, you're gonna want WeatherTech for American-made floor liners and a cargo liner that laugh in the face of fall weather. Visit weatherTech.com today. This episode is brought to you by NOS Energy. Introducing new NOS Energy Grand Prix Guava. For those that want to be fueled up and fired up with 100 mile an hour tropical tasting power. Ignite your taste, start your engine. Shift your flavor to high gear with new NOS Energy Grand Prix Guava. Hit the street, grab a can, and get after it.
13:18 Speaker 03 That's how it's done. Exceptional ad break, right there, if I do say so myself. Simple, elegant, classic. But so if we want to really oversell my antipathy toward country music, we could say that I'm listening to country radio right this second because I'm driving south on 880 from Oakland towards San Jose, and I am using country music to smugly acquire a less cool south of Oakland mindset. I am putting myself in a Fremont mood. But that's overstating things. That is excessively rude to both me and Fremont.
14:00 Speaker 03 Also, this Tim McGraw song is called "Live Like You Were Dying."
14:17 Speaker 03 And this is a genuinely beautiful, startling, arresting song.
14:22 Speaker 03 Live Like You Were Dying. This song was written by Tim Nichols and Craig Wiseman, and it appears on Tim McGraw's eighth studio album, released in 2004 and called Live Like You Were Dying. This is a genuinely beautiful, startling, arresting song. But lyrically speaking, I am not accustomed to being spoken to so candidly. The phrase "live like you were dying" strikes me on first contact as alarmingly direct. I am alarmed at the sincerity and the straightforwardness here. And as a defense mechanism, I dismiss that sincerity and straightforwardness by describing it as cheeseball. I am a snotty alt-rock teenager turned indie-rock adult,
15:06 Speaker 03 and I am accustomed to lyrical sentiments that are more abstract, cryptic, guarded, irony-laced, or perhaps even irony-poisoned. Though maybe it's my personal irony that poisons the song. Maybe some of those indie-rock songs I loved were more direct than I was willing to admit. So, okay, another mid-2000s song that hit me incredibly hard on first listen. You know the great American indie-rock band Silver Jews out of Hoboken, New Jersey, led by the poet and oracle and American hero David Berman? The guy who once started a song with the line,
15:47 Speaker 03 "In 1984, I was hospitalized for approaching perfection." That guy, in 2005, on first listen, I became completely enraptured by a new Silver Jews song that starts like this.
16:05 Speaker 05 Fast cars, finesse, these things will pass. Get more, get more.
16:17 Speaker 03 This is from the 2005 Silver Jews album Tanglewood Numbers. And the personal details of my first listen here are way less interesting even to me. I was on the computer. But you can imagine my delight at a song with the opening lines, "Fast cars, fine ass, these things will pass and it won't get more profound." There's me chortling at my computer. There's me in my mid twenties in peak physical condition, enjoying this witty, silly, frivolous little tune with no emotional stakes and no long-term philosophical implications for me whatsoever. No, sir.
16:59 Speaker 03 Also, this Silver Jews song is called "How Can I Love You If You Won't Lie Down."
17:20 Speaker 03 And what a delightful song title that is. That's a classic silly frivolous country music song title. If you want the truth. "How Can I Love You If You Won't Lie Down." That's a she got the gold mine, I got the shaft type classic country song title. I gave her the ring and she gave me the finger, et cetera. And it just blew right by you, didn't it? Maybe it didn't. Probably it didn't. But at first, it blew right by me. The line before that. "Time is a game only children play well." What an incredible series of words that is. How true, how direct, how heartbreaking.
18:00 Speaker 03 How freighted with dire, long-term philosophical implications for me personally. This is the sort of music I prefer. In the mid 2000s, in my mid twenties. Songs with just enough cleverness and misdirection that I can overlook the often, in retrospect, very obvious and direct and devastating lyrical messages contained therein. Tim McGraw ain't doing that. Tim McGraw will not supply a "fast cars, fine ass, these things will pass" to disguise, or at least soften, the spiritual blow of "time is a game only children play well." No, in the second verse of "Live Like You Are Dying",
18:44 Speaker 03 Tim simply continues to earnestly list things you might do when you realize you don't have an infinite amount of time on earth in which to do things.
19:09 Speaker 03 That's such a phenomenally nimble delivery by Tim McGraw of such a phenomenally freighted rhyme right there. "I was finally the husband that most of the time I wasn't." Every person who's ever heard this song will imagine something different there in terms of what "being the husband that most of the time I wasn't" implies, what actions or inactions that line implies. And everyone will be right. Whatever you think Tim McGraw means by that, that's what he means. "Live Like You Are Dying" was nominated for Song of the Year at the 2005 Grammys, one of the big four Grammys categories. Song of the Year is the songwriting award, the best-written song, whereas Record of the Year is the song with the best performance.
19:51 Speaker 03 Generally, the Grammys will bestow major category recognition onto one country song per year, if that. They will graciously honor your lady antebellums and rascal flatses and so forth, one at a time. Faith Hill and LeAnn Womack were both nominated for Song of the Year in 2001, though. That's nice. So "Live Like You Are Dying" is a substantial and pretty rare crossover success prestige-wise. It didn't win Song of the Year, though. Would you like to hear the five nominees for Song of the Year at the 2005 Grammys? "Live Like You Are Dying," "If I Ain't Got You" by Alicia Keys, excellent. "Jesus Walks" by Kanye West. Ugh.
20:36 Speaker 03 This is the Grammys era when Kanye lost Best New Artist to Maroon 5. And Kanye's debut album, The College Dropout, lost Album of the Year to Genius Loves Company, a late-period Ray Charles duets album. Look, Ray Charles is Ray Charles, but the Grammys are the Grammys. That's all I'm saying. Sorry. Tim McGraw, Alicia Keys, Kanye West, also nominated for Song of the Year. "Hubba Stank," The Reason. Wow. Yes. Wow. Excellent. Wow. And the winner of the 2005 Grammy for Song of the Year?
21:18 Speaker 03 "Daughters" by John Mayer. Oh, well. Speaking of phenomenally nimble rhymes, I also love the way Tim McGraw rhymes "going fishing with imposition."
21:33 Speaker 04 And all of a sudden, going fishing wasn't such an imposition. And I went three times that year, I lost my tab.
21:45 Speaker 03 You know who would have loved this song? You know who maybe probably did love this song? And I just never got around to asking him about it? In April, just a couple of months back now, we lost my father-in-law, Jim. He'd been sick for a long time with a lot of close calls and hospital chaos, et cetera. So there was some peace, some sense of relief when he passed. Or maybe I just say that. Jim loved country music. Jim loved a lot of things and a lot of people, and a lot of people loved him. Jim loved squirrels also.
22:22 Speaker 03 Or no, maybe he hated squirrels, but he definitely loved hating squirrels. See, I was thinking recently about the very first time I met Jim, which remains one of my all time favorite introductions to anyone ever. I met Jim at his house in the living room of the house he'd lived in forever, the house my future wife had grown up in, in Columbus, Ohio. And there's a whole cliched script, right? For this specific encounter, the meeting your girlfriend's dad encounter. Now, my role in this script, meeting the dad and introducing myself to the dad as his daughter's new boyfriend. My role is to project non-threatening, likable purity of intentions.
23:05 Speaker 03 Right? My job is to put my girlfriend's dad at ease and make him like me and trust me. I'm there, hat in hand, radiating outcast Ms. Jackson. Me and your daughter got a special thing going on energy. Ideally, only that one part of one outcast song, though. Whereas Jim's role in this encounter is to be the scary macho dad. He's supposed to answer the door, holding a shotgun. He's supposed to try to scare the hell out of me. You know the scene in Bad Boys Two? I bet Jim loved that movie. The scene in Bad Boys Two where Will Smith and Martin Lawrence just shout jovial, profane buddy cop movie abuse
23:48 Speaker 03 and point a gun at the poor kid who shows up at the door to take Martin Lawrence's daughter out on a date. The whole scene shot behind the poor kid's head with Will Smith and Martin Lawrence on either side of him. Russell, that kid's name was, I believe. Classic scene. That's the malevolent, overprotective energy Jim is supposed to be radiating. Distrust and exasperation and the omnipresent threat of violence. At the very least, he's supposed to try to crush my hand when he shakes it as a sign of dominance. Like he goes, hello, son, nice to meet you. And he's got my hand in a death grip. And I'm supposed to just smile and radiate likability, but also secretly fight back and try to crush his hand.
24:33 Speaker 03 Like, yes, hello, sir, it's great to meet you too. Oh, yeah. And we're just locked there forever in a handshake crush off. And eventually my girlfriend and her mom will walk in the room and Jim and I will both be standing there violently shaking hands like. That's not what happened. When I met Jim, though, none of that happened. What happened? What I remember first is Jim just sitting in a comfy chair in his living room, this beautifully furnished and serene living room. Lots of natural light, lots of plants, lots of family photos, lots of warmth and peace and comfort and satisfaction. I'd never met a man more sublimely in his element than Jim in this moment.
25:17 Speaker 03 Like the way a James Bond movie introduces you to the newest James Bond villain in his shark-infested secret lair or whatever. But it was the exact emotional opposite of that. Not like Jim's the king of his castle or anything so macho, just that he's entirely at ease, completely at one with his environment. He's just a guy who has formed an eternal tranquil bond with his house. And we shake hands normally, Jim and I, and we exchange pleasantries for like 30 seconds. I'm like, yeah, hello, sir. It's great to meet you, blah, blah, blah. And then he goes, I've been fighting with the squirrels in my backyard. And I go, what? And Jim proceeds to explain to me as we move to the window
26:00 Speaker 03 and we look out on his lush and serene and well-manicured backyard. Jim explains to me that the squirrels are messing with his plants and his bird feeders and whatnot. And he's pissed and he's exploring different ways to combat this threat, these squirrels. And Jim goes, yeah, when you're at war with somebody, you sneak behind enemy lines and you physically sneak up behind your enemy and you just touch them on the shoulder and then you sneak away. That's all you do. You tap them on the shoulder and maybe they don't even notice. But this establishes dominance and demoralizes your enemy. I did that to the squirrels, but because they're squirrels, I just pulled on their tails. And I go, you snuck up behind a squirrel and pulled its tail? And he goes, yes.
26:44 Speaker 03 And I go, oh, wow, this guy rules. That was Jim.
26:50 Speaker 03 Jim, who a couple of years ago, in the midst of a totally unrelated conversation, he told everyone that one time he gave a bird mouth to mouth and the bird recovered and they're bros now. And the whole family's like, what? And Jim explains how he found a canary, I think, with its head stuck in the hole of the bird feeder. And Jim carefully freed the bird, which then did not appear to be breathing, et cetera. And so Jim like held the bird in his hand and administered like one finger chest compressions and also gave the bird mouth to mouth. There is some debate as to the specifics here, the bird CPR logistics. Mary Jo, my mother-in-law and Jim's wife of 55 years, Mary Jo contends that Jim would
27:33 Speaker 03 not have physically put his mouth on the bird's beak. Perhaps Jim put his mouth near the bird's mouth and blew a concentrated column of air at the bird. The point is Jim does bird CPR and the bird seems to recover somewhat and Jim leaves the bird there and the next morning the bird's gone. But then later that year, the bird returns to visit Jim. Now they're friends. Now they have a permanent spiritual bond. And he tells us this several months after it happened. That was Jim, who played Wordle with my kids every night over the phone these last few years when he couldn't leave the house as much.
28:14 Speaker 03 After Jim's funeral at the cemetery, they had a quick ceremony with a military salute. Jim had served during the Vietnam War, half a dozen guys with rifles. And my four-year-old daughter is not psyched about the guns, about how loud the gunshots will be. So she won't go near the guns and therefore I can't go near the ceremony. Instead, my daughter and I were lurking way out on the sidewalk and my daughter makes me keep my hands clamped over her ears the whole time, including the 10 minutes or so before the dudes even fire their rifles. And because my daughter is only four years old, she doesn't really understand that her grandpa, her Zaja, that's the Polish name for grandpa.
28:59 Speaker 03 That's what we called him, Zaja. She doesn't really get that he's gone. We keep gently telling her and she keeps blissfully not quite getting it. Because of course she doesn't and we don't push it. And now I'm standing there on the day of Jim's funeral, watching this final ceremony unfold in the distance with my hands covering my daughter's ears. And I'm thinking about how weird it is that she doesn't quite get it, that we're here on this momentous and life-changing and terribly sad day, but she's too young to truly grasp the momentousness, the profound terrible sadness, the true lasting meaning of this day. Because she's not old enough yet. Time is a game only children play well.
29:44 Speaker 03 But it only occurs to me now that I'm still not old enough to truly grasp it either. Bridge.
30:07 Speaker 03 It's a great bridge. "Live Like You Were Dying" intensifies. It escalates in this incredibly confident and unembarrassed manner. Tim McGraw struck me immediately as a singer who is not afraid to tell you how he feels with no cleverness, no barrier, no artifice. And in my mid-20s, I am not used to singers like this. Though it occurs to me now that maybe the cleverness, the barrier, the artifice, that was all me. Back then, that's just the way I chose to hear most of what I heard. And this song was simply so unambiguous and so unashamed that I couldn't project any pointless clever misdirection onto it.
30:50 Speaker 03 Jim would have fully vibed with this song immediately. I should have played it for him. I should have made Jim a mixtape. I actively regret not doing that. That's a weird... That's an almost superficial regret, I suppose. But it's simply that I love this song and I love him. Key change.
31:24 Speaker 03 If you didn't already feel like you'd personally scaled the Rocky Mountains, the key change will carry you all the way up. So the day I wrote a lot of this, that night I was helping get my daughter to bed and we were reading a Dora the Explorer book where everybody wishes on a star. And the book asks, "What do you wish for?" And my daughter says, "I wish Zsa Zsa was here." So I may in fact be underestimating her grasp of this situation in addition to overestimating my grasp of this situation. Me too, kid.
32:01 Speaker 03 I feel like Jim would want me to include the part during the triumphant final chorus where Tim McGraw watches the eagle fly.
32:26 Speaker 03 My name is Rob Arvila. This is the 26th episode of 60 Songs That Explained the 90s: The 2000s. It was about Tim McGraw's "Live Like You Were Dying." And if it's okay with you, I think I'd like to leave it at that. Do me a favor, though, and go tell someone you love about a song you love.
32:47 Speaker 03 That's our show for this week. I figured we would do without the interview, if that's all right. But thanks very much to our producers, as always, Olivia Kreyer, Christopher Sutton, and Justin Sayles. And thanks very much to you for listening. And now, yeah, let's all go listen to "Live Like You Were Dying" by Tim McGraw. See you next week.
33:15 Speaker 06 Life is all about making decisions. Sometimes you make questionable ones. Like buying a new TV that's too big for the wall because the electronics store employee was a little too good at their job. Then, sometimes you make great ones. Like protecting your home and auto with Progressive. You get customized coverage options so you can be sure you have the right coverage. Get your quote today at progressive.com. Progressive Casualty Insurance Company affiliates and other insurers, not available in all states.
33:45 Speaker 07 They're running a Cover 2 defense. But you're running to get game day deals on Uber Eats. Keep everyone at tonight's watch party fed with deals from your go-to restaurants. Or stock up with deals on your favorite snacks and groceries. Whatever the occasion, get game day deals on Uber Eats all season long. It's not football without food. Uber Eats. Order now. Terms apply. Product availability varies by region. See app for details.
Previous “Ms. Jackson”— Outkast Next "The House That Built Me"— Miranda Lambert Page updated November 1, 2026 · transcript and summary are machine-generated