Introducing: The Devil You Know with Sarah Marshall

Listen now to the first episode of Sarah's new 8-part series with CBC Podcasts, The Devil You Know. In the 1980s and 90s, Satan and his followers were accused of brainwashing children, sacrificing babies, and infiltrating North American society on a massive scale — yet these thousands of alleged Satanists were nowhere to be found. In this all new series, host Sarah Marshall explores the tangled web of the Satanic Panic, in a journey that will take you everywhere from Victoria, B. C. to rural Kentucky to San Antonio, Texas. This is a show about the people who experienced the panic in real-time — the believers, the skeptics, the bystanders, and the wrongfully-convicted. Click here for more episodes More You're Wrong About: https://linktr.ee/ywapod Bonus Episodes on PatreonBuy cute merchYWA on Instagram Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices

Speaker names marked ? are inferred from speaking time and the show’s known hosts — they are not voice-verified.

• 0:10Sarah Marshall?

  Welcome to You're Wrong About. And this time, welcome to The Devil You Know, my new mini-series with CBC Podcasts about what helps the satanic panic. If you've been listening even once before, I bet you know that this is an interest of mine. It has been for a very long time. And I have been so lucky to get to work on this show with producer Mary Stephan-Hagan about what it was like to experience the satanic panic firsthand, the people who it happened to, and what learning from their testimony can teach us about how to survive in the satanic panic of today.

• 0:51Sarah Marshall?

  We have put the first episode of this show in our feed for you this week. We hope that you listen. We hope you enjoy it. You can find the rest of the episodes. There are eight total plus eight bonus episodes as well, if you want to get those, anywhere that fine podcasts are distributed. And if you are my mom and that is not helpful to you, you can find a link to the series at linktr.ee/yewapod. That's L-I-N-K-T-R dot E-E slash Y-W-A-P-O-D. And you can find everything else you might need there, too. We also have a wonderful new bonus episode of You're Wrong About out this week with

• 1:33Sarah Marshall?

  our friend and bimbologist at large, Jamie Loftus, talking about the origin of the word bimbo, origins really plural, and why we all love bimbos so much. I am so lucky to have gotten to make this show. I'm so happy to be sharing it with you today and to be sharing the voices of these amazing people who we got to talk to. And most of all, we are lucky to get to make this show. And now, the devil you know, for you to have you here, listening, getting through it all together. Now, here is episode one of The Devil You Know.

• 2:32Speaker 01

  I didn't have any clue what that was all about, but the art teacher made it clear that I should get the hell out right away.

• 2:41Sarah Marshall?

  This is Diane. She's a photographer. Diane is not her actual name, but what I've given her for her privacy, and also in honor of one of my favorite women of the 80s, Diane Unkiers.

• 2:56Speaker 01

  I'm an artist, photographer, designer, art educator, digital designer, and more.

• 3:02Sarah Marshall?

  Diane was telling me about a project she was working on in the late 1980s.

• 3:08Speaker 01

  I planned, and I arrived in the fall.

• 3:11Sarah Marshall?

  It had her traveling around Kentucky.

• 3:14Speaker 01

  I wasn't staying permanently then, but I was there to kind of establish the program, find a place to live, and kind of get things going.

• 3:24Sarah Marshall?

  She was photographing locals and also teaching them photography.

• 3:29Speaker 01

  The first time I went, we had this little after-school club of girls who were really interested in photography and very enthusiastic. And they went home and told their families, and their families were really friendly. And they were inviting me over for dinners and stuff. So when I left there the first time after a two-week residency, I left with a really warm place in my heart for the town and its people.

• 3:54Sarah Marshall?

  She worked with people of all ages, including local high schoolers. That's what brought her to this particular small town.

• 4:03Speaker 01

  So it was a pretty old town. It was really scenic and beautiful, kind of nestled in the hills, or maybe they were mountains, I don't know.

• 4:11Sarah Marshall?

  But before Diane could really settle in and get to work, something happened that made her want to get the hell out of Dodge.

• 4:20Speaker 01

  And the art teacher turned to me, looked at me real seriously, and he said, "Leave right away." So I did.

• 4:30Speaker 01

  I mean, I arrived in the town hopeful and optimistic, ready to like work hard and do good work. Yeah, and when I left, I couldn't drive fast enough. It was just pedal to the metal. I just couldn't put the miles between me and that place fast enough. I didn't know if I'd end up in a jail or if I would end up, you know, thrown in a cave.

• 4:55Sarah Marshall?

  Diane, a stranger in a small town, had unwittingly become the target of a conspiracy.

• 5:03Speaker 01

  You know, at the time, I remember hearing about, you know, pentagrams on the floor of barns and all kinds of stuff like that. I mean, I thought maybe it could happen, but I really didn't believe it. Where could all these, like, all of a sudden, all these devil worshippers pop up?

• 5:26Sarah Marshall?

  What happened to Diane was a microcosm of a larger conspiracy sweeping the nation throughout the 1980s. It was a conspiracy about a conspiracy. It was a story where rumor became panic, and eventually, that panic became legend. That legend has always fascinated me, but to see it only from the distance of the present is to not see it at all. The grand sweep of the narrative turns it into something that happened to a country or a culture, but that also means it happened to individuals, and each of them saw something a little different.

• 6:10Speaker 01

  I thought, could this have happened? You know, I mean, it questioned it because it's like we had such a strange childhood anyways.

• 6:18Speaker 02

  The first version of it was that this was somehow wrapped up in the mafia. And then the next iteration I heard was that there was some group of people at the school called The Group, especially some goth people, I remember.

• 6:29Speaker 01

  Two days later, maybe even a day later, I received a call from Detective Majekka. You know, would you come in and come and talk to me? Sure, you know, I have nothing to hide. Unfortunately, that was the worst thing I could have ever done.

• 6:44Sarah Marshall?

  So what did it look like to the individuals who got caught up in this panic, often in ways that they could never have imagined? Today, we're going to see it through Diane's eyes. Come with me as I trace the development of one small, strange rumor. A rumor involving virgin sacrifice, grave robbing, and Patrick Swayze. I'm Sarah Marshall, and this is The Devil You Know.

• 7:24Sarah Marshall?

  Welcome to the 80s. Here's what's in. Leg warmers. Madonna. Phones that look like things. Star Wars. Trilogy and government initiatives. Michael J. Fox. The Delorean. Michael J. Fox. The Jacuzzi. The VCR. Regenomics. Cyndi Lauper. Aquanet. Fishnets. And also, apparently, Satanism.

• 7:48Speaker 03

  Good morning, everyone. I'm Richard Scher, and welcome to People Are Talking on this Monday. We are live on Television Hill. And as you know by watching previous programs on People Are Talking, that Satanism seems to be on the rise here in the United States.

• 8:01Sarah Marshall?

  People, especially Americans, were getting this information not from the fringes, but from mainstream sources like local morning news shows and un-nationally syndicated daytime talk shows like The Oprah Winfrey Show.

• 8:15Speaker 04

  In every state in the nation, authorities are investigating some form of what they call "botanic activity," which its covens are reportedly...

• 8:23Sarah Marshall?

  People also heard these stories on primetime news, like in this investigation by ABC's 20/20.

• 8:31Speaker 03

  startling, sobering results of a 20/20 investigation. Satanism, devil worship, is being practiced all across the country.

• 8:39Speaker 05

  We have all types of perversion going on, and it's affecting America.

• 8:46Speaker 03

  perverse, hideous acts that defy belief: suicides, murders, and the ritual...

• 8:52Sarah Marshall?

  Satan has been in North America for a long time, at least according to some.

• 9:03Sarah Marshall?

  But he began to enjoy a new level of notoriety in the 1960s and 70s. Anton LaVey was freaking people out with his Church of Satan in San Francisco, a church that, if you read the literature, was about worshiping not Satan, but yourself and your ability to do whatever you wanted. The public reeled from news of the Manson family murders in the wake of their 1969 crime spree, a case in which teenage girls ran away from home and ended up in the thrall of a man who commanded them to kill. Surely, just some guy couldn't be responsible for such horrific crimes.

• 9:46Sarah Marshall?

  Surely, it had to be Satan. And members of the growing evangelical Christian movement began arguing that the Age of Aquarius was really a front for Satan. One day, you're reading a horoscope; the next day, you're sacrificing a goat. But it's hard to know if Satan would have become quite the American obsession he was if he hadn't also been such big business.

• 10:16Speaker 03

  Satan is his father, nut guy. He came up from hell and begat a son of mortal woman. Hail Satan! Hail Satan! Satan is his father, and his name is Adrienne.

• 10:28Sarah Marshall?

  That was Rosemary's Baby from 1968. It established a market for devil movies. And there was no devil movie bigger than The Exorcist in 1973, which told the story of an adolescent girl possessed by a demon and the two noble Catholic priests who saved her from evil.

• 10:52Sarah Marshall?

  But this pervasive fixation on Satan, both religious and secular, achieved a new level of urgency in the 1980s. Now, stories of satanic activity were no longer just in the movies. They were happening in your very own town. Or at least, that was what people were saying.

• 11:17Speaker 01

  And we have essentially in a moral panic, a somewhat regressive movement, that it's trying to restore old moral lines or old cultural habits, you know, kind of like the good old days, that the social change was really threatening to upend.

• 11:38Sarah Marshall?

  That is Mary DeYoung, professor emeritus of sociology at Grand Valley State University. And according to Mary, many of these fears tend to center around children and teenagers and the harms that might befall children, both physical and moral.

• 11:57Speaker 01

  I mean, there was a lot of anxiety about what was going on in the family during that period of time. And that was one of the sources of social stress. There was a higher rate of divorce, a higher rate of what were referred to then as non-traditional families. We also were dealing with the consequences of a recession. We had more and more women going to work. And you had a lot of social commentators who were talking with one degree of expertise or another about what the consequences were of so-called latchkey children and unsupervised children and children, particularly boys,

• 12:41Speaker 01

  who were not growing up with fathers.

• 12:44Sarah Marshall?

  And is there this idea that the nuclear family must stay together to ward off Satanists? And therefore, you know, don't get divorced?

• 12:53Speaker 01

  Right. Well, you know, historically, the family has always been the moral foundation of society. And when you begin changing that moral foundation, then consequentially, other things are going to happen.

• 13:07Sarah Marshall?

  That are either going to, depending on your belief system, invite evil influences, however you define evil, or somehow make it much more difficult to resist those.

• 13:23Sarah Marshall?

  This panic, across the board, was one whose proponents and alleged victims were largely white and middle-class, in part because it affected white America the way so many moral panics do, by giving a monstrous face to the changes that the future might bring. Those accused of being in league with the devil were, as you might imagine, a more diverse group than their accusers. The weight of false accusations fell most heavily, as always, on those without the money or the power to crawl out from under them.

• 13:59Sarah Marshall?

  It feels like so many structural problems can be ignored when we say, well, these things, bad outcomes happen because people wake up in the morning and sort of stretch and do their affirmations and are like, I'm evil. I'm gonna do something evil today. Right, right. I mean, throughout history, there's always been something, someone, some group of people, some ideology, whatever, that's been labeled as evil. And evil, the word itself, is an extremely powerful word. Throwing it into a sentence really begins to change the whole narrative about the problem that you're taking a look at.

• 14:44Sarah Marshall?

  DeYoung tells a story where the satanic panic emerged not just from the fears of everyday people, but from a whole class of professionals. All of a sudden, we had experts popping up on Satanism, on cults, on...

• 15:01Speaker 01

  Satanic cults, even on ritual abuse, which was a brand-new term.

• 15:08Sarah Marshall?

  Self-appointed experts who could tell you how to find evidence of Satanism in a patient or at a crime scene, and who turned around and trained more experts, who trained more experts. Across North America, social workers and therapists were urged to look for the devil in their clients' memories. And teachers, parents, and children were told that secret satanic messages were hidden in heavy metal songs, comic books, and games.

• 15:43Speaker 01

  Virtually every state that I've taken a look at has had its own version of the satanic panic. For example, in Kentucky, where rumors that were going around that a satanic cult was going to kidnap blond-haired, blue-eyed girls and sacrifice them, meant that on one day in one community in Kentucky, 450 kids were kept out of school by their parents. That's a manifestation of a belief system.

• 16:20Sarah Marshall?

  By the time we get to the late 80s, the idea that Satan and his followers have infiltrated North America is thoroughly embedded in our culture. Satanists, you are told, are a threat to your children, your town, your country. And out of all this fear come people who are primed to look for Satanists whenever something a little bit out of the ordinary occurs.

• 16:47Speaker 01

  I found training sessions where hundreds of Kentucky police officers were attending training sessions on satanic ritual abuse and what was generically referred to as occult crime. So you begin to look at those kinds of relationships again, and you see that you can have a community that really is primed for analogy. Prime to believe it, prime to proceed on it as if it were a credible allegation.

• 17:33Speaker 02

  Rumors of devil worship have spread like wildfire across a large section of eastern Kentucky, stumping police officers who have fielded thousands of telephone calls from terrified residents.

• 17:42Speaker 06

  Satan worshippers are looking for blond, blue-eyed children to kill in a sacrifice to the devil. Some versions implicate vacuum cleaner salesmen. Vandals painted 666 Satan rules and occult symbols in the city park. Similar incidents were reported in Wolf County.

• 17:57Speaker 02

  On the floor of a mobile home, the defendants are alleged to have used for satanic ceremonies. The words Satan rules were inscribed outside a circle around the modified star symbol.

• 18:06Speaker 06

  Noble met with parents who were considering keeping their children home because of fears of devil worshippers. Videotapes and books on the occult were confiscated along with some heavy metal rock tapes during the raid. Next migrated into Leslie, Clay, Lee, and Owsley counties to the southwest, and Wolf, Powell, and McGoffin counties to the north.

• 18:23Speaker 02

  All of the law enforcement officials surveyed last week said they believe the stories were false. Most agencies reported investigating the rumors and finding no supporting evidence.

• 18:32Speaker 06

  The State Journal, Frankfurt. The Messenger Inquirer, Owensboro.

• 18:35Speaker 02

  The Louisville Courier-Journal.

• 18:36Speaker 06

  Kentucky New Era.

• 18:37Speaker 02

  The Lexington Herald-Reader.

• 18:39Speaker 06

  September 12, 1988.

• 18:45Sarah Marshall?

  September 1988, that is the very same month a certain photographer travels to rural Kentucky. Remember our friend Diane from earlier?

• 18:57Speaker 01

  When we were at school, we had a lot of fun just running inside and outside because in the pinhole cameras, they're called, you could only put one film in at a time. So you would load it up in the darkroom, run outside, take a picture, and then run back into the darkroom and develop it. You know, it was this frantic, great release of energy as opposed to sitting in one of those little school desks, you know, for hours.

• 19:21Sarah Marshall?

  She was working in small towns across the state, teaching photography to kids and teenagers.

• 19:29Speaker 01

  I was part of a artist grant program through the Kentucky Arts Council. So as one of those artists, I packed up my car with all kinds of photo gear. And I would travel around the state doing these residencies. I think most of them were about two weeks. The town would like find a place for you to stay and you know, you were just kind of on your own with the students and the specific group of teachers or one teacher maybe. I would show up with dozens of cardboard boxes that the students would make into cameras and then photograph with them. And we made school newspapers where they would write and publish their photos.

• 20:14Speaker 01

  We made photo books and had exhibits. And we made videos where they would write the story and star in it and dance in it. And they'd write original music.

• 20:25Sarah Marshall?

  What was it like to be working with teenagers artistically and specifically working with young adults in that part of the country in that time?

• 20:34Speaker 01

  Once they were on board with it, they really got inspired by it, which I really enjoyed because it's so hard to sometimes get people interested or teenagers interested. But I think it was so different than regular school for them that they kind of latched on to it. It was a real, for them, it was a real opportunity. I had for years after some of the teenagers writing me and sending me photos and you know, asking me questions because they, they just wanted to keep going with it. So that was pretty amazing. I think most people were, were happy to have a visitor that was going to like shed light on something brand new.

• 21:21Sarah Marshall?

  I'm curious about what this town was like, what it was like to drive into it and kind of what it, you know, the experience of it.

• 21:30Speaker 01

  It was pretty small, but when you drive in, you know, you see hills and beautiful scenery. It's like one road through the town and some other little neighborhoods around. The woman who was the teacher that I stayed with initially, she was living in the old one-room schoolhouse and she used to find like arrowheads in the front yard.

• 21:53Sarah Marshall?

  Was there like, was it like a Dairy Queen town? Was there like a?

• 21:57Speaker 01

  Yes, there was this, there was this great Dairy Queen.

• 22:02Speaker 01

  And I was always just amazed. There was this, one of the kids had a baby and they would put the baby through the, the order window, you know, place their orders. They would like push the baby through.

• 22:13Sarah Marshall?

  And you have to hold the baby upside down like a blizzard to make sure that he's thick enough? Yeah.

• 22:19Speaker 01

  Yeah, maybe. Yeah, it was like a one everything town. One doctor, one Dairy Queen, one movie theater. I was staying at a local motel. The doctor across the street, he offered a room in his building. I could use it as a studio slash darkroom. And I'd run around the town as I was doing all this, meeting people. And when I did, I'd tell them about the project and with their permission, I would photograph them. And I was using a Polaroid camera so I could give them the photo. The outcome was always really friendly. And in doing my recognizance, I scheduled a meeting with the high school principal and the high school

• 23:02Speaker 01

  art teacher. They came for our meeting and I met the principal.

• 23:09Speaker 01

  I thought it went fine.

• 23:13Speaker 01

  And then I went to meet with the art teacher and halfway through our meeting, the principal's voice booms out of the loudspeaker and he said, "If anyone sees the photo, woman, escort her to my office immediately." And the art teacher turned to me, looked at me real seriously and he said, "Leave right away."

• 23:36Speaker 01

  So I did.

• 23:40Sarah Marshall?

  But during her drive through town, Diane spots a friend traveling in the opposite direction.

• 23:45Speaker 01

  I was thinking of finding her anyway, but our paths crossed in our cars. And so we stopped. You know, people used to, like in a small town, would stop in the middle of the street and have a conversation. So we kind of stopped in the middle of the street and, you know, going in two different directions and rolled down our windows. And I told her what had just happened. And she looked at me and she said, "Leave town right away."

• 24:11Speaker 01

  She said, "People have disappeared or are disappeared, like abducted, and often end up in nearby caves or mines, never to be heard from again." So then I really freaked out. And she said it in such a way, too, that I knew it was no joke, you know? And it wasn't like a horror film where you might just stay anyway, you know? So I was really shocked and upset. I went back to the motel and I just grabbed all my stuff and threw it in the car and left. And for some reason, I remember, like, for some reason, I decided to change my shirt. And I wasn't hysterical,

• 24:55Speaker 01

  but I was definitely panicky because I remember I had the hardest time trying to button the buttons. Later, I found out that the sheriff was waiting for me in the principal's office. And later, I found out that he had just missed me at the motel.

• 25:12Sarah Marshall?

  Wow.

• 25:13Speaker 01

  So I was just so glad that I had left. I didn't know if I'd end up in a jail or if I would end up, you know, thrown in a cave.

• 25:24Sarah Marshall?

  When, okay. And so you got out of town. And so where did you head to from there?

• 25:31Speaker 01

  I just drove back to Cincinnati the next day. And, you know, nobody here really, really understood. And my phone started ringing off the hook, just constant phone calls from all kinds of different media, including like People Magazine. All these people just kept calling and calling and calling. I really didn't even know what to say. I was still trying to process what happened and why. But yeah, that's when I found out what I was being accused of or, you know.

• 26:05Sarah Marshall?

  I've been fascinated by Diane's story ever since I stumbled across it. I first saw it in a book from the 80s about police officers who became experts in cult crimes. So, when I finally got the chance to sit down and talk with her, I had to read her this passage. "A Cincinnati photographer traveled through rural Kentucky taking photographs under a grant from the Kentucky Arts Council. By coincidence, quote, rumors that devil worshippers were searching for blond, blue-eyed victims for sacrifices reached the town from surrounding counties about the same time. The photographer, however, had taken photographs of children prompting the rumor, quote, that

• 26:45Sarah Marshall?

  a woman was taking pictures of blond-haired, blue-eyed girls, potential victims for devil worshippers. After receiving threats and after the local high school principal chased her from school yelling, 'Get out, get out,' the photographer fled."

• 27:00Speaker 01

  Yeah, I don't remember, I don't think that happened. I really, I don't think that happened. I think that was like some fiction that he made up to make it sound good. Because I really, I just kind of left, you know? Nobody was around, I just got in the car and left. I do want to tell you that right before I went to Kentucky, there were rumors reported in Lexington, I think they reported it in the newspaper, about a theater group that was suspected of dealing in witchcraft because they ordered yards and yards of black material. You know, and anyone who's been to the theater knows that probably black material was used

• 27:45Speaker 01

  as backdrops and blockout curtains and all kinds of stuff.

• 27:49Sarah Marshall?

  Right, probably they had to put on Private Lives and they needed it for like The Night Sky.

• 27:54Speaker 01

  Yeah, I mean, it could be so many different things. So, you know, and there was another, another little silly incident like that reported too, but I can't remember what it is.

• 28:05Sarah Marshall?

  I think that's the part of, to me, the really compelling thing about this story and also the way it compares to sort of the QAnon logic of today is that... You know, it would be funny if it wasn't so dangerous and if it didn't affect so many people's lives, because the sort of, our sort of, again, it would be comical if there weren't real lives at stake.

• 28:25Speaker 01

  Yeah, I mean, it was not funny at all. You know, and as a matter of fact, it's gonna take me days to get over this now, I think. You know?

• 28:35Sarah Marshall?

  Oh, yeah. Yeah, I'm sure. I think the kind of the nervous system response of remembering something like this, yeah.

• 28:43Speaker 01

  Yeah, yeah. I made some notes to kind of get it straight in my head, and all of a sudden, I started, like, getting upset, you know? It's like, no, I'm not the victim here. But I think also, I don't really know how much my experience had to do with Satan, satanic panic, but I do feel like it was part of the zeitgeist of that time. And they needed some excuse. You know, they needed some label for it. Even if it was, you know, antisemitism, they weren't gonna say that. So they had to label it something, and that whole satanic business was timely.

• 29:31Sarah Marshall?

  I find it kind of very depressing that we find ourselves in a worldview where people find it more believable that somebody is going to come from another town all the way to your town to, according to the cover story at least, try and sacrifice a virgin, rather than just being interested in teaching them photography.

• 29:51Speaker 01

  Yeah. Why would anyone go all that way, go to all that trouble?

• 29:58Speaker 01

  Just to, like, try and infiltrate their lives for some other evil purpose, you know? It just doesn't make any sense.

• 30:08Sarah Marshall?

  Either way, this is the story that was left on the record and that we have now. Satan is in the news. It's just a matter of time until he shows up in your town.

• 30:25Sarah Marshall?

  There's a detail of Diane's story that I haven't been able to get out of my head. The black fabric and the theater group. How in the world did something so small fuel a rumor that engulfed an entire state? To answer that, we have to go to another small town. Hazard, Kentucky.

• 30:50Speaker 02

  People around here, we band together. You mess with us, we'll mess you up.

• 30:57Sarah Marshall?

  That is Patrick Bolch. He's in his 40s now, and he grew up in Hazard.

• 31:02Speaker 02

  About four bars on Main Street, and they had a store called Doll Hair's and a dime store. Oh my God, that brings back so many memories. Hazard was just like a ghost town when I was a kid.

• 31:17Sarah Marshall?

  In 1988, when Patrick was about eight years old, Hollywood came to town.

• 31:23Speaker 02

  They had an open casting call for locals to come in at the Holiday Inn in Hazard. My mom just took me because she was interested. She wanted to meet Patrick Swayze because she basically thought he was a god. But ironically, when we went to the casting call, he was sitting in the hotel bar. You've seen Dirty Dancing, Alison. Do you know the sleeveless shirt that he wore in it? He was wearing that shirt. And we go into the hotel bar, and I immediately located him. She's like, "That's not him." And I was like, "Yes, it is." And I walked up to him, and I said, "Hey, Patrick." And he turned around and started talking to me, and Mom's jaw just dropped.

• 32:05Sarah Marshall?

  Liam Neeson, Helen Hunt, Patrick Swayze, all of them were there to film scenes for a movie called Next of Kin.

• 32:14Speaker 02

  Patrick Swayze is Detective Truman Gates.

• 32:19Speaker 02

  He's a country boy.

• 32:21Speaker 03

  We are gonna find Gerald's killer.

• 32:23Speaker 02

  But he's got some unfinished business in the city. Howdy. Brothers who've been separated for a while. One of them gets murdered. The other one tries to solve it because he's a Chicago police officer. He gets in trouble, and then his other brother comes to help to get revenge, more or less. So they're kind of fighting with each other. End of it is the best part. If you haven't seen it...

• 32:46Speaker 04

  I'm not going to tell you, but the end of it, the cemetery scene is the best part of it. It shows you how family comes together and whoops ass.

• 32:55Sarah Marshall?

  He ended up with only one line in the theatrical cut, but he basically got to spend a couple of weeks hanging out with Patrick Swayze.

• 33:05Speaker 04

  Yeah, I was little Patrick, he was big Patrick on the set. Patrick Swayze actually is the one that taught me how to shoot the bow and arrow, and he taught me in about 15 minutes. I was doing great, but at the time that I actually shot for the scene, I missed the haystack by probably a half a mile. I guess I was nervous, but I completely missed the target. It's a wonder I didn't shoot somebody on the, in the background, but luckily no one was hit.

• 33:32Sarah Marshall?

  In the end, it was one of the high points of his childhood, and looking back on it now, he says that it changed his life.

• 33:40Speaker 04

  Just kind of opened my eyes to the fact that the world was a lot bigger than what I thought it was at the time, because I didn't know there was anything beyond hazard. I mean, you know, I was eight years old, very naive. Here are all these big Hollywood actors come in. It just kind of woke me up and made me realize that there's more to life than just Prairie County.

• 34:03Sarah Marshall?

  There's another way next of kin left a mark in Kentucky. Patrick talked to my producer, Mary.

• 34:10Speaker 07

  Do you remember a scene where a lot of people would have been wearing like black dresses?

• 34:18Speaker 04

  The funeral scene when I was doing the funeral and having the wake. It's in the deleted scenes. It's also the one where I got my hand slapped for stealing cookies or something off a plate.

• 34:29Sarah Marshall?

  Remember Diane mentioning the theater group buying the black fabric? Well, just like the story of her being chased through the school, this is a detail that suffered from some historical mistranslation too.

• 34:43Speaker 07

  Okay, I'm going to read you something from this newspaper. This was in the Louisville Courier-Journal on September 12, 1988. It was also reprinted in a lot of other places, like papers across the state, because it was originally from the Associated Press.

• 35:01Speaker 07

  And the article is called "Devil Worship Rumors Keep Officials Busy in Eastern Kentucky." And it says, "Rumors of devil worship have spread like wildfire across a large section of eastern Kentucky, stumping police officials who are fielding thousands of telephone calls from fearful residents. Police in Hazard said employees of a department store were frantic after someone bought 20 black dresses. Authorities later learned the dresses were sewn together for use in movie lighting during the filming of Next of Kin last month in Jackson and Perry Counties. A dispatcher said people believed Satan worshippers were looking for virgin

• 35:42Speaker 07

  girls and blond, blue-eyed children to sacrifice to the devil."

• 35:49Speaker 04

  Pardon my French, but what the fuck?

• 35:54Speaker 04

  I don't know about that. Nothing like that occurred that I'm aware of. I mean...

• 35:59Speaker 07

  Yeah, I mean, what do you think about that?

• 36:02Speaker 04

  That's hazard for you. I mean, if somebody goes and takes a shit, everybody else will know what color it is by the time they get out of the bathroom. It's a rumor mill. The second you walk out the door, they'll be talking about you behind your back if you do anything that alarms them. There are so many Bible thumpers in Hazard. I mean, you know, the ones that wear the big long denim skirts that goes down to their ankles. If you came in and bought black eyeliner and a black dress, they'd say you's a Satan worshipper, you know? No, there weren't no Satanists around. Patrick Swayze definitely wasn't a Satanist, and Lynn Mason wasn't a Satanist. I see no evidence of any Satan worship or anything like that. I didn't see anybody naked dancing around a fire at night or anything like that. No witches.

• 36:46Speaker 07

  I mean, if you did see something like that, would you immediately think, "Oh, it's Satanists?"

• 36:51Speaker 04

  No, I would've joined them.

• 36:53Speaker 07

  Really?

• 36:59Sarah Marshall?

  So there we have it. Woman scared out of nearby town because Hollywood movie set bought 20 black dresses for a deleted scene. Doesn't really have the same ring to it as the other headlines, does it? But in any case, when the devil is hard to find, you can always just blame Patrick Swayze. The activities of a Hollywood production crew being mistaken for a satanic ritual is just one of many very sketchy pieces of evidence that people pointed to as some kind of a smoking gun throughout the long decade of the Satanic panic. And I bring up all these details, and I bring you the story of Diane in this, our first

• 37:43Sarah Marshall?

  episode, because I think the story of the panic itself, the story of a many-headed Hydra that seemed to reach into every part of North American life, can seem like too big of a concept to wrap your head around when you try to take it in, in its totality. I've been studying it for the past 10 years or so, and every day I feel like I find some new detail that I've never encountered before. The Patrick Swayze thing, for example. In any case, the story of the dresses, the story of Diane, and so many of the other stories that we're going to talk about in this series are really about people encountering something just a little bit unusual and being stirred into such a state of anxiety that

• 38:28Sarah Marshall?

  they assume not just the worst that they can imagine, but something even worse than that. This is a scary story because it hasn't gone away. Maybe it doesn't need to be out all the time. Maybe sometimes it retreats underground, takes a nap, and then returns to feast again, like Pennywise in Stephen King's It. And of course, you can't really personify a panic and blame it for the way it recurs. There's no panic without the people panicking. Maybe with a phenomenon like this, it doesn't come down to us getting smarter as a people, but to us just getting tired of a certain story, craving novelty, moving on to something

• 39:11Sarah Marshall?

  else for a while until Satanists once again seem fresh and shocking, like, oh, say, about now.

• 39:21Sarah Marshall?

  What I'm most interested in and what I want to share with you are the voices of the individuals who found themselves within this larger story. Some of them are like Diane, they never thought it could happen to them. And some of them thought they knew what to expect, but discovered that reality was even more bizarre. And some of them had no idea they were even part of the story until they were already trapped inside it. These are the people and the stories we want to look at to understand what happened, but also so we can understand together where we're going.

• 39:58Sarah Marshall?

  I hope you'll join me for this season on The Devil You Know. Thank you for listening to The Devil You Know. Our producer is Mary Stephan-Hagan. Fact checking by Catherine Barner. Production assistance by Nicole Ortiz. Thanks to Jake Howitt for voice coaching. I've been your host, Sarah Marshall. Our sound designer is Evan Kelly. Rooshni Nayar is our coordinating producer. Our senior producer is Jeff Turner. Executive producers are Cecil Fernandez and Chris Oak.

• 40:41Sarah Marshall?

  Tanya Springer is manager of growth for CBC Podcasts. Arif Noorani is director of CBC Podcasts. Listen to every episode early on the CBC True Crime YouTube channel. For early and ad-free listening, subscribe to the CBC True Crime Premium channel on Apple Podcasts.