Pod Insights The Binge Crimes The Poet | 1. The Call About this episode Ruth’s stalker is relentless, calling the 47 year-old a whore and threatening to mount her face on a clock – all in rhyme. The Wichita police see something else in Ruth’s case - a potential link to their white whale: The serial killer, BTK.
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Transcript 0:00 Speaker 00 At Edward Jones, we believe rich is more than caring about the latest and greatest. It's also taking care of what gives your life meaning. That's why your dedicated financial advisor meets you where you are with personalized financial strategies that help protect what matters, so you can preserve your progress while creating a path forward. The key to being rich is knowing what counts. Let's find your rich together. Edward Jones. Member SIPC.
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1:11 Speaker 01 For the first time in a long time, Ruth Finley was home alone.
1:17 Speaker 02 Killer locked the three children in the bathroom while he viciously attacked their mother inside their home.
1:24 Speaker 01 Ruth and Ed, her husband of 27 years, were rarely apart. By the summer of 1977, they were empty nesters. Their two sons had grown up and moved away from Wichita, Kansas. But earlier that day, Ed had suffered what they thought was a heart attack. He was rushed to the hospital, and now doctors were keeping him overnight for observation. So Ruth was on her own.
1:49 Speaker 02 In his letter, the killer says a monster inside his mind drives him to kill. He signs off with the moniker BTK.
2:00 Speaker 01 The people of Wichita were on edge. BTK, a serial killer whose alias stood for Binge, Torture, Kill, was actively hunting people in their city. Just months earlier, he'd killed a mother in her home at night.
2:19 Speaker 01 At around 10:30 that evening, Ruth's phone rings.
2:26 Speaker 03 Hello?
2:29 Speaker 01 In an interview Ruth later gave to Cake TV, she said the conversation was fine at first.
2:36 Speaker 04 The man started out friendly, like, was I Ruth Smock from Fort Scott?
2:42 Speaker 01 Ruth hadn't gone by her maiden name Smock since the 1940s, when she did, in fact, live in Fort Scott, Kansas.
2:51 Speaker 04 Then he started to ask me about this incident.
2:55 Speaker 01 The man on the phone asks...
2:57 Speaker 03 You still have your brand?
3:01 Speaker 01 Ruth had been assaulted by a stranger in her apartment when she was 16 years old. Attacked, incapacitated, and branded with a hot iron.
3:12 Speaker 03 Look, I know all about that night.
3:17 Speaker 01 The man who did it had never been caught. The guy on the phone tells her he works for a construction company tearing down buildings. In his work, he'd found a newspaper clipping from 1946 about the attack. The newspaper had published Ruth's high school photo under the word "branded." The coverage had humiliated her, making her private trauma the talk of her hometown.
3:46 Speaker 03 I know where you work. If you don't do what I want, I might just leave that article where everyone can see it.
3:57 Speaker 01 She had told very few people in her life in Wichita about the attack.
4:01 Speaker 04 The gist of it was, he was gonna want some money from me, or he was gonna tell this again. He was gonna bring it up again.
4:10 Speaker 01 He demands payment to keep the story quiet. She has three weeks. He says he'll call back then and expect her to pay up.
4:32 Speaker 01 The caller's words didn't rhyme, but they soon would. This one call would set off a years-long manhunt, one of the most expensive in Wichita history, for a mysterious character who would spread fear throughout this midwestern city.
4:50 Speaker 03 The poet was always two steps in front of us, and we just didn't know why.
4:56 Speaker 01 It's a story about a seemingly normal, middle-aged woman. Why is this person threatening her? Why is this happening to her? Targeted by a monster.
5:09 Speaker 03 Hickory, dickory, dog, your face mounted on my cloth.
5:13 Speaker 01 Whose story would become a media sensation. We consider him extremely dangerous. He was virtually a pathological person.
5:21 Speaker 03 Verse, lock printing, and a piece of a red bandana. There was a lot of terrifying things that were happening to her. We knew he was a very violent person. Hickory, dickory, dog.
5:32 Speaker 01 From Sony Music Entertainment and Newmetric Media, this is The Poet. I'm Rachel Brown. Episode one, The Call.
5:49 Speaker 01 I'm an investigative reporter. I cover cases dealing with cults, serial killers, all things true crime. And the story of Ruth Finley and her tormentor caught my attention because of how strange and extreme it got. It's the 1970s, at the dawn of the serial killer era, when criminal profiling has just been invented. A middle-aged woman from middle America has a stalker, a stalker who writes her poetry. But then, the story twists and turns, and gets caught up in a media tornado that goes well beyond Kansas, even ending up on the Oprah Winfrey Show.
6:33 Speaker 05 But Ruth's peaceful life was disrupted when an unknown man vowed to kill her.
6:40 Speaker 01 I'd been trying to untangle this whole thing from my home in Toronto, but I knew I had to go see where it all happened to really understand it, even though nearly 50 years had passed since that first threatening phone call.
6:56 Speaker 00 Yes.
6:58 Speaker 01 So I hopped on a plane to Wichita. I knew I would never get to talk to Ruth Finley. She passed away years before.
7:06 Speaker 00 Oh, sure, I'll turn it on. Fire off.
7:10 Speaker 01 Perfect. But I needed to talk to the people closest to Ruth to understand. Who was she? And was there anything about her that could have helped them anticipate the wild events to come?
7:27 Speaker 03 Ruth Finley, I always thought was kind of like my mom.
7:31 Speaker 01 In 1977, Ruth was in her late 40s. A mother, a wife, a secretary at the telephone company. Not somebody you'd expect to have enemies or big secrets.
7:45 Speaker 03 She is this woman who went to work every day because she wanted to make something of herself. She's this woman who raised a family. She was an everyday woman, an average woman.
7:59 Speaker 01 Most people I spoke with told me Ruth and her husband Ed were normal.
8:04 Speaker 03 Even for Wichita, very, very normal. Just your average couple, you know, middle-aged couple. She was just a sweet lady. She made cakes and pies and she fed everyone in the homicide section very well.
8:21 Speaker 06 Hi, Ruth. Hi. Give us a big wave.
8:24 Speaker 01 This is from a home video of Ruth celebrating New Year's with her friends.
8:29 Speaker 06 Well, actually, the story is about Ruth. Oh.
8:32 Speaker 01 That's the voice of her best friend, Emma Dillinger, who told me Ruth was a ton of fun.
8:37 Speaker 06 A good friend, a funny friend, hilarious at times. Because she was smart and quick, quick-witted.
8:46 Speaker 01 At the New Year's party, you can see Ruth sitting on a couch next to her husband Ed joking around.
8:51 Speaker 06 Say, Ruth and Ed, earlier this evening, we're here to give the resolutions. Yeah, yeah. Let's hear them again. I want to have a real good time.
9:01 Speaker 01 Ruth and Ed had met in Fort Scott, Kansas in the late 1940s, fell in love, married, then moved a few hours away to Wichita and had two sons in two years.
9:12 Speaker 04 He was honest, forthright, smart.
9:16 Speaker 06 What was he like for Ruth?
9:17 Speaker 04 Oh, they were a good match.
9:20 Speaker 01 Ed worked as an accountant. Ruth had taken some time off when raising their boys, then returned to work as a secretary at the Southwestern Bell Telephone Company. Life was simple, until it wasn't.
9:35 Speaker 01 Ruth was at work at the telephone company, checking the office mail as usual, when she saw her own name on an envelope. There was no address, no room number, just Ruth Finley in crude, blocky handwriting. The letter must have been hand-delivered.
9:54 Speaker 01 Inside is a yellowed clipping from the Fort Scott Tribune newspaper about her assault, just as the man on the phone had threatened her with. She hadn't seen this article since she was 16.
10:09 Speaker 01 At the time of Ruth's assault in 1946, there were many articles published about her attack. The Fort Scott Tribune at the time wrote: Branded by a hot flatiron, Ruth Smock, 16-year-old Fort Scott high school girl, was resting today, following an attack upon her early last night by a man whom Fort Scott police called "a sex maniac."
10:35 Speaker 01 In high school, Ruth had moved to a neighboring town for a better education, where she lived alone in an apartment and worked a part-time job at the phone company in Fort Scott. She'd been on her dinner break when she was attacked.
10:50 Speaker 01 She had come home and a man had followed her in, close behind. He grabbed her and she fought back. Here's Fred Mann, a journalist who covered Ruth's story extensively in the 1970s.
11:04 Speaker 03 She remembers that he put a bottle of chloroform under her nose and held it against her. She was screaming, fighting, crying. He was wrestling with her, and she remembered passing out.
11:18 Speaker 01 She woke up on the kitchen floor, seeing the man above her, heating a hot iron on the stove top.
11:25 Speaker 03 He, at one point, grabbed the iron off of the stove and brought it- Down, came up under her skirt and pressed this hot, flat iron against one of her thighs. And she screamed and then passed out again.
11:42 Speaker 01 Her memory comes in flashes as she's in and out of consciousness.
11:47 Speaker 03 She remembered that he had had a knife out and he was slashing her legs with his knife. Just bang, bang, bang. He was chewing tobacco and some of it was starting to run out of his mouth. And then he stuffed a handkerchief in her mouth and she was gagging on that.
12:07 Speaker 01 Eventually, she woke up again and the man was gone.
12:14 Speaker 01 She had a deep wound on her inner thigh from the hot iron. After being treated by a doctor, Ruth's parents reported the incident to the police, who interviewed her.
12:25 Speaker 03 They were doubtful. It really hurt her, embarrassed her. And at one point, one of the cops, as she was sitting in a chair telling him this, another cop who was sitting opposite her, reached out with one of his legs, and he had boots on, and he reached under her ankle and lifted up her leg to look under her skirt, to look at the brand, try to confirm the brand. And that humiliated her.
12:53 Speaker 01 Not only was the police interrogation mortifying, the newspapers took her story and ran wild with it.
13:00 Speaker 03 The newspaper didn't hold back. I mean, this was splashed all over the headlines for several days. It ran story after story, "high school girl attacked."
13:13 Speaker 01 At 16, her name and home address were published in the paper alongside her high school photo. It's hard to imagine a paper today publishing a teenager's name and photo, not to mention her address. Ruth was a minor and the victim of a crime. This is like the 1940s-era version of doxing.
13:37 Speaker 01 Ruth's family's response was to pretend the assault hadn't happened.
13:42 Speaker 03 Her mother took her back home and put her up in her bedroom with the door closed for a week. Her mother was sort of the opinion that the less said, the better. Ruth will be okay because we were trained to trust our problems to God. That's how her family approached it.
14:01 Speaker 01 But outside her home, the attack was whispered about all through the community.
14:06 Speaker 03 And once she went back to school, there were a lot of kids who talked about it with her. And she kind of got in a little trouble in school because of that.
14:16 Speaker 01 There was a time, Fred said, when a different girl named Ruth had been caught drinking with some boys, and the school officials assumed it was our Ruth. It wasn't fair, but the branding attack had cost her her reputation.
14:30 Speaker 03 Ruth had this aura about her having been attacked and doubted that she was somehow not a good person, not a good girl.
14:40 Speaker 01 She was humiliated and traumatized. She said that for weeks after, she'd throw up when she entered her apartment.
14:48 Speaker 01 Ruth was, in so many ways, unsupported. Her parents, her school, her community. They doubted her and questioned her character, not her attackers.
15:03 Speaker 01 Soon after, Ruth moved out of that apartment. She found a new place in Fort Scott, in a rooming house. There, she met Ed, the man who would become her husband. Ed was her lifeline during that time, which created the foundation for their close, long-lasting marriage.
15:23 Speaker 01 But now, in 1977, as she sees this familiar newspaper headline fall out of an envelope onto her work desk, the shame comes rushing back.
15:35 Speaker 01 Ruth quickly shoves the clipping in her desk drawer and throws it out before anyone can see it. There was no note with the clipping, but the message was clear. If you don't pay up, I'll tell everyone about your branding.
15:52 Speaker 01 This was an escalation. A call to her home was one thing, but now he was coming for her at work. She hadn't mentioned the call to Ed before while he was recovering at the hospital. But now that he was better, she decides to tell him everything.
16:08 Speaker 03 She turned to Ed and said, "If a man calls, I want you to talk to him." And he said, "What do you mean?" And she told him the story about this phone call. This guy talking about her brands, wanting money to keep quiet about them. Kind of this sort of an aura of threat about him.
16:26 Speaker 01 Ed is concerned, but at this point, they think they can handle it. They decide they won't pay this man any money. Maybe if they ignore him, he'll go away.
16:36 Speaker 03 And they didn't go to the police. It was sort of, well, let's see what happens.
16:42 Speaker 01 But what happens next makes the situation a lot harder to ignore.
16:59 Speaker 01 In the months after receiving the ominous envelope at work, Ruth received six more calls, always hanging up the moment she heard his voice.
17:11 Speaker 01 As she's leaving work one Friday to meet Ed for a ride home, a man walking down the street bumps her shoulder.
17:19 Speaker 03 And this guy started talking to her. And the first thing he said to her was, "You done a good job at work this week. You can take the weekend off."
17:32 Speaker 01 The crosswalk light changes and the man falls into step with Ruth as she crosses the street.
17:38 Speaker 03 I know you get the weekend off anyways.
17:43 Speaker 01 He's a tall guy, in his 40s, with wire-framed glasses and dark hair that's graying at the temples. He tells Ruth he knows she works at the telephone company. He walks closely alongside her, babbling in her ear about cameras, winning money in Las Vegas, on and on. He seems unwell, unhinged even.
18:05 Speaker 03 She finally got to the store where she usually met Ed, and he stopped at that point. She turned to him, and he looked at her and he said, "I'm gonna see you again." "I'm gonna see you again." "Some people's fantasies..." "Some people's fantasies are other people's nightmares."
18:24 Speaker 03 And he turned and walked away.
18:28 Speaker 01 Soon after, Ed picks Ruth up. As soon as she gets into the car, she tells Ed about this weird interaction. Here's journalist Fred Mannigan.
18:38 Speaker 03 She came across as very stoic, very quiet, very... "Here's something weird that happened to me, just now," you know? She was not hysterical, she wasn't crying, none of that.
18:49 Speaker 01 Ruth is stoic. She holds her cards close to her chest. "But I'd be unnerved if someone approached me on the street this way." And there was something familiar to Ruth about this guy: his voice. Is this the same guy who called the house? She asks Ed, who says he doesn't think so. He thinks this is just some weirdo looking for a last-minute date for the weekend. But Ruth isn't so sure. And what does it mean if the caller has now found her on the street? Is he following her?
19:23 Speaker 01 Then, more calls come to the house, and they don't stop. If Ruth answered, she'd hear the man's voice and would immediately hang up. If Ed answered, he'd only hear a dial tone.
19:37 Speaker 01 Once, a call came in on a Saturday as Ruth and Ed were having lunch. He heard dead air, but this time, stayed on the phone, yelling and yelling for a response. After nearly an hour, a voice suddenly responded. A man on the other end said he was walking by a public phone downtown by the post office and heard Ed shouting down the line. Someone had left the phone hanging off the hook.
20:05 Speaker 01 The calls went on like this intermittently for nearly a year. All that time, Ruth and Ed didn't go to the cops, probably hoping this guy would give up and go away.
20:22 Speaker 01 But in the summer of 1978, Ruth Stalker shows his face again. She had run an errand to Macy's on her lunch break. On her way back to work, she passes an alley and a hand reaches out and grabs her wrist. With horror, she realizes it's the same man who had accosted her on the street a year earlier.
20:44 Speaker 03 Ruth!
20:46 Speaker 01 Ruth wrenches her arm free, breaking her watchband in the process.
20:50 Speaker 03 Get back here, you stupid bitch!
20:56 Speaker 01 She bolts into Macy's and rushes up the escalator.
21:01 Speaker 03 And now she was... there was panic now in her. And she waited up there until enough time had passed where she felt the adventure downstairs.
21:15 Speaker 01 Finally, she calls Ed to come get her, and he races over.
21:19 Speaker 03 And at this point, Ed wanted to go to the police. That was too much for Ed. And Ruth said, "No, no." She didn't want to deal with the police because of what had happened to her in Fort Scott.
21:34 Speaker 01 So Ed goes to the police station and files a report alone. He tells them about the unsettling encounters on the street and the phone calls. The officer he speaks to doesn't seem to take his concern very seriously. He just tells him to be cautious.
21:50 Speaker 03 Ed was actually kind of offended. This officer was so shallow and simple-minded, and so Ed left.
22:00 Speaker 01 The Wichita Police do not seem to think that Ruth getting harassed, stalked even, warrants their attention. After all, at this point, they've got bigger fish to fry.
22:12 Speaker 03 BTK was still out there, and obviously, they had their own other crime to deal with. So they just missed it and sort of left Ruth and Ed to kind of try to figure it out for themselves.
22:26 Speaker 01 No one from the police calls the Finleys to update them or follow up on this report.
22:36 Speaker 01 On a weekend that fall, Ruth is at home, baking pies for the church bake sale. Her English bulldog, Sherman, rolls over, his signal that the mailman has come. She collects the mail from the front porch, and as she sorts it, she notices one strange envelope tied with string and tape. It has her name in block letters. The writing's familiar, that same crude, almost childlike handwriting she'd seen on the envelope that contained the clipping about her assault. She tears the envelope open. The letter inside is handwritten as well, covered in ramblings on both sides.
23:14 Speaker 03 Fuck you. Fuck the police. Fuck the telephone company. He says, "I write poems. I'm a really good poet. I'm gonna send you some poems. I'm gonna get to you. I'm gonna see you." And then there were some more threats, sort of vague, weird things. It wasn't a poem, but it was obviously really a disturbed letter.
23:41 Speaker 01 The letter goes on to demand again that Ruth pay him, but gives no specifics. This time, he threatens to hurt her if she doesn't comply. When Ed returns home, Ruth shows him the letter. They agree that it's time to go back to the police. This time, when Ed and Ruth show up to make their report, they bring the letter with them, and this time, they're escorted immediately to the Major Crimes Division. This is a very different reception than the brush-off Ed had gotten the first time he'd reported Ruth's harassment.
24:25 Speaker 01 That was because the police knew something Ruth and Ed didn't. This long, rambling, threatening message had all the hallmarks of another case they were deeply invested in. The police believe the person behind this letter might be the BTK killer.
24:43 Speaker 02 Do you see any pattern to BTK's conduct? We have an individual who apparently has the...
24:50 Speaker 01 Uncontrollable desire to kill at times. The local media covered it obsessively, like this segment from Cake TV where they interviewed the police. And how could they not cover something so horrifying? This man liked to tie up and torture people before taking their lives. What kind of leads do you have? Very honestly, we have no solid leads at all.
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26:07 Speaker 01 It was late in 1978 by the time Ruth brought her letter to the police. By then, the BTK killer had been terrorizing Wichita for nearly five years. He would bind, torture, and kill his victims, usually women, often in their homes. The young officers of the Wichita Police Department were struggling under mounting public pressure. They had no leads. And BTK had claimed responsibility for seven victims.
26:40 Speaker 03 I always enjoyed law enforcement.
26:43 Speaker 01 Detective Mike McKenna was a rookie in the Wichita Police Department in the 70s. He loved the job.
26:51 Speaker 03 There were times I thought to myself, I can't believe they're paying me to do this. If I was physically capable and young enough, I would still be doing it today.
27:03 Speaker 01 And in fact, Detective McKenna's two sons are now both officers in the Wichita PD. But back in 1974, he was in his first year on the job. And that was the year the BTK horror began. It started with the infamous murders of the Otero family.
27:22 Speaker 03 When their son got home from school, Charles Otero, and found his parents along with his brother and sister, that had all been murdered.
27:34 Speaker 01 BTK had broken into a family home, strangling the parents, Joseph and Julie, and two of their children. This crime terrified Wichita. A family murdered in their home, and the crime was sexually motivated and sadistic. And just three months later, he struck again.
27:54 Speaker 03 Then after that, Catherine Bright was killed, and her brother Kevin was wounded.
28:04 Speaker 01 BTK stabbed Catherine to death. Her brother was shot in the head, but survived. At first, the Otero and Bright crimes weren't connected. It just felt like random violent crime was on the rise in Wichita.
28:20 Speaker 01 The police were scrambling, with little to go on beyond vague descriptions of a dark-haired man.
28:30 Speaker 01 Following a promising lead, they took suspects into custody, triggering BTK to take credit for the Otero murders, and write his first letter to the media. He wasn't going to let someone else get credit for his kills.
28:44 Speaker 03 Since sex criminals do not change their MO, or by nature cannot do so, I will not change mine.
28:55 Speaker 01 BTK's writing was full of grammatical and spelling errors, long and rambling. In that same letter, he gave himself his moniker, writing:
29:06 Speaker 03 The code words for me will be: bind them, torture them, kill them. BTK. It will be on the next victim.
29:20 Speaker 01 But then?
29:23 Speaker 01 The killings stopped. From 1974 to 1977, BTK went quiet. Wichita waited to see if the terror was over.
29:35 Speaker 01 In 1977, BTK returned. First, 24-year-old Shirley Vian was strangled in her home. And nine months later, 25-year-old Nancy Jo Fox suffered the same fate, again, killed in her own home.
29:53 Speaker 01 What was it like being in the newsroom when all this is unfolding in town?
29:59 Speaker 03 Well, it was, I hate to use the word exciting, but there was a there was a real buzz on about all of this. Every time there was a BTK incident of some sort, a letter or a phone call or the report of a new murder, you know, everybody was abuzz, of course.
30:16 Speaker 01 In 1977, Fred Mann was a young reporter. He's in his late 70s now, but still has that sharp, inquisitive nature. You can just picture him as a young reporter in a bustling newsroom while everyone is scrambling to cover this serial killer. This was when the idea of serial killers was still pretty new. The FBI's Behavioral Science Unit, the BSU, and the idea of criminal profiling was just getting mainstream.
30:46 Speaker 01 And the profile for BTK was alarming. Psychologists thought he could be anyone, just a regular, functioning member of their community. BTK wrote another letter taking responsibility for his two newest victims and claiming he'd now killed seven people. In this letter, he wrote his first poem. It was about his victim, Shirley Vian, and began, "Shirleylocks, Shirleylocks, wilt thou be mine?" And warned that "A Poem for Fox," his newest victim, was next. Now Wichita knew for sure that they were under the watch of a serial killer, with a taste for bad poetry.
31:32 Speaker 03 And people were very scared.
31:36 Speaker 01 Detective Mike McKenna again.
31:38 Speaker 03 People were locking their doors and buying guns.
31:43 Speaker 01 BTK was known to stalk his victims and wait for them inside their homes. He would often cut his victims' phone lines before an attack. People were warned that the moment they returned home, they should pick up the phone. If the line was dead, they were told to run. Cops were at the ready.
32:05 Speaker 03 The community was quite guarded and on evenings or whatever, when it was windy or there was a storm coming through or the trash cans rattled or the dogs barked. They would call us constantly to come check their homes. We rode overtime, putting extra police power on the streets. People were very quick about calling. Somebody was outside their house, they thought it was BTK.
32:37 Speaker 01 But in the Wichita Police Department's Major Crimes Unit, one officer was about to find a new lead: Ruth Finley's letter. That officer was Lieutenant Bernie Drowatzky.
32:52 Speaker 03 And Drowatzky was, he was a real cops cop.
32:56 Speaker 01 Fred Mann knew him.
32:58 Speaker 03 This was a no-nonsense, a real tough guy. He looked the part, you know, he had slicked back hair. He had a kind of a scarred face, he looked tough. And he had had a pretty good history as a cop, as a guy who was pretty relentless.
33:15 Speaker 01 Fred says Drowatzky was known as a bit of a hothead. He didn't like bad guys getting away. And now Ruth and Ed Finley were in the Major Crimes Division in front of this tough cop. They showed him their strange, threatening letter and told him about the other suspicious behavior over the last year.
33:34 Speaker 03 So they told him about these incidents downtown, about the phone call. They had Drowatzky read the letter and they waited and they waited for his reaction. But he didn't show anything, didn't show any signs of anything. Just read it calmly. And then he said, "What's this about the brands?" And then Ruth looked at Ed and Ed said, yeah, better tell him. And so then Ruth told them all about the branding incident, Port Scott.
34:05 Speaker 01 Ruth told him in her typical stoic way. Jawwatski listened, sizing Ruth and Ed up.
34:12 Speaker 03 He thought that they were two average people from Wichita, Kansas, you know. What disturbed him was the letter.
34:19 Speaker 01 Jawwatski knew the BTK case very well. He was part of the investigative team. And he knew the kinds of letters BTK had been sending, not just letters, but poems.
34:33 Speaker 03 So when he read this guy threatening this woman with obscenities, the fact he was a poet, he began to think, could we really have two different people? Or was this the same guy? We're not big enough to have two different people with this kind of obsession. He didn't tell them that, though. He didn't bring up BTK to them. But when they left, he went back and we read the letter. And then he started to take them very seriously.
35:04 Speaker 01 And the letters to Ruth wouldn't stop. They were vile.
35:07 Speaker 03 The whore bore her guilt in her bed of slime.
35:13 Speaker 01 Filled with violent imagery and degrading sexist language.
35:18 Speaker 03 From selling her ass and not charging a dime.
35:23 Speaker 01 And they evolved from threatening to extort her or expose her secret to threatening her life.
35:30 Speaker 03 Here's to you a tender Valentine.
35:34 Speaker 01 Tormenting Ruth at every turn and taunting the police and media.
35:39 Speaker 03 Red with blood and tied with twine.
35:44 Speaker 01 Soon, this poet was no longer stopping at letters. He was ready to take action.
35:54 Speaker 01 Next time on The Poet. Ruth is missing.
35:58 Speaker 03 We've had kidnappings, but nothing that resembled this.
36:03 Speaker 01 And Ed comes to face his worst fear.
36:06 Speaker 03 He put everything together and thought, this guy got her. He thought she was dead.
36:19 Speaker 06 At Edward Jones, we believe rich isn't about having life all figured out. It's opening yourself to all the possibilities. That's why your dedicated financial advisor provides long-term planning built around you, meeting you where you are, and helping you get closer to where you want to be. So no matter where you're starting from, you can move forward with confidence. The key to being rich is knowing what counts. Let's find your rich. Edward Jones. Member SIPC.
36:51 Speaker 01 The Poet is a production of Sony Music Entertainment, Newmetric Media, and Muse Entertainment. The show is hosted by me, Rachel Brown. The series is written and produced by Pippa Johnstone and Rachel Brown. From Newmetric Media, our executive producer is Chris Kelly. From Sony Music Entertainment, our executive producers are Catherine St. Louis and Jonathan Hirsch. For Muse Entertainment, our executive producer is Courtney Dobbins. Sound design and original music by Mark Angley. Nathan Howe is our story editor and associate producer. Consultant: Gene Stone. Fact-checking by Maya Elhawari and Alexis Green.
37:32 Speaker 01 Our lawyers are Daniel Henry, Garland Anthony, and Austin Wong. Voice acting from Cassandra Sisson, Morgan Murray, and Anthony McMahon. Special thanks to Andres Lara, Patrick McConnell, Sammy Allison, Allison Haney, Emily Rassek, and the rest of the team at Sony Music Entertainment.
37:58 Speaker 00 At Edward Jones, we believe rich is more than caring about the latest and greatest. It's also taking care of what gives your life meaning. That's why your dedicated financial advisor meets you where you are with personalized financial strategies that help protect what matters, so you can preserve your progress while creating a path forward. The key to being rich is knowing what counts. Let's find your rich, together. Edward Jones. Member SIPC.
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