Furious

The new Hulu show Furious is a twisty serial killer drama with a sense of humor, but does it hit its mark? Emmy Rossum stars as Alice, a low-level FBI agent on the hunt for a young woman (Lola Petticrew) who’s been targeting prominent men across New York City. Furious will keep you guessing as both women carve their own paths to justice. Need more deep dark thrillers? Check out these episodes: TV heavy-hitters get dark in ‘The Beast In Me’ https://www.npr.org/2025/11/18/nx-s1-5610973/tv-heavy-hitters-get-dark-in-the-beast-in-me In ‘Task’, Mark Ruffalo pursues his quarry https://www.npr.org/2025/09/24/nx-s1-5551190/in-task-mark-ruffalo-pursues-his-quarry Connect with Pop Culture Happy Hour: Letterboxd https://letterboxd.com/nprpopculture/ / Facebook https://www.facebook.com/pchh Our weekly newsletter https://www.npr.org/newsletter/pop-culture Support Pop Culture Happy Hour+ https://plus.npr.org/happy See pcm.adswizz.com https://pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences. NPR Privacy Policy https://www.npr.org/about-npr/179878450/privacy-policy

• 0:00Speaker 00

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• 0:19Speaker 01

  It's not too often you hear about female serial killers, which makes the new show Furious a rarity. It stars Emmy Rossum as a low-level FBI agent on the hunt for a young woman who's been targeting prominent tycoons throughout New York City. The series comes from Liz Meriwether, the creator of New Girl and the Elizabeth Holmes mini-series The Dropout, and it shows. It's thrilling and twisty, the way serial killer dramas usually are, but it's also got a punchy sense of humor. I'm Aisha Harris, and joining me today on NPR's Pop Culture Happy Hour is my co-host, Linda Holmes. Hey, Lynda.

• 0:52Speaker 02

  Hello, Ayesha.

• 0:54Speaker 01

  And also with us is Vulture TV critic Roxana Hadadi. Hey, Roxana, welcome back.

• 0:58Speaker 03

  Hello. Thank you for having me.

• 1:00Speaker 01

  So great to have you here, as always. So when Furious begins, powerful businessmen are turning up suspiciously dead. Emmy Rossum plays the troubled FBI agent Alice. She's got a dark past and few allies at work or home. Lola Petticrew plays Catherine, the crafty serial killer wrestling with her own trauma. Both cat and mouse share something in common. They're survivors of violence and of the systems that have failed to protect and support them. Now, Alice has to work the case with an assortment of hard-worn individuals, including Scoot McNary as Danny, her former partner in the NYPD and closest confidant, and Quincy Tyler Bernstein as Nora, a quirky, jaded FBI agent. Furious is loosely adapted from the 1987 crime thriller Black Widow, and it's streaming on Hulu and Disney+.

• 1:46Speaker 01

  So Roxana, I know that you have reviewed this show. You've also interviewed Liz Meriwether and Emmy Rossum for Vulture. Loved reading those. Everyone should check them out. So I know kind of how you feel about the show, but I really want to hear more about what draws you to Furious.

• 2:03Speaker 03

  I think that it is something that you alluded to in your intro, which is the female serial killer, to me, is such an interesting concept because I think we societally have this obsession with male serial killers, and I'm part of that, right? I watched Mindhunter. I love Michael Mann's Manhunter, Silence of the Lambs. We have so many of these sort of stories, and I think we have a real fascination with why men kill people, including women. And usually, the answer is it's because they hate women. I think it's pretty cut and dry at a certain point. And so I'm sort of fascinated by the oppositional point of that and what makes a woman do these

• 2:47Speaker 03

  things and what pushes her to that. And I'm not saying that because I think women are naturally less violent than men. I don't want to make a gendered argument, but I think it's interesting because we have so little of it in our pop culture diet. So from a straight fascination point of view, I was drawn in. And then I just think that this is a fantastically constructed show. I mean, it is playing within a genre that we are all incredibly aware of, the cop show, the FBI show. These are all over our televisions. But I think that the writing on this, for me, felt very textured and sardonically funny in a way that I did not expect.

• 3:29Speaker 03

  And I think the performances across the board are just exceptional. I think Emmy Rossum is doing something with Alice that is very unexpected. This is not really a spoiler necessarily, but something I think is very interesting is her character has been a victim of violence. And we see that she has almost incorporated that violence now into her sex life. She's trying to make sense of what happened to her now through the men that she hooks up with. And that's something that I don't think I've ever seen on television before. And that really blew me away in how prickly and thorny it is. Lola Petticrew is doing amazing work. Scoot McNary and his hangdog face is always welcome on my television.

• 4:12Speaker 01

  That face.

• 4:13Speaker 03

  That face. So there's just a lot that I went into this thinking, the tropes are there. I don't want to diminish. The tropes are present. But I think that the show sort of turns them all on their head in a way that I really enjoyed. And I do have to say, there is a cathartic thrill in this current moment in seeing evil 1% men get some sort of end point. I don't want to say I'm pro-murder, but I think socially, in light of The Epstein Files, I think there is something that the show is tapping into culturally, which is really interesting and fascinating.

• 4:53Speaker 01

  Right. To that point, Catherine is targeting rich, powerful men who assaulted her when she was a teenager. So yeah, it's scratching a very particular itch and I think tapping into a lot of the anxieties that a lot of us are feeling at this moment. So yeah, I can totally relate to that, Roxana. Lynda, you and I have both watched our fair share of police procedurals and maybe even serial killer fare. How did this play for you?

• 5:17Speaker 02

  I have very mixed feelings about it. I think that I completely agree with Roxana about the performances. I think they're all exceptional, pretty much to a person. And I think that the way that some of these characters are drawn is really interesting. At the same time, I did not think of this as a serial killer show, in which case I agree it would feel fresh. I thought of this as a vigilante show, in which case I don't think it feels so fresh. I think if you think of this as an extension, not of something like Mindhunter, but of something like Dirty Harry, Death Wish, stuff like that, you see the show trying to create this like, but wouldn't everyone want to get violent revenge if something terrible

• 6:02Speaker 02

  happened to them or someone they loved? Yes, we know that. That's the basis of vigilante films. It's also the basis of vigilanteism. So I think the show is saying something less interesting than it thinks it's saying, which is there is an urge to violence when you've been harmed. Yes, that is true. That is what vigilantes are. And I think that because I thought about it in that way, it did not feel particularly like an interesting story to me. I also think it's quite repetitive in the middle part. I think you see certain sequences of how Catherine operates repeat over and over, and you kind of know what she's going to do. And there was part of me that was like, I get it. I get it.

• 6:47Speaker 02

  I get what she's going to do. I get that this is going to be driven by the same stuff. And the last thing I will say is I am just exhausted from every story about, quote-unquote, "complex women" is a story about trauma from sexual violence. I feel like I have seen that now so many times that I need to feel like you have something new to say about that because otherwise, it feels to me like kind of the pulling of a fairly familiar trope, and I don't care for that as a trope. It's interesting because I too have seen the stuff from Liz Meriwether where she's like, what I wanted to think about was what could make a woman a serial killer?

• 7:31Speaker 02

  Well, it's like, I think a lot of things could make a woman a serial killer. Many people experience trauma and do not become serial killers. And many people kill people not because of trauma. I watched Dateline. So I have some mixed feelings about where they're actually coming from with this story, but I agree that the performances are so good. Particularly, you made mention of Quincy Tyler Bernstein playing Nora, who is Alice's kind of boss. I think that performance is so cool and so odd, and it was so welcome because that is

• 8:11Speaker 02

  A, not a typical law enforcement boss, that is not a typical anything, and it felt so individual that it was always interesting to me to watch her. So I just have deeply mixed feelings about it.

• 8:25Speaker 01

  I feel like, having heard you both describe it, I would place myself firmly in the middle of both of your reactions. Which is that, yeah, I do feel like if this had been like a tight six episodes, I think it would have been a bit more economical and would have been able to make the same points it makes effectively. Because the trips are there. It's like, OK, yes, it is about exploring trauma, but then it's also there is that sort of like desire, I think, that the writers are pulling on of like, we want to also see this woman, or both these women, get some sort of revenge. And so that becomes, OK, how many times are we going to watch Catherine do the

• 9:07Speaker 01

  same thing? It's not even like she's doing anything really different every time she does. I was gonna also pick out Quincy Tyler Bernstein here. She was the character that I latched on to the most here. Her sort of dry delivery, she's playing a character who is like at once hardened and resigned by the failures of the system, yet still has a little glimmer of a conscience and just enough willpower to keep working the case. I just found that really interesting because out of all the tropes here, it's the one I don't think we often see in a performance this big and this prominent in the story. Bernstein has been in a lot of things, I realized after looking at her filmography, I was like, oh, she's been in a lot of things I've seen before, but this has to be the biggest, most complex role I've seen her in. And so she

• 9:52Speaker 01

  was kind of a revelation here. And I love that sort of dance that her and Emmy Rossum's character have. And I think, Roxana, you might have talked about this in your review, but this idea that like, even though they are both women working this really hard case, and the Nora character is actually like, she is part of the sex crimes unit within the FBI, even though they're both women, they don't automatically just gravitate toward each other. And they have a very kind of like antagonistic and sort of like, older versus younger, more experienced versus less experienced. But then they also have their own issues. And, you know, Nora's also an alcoholic. It's like, those things, I think, are what makes this rich and

• 10:33Speaker 01

  enjoyable. But it also just like, to what end, I guess, is the question, is like, what new here is being explored? And I'm not sure the show necessarily answers this.

• 10:43Speaker 02

  Yeah.

• 10:43Speaker 01

  For me, anyway.

• 10:45Speaker 02

  I will also say, I would not appoint myself the person to explain this, but I think the fact that Nora is a black woman in this office is integrated into this story more effectively and more interestingly than is often the case, because it is in every relationship that she has. You can feel that as part of what is going on in that relationship, without it being something that she brings up all the time, or that other people bring up all the time. But you feel it. You feel it in her relationship with Alice. You certainly feel it in her relationship with her boss. And you feel it in her relationship to her job.

• 11:27Speaker 02

  When Ayesha was talking about her kind of having just enough to stay engaged, I think it's related to that as well. So I really thought they did a good job of doing what we always talk about, which is like, that kind of thing, it's part of the character, but that doesn't mean you want every conversation the person has to be about that specifically out loud. You know what I mean? And so I did really, you know, beyond all the other things that I admired about that character, that was one of the things I thought was very effective.

• 12:00Speaker 01

  Totally. All right. Well, we've got lots more to say about Furious after a quick break.

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• 13:37Speaker 01

  And we're back. So before the break, Lynda, you were talking about what this show was sort of bringing to this genre. And Roxana, I'd love to hear your thoughts on that as well.

• 13:46Speaker 03

  Ayesha, I feel like Lynda answered in the way that I was going to answer as to what feels new. It almost brings me back to our conversation about Nemesis. I think at this point, in my endless TV consumption, I'm increasingly OK with something that doesn't necessarily feel new in terms of narrative, but new in terms of character and in terms of performance. And I do think that the cast here and sort of what they're doing with these characters, and the twists that they're putting on them. I mean, there is a conversation between Emmy Rossum's character and Quincy Tyler Bernstein's character in a hospital, and I

• 14:27Speaker 03

  won't say anything more than that. But it is one of the most antagonistic, confrontational, resentful conversation between two female characters that I have seen in this sort of show. And so on the one hand, no, I don't think it does anything really new in terms of our question of like vigilante justice, or even what is justice? Like, how do you obtain justice in this current era?

• 14:53Speaker 01

  Yeah.

• 14:54Speaker 03

  In the world we are living in right now, what does justice look like for a woman? Yeah. In the society we're living in right now, what does that look like? I don't think it offers like a new answer by any means. But I think that like, the way that these actors are playing the struggle of that question, and how impossible it is to answer, is what kept me pressing play on each new screener.

• 15:18Speaker 02

  Yeah.

• 15:18Speaker 01

  Yeah. I also think there are moments, and again, not that this is necessarily new, but that I at least liked seeing here, where, kind of what Lynda was talking about, where the fact that Nora is sort of, she's a black woman, she's an alcoholic, she has all these things, and it's always just like simmering beneath the surface of her interactions. There's also just moments where you see the Emmy Rossum character, Alice, in a room with like, mostly white men, and they're talking about victims as if like, they'll use the terms that are not sensitive, right? Like, at one point, one of them is like, how do we know that this person isn't just like, trying to get money? They're a prostitute. Like, how do we know that they weren't just trying to get money? And then, you know, Alice is

• 16:01Speaker 01

  like, well, no money has been withdrawn from the people who have been killed, so I don't think that's the issue. And like, Alice knows all of these things that these men don't understand. And have we seen that before? Sure. Is it obvious? Yes. But to see it sort of played out in a, not as overt way as some of the other conversations that happen in the show, I liked seeing that. And it can never be overstated, I think, that that is the case, and that can be the way things work. One other relationship I did kind of latch on to was Catherine's relationship with Alden, who's played by Steve Way. You may recognize him from the show Rami. He's disabled, and in Furious, his character needs a nurse most of the time, around the clock, almost. And so Catherine has kind of stepped in as

• 16:46Speaker 01

  his nurse. But he is a character who knows that she's not who she says she is, and like, is totally fine with it. And it's interesting to me to see their relationship, because we know she is a survivor of sex trafficking, and yet, she has a sort of flirtatious relationship that in other situations, we might be like, this doesn't feel right. Like, he's asking her to like lift up her shirt, and she's totally complies. But I think it's interesting to watch that dynamic, because she doesn't view him as a threat. And I think that that sort of aspect of how her character and how that plays out, it's not quite the way that I'm used to seeing it in pop culture. And that felt fresh to me, in a way.

• 17:28Speaker 02

  Yeah. My initial response to that character was a little bit to recoil from taking a person who you know is killing a bunch of people, and setting her up as a caregiver for this man who needs a nurse. Because my first thought was like, ugh, is this supposed to, like, she must be nice, she takes care of this guy. Like, I immediately kind of recoiled from that.

• 17:54Speaker 01

  Yeah.

• 17:54Speaker 02

  Because I wasn't sure what they were doing with it. There's also a kind of a thing with the Scoot McNary character involving someone in his life with a disability. And I had this moment where I was like, I don't know about this, you guys. But I think as they go on, in part because the performance from Steve Way is so strong, he actually really becomes one of the more, I think, emotionally affecting and interesting people in the show, but also definitely one of the funnier people in the show. And I think the funny thing is, at first, I wasn't sure that the comedy was fitting well with how bleak and sad a lot of the story is. But as I went on, I really did come to appreciate his performance.

• 18:37Speaker 02

  Rob Delaney was becoming such an interesting, odd duck of a supporting character in so many different things. I've talked to a couple of people about the fact that like, this is sort of the first time that they present him as like, oh, this is a handsome man. This is not someone that you'd meet at a party and be like, what a dweeb, right?

• 18:55Speaker 01

  Yeah.

• 18:55Speaker 02

  Like, no, no, no, that's a handsome man. If you went to a party looking for a rich handsome man, that could be a rich handsome man, right?

• 19:02Speaker 01

  He's also great in Dying for Sex, too.

• 19:04Speaker 02

  Yeah.

• 19:05Speaker 03

  Yeah, he's becoming like a Merryweather repeat player.

• 19:07Speaker 02

  He's doing such interesting things. And I think, if you want somebody who can be, you know, kind of like a smoothie, but then also pathetic at other times, I think he's very good at that. And then I would finally mention Rob Yang, who played Lawrence on Succession, the guy from Volter. And he plays one of the other FBI agents in this. And he also is just consistently so funny. And he's almost exclusively funny in this.

• 19:35Speaker 01

  Yeah.

• 19:36Speaker 02

  And I think he's terrific. And it's another thing where like, I'm not sure that I think this all fits together. I'm not sure that as a project, I like it. But there are individual elements of it that I can look at and say, this works really well. This works really well. And all of those performances, Steve Way, Rob Delaney, Rob Yang, all really work for me as kind of comedic flavor.

• 20:02Speaker 03

  Rob Yang is also, I'm rewatching The Americans. And it's like seeing him in The Americans, seeing him in this. He was in this movie, She Rides Shotgun, as another sort of like cop chasing a big case. I just, I think it's interesting, Lynda, what you said about like not being sure about the caregiver aspect to me was, oh, I respond to this. Because again, it's doing something in terms of like, the characters almost feeling at odds with themselves. But also, in reality, like, I think a lot of female serial killers are caregivers. Because it is this like, unfortunately, it is probably an easy way to kill people. Right? So I do think there are elements here that feel pulled from the research that Meriwether

• 20:45Speaker 03

  and Russum did, speaking to FBI agents, speaking to female cops. I think maybe for me, what I am responding to is the fact that the show feels sometimes at odds with itself, in a way that I think is really fascinating.

• 20:59Speaker 02

  Sure. And I agree with you. What I'm responding to is just the concern that I don't think plays out in this show. I don't think this is what happens. But it's just like, I don't like the thing that they do do in some movies and shows, where they'll be like, this person has a relative with a disability that they take care of. And that person with a disability becomes a kind of a, they exist to mitigate your feelings about someone else. And that is something that I don't like. But that is not what this ends up being. And I want to be really clear about that. That is an initial reaction that I had. But I don't think that's how this plays out.

• 21:34Speaker 01

  Yeah. Yeah. And a totally understandable position, because I can't reach into his Meriwether's mind or any of the writers' minds on this show. But I do think that feels like an intentional reaction that they wanted at first. And then the way it plays out is that we learned it's very integral to the plot, not just to the emotional aspect of it. But like, we learn in the first episode that these men are turning up dead, and there's supposed to be overdoses. But of course, Alice, Emmy Rossum's character, is like, I don't think this is, this doesn't look like an overdose. And the reason why Catherine can get these drugs to overdose with is through her job. So, yes, it's very layered, it's very complicated. It's both emotionally complicated, but also, it's important to the plot.

• 22:17Speaker 01

  And I think that is what ultimately, as Lynda said, it helps open it up and make it less icky. You feel bad for Catherine, but also, you're like, you chose a different path than what Alice chose, and what other women and other victims and survivors of abuse have chosen. And so I think it walks that very fine line.

• 22:37Speaker 02

  And I do want to leave space for the fact that I think Roxanna is legitimately pro Catherine murdering these people. And, oh.

• 22:44Speaker 03

  Was that not clear?

• 22:45Speaker 02

  I think that is totally fine.

• 22:47Speaker 01

  Thank you, Lynda.

• 22:48Speaker 02

  I think that, I just want to, I just want to suggest, I think that is perfectly okay. Roxanna is like, on Catherine's side when it comes to what she decides to do. And I am fine with that.

• 22:59Speaker 01

  Yes. And to be clear, Catherine is a fictional character. Now, these people are real, despite the fact that they may hold some very strong similarities to actual, real people in real life.

• 23:11Speaker 03

  Yes. We are talking about a made up story.

• 23:15Speaker 01

  Yes.

• 23:17Speaker 03

  Thank you, Lynda.

• 23:18Speaker 02

  I just want to give Roxanna her space.

• 23:20Speaker 01

  No, thank you, Lynda. We need, we need to make sure, we leave space for every.

• 23:25Speaker 02

  I will say Roxanna, and I spoke offline about this a little bit, and I, I was like, I don't know, I had a hard time with like, these scenes where she's like torturing people. And Roxanna was like, no, I wanted like more.

• 23:36Speaker 03

  Literally verbatim.

• 23:37Speaker 01

  Okay. Well, we are all, if not necessarily pro murdering these guys, we are pro at least checking this out, see if it vibes with you, see if it works for you. The performances are great. That brings us to the end of this show. Roxanna Hadadi, Linda Holmes, thanks so much for being here. And I'm so glad we all had like, varying perspectives on this. This was a fun conversation.

• 23:58Speaker 03

  This was fun. Thank you.

• 23:59Speaker 02

  Yep, absolutely.

• 24:00Speaker 01

  This episode was produced by Lennon Sherburne, Hafsa Fathema, and Mike Katsev, and edited by our showrunner, Jessica Reedy. Hello, Come In provides our theme music. And thanks for listening to Pop Culture Happy Hour from NPR. I'm Aisha Harris, and we'll see you all next time.

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