Pod Insights Pablo Torre Finds Out The Invisible Hitmaker Behind the Soundtrack of Your Life About this episode He's played with Aretha, Steely Dan and thousands more. He's influenced Zeppelin, hip-hop and "MMMBop." He is your favorite musician's favorite musician — a role player with too many rings to count who's been helping you dance for decades. So it's about time you slowed down to appreciate legendary drummer Bernard "Pretty" Purdie. Because at 83 years young, he's rock-steady as ever, with wisdom to burn on the meaning of perfection, consistency and how to keep it smooth in your own valley.
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0:00 Speaker 00 Welcome to Pablo Torre Finds Out. I am Pablo Torre and today we're going to find out what this sound is.
0:15 Speaker 00 Right after this ad.
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2:22 Pablo Torre? How old are you right now?
2:24 Speaker 04 I'm 83.
2:26 Pablo Torre? 83 years old. I just need to introduce the premise of why we put a drum kit into the studio for the first time in our show's history, and why I demanded that Bernard Purdie be the person to sit behind it.
2:41 Speaker 04 Well, the beauty for me is that part of the sound, so no matter what kind of drum kit that I get,
2:54 Speaker 04 my drumsticks has the length and it has the capability of
3:04 Speaker 04 that. So I can hear that. And that is all I ever want.
3:10 Pablo Torre? The sound that you're making there is the sound that I think everybody who has ever listened to music in America has on some level appreciated, even if they didn't quite know that Bernard Purdie is the reason that they were moving in that way.
3:26 Speaker 04 You're right.
3:27 Pablo Torre? But I also want to just make sure I clap in front of the microphone so we can just... Because... Well, first off, I'll clap for having you here.
3:34 Speaker 04 Thank you.
3:35 Pablo Torre? Bernard, could you clap as well, though, just for tape sync? Could you mind just giving us a clap in front of the microphone?
3:42 Pablo Torre? There it is.
3:47 Pablo Torre? Even your claps are, of course, perfectly on beat.
3:59 Pablo Torre? Just putting everybody to shame who's ever stepped into this podcast studio and has had to tape sync a clap.
4:26 Pablo Torre? So if you're not watching on YouTube right now, what you should be aware of is that there is, in fact, a fully functioning drum kit in our studio. Because our guest today, Elkton, Maryland's own Bernard "Pretty Purdie", is not just one of the most prolific and underrated figures in the history of recorded music. Bernard Purdie is a teacher. And if you're like me, until fairly recently, you had never been taught the name Bernard Purdie before. Because another term for Bernard's job is "session musician", meaning that Bernard gets hired to take his customized, precisely-measured drumsticks and improve the music of everyone from Aretha Franklin to James Brown to, allegedly, The Beatles.
5:08 Pablo Torre? Pretty much all of whom wanted a signature groove Bernard invented, called the Purdie Shuffle, which has inspired everybody, from John Bonham and Led Zeppelin, to the genre of hip-hop itself.
5:38 Pablo Torre? What a diva. You're a real diva, Bernard, demanding your special sticks.
5:43 Speaker 04 Listen, when I talk with people about something, there is a reason for it. Because everything that I do, everything, represents my sound.
5:56 Pablo Torre? Your sound, the way you've calibrated over 60-plus years, I do need to explain why and how I'm obsessed with, especially artists who are omnipresent, but can sometimes feel invisible.
6:11 Speaker 04 Yes.
6:12 Pablo Torre? And you, I want to quote our mutual friend Joey Dosick from the band Wolfpack. One of the great bands that I love, but I just want to quote him here because he gives you, I think, the scouting report that people need to hear. Joey says, quote, "Purdie is at the forefront and in the shadows at the same time. He's on the radio at every moment, every day, everywhere, yet he walks amongst us mostly unrecognized. He made the soundtrack to our lives. The world is a fan, but the world doesn't know his name."
6:51 Pablo Torre? And it's remarkable, man, to look into your life and know that Joey's kind of underselling you.
7:00 Speaker 04 Well, a lot of people have, but they've done it because they've asked me to come to them around the world. And I have already, I've been teaching for 60-plus years, almost 70. Let's just say it's closer to 70.
7:25 Pablo Torre? I wasn't gonna carry the one there, but I think you're right. What Rolling Stone said about you, Bernard Purdie, is that, quote, "The question isn't who Pretty Purdie played with, it's who he hasn't."
7:39 Pablo Torre? And so just to give us the numbers here, how many artists would you say you've worked with in total?
7:45 Speaker 04 A minimum of 5,000 different artists around the world.
7:58 Pablo Torre? James Brown.
8:00 Speaker 04 Yes.
8:01 Pablo Torre? "It's a man's, man's, man's world." If you listened to that, 1966.
8:06 Speaker 04 Mm-hmm.
8:07 Pablo Torre? There you are.
8:10 Pablo Torre? Steely Dan?
8:11 Speaker 04 Yes.
8:12 Pablo Torre? Home at Last, 1977?
8:14 Speaker 04 Mm-hmm.
8:15 Pablo Torre? Guess who?
8:16 Speaker 04 Mm-hmm.
8:18 Pablo Torre? Aretha Franklin?
8:20 Speaker 04 Mm-hmm.
8:21 Pablo Torre? I'm thinking of Rocksteady.
8:22 Speaker 04 Yes.
8:23 Pablo Torre? In 71, the owner of one of the great drum breaks.
8:28 Pablo Torre? Ever.
8:29 Speaker 04 That drum break was an accident.
8:34 Pablo Torre? Please explain.
8:35 Speaker 04 Okay.
8:38 Speaker 04 The drum break was an accident because Aretha was also keyboardist and vocalist.
8:48 Speaker 04 And the young man who was the arranger and the writer for her,
8:56 Speaker 04 Arif Martin.
9:00 Speaker 04 We had to listen to what she was doing.
9:04 Speaker 04 So what happened, almost halfway through the song, the sheet music fell off the piano.
9:14 Speaker 04 And we didn't stop. And Aretha was
9:22 Speaker 04 stopped singing, but not stopped singing. And she kept saying, "Rock!
9:30 Speaker 04 Steady! Rock!" She did that for approximately 12 minutes. And Arif, who saw what was happening, he was also the producer, the guy who was in charge of Atlantic records and all that, finally came out and picked it up, put it back on the piano. Mind you, we were still doing the break.
10:04 Pablo Torre? Right, you were still playing, still recording.
10:05 Speaker 04 We were still playing the rock.
10:09 Speaker 04 Steady, you know, and she's doing this and waving. Rock.
10:15 Speaker 04 Steady.
10:18 Speaker 04 We'll never stop. You don't stop when the boss don't stop. It's that simple. Didn't bother me. I just doing my job.
10:28 Pablo Torre? This is the part about you, right? So you're a legend. And again, I'll keep on listing the artists, right?
10:35 Speaker 04 Yeah.
10:35 Pablo Torre? Hall & Oates, Roberta Flack and Donny Hathaway, B.B. King, Dizzy Gillespie, Miles Davis, Cat Stevens, Nina Simone, Herbie Hancock, Gil Scott-Heron, Louis Armstrong, Al Green, Quincy Jones. I mean, this, you're a walking Hall of Fame.
10:53 Speaker 04 Well, thank you. I never looked at them. Yeah, but thank you.
10:58 Pablo Torre? Is there a song that you're most proud of? That you think back and like, oh, that's actually my personal favorite?
11:04 Speaker 04 I really didn't. I was happy to be there. And I was always happy because I was doing demos. I was doing demos at that time. And these demos became hits, just like the big artists became hit. I had Ray Charles. I had everybody. I played for everybody. The beauty for me was I was there to do my job and they allowed me to do it.
11:39 Pablo Torre? But the one that our friend Joey points out, he says, "The song that best demonstrates your strength, your power is 'Ooh, Child.'" So this is 1970. It's the Five Stair Steps.
11:52 Speaker 04 Yes.
11:52 Pablo Torre? Could you play a little bit of what you did on that song for us? Just for people who don't know what I mean when I say, "You make that song what it became."
12:05 Speaker 04 Yes. Oh, boy.
12:32 Pablo Torre? Wait, hold on. Were you just like, "Wait, that guy's good"? Was that the reaction you just had?
12:37 Speaker 04 Yeah.
12:37 Pablo Torre? Bernard Purdie in 1970 was pretty good at this.
12:41 Speaker 04 What I was doing, I kept the time going. And everything that I did was time, time, time. And picking up, allowing it to happen. Let it flow. Stay out of the way of the vocal, but let it flow. And the figures, psh, psh, all that. I was singing all these things. I was singing them. And I didn't realize that I was even singing it. You know, I was playing it.
13:18 Speaker 04 But it was a job.
13:22 Pablo Torre? The job you did, though,
13:23 Speaker 04 Mm-hmm.
13:24 Pablo Torre? has been imitated, sampled
13:26 Speaker 04 Mm-hmm.
13:27 Pablo Torre? by so many more thousands of people that you did not personally even play with.
13:32 Speaker 04 Mm-hmm.
13:33 Pablo Torre? Okay, so we gotta explain why hip-hop as a genre owes you something.
13:39 Speaker 04 Okay.
13:40 Pablo Torre? How do you explain the Purdie Shuffle?
13:46 Speaker 04 Now that we've got the 12-4 and the 12-8, I'm gonna explain to you. Remember that word?
13:56 Speaker 04 Called "explain". Not "explain", but I'm gonna explain to you what the Purdie Shuffle is all about.
14:06 Speaker 04 It's gonna surprise you.
14:09 Speaker 04 It's quarters.
14:14 Speaker 04 It's eight.
14:17 Speaker 04 The Purdie Shuffle basically happened because
14:23 Speaker 04 of the train.
14:26 Speaker 04 The actual railroad that went by my house in Elkton, Maryland. The train that stopped in Elkton had its own
14:42 Speaker 04 the slowdown of the train because when the train is moving,
14:49 Speaker 04 it's so fast you don't really hear where a time is or anything else. All you know is, is that as it slows down, you get
15:09 Speaker 04 and then it gets down to that point where it
15:14 Speaker 04 it stops. And it's the same thing when it starts up.
15:20 Speaker 04 Going out, you got
15:32 Speaker 04 and it just gets up to a certain point that it disappears. It actually disappears and you don't hear that you don't hear, you feel it. You feel the train. You feel it. When you're on the train, you feel it. It's just something that I picked up and I realized that I had something going. That's all. And I used to play it because I was only going a block away.
16:09 Pablo Torre? So you sampled a locomotive is what happened?
16:11 Speaker 04 I sampled a locomotive. The train that was stopping in Elkton, Maryland. It was the marriage capital of the world for a hundred years.
16:23 Pablo Torre? What does that mean?
16:24 Speaker 04 People stopped into Elkton to get married and leave. And that's how Elkton became known.
16:34 Pablo Torre? The elopement capital of the United States became known for, truly, I would say, one of the most lasting vows in American cultural history, which is, if we got a record and we need a drummer, we gotta go get Bernard.
16:54 Pablo Torre? Led Zeppelin, "Full in the Rain."
17:03 Speaker 04 And Led Zeppelin? His wife, his wife called me. She called me when he was on his deathbed. She called me and she wanted me to know how much she felt and he felt about me. And I was stunned. I was stunned.
17:27 Pablo Torre? But what you did, the shuffle, which I hope you can show us a little bit here.
17:33 Pablo Torre? It's a fingerprint. It's a unique, magnificent fingerprint.
17:55 Pablo Torre? "The world dances," is what our friend Joey said. "Laughs and cries to his beat without even knowing it's him." He influenced everything after him.
18:06 Speaker 04 Now, the difference is that when you do the drums live, there's more space that actually works even more so that it just, it just, just keeps going.
18:37 Pablo Torre? This is the never duplicated part.
19:12 Speaker 04 This beat.
19:16 Speaker 04 It only works when it's halftime.
19:24 Speaker 04 Halftime is the only way to make the Purdie Shuffle last.
19:30 Speaker 04 Where it can bring in, everybody can come in and do their things, and the Purdie Shuffle can stay on. But you gotta remember, it only works slower.
19:44 Pablo Torre? That part, I want to explain that in the context of a term that I think people may have heard, but I didn't really think about until I started thinking about you, which is the session musician.
19:54 Speaker 04 Yes.
19:55 Pablo Torre? Which is to say that you get brought in almost to help the star and to be that, what you just did, that timekeeping texture that everybody knows they want, even if they don't want to admit that they want it.
20:09 Speaker 04 Yeah.
20:10 Pablo Torre? And your job is to fit yourself around some of the biggest egos that have ever lived.
20:18 Speaker 04 Yes.
20:19 Pablo Torre? And to make sure that they and the band around you get to be the best version of themselves.
20:26 Speaker 04 Exactly. For so many years, everybody wanted, but yet they didn't ask for it because they didn't know what to ask for. The Purdie Shuffle worked.
20:41 Speaker 04 For 20 to 30 years before other people and other bands, drummers were playing it and they were doing it the best that they could, even though they didn't understand it.
20:57 Pablo Torre? Right, right.
20:58 Speaker 04 And I was fortunate traveling around the world at that time. I was going around the world in the 70s.
21:09 Pablo Torre? You were fixing music, one session at a time.
21:13 Speaker 04 Yeah.
21:13 Pablo Torre? Telling people to slow down.
21:15 Speaker 04 Yeah.
21:15 Pablo Torre? This groove is not gonna work if you, if you try to... By the way, if you, as the drummer, try to make yourself the star.
21:23 Speaker 04 Yeah, no.
21:24 Pablo Torre? How is it that you made peace with that? The idea that invisibility was gonna be the exchange for being omnipresent?
21:35 Speaker 04 Just so I could play with the stars. All of a sudden, people started calling me because of what I was doing and what I wasn't doing, trying to take the credit.
21:51 Pablo Torre? Right.
21:52 Speaker 04 For everything. Hit record is a hit record, no matter how you look at it. And those hit records still go.
22:01 Pablo Torre? Oh, my God.
22:02 Speaker 04 Today. They've been going now for 50, 60, 70 years. It ain't gonna stop.
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23:49 Pablo Torre? Who is the hardest person to work with? Because you're the easiest person to work with, okay? Who is the hardest person you had to work with?
23:57 Speaker 04 Aretha was close.
24:11 Pablo Torre? The original diva?
24:12 Speaker 04 Yes. I was also, when I became the musical director, it made it even nicer for me. But I had Quincy Jones. I had run-ins with a lot of people, all because I was doing something that nobody else was.
24:34 Pablo Torre? Right.
24:35 Speaker 04 I loved what I was doing. They didn't understand what I was doing until I showed them.
24:53 Pablo Torre? Well, hold on. So Steely Dan, what they say about you, right? This is what Walter Becker once said about you. All right, Walter says, quote, "Bernard always did some unique stylistic thing that you'd never imagined in advance that nobody else would do." Which is to say that even though your job, as you saw it, was to stay out of the way, you also needed to impress upon everybody else the best version of how to do this. And so there is leadership from a role-playing position.
25:25 Speaker 04 Yes.
25:26 Pablo Torre? And I think of sports.
25:27 Speaker 04 Yes.
25:28 Pablo Torre? Everybody knows Michael Jordan. Everybody knows the guy on the poster, in the commercials, on all the billboards. But there are some athletes whose careers are full of championship rings. And they do it at multiple places. And that is its own special thing.
25:48 Speaker 04 That's what my job was. Because my job also...
25:55 Speaker 04 So many demos became hit records.
26:00 Pablo Torre? You serve the song first.
26:02 Speaker 04 Thank you.
26:05 Speaker 04 That's my whole life. Because as a kid, when I was playing as a kid,
26:15 Speaker 04 I didn't quite understand what I was doing, but it was working because it was out of the way. It didn't bother anybody. You know, I'm four years old when I was playing drums, and I knew I was gonna be a drummer. I heard it from Mr. Hayward, who, the one who actually ended up being my teacher.
26:40 Speaker 04 He was the next block down, next street over. I was getting attention by the time I was 10, 11, and 12, because I had something, and I didn't know what it was. I just knew that I liked these songs. I liked what I was doing, and I liked what I was hearing.
27:10 Speaker 04 And it was work.
27:12 Pablo Torre? Do you remember the moment, and this could be any point in your career, in your 70 years playing music professionally, it seems like. Do you remember the moment when you thought to yourself, "I am doing exactly what I should be doing on this planet"?
27:26 Speaker 04 Mm-hmm. Yes, I knew that by the time I was 10 and 11. Yes, I knew that. I had a band by then.
27:35 Pablo Torre? What was your band's name?
27:38 Speaker 04 Bugsy.
27:42 Speaker 04 Bugsy Purdie.
27:43 Pablo Torre? Was Bugsy Purdie shuffling back then?
27:46 Speaker 04 Oh, yeah. Oh, yeah. But the point is, is that, eh, eh, you know, it was just called a shuffle. You know.
28:03 Speaker 04 That's what people, everybody did.
28:17 Pablo Torre? I can say this with clarity, having studied this, in terms of researching this episode. Every drummer. I've seen so many articles, so many videos, I've talked to so many of them, they worship you. You are your favorite musician, if you're listening out there. Bernard Purdie is your favorite musician's favorite drummer. And the way I encountered you is, is of course relatively late in life, because I'm not a musician, I'm just a guy who likes music. And I went to see Wolfpack at Madison Square Garden.
29:00 Pablo Torre? And I was just talking to your lovely wife, Celia, who is sitting outside on the side of this glass right now, because we were both. It turns out, having this experience of seeing you in your 80s, in front of Madison Square Garden, and what I said to Joey that night and what I'll say to you here, it was just one of the most fun times that I've had, listening to music, let alone being in what is often a cursed building, on account of how the Knicks have been doing in the course of my life. But that performance.
30:00 Pablo Torre? I mean, you've played those intimate sessions, as well as the grandest arenas. And I was sort of stunned to hear Celia talk about how moving it was for her emotionally, like tearing up, to see her husband in 2025, teaching an entire arena of people how to keep time.
30:21 Speaker 04 That's why everything continued for so long, for so many years. But the beauty for me was, I didn't have to go through the changes anymore.
30:37 Speaker 04 It took me 20 to 30 years to be able to give something.
30:46 Speaker 04 And it stayed. And it stayed. And it stayed.
30:52 Pablo Torre? And the thing that I marvel at, now that we've been talking for this long, is how much you still enjoy it.
30:58 Speaker 04 Oh, that's the whole point. That is one of the main reasons why I still work. Because I love what I'm doing. And I'm so thankful that the man upstairs has given me this opportunity all of these years. But I had to learn how to do it and do it right. Once I learned how to do it and to do it right, there was no fighting anymore.
31:30 Speaker 04 There was no more fighting. And nobody can take it away from me. And I didn't know until I started going back. Not only James Brown. Oh, you name them.
31:44 Pablo Torre? Bernard, the band Hanson.
31:47 Speaker 04 Mm-hmm.
31:47 Pablo Torre? Mm-bop.
31:48 Speaker 04 Yeah?
31:49 Pablo Torre? That's U2.
31:50 Speaker 04 Yes.
31:58 Pablo Torre? The band that had their photo in my older sister's locker also owes a debt to the guy sitting in the studio right now.
32:06 Speaker 04 Yes.
32:07 Pablo Torre? Your role on this planet may not be that of the superstar on a billboard.
32:16 Speaker 04 Yeah, it's not.
32:17 Pablo Torre? But you might wind up happier than all of the big egos and superstars that you played with.
32:24 Speaker 04 Yes.
32:27 Speaker 04 That's why I'm comfortable in my own valley here. And I really am. Because teaching is something that I've been doing all my life. And I didn't know I was going to be a teacher. But as time went on, I started developing. I became friends with the biggest named drummers in the world. I wasn't in competition. I was just consistent with what I was doing. I never got out of the way of not wanting to play my part.
33:11 Speaker 04 But I sit down sometimes, you know.
33:30 Speaker 04 You know, I used to do that when I was, I don't know, teaching. You know, just kept the time. And people, you could see this. You could see other people outside the door.
33:46 Speaker 04 Looking and listening. Oh my God, that's that shuffle. That's that pretty shuffle. I was grinning from ear to ear. Because I created something.
34:03 Pablo Torre? There's something about being a drummer. Again, as I'm not a musician of any kind. I tapped out at piano lessons when I was in grade school. But there's something about a drummer and the philosophy of being a drummer that's different from, I mean, look, because the drum solo is a thing.
34:19 Speaker 04 Yeah.
34:20 Pablo Torre? Right? But you explained to me that when you were doing one of the great drum breaks in Recorded Musical History in 1971 for Rock Steady, that was an accident. But when I think about guitarists and the guitar solo, there's just something different. Well, what would you explain is different in terms of how you think a drummer as a profession ought to behave in a group?
34:43 Speaker 04 Any drummer, if he's smart,
34:47 Speaker 04 the one thing that you do, you learn what moves people.
34:54 Speaker 04 What moves people. And I'm learning the people with the money, the people who are making things work for themselves are all looking for that little
35:10 Speaker 04 to make them feel good.
35:11 Pablo Torre? I just realized this, right? So you're from the wedding capital of, of America, wedding capital of the world. And you, a product of that, are also responsible for so many people dancing at wedding receptions.
35:29 Speaker 04 Yes.
35:30 Pablo Torre? There is something that does feel like you're in this flow state.
35:37 Speaker 04 Mm hmm.
35:38 Pablo Torre? Where, where people are, are following your lead and it feels natural and they suddenly, they feel like they're better than, they feel like they're better at dancing than they are.
35:48 Speaker 04 I learned how, I really learned how to move my body when I'm playing the groove.
36:03 Speaker 04 And it cracks me up because it's the auto, it's automatic. It goes on automatic.
36:08 Pablo Torre? I've been noticing.
36:10 Speaker 04 It just goes on automatic.
36:12 Pablo Torre? If you're not watching on YouTube, you've missed Bernard Purdie really enjoying his own work.
36:20 Speaker 04 I'm happy. I am happy as a lot. I really am. And I, and it's been, and I talk about it to young people. I talk about it to old people. It doesn't matter. I enjoy what I do. When you want to work and you don't want to be putting on the side, when you can't do it because you're so mad or you're upset and just that, you're not going to work. It's that simple. You're not going to work. But when you got that camaraderie with the rest of the band and the band looking
37:05 Speaker 04 over at you and smiling and grinning, you got your job.
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38:54 Pablo Torre? As you put it, you've been doing this for basically 70 years. You're in your 80s. And what's so clear to me, and I wonder if you think about this, is that whenever, finally Bernard Purdie says, "I'm gonna hang it up." God's making me hang it up. You're still gonna be in everyone's ears.
39:16 Pablo Torre? We can't get rid of you.
39:18 Speaker 04 Exactly. Exactly. Yes. And that's why the beauty of it, and when I started going back and remembering all of these other folks that I hadn't played with for 15 or 20 years.
39:36 Pablo Torre? The list is longer. I just gave you a sample of like the names. It goes on and on.
39:40 Speaker 04 Oh, believe me. Believe me, it's long. There's thousands.
39:45 Pablo Torre? That could be an entire episode, just me saying names that Bernard Purdie has played with.
39:49 Speaker 04 Yeah. Because I have done that many recordings. Yes, I've done that many recordings with so many different artists. Songs that have now, they live on. These people became, you know, yeah, they became rich. They became very wealthy. But the thing is, is that I can stay working.
40:21 Speaker 04 All right, I'm not wealthy, but I can stay working and have a good time, love what I'm doing, and not hurting anybody. And it's a wonderful feeling. It's a wonderful feeling.
40:37 Pablo Torre? Bernard Purdie, the man who has kept time for the United States for 70 years, who has been our soundtrack, even though we didn't fully appreciate everything that he has done, I am very glad to find out at the end here that, much like you did for Aretha Franklin in 1971, you're just gonna keep playing.
41:06 Speaker 04 I love it. I absolutely love it.
41:10 Pablo Torre? Would you mind playing this out?
41:11 Speaker 04 Sure.
43:34 Speaker 04 Thank you, everybody. Thank you, thank you. Ha, ha, ha, ha. Huh. Ha, ha, ha, ha. Hey, man.
43:48 Pablo Torre? Bernard Purdie, as our control room is clapping so loudly we can hear it through the glass. Thank you for making this weird show the coolest it has ever been.
44:01 Speaker 04 Thank you very much.
44:12 Pablo Torre? Pablo Torre Finds Out is produced by Walter Avaroma, Maxwell Carney, Ryan Cortez, Juan Galindo, Patrick Kim, Neely Lohman, Rob McCray, Matt Sullivan, Claire Taylor, and Chris Tumanello. Our studio engineering by RG Systems, sound design by Andrew Bersik and NGW Post, theme song, as always, by John Bravo, and we will talk to you next time.
44:46 Speaker 06 Hey, we're Nick and Jack, hosts of The Best One Yet. Behind every episode, there's research, emails, spreadsheets, and our shared Google Doc, the headline hammer. With Google Workspace with Gemini, Google's AI is built right into the premium versions of tools we already use, like Gmail, Docs, and Sheets. No new tools or extra logins, just personalized AI for the way we work. That means less time on the work around the work and more time finding the stories worth talking about. Get AI tools for work. Upgrade to Google Workspace with Gemini at go.gle/workspacewithGemini. That's go.gle/workspacewithGemini.
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