Christmas Movie Knight

It’s Christmas. The holly and ivy are adorning the fireplace, hopefully the shopping is (mostly) done and the King of Misrule is on his way…Who are we to disobey him? Matt Lewis and Dr. Eleanor Janega have hung their medieval stockings and are having a blast discussing the best 'medieval' films delivered to our homes via the very modern magic of TV. They choose the most accurate, the most absurd and the most bell-ringingly fun depictions of the middle ages, including the gritty authenticity of 'The Last Kingdom', the hilarious 'Army of Darkness,' the problematic 'The Physician,' the martial spectacle of 'The Great Wall,' and the intriguing 'Outlander.' Plus a hefty dose of Robin Hood and his Merry Men in their many, many film adaptations. There will be tights... Gone Medieval is presented by Dr. Eleanor Janega and Matt Lewis. Edited by Amy Haddow. The senior producer is Anne-Marie Luff. All music used is courtesy of Epidemic Sounds and All3 Media Music. Gone Medieval is a History Hit podcast. Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here https://www.surveymonkey.co.uk/r/6FFT7MK: https://uk.surveymonkey.com/r/6FFT7MK Hosted on Acast. See acast.com/privacy https://acast.com/privacy for more information.

Speaker names marked ? are inferred from speaking time and the show’s known hosts — they are not voice-verified.

• 0:01Matt Lewis?

  From long-lost Viking ships and kings buried in unexpected places, to tales of murder, power, faith, and the lives of ordinary people across medieval Europe and beyond. Join me, Matt Lewis, Dr. Eleanor Yarnagger, and some of the world's leading historians as we bring history's most fascinating stories to life, only on History Hit. With your subscription, you'll unlock hundreds of hours of exclusive documentaries with a brand new release every week, exploring everything from the ancient world to World War II. Just visit historyhit.com/subscribe.

• 0:42Speaker 01

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• 1:16Speaker 02

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• 1:57Speaker 03

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• 2:33Matt Lewis?

  Hello, I'm Matt Lewis.

• 2:34Eleanor Janega?

  And I'm Dr Eleanor Yanaga.

• 2:36Matt Lewis?

  Welcome to Gone Medieval from History Hit.

• 2:38Eleanor Janega?

  The podcast that delves into the greatest millennium in human history.

• 2:42Matt Lewis?

  We've got the most intriguing mysteries.

• 2:44Eleanor Janega?

  The gobsmacking details.

• 2:46Matt Lewis?

  And latest groundbreaking research.

• 2:48Eleanor Janega?

  From the Vikings to the Normans.

• 2:50Matt Lewis?

  From kings to popes to the crusades.

• 2:53Eleanor Janega?

  We delve into the rebellions, plots and murders.

• 2:56Matt Lewis?

  To find the stories, big and small, that tell us how we got here.

• 3:00Eleanor Janega?

  And who we really were.

• 3:13Matt Lewis?

  Hi, Matt here. As you might have guessed, today's episode is about the fantastic and maybe the not so fantastic medieval films that you can watch over the festive period. But I also wanted to mention that Eleanor and I have just made a brilliant new film with History Hit all about how to survive the deep, dark of medieval winter. And it's released today. We had a blast. We went to Wales and visited Cosmeston Medieval Village. We were wasailing and toasting with cider in Devon. And you can see if you can tell who got most of the cider. And we spoke to the most wonderful people about food, cider, clothes, cider, wood, oh, and cider.

• 3:57Matt Lewis?

  If you want to see how Eleanor and I plan on surviving this winter medieval style, and it's not all cider, I promise, you can find the film now on historyhit.com/subscribe. Now, let's crack on with Christmas movie night. Did it, Kay? See what we did there?

• 4:23Eleanor Janega?

  It's Christmas. Yay. The holly and the ivy are adorning the fireplace. Hopefully, the shopping is mostly done. And the king of misrule is on his way. So who are we to disobey him? One of my favorite parts of the festive season is turning to old favorites for entertainment. No, not Uncle John and his terrible acting in charades, but the best medieval films delivered to our homes via the very modern magic of TV. We are here today to celebrate the best and the worst of medieval life on film, and especially find out who's having the most fun. Matt.

• 5:04Matt Lewis?

  I can't believe you got a John into the introduction to this.

• 5:06Eleanor Janega?

  Look, I've got a, you know, I have not only an Uncle John, but an Uncle Bob. Shout out to both of them. So Bob is my uncle. But look, we want to let everybody know what they could be doing other than charades at Christmas. There are options, people. And first of all, we wanted to talk about some really fun viewings and box sets that you can check out, especially on our old pals Netflix.

• 5:32Matt Lewis?

  Yeah, I mean, the obvious one to go for, I guess, has got to be The Last Kingdom. Bernard Cornwell's books, set in Anglo-Saxon England. You get a bit of King Alfred in there. You get Vikings cropping up. It has everything you might want from a violent, early medieval TV series.

• 5:52Eleanor Janega?

  Well, nothing says Christmas like a violent, early medieval TV series, frankly.

• 5:56Matt Lewis?

  I mean, whether you look in the living room or you look at the TV, you're going to see people bashing each other and falling out. It might as well be Vikings and Anglo-Saxons.

• 6:04Eleanor Janega?

  You know, yeah, that's the thing. We just need to go ahead and distract everyone by putting on The Last Kingdom. And it'll be fun. But also, I think this is a really fun one because we have a tendency with medieval films to always highlight, you know, the High Medieval Period, the Late Medieval Period, pageantry, chivalry, a guy on a horse going to a tournament. And that is cool. Obviously, we love that. But The Last Kingdom lets you get a little bit more down and dirty.

• 6:31Speaker 05

  You are now called Utred, Utred's son of Utred.

• 6:33Speaker 06

  Lord, I should like to baptize him again. If he arrives at Heaven's Gate as Utred, they might wonder what's happened to Osbert.

• 6:40Matt Lewis?

  It's got that slightly more authentic kind of muddiness and darkness to it. Everything is a dark castle and there is mud on the fields and everybody's fighting and they look a little bit grubby and somehow they all manage to make it look amazing, which is so unfair.

• 6:57Matt Lewis?

  It does quite, I think it does a reasonably good job of leading us through kind of high politics of the Anglo-Saxon era while the Vikings are arriving and there is lots of squabbling over who's going to be king of where and what the seven kingdoms might look like. And you could throw in as well, you know, Utrid of Bambara is a real figure. He doesn't live in the time of Alfred, he lives earlier, but there is a real figure, Utrid of Bambara, who is incredibly active and proficient warrior kind of during this period. So you can kind of link it to the real history. It's one of those, I think, where you definitely don't believe everything that it says, but it's quite good at giving you those little plot points to follow through. You know, you can get an overview of what might be happening

• 7:40Matt Lewis?

  during this period. Just don't believe everything that it says and don't think that's everything that happened either.

• 7:45Eleanor Janega?

  And I, I think that you and I have talked about this before and it's that I'm not asking every medieval movie to be 100% point perfect accurate in terms of the history that it's bringing to me, but I love the little highlights that The Last Kingdom has for all of us. And you can actually learn a thing or two and what you can do from there is use it as a jumping off point. You know, if you found some of the characters interesting or you thought that this period is interesting in general, well, hey, we've got you covered here in Gone Medieval. You can go dig through our past selections and learn a lot more about the early medieval period in England. But it can be a way of sorting through all of that and seeing what takes your fancy.

• 8:27Matt Lewis?

  Yeah, I think fiction is a really great gateway in to see, oh, that, you know, that character sounds interesting. That event fascinates me. I can go away and find out a little bit more about that and we've got you covered. Hopefully there's a Gone Medieval episode on almost anything.

• 8:43Eleanor Janega?

  I mean, at this point, practically, if there isn't, write in, we'll try to make it for you.

• 8:47Matt Lewis?

  While we're on Netflix as well, so I'm one episode into this. So I don't know if you've seen it yet, The Decameron.

• 8:54Eleanor Janega?

  Oh, I love the Decameron. Yes, because I'm a Mocaccio head myself. So you know your girl had to get in there.

• 9:02Matt Lewis?

  Yeah. And I said, this is based on a genuine 14th century book, you know, written in Italy, the immediate aftermath of the Black Death. And it gives us the perspective of a writer in the early 1350s on the decimation that has just happened. But it's also all wrapped up in, it's slightly funny, it's slightly naughty, there's an awful lot going on. And like I say, I'm an episode into it and it's really good. I'm enjoying it.

• 9:29Eleanor Janega?

  And I think that it's a really fun one is the thing, which the Decameron absolutely is. And as you say, it's coming out of this period of absolute devastation. We tend to think about the Black Death as one unending slog of horror. And I'm not saying that the horror wasn't there. Please do not get mad at me, everybody. But the point is, people were still there and they were still being people. And that's what the Decameron as a book reflects. And I think that's what the show reflects as well, is the silliness and the sluttiness and, you know, just the little bits of life that keep ticking over even in horrible circumstances.

• 10:05Speaker 07

  So these are the walking gardens, which I highly recommend for a nighttime evening stroll. Sure. If you like being stabbed by bandits roaming the countryside. We haven't had any issues with bandits here. We're too isolated for intruders. Oh, plus Calendino. Calendino! Didn't have any issues with a pestilence either. But here we are. Calendino keeps a watchful eye on the gate. The gate won't stop death.

• 10:32Matt Lewis?

  Yeah, it's all of that alongside the horror of the Black Death. People are literally dying in the streets while posh people are working out what they're gonna have with their tea tonight. You know, what wine are they going to open to have with their tea? It's that real dichotomy of experiences during it.

• 10:49Matt Lewis?

  Whilst at the same time, the Black Death is this great level of the people are running away from it, the nobility are running away from it because they have no other protection but to isolate themselves. And so that, I mean, the Decameron gives us 10 people locked in a villa in Italy, and essentially they fall into each telling a story every night. So over the course of the two weeks that they're there, because of the feasts and holy days, they don't tell stories on, you get 10 rounds of 10 stories. You get 100 different stories. Some of them are funny, some of them are rude, but they are a really interesting window, I think, onto what the world was thinking in that moment.

• 11:27Eleanor Janega?

  Absolutely. And, you know, it's very like the Canterbury Tales in that it's this very traditional way of telling stories that was luckily written down for us. Thank you, Baccatino. And it gives us an insight into ordinary people's minds. And it can be something, if you're looking for a little bit more lighthearted, but also something that has a direct connection to the medieval period, you know, the Last Kingdom, bit more fictitious. The Decameron is fictitious, but based on historical fiction, so that's okay.

• 11:55Matt Lewis?

  Yeah, yeah. It gets us closer. It's written by someone who'd lived through all of those things and was writing in the 14th century.

• 12:03Eleanor Janega?

  Well, of course, we would be remiss, I think, if we didn't mention the fact that History Hit has many fine documentaries to watch at Christmas time.

• 12:11Matt Lewis?

  And there is a broad and growing selection of fantastic medieval things to watch in there. Some stuff about the Normans.

• 12:19Eleanor Janega?

  That's right. Do you know, actually, I think for Christmas, my favorite thing that I've done that is quite festive is the Medieval Pleasures series. You know, I had to wear armour for your pleasure. So it was difficult. Not as difficult as I thought. But, you know, that's a real fun one, because when you're in this time of feasting, which we still do, and playing games, which we still do, this can help us reflect back on to medieval society.

• 12:49Eleanor Janega?

  It helps us also to pick out the places where we differentiate, right? Because, look, we're all, well, okay, maybe not all of us, but I am drinking at Christmas, but most Americanly, I still drink eggnog. It's like, you know, we can get into it later. Don't worry about it. Medieval people, they wouldn't do that, but they would have really cracking ale, which I got to try some sort of medieval ale in the middle of all of this. And it helps you kind of see how there are these links through in terms of what people want from a winter festival. We still want something spicy. We want something sweet. We want all of these things, but the way we come at it is really different now.

• 13:27Matt Lewis?

  But it's also a really good way for us to get a connection back to the real people living during that period. They were, they wanted to do the same things that we wanted. They wanted to have fun. They wanted to chill out. They wanted to spend time with family. They wanted to get absolutely hammered on Boxing Day and start a fight down the pub. They're not all of that different from us. There are slight nuances that are different, but ultimately the desire to have some downtime is the same.

• 13:53Eleanor Janega?

  Well, and speaking of regular people, another one that I would really recommend is of course your series on the peasants rebellion. If people want to find out what peasants were up to, what ordinary people were putting up with, again, in the 14th century, one of the more garbage centuries.

• 14:09Matt Lewis?

  Yeah, with a wonderful guest appearance from none other than Dr. Eleanor Janiger, too.

• 14:15Matt Lewis?

  But yeah, that was a really great chance for us to, again, get amongst the ordinary people, you know, we spoke to people at a project called The People of 1381 Project. But this is a project that has been getting closer to ordinary people who got wrapped up in the peasants revolt. So it's easy to talk about John of Gaunt and Richard II and Henry Bolingbroke and the Archbishop of Canterbury getting his head cut off. But this gets us into the ordinary folk who were taken to court afterwards and prosecuted for doing what they thought the king had given them permission to do. And people who brought legal cases against other people who had ransacked their shops and things like that. And it allows us to see what was driving people into rebellion at that time, a rebellion

• 15:00Matt Lewis?

  that they knew could cost them their lives. And that in itself gives us an insight into how desperate they were by 1381, how significant the factors that had driven them to revolt must have been for them to put their lives on the line to do it. You know, we recognize that kind of. Consequence or fear in Britain today for going to a protest march. We don't have that kind of sanction for it, but this was literally taking your life into your own hands to do it, which goes to show just how desperate they must have been.

• 15:31Eleanor Janega?

  Yeah, absolutely. And I think that it's really nice to bear witness to that. And, you know, at a comfortable remove, when you are inside, you know, on your 12 box of chocolates or whatever, you know, you can consider how lucky you are in comparison. And I don't think that's a bad thing to do. And in fact, I think it really bears witness to the horrid things that people went through.

• 15:52Matt Lewis?

  Absolutely. And what fight came before to allow you to sit on your sofa and eat a box of chocolates on Boxing Day?

• 15:59Eleanor Janega?

  Mm hmm. Absolutely. It doesn't come from nothing. I will tell you that much. That is all very worthy viewing. These are things where people can learn a lot. What if I don't want to learn a lot, Matt? What if I want to become stupider for having watched a film?

• 16:12Matt Lewis?

  There are a million ways to do that. When we were thinking about what's the most absurd medieval film, I was trying to come up with fairly sensible medieval films I thought just hadn't worked. And then something popped into my head that 16 year old me absolutely used to love. And this probably says a lot about 16 year old me that I may not want to share. I don't know. But I was slightly obsessed with the film Army of Darkness.

• 16:38Eleanor Janega?

  Yes.

• 16:39Matt Lewis?

  Yes. And for anyone who doesn't know, this is a, you know, I'm going to age myself here. It's a 1992 film with Bruce Campbell. It's part of the Evil Dead series of horror films. I actually went to look on IMDb what this film is categorized as. And it's like a comedy, drama, horror slapstick.

• 16:58Eleanor Janega?

  Correct.

• 16:58Matt Lewis?

  It is all of those things and it is so much more.

• 17:02Eleanor Janega?

  It's absolutely brilliant. I too, as a teenager, was quite fond of this movie, which I suppose is how you end up in the biz like us. But it stars your man there, Bruce Campbell, who you may remember from such excellent shows as Xena Warrior Princess. And he starts out in the Evil Dead one and two series, but I promise you, you don't need to watch those. I mean, I'm not gonna be like lying about that. They're all so good. But he is taken after fighting zombies in a cabinet in the woods through a time portal to the 14th century. By this point, he has lost a hand because it became demoniac.

• 17:43Eleanor Janega?

  He has replaced it with a chainsaw and he's got a shotgun. And now he is in 14th century England, which looks remarkably like Southern California.

• 17:56Eleanor Janega?

  It's just so stupid and I love it so much. For that arrogance, I shall see you dead.

• 18:15Speaker 07

  Yeah.

• 18:17Speaker 07

  All right, you primitive screwheads. Listen up.

• 18:21Speaker 07

  See this?

• 18:23Speaker 07

  This is my boomstick. It's a 12 gauge double barrel Remington. It's got a walnut stock, cobalt blue steel and a hair trigger. That's right. Shop smart. Shop S smart. You got that?

• 19:01Speaker 07

  Now, let's talk about how I get back home.

• 19:06Matt Lewis?

  It is ridiculous. I, I mean, to be fair, I don't think they do a horrendous job of things like costume. It's vaguely convincing as a medieval environment in which to fight demonic witches and tiny little people who stab you with needle like swords all of the time and to have a big boomstick that threatens the entire population of medieval Europe because they don't understand what it is. It is ridiculous and that's why it came in as my most absurd film, but it's also brilliant. I, I love it. It's hilarious. It's funny. Um, I would recommend anyone to watch it and then you can. At me on social media and tell me how awful you thought it was.

• 19:48Eleanor Janega?

  Well, look, go ahead and at me. I'm not gonna change my mind. I think it's also the genesis of the now classic line, I came here to kick ass and chew bubble gum and I'm all out of bubble gum. So, you know, thank Bruce Campbell for that. And we'll just thank Bruce Campbell, generally. He's a great guy and he's making the world a better place. Thanks, Bruce. But, all right, I'm gonna yak our yum here. We've gone from one of the heights, one of the best movies of all time, which is Army of Darkness, and I'm gonna bring you down with a terrible movie that I pray you've never seen, but actually, watch it just to wind yourself up. And this movie is called The Physician.

• 20:23Matt Lewis?

  Okay, no, I haven't seen that one, so I feel like I'm gonna have to waste an hour and a half of my time later today.

• 20:30Eleanor Janega?

  Okay, all right. It stars Ben Kingsley.

• 20:32Matt Lewis?

  That should be a good start. I like Ben Kingsley.

• 20:35Eleanor Janega?

  Ben Kingsley, and he's playing Avicenna. Hmm? Compelling. No. No. Okay, this film, this film is set initially at the beginning in pre-Norman England, and yet somehow the young man in question, who is like the hero of the story, is called Robert.

• 20:54Matt Lewis?

  That incredibly Norman name.

• 20:55Eleanor Janega?

  That's like the most Norman name you could possibly get. And...

• 21:02Eleanor Janega?

  But the trouble is, you know, here he is in medieval England, and his mother has what they're referring to as side sickness. You're supposed to understand that it's basically pancreatitis, you know, and she dies. And do you know why she dies, Matt? Because the church hates medicine.

• 21:19Matt Lewis?

  Oh, no.

• 21:20Eleanor Janega?

  And the church is a bunch of cops who are out here to stop anyone from doing medicine because it's witchcraft? Question mark. And it's like, everything here is wrong, right? In the first place, the church were the number one people who were training.

• 21:34Matt Lewis?

  They literally ran hospitals.

• 21:36Eleanor Janega?

  That was who was doing it. A. B. In the 11th century, like pre-Norman, the church does not have enough guys to be going around like witch hunting? Like, that's not, that is an early modern thing, witch hunting, in the first place. And in the second place, like, what guys? You know, you could barely make it up to Northumberland, like, let alone, like, yeah, they're kicking in your door because you were doing some slight barber search and stuff. Anyway, it's incredibly stupid. He ends up traveling to the Middle East because he hears they make good doctors there, and he gets under the tutelage of Ben Kingsley. And he really, really wants to learn a lot more because guess what's happening?

• 22:18Matt Lewis?

  What's happening?

• 22:19Eleanor Janega?

  The Black Death.

• 22:20Matt Lewis?

  The, what? What?

• 22:22Eleanor Janega?

  Yeah, yeah, yeah. The Black Death's just come a cheeky little 300 years early. And you know, the church just won't let anyone shut it down.

• 22:32Matt Lewis?

  I love the director being, "No one will notice."

• 22:35Eleanor Janega?

  It's like, it's absolutely ridiculous. And they're like, oh, well, if only we had access to the good Greek medicine like Galen had, we could solve the plague. I'm like, no, you couldn't. Like, that man didn't know about antibiotics. And what are you talking about? So everything about it is wrong. It's slightly offensive, but if you're like me and you enjoy righteous indignation, it's a, it's a one. You can really pop off to this one. You know, surprise and delight your family by forcing them to watch a really bad film and then screaming at it. Yeah, why not? It brings everyone closer together.

• 23:11Matt Lewis?

  Where better to sit for Christmas than right on your high horse?

• 23:15Eleanor Janega?

  That's right.

• 23:15Matt Lewis?

  At the best view to complain about everything.

• 23:19Eleanor Janega?

  But there are some actual pleasurable things that can be watched on many fine places. And I wanted to talk about one of my faves because I know you like it as well.

• 23:30Matt Lewis?

  Ooh, what's this one?

• 23:31Eleanor Janega?

  The 13th Warrior.

• 23:32Matt Lewis?

  I do, I do love that film.

• 23:34Eleanor Janega?

  Yes.

• 23:36Matt Lewis?

  It is, it's just such a good watch. We've got Antonio Banderas as Ibn Fadlan, traveling up to Norse lands in the far north. And it really does play into that idea that we, we know now is absolutely true of this connection between the Viking world and the Near East. There are trade connections and he's up there, you know, he's a poet. Turns out he's not really, he's been up to some dodgy stuff and got kicked out. But he falls in with this bunch of Vikings and you get this kind of, there's an idea that some witchcraft going on. There's this evil monster, snake monster that's coming for them that makes this big smoke snake through the forests at night. Incredible story to it. And they need a 13th warrior to go up against it. And who do you think that's gonna be?

• 24:21Eleanor Janega?

  Ah, it's Antonio.

• 24:22Matt Lewis?

  It's gonna be Antonio.

• 24:23Eleanor Janega?

  Antonio.

• 24:24Matt Lewis?

  But this is another one of those, I think. It just looks so good. It tells such a good story of the outsider coming in and becoming part of the Norse community, gaining that acceptance and everything else. It's got a bit of spooky witchcraft suggested going on in there as well. I just think it's such a good watch.

• 24:48Speaker 07

  They've been very quiet today.

• 24:50Matt Lewis?

  The peasants fear you will bring their fire worm down on us.

• 24:53Speaker 07

  The what? The fire worm. The fire serpent. Fire serpent.

• 25:01Speaker 07

  A dragon.

• 25:05Speaker 07

  I do not believe in dragons.

• 25:12Eleanor Janega?

  It's a really great reimagining of Beowulf. So if you're a Beowulf head, and frankly, who isn't, it's a really nice one to watch because it helps you to kind of think about the way that legends are made, what they can be based on. And I think that it is genuinely creepy and fun. I don't know why this didn't do well at the box office, to be honest, because I think that it's really well acted. The costuming's really, really fun and good. It's got kind of a sophisticated idea about what the medieval period is like. I think it's a yes for me.

• 25:50Matt Lewis?

  Yeah. And like you say, it plays into those ideas of how do we know the stories from the medieval past? Because we know this one because Antonio Banderas's character will go away and write the story of it. And of course, he's going to make it ultra heroic and all of those kinds of things. And these are the stories that we receive from the medieval period. So it's got another layer to what it's telling us as well, I think.

• 26:10Eleanor Janega?

  Absolutely. I mean, this is one to watch and, you know, maybe pick apart. It's one that I actually find myself thinking about afterwards. And I don't think that can be said of a lot of the medieval schlock that gets kind of thrown against the wall.

• 26:25Matt Lewis?

  Talking of medieval schlock that gets thrown against the wall. That is the perfect segue into a film that I would like to just spend a brief moment talking about.

• 26:33Eleanor Janega?

  Mm hmm.

• 26:33Matt Lewis?

  The Great Wall.

• 26:34Eleanor Janega?

  Oh, my God. Dear Lord. A waste of my man Pedro Pascal. You know, justice for Pedro, Pedro, call me, et cetera.

• 26:44Matt Lewis?

  This, so this is, you know, Matt Damon turns up as a Western warrior who winds up at the Great Wall of China. Turns out that the Great Wall of China is not about keeping people in check, but these demonic monsters that are desperately trying to invade.

• 27:02Speaker 05

  They look nervous.

• 27:05Speaker 05

  It's a big wall to be so nervous.

• 27:26Speaker 05

  Do you hear it?

• 27:37Matt Lewis?

  I mean, I like watching this film in that it's got elements of a Chinese film to it in that it looks beautiful. The action routines, the way that they, you know, they leap down from the walls. It's like a dance. And I think it uses elements of Chinese cinema in that way that I, I really enjoy watching. You think Crouching Tiger, Hidden Dragon, you think, perfect film. It uses elements of that to make it look incredible, but it also has that ridiculous edge to the story of this, you know, this archer that turns up and saves all of China from alien monsters that he didn't even know existed.

• 28:13Eleanor Janega?

  Yeah, I mean, the fight choreography is absolutely gorgeous. I like martial arts films, so it's one for that. And, you know, I like a monster as much as the next person. I guess I just am fundamentally down on the idea of like a white guy must save the Chinese, like the most successful kingdom in the medieval period. I'm like, yeah, sure, Matt Damon, why not? But it is kind of, it's a good laugh. I will say that. And it is pretty. It's nice to look at.

• 28:40Matt Lewis?

  Yeah.

• 28:52Matt Lewis?

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• 32:25Matt Lewis?

  So the next film I wanted to mention is sort of a halfway house, maybe, between the 13th Warrior and the Great Wall, and that is Outlander.

• 32:33Eleanor Janega?

  Ah, yeah.

• 32:35Matt Lewis?

  I, I really like this film. I don't know how quietly I should say that, but I really like this film. It's 2008, Jim Caviezel, and you can throw in the mighty John Hurt, the incredible Ron Perlman at the height of his pomp.

• 32:49Eleanor Janega?

  Oh, yeah.

• 32:50Matt Lewis?

  And we've got an alien crash landing in Viking Norway, the beginning of the 8th century. And on his ship was also this terrible monster from another planet that begins to hunt the Vikings and they need to find a way to stop all of this.

• 33:10Speaker 07

  Going down there. That's where it came from. That's where we're going. But we don't know how to kill it yet. We need better weapons. No. We need better metal. Oramir, get the forge ready. And Firth, Olaf, get the torches and the ropes. Let's go.

• 33:30Matt Lewis?

  It's got, you know, clan politics. They all think it's the other clans's coming to get them and warfare and and arguments around who's the rightful king and what does it mean to be an outlander, someone that they don't recognize. How do you become part of that community? In the same way as the Thirteenth Warrior plays on on those ideas. But here you can add in a CGI space monster, not dissimilar to the Great Wall. But again, I think it looks really good. I think it's a little bit silly, but it's a really enjoyable film to watch.

• 34:03Eleanor Janega?

  Well, you know, and who amongst us hasn't asked, what if Grendel was actually the Predator? Which Outlanders solves that question for us, and I really appreciate that personally.

• 34:16Matt Lewis?

  But it does play that, you know, how do you explain away the things that crop up in medieval literature that sound ridiculous? There are things that sound like monsters and aliens and things like that. Kind of for me, it's an imagining of what might be a way to explain some of those things. What if someone had crash landed on Earth a millennium and a half ago?

• 34:35Eleanor Janega?

  Absolutely. And I think that it is a good bit of fun. Again, I've already admitted my fondness for monster movies, so I'm predisposed to being into Outlander. I think that it goes down well. People love a bit of Outlander, really. You know, in terms of medieval-esque movies I've forced my loved ones to watch, this one's higher up.

• 34:54Matt Lewis?

  I think if I had to criticize it as well, I might come down on the accents.

• 34:58Eleanor Janega?

  Oh, God.

• 34:59Matt Lewis?

  Because there are about forty seven different accents in the village of fifty people. And they range from from Norse to Irish to Scottish to English to American to bad English ones. There is everything going on in that community. I don't know how they all. Ended up together.

• 35:17Eleanor Janega?

  How you designate who the Outlander is is very confusing, given the range of accents we have to see.

• 35:24Matt Lewis?

  Yeah, he's the one that talks most like the Viking king, John Hurst.

• 35:27Eleanor Janega?

  Okay, a really weird one for you. Have you seen First Night?

• 35:33Matt Lewis?

  The King Arthur first night.

• 35:34Eleanor Janega?

  The King Arthur first night.

• 35:36Matt Lewis?

  Oh, yeah, I'm gonna have to be put in the guilty pleasure category, isn't it?

• 35:40Eleanor Janega?

  All right, okay, I like it because what I like about First Night, well, first of all, Sean Connery. Get in.

• 35:46Matt Lewis?

  So.

• 35:46Eleanor Janega?

  Fine, done, you know, but we got you got your man there, Richard Gere. And I think it's a really interesting retelling of Arthuriana because I like how it doesn't really include magic at all. I think that's quite fun. And it's got a really interesting setup here, you know, so it hinges really heavily on the political marriage between Guinevere and King Arthur, which I think is a really smart thing, actually, to say, yeah, you know, relationships like this are set up for reasons that have nothing to do with romance. They have to do with doing the right thing or doing the best thing for any number of people.

• 36:25Eleanor Janega?

  But then again, what if Lancelot was Richard Gere in his prime? Well, who are the problems that causes?

• 36:32Matt Lewis?

  Yeah, and I think I think what this film does really, really well, for me, it takes the classic Arthurian myth, the Arthur-Lancelot-Guinevere love triangle. And it does the job too that medieval Arthurian stories do of placing it, it feels very early medieval in that it's lots of petty kingdoms fighting with each other. We're looking at who's going to be the overall ruler at Camelot and things like that. But they're all wearing armor that could very easily, I mean, it doesn't fit any period whatsoever, but it's very clearly, you know, high medieval armor. So they're wearing the clothing of the. Time that lots of these Arthurian stories are being written in a world,

• 37:16Matt Lewis?

  you know, post-Roman kind of thing, when Arthur is suggested to have existed in all of those stories. So it mashes together those timelines in a really interesting way and tells us, I think, the classic Arthurian story.

• 37:31Eleanor Janega?

  Hmm, absolutely. I want to branch off one more because this isn't even a guilty pleasure. This is just a Christmas pleasure and a traditional Arthurian Christmas pleasure, which is The Green Knight. And I absolutely love The Green Knight. That's it. The end. Done. Nothing. I don't have to preface that with anything. Deaf Patel is incredible in it. And it's got all these really lovely medieval touches, like his girlfriend is a sex worker. And you can tell because she's got bells sewn onto her cloak. It really has all these great magical episodes that you see within The Green Knight. And it's a traditional Christmas tale.

• 38:15Matt Lewis?

  Yeah, one of the first things that I did when I started working for History Hit was we created some audiobooks. And we did an audiobook. I read The Green Knight as an audiobook. And it is, again, it is that classic Arthurian story of slightly magical, mystical, but all set it, King Arthur's Christmas court. What could be better?

• 38:43Speaker 07

  Very well.

• 38:49Speaker 07

  Very well.

• 38:52Speaker 07

  You laid down your challenge.

• 38:56Speaker 07

  I accepted it and accept it still.

• 39:02Speaker 07

  Never forget what happened here.

• 39:06Speaker 07

  Upon this Christmas date.

• 39:20Eleanor Janega?

  It's absolutely fantastic. The costuming is sumptuous. It's creepy. It's funny. It's confusing. It's really worth a shot. And then go check out Matt reading it, you know, compare and contrast. What is the actual? But it's nice to look at, I think, the actual Arthurian versus a modern retelling. But I don't think you need to feel bad about this one at all. It's just a wonderful movie.

• 39:44Matt Lewis?

  It is a classic, so and it asks lots of questions about, you know, what does it mean to us as people? If we tell lies and we get caught in our lies and should we have lied? Is it ever okay to lie? All of those kinds of questions that we probably still ask ourselves today.

• 39:57Eleanor Janega?

  Absolutely. So go check that one out. Treat yourself. Finally, though, Matt, you know, last time we had our theory on a corner when we were talking about medieval movies.

• 40:09Eleanor Janega?

  And I've got a new challenge for you.

• 40:10Matt Lewis?

  Going to a different corner.

• 40:11Eleanor Janega?

  We're going to a different corner. There's at least four. Okay.

• 40:14Matt Lewis?

  Right. Who's in this corner?

• 40:15Eleanor Janega?

  In this one, it's our boy. It's Robin Hood.

• 40:20Matt Lewis?

  Oh, man. Yes. I mean, there has been some amazing Robin Hood films. Let's not shy away from this.

• 40:26Eleanor Janega?

  No.

• 40:26Matt Lewis?

  The only question really is where to begin. There's only one right answer to this.

• 40:30Eleanor Janega?

  And that is?

• 40:32Matt Lewis?

  Robin Hood, Prince of Thieves.

• 40:34Eleanor Janega?

  Don't tell me it's not worth dying for, etc.

• 40:39Matt Lewis?

  I'm not going to sing because I won't.

• 40:41Eleanor Janega?

  That was my best Bryan Adams impression, everybody.

• 40:45Matt Lewis?

  Yeah. I'm not sure whether this falls into guilty pleasure territory at all because it's slightly nonsense.

• 40:51Eleanor Janega?

  Oh, yeah.

• 40:52Matt Lewis?

  But Alan Rickman, Sheriff of Nottingham, is possibly the greatest character ever created on film.

• 40:58Eleanor Janega?

  You know, my man was eating scenery. He was just clearly having the best time. And you have such a nice time because he's having a good time. And I mean, the I will gouge your eye out with a rusty spoon. Catchphrase of a lifetime, right?

• 41:13Matt Lewis?

  Yeah. I mean, and you can add in the witchy element to it as well. Makes it slightly creepy if you're a little bit younger, slightly spooky. But it does the job of telling what like First Night with the Arthur story. It tells what we think of as the classic Robin Hood film. This man who is deprived of his inheritance, takes to the woods, builds this band of merry men, or particularly in this case, who finds the band of merry men and takes charge of them.

• 41:41Eleanor Janega?

  Hmm.

• 41:41Matt Lewis?

  And fights against the wicked sheriff of Nottingham to restore order, except that order is the elite having everything, but maybe we don't go there.

• 41:50Eleanor Janega?

  Hey, look, look, it was the 90s. All right, let's not ask that much of people.

• 41:55Matt Lewis?

  And you get a bit of Kevin Costner's naked backside.

• 41:57Eleanor Janega?

  Oh, yes. Yeah, for the ladies.

• 42:02Eleanor Janega?

  You know, and it's just kind of a who's who of early 90s personalities as well. You know, you've got your Morgan Freeman in there, which is a really nice touch. You know, it's kind of fun having this, hey, the Arabic world exists moment as well, which I think is really quite smart and good.

• 42:19Speaker 06

  It seems safer to appear as your slave rather than your equal. You know, for an infidel, you have uncommon clarity of thinking that you tell me nothing of yourself. For instance, your name, Azeem, what does it mean? It means great one. Great one, really? Did you give yourself this name?

• 42:38Speaker 06

  It's a joke.

• 42:43Matt Lewis?

  And I think we ought to have a moment for the Sycamore Gap tree as well.

• 42:46Eleanor Janega?

  Oh, yeah, R I P.

• 42:47Matt Lewis?

  Which appears in the film and is no longer with us.

• 42:50Eleanor Janega?

  It absolutely does. It absolutely does. So, you know, whether you just want to see the Sycamore Gap tree or Christian Slater.

• 42:57Matt Lewis?

  Getting catapulted.

• 42:58Eleanor Janega?

  Absolutely. Now, Robin Hood, Prince of Thieves has it all. It has it all. And, you know, it's difficult to overstate how much everybody loved this movie in the 90s, and I still do, and I'm sticking to my guns.

• 43:10Matt Lewis?

  Yeah, absolutely. I won't apologize for loving this film.

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• 44:45Matt Lewis?

  While we're on Prince of Thieves, though, I did want to mention another one that crops up. Vaguely connected? Men in tights.

• 44:53Eleanor Janega?

  Oh, yes. Come on.

• 44:55Matt Lewis?

  Robin Hood, men in tights.

• 44:56Eleanor Janega?

  Come on, Mel Brooks.

• 44:57Matt Lewis?

  This is a couple of years after Prince of Thieves. And I mean, I love Mel Brooks films. Blazing Saddles, if you don't laugh at men sitting around a campfire farting their baked beans away.

• 45:07Eleanor Janega?

  You may as well be dead. That's over for you.

• 45:09Matt Lewis?

  Spaceballs, you'll never watch Star Wars the same again. I love Mel Brooks films. Men in Tights is just such a clear satire and ripoff of Prince of Thieves. Carrie always doing that classic, you know, what's different between you and other Robin Hoods. I can speak with an English accent.

• 45:26Eleanor Janega?

  It's so good.

• 45:27Matt Lewis?

  Clearly just a straight dig at Kevin Costner not even trying an English accent in Prince of Thieves.

• 45:32Eleanor Janega?

  Oh, God. And, you know, and it's one for everybody who loves The Princess Bride, you know, so a little bit, let's get Carrie back in, you know, fantastic times, but it's so funny and the songs are so good. It is just a Mel Brooks classic. And I don't think anyone is going to be upset if you throw Men in Tights on at Christmas.

• 45:52Matt Lewis?

  If Men in Tights on at Christmas.

• 45:54Eleanor Janega?

  I mean, well, I don't know. Maybe. I'm, I'm, I'm open to it. Look, I'm an open minded person.

• 45:59Matt Lewis?

  After a couple of glasses of port, anything goes. It's such a good film. And I think it's often easy to write these things off as just being funny. It's not just funny, it's incredibly clever as well, I think.

• 46:11Eleanor Janega?

  Hmm. Absolutely. Which I think is the gift of every Mel Brooks movie is that you come away with three or four one liners. And then you also kind of have to go back because you hadn't realized how funny certain things were. And also, you will never get the theme song out of your head entirely that we're men, we're men in tights, we rob from the poor and give to the rich. That's right. You know, it's, it's great, you know, and if you, like me, are a big fan of The Producers, or indeed Young Frankenstein, it's, it's got that similar musical-esque quality.

• 46:44Matt Lewis?

  I definitely feel like things can only go downhill in Robin Hood terms from here.

• 46:47Eleanor Janega?

  Oh, it's, oh, they're about to.

• 46:49Matt Lewis?

  With Prince of Thieves, Men in Tights, where do we go next?

• 46:54Eleanor Janega?

  Well, I think that we're going to have to go in order to a truly terrible Robin Hood movie, which I have to differentiate by the year, which is 2010. Do you know which one this is?

• 47:06Matt Lewis?

  This has got to be The Russell Crowe.

• 47:07Eleanor Janega?

  This is The Russell Crowe.

• 47:08Matt Lewis?

  I might disagree slightly and say that I enjoy this ridiculous film.

• 47:14Eleanor Janega?

  Wow.

• 47:15Matt Lewis?

  This might be our first moment of dissent.

• 47:17Eleanor Janega?

  Okay, we're fighting. All right. Look, what I will say about it is when this movie started out, I was like, oh, I'm into it. Like, I loved the beginning, which is like a siege at the castle where Richard Lionheart gets killed. And I liked how gritty they showed that as being and how they really dug in. And I was like, oh, this is really nice. Like, we're actually getting some nice little historical tidbits in it.

• 47:39Matt Lewis?

  And then it all goes horribly off the rails.

• 47:41Eleanor Janega?

  But then the movie kept going and I'd never really recovered, in my opinion.

• 47:45Matt Lewis?

  Yeah, I guess I would have to say, everyone should probably know that Eleanor moved about a foot closer to me aggressively when I said I liked this film. Slightly scared. I felt like I needed to row back from liking this film. I enjoy watching it. It is absolute nonsense. The idea of this figure who becomes Robin Hood, I mean, it places it in a slightly different time than we're used to. I guess it's later into John's reign rather than being strictly in Richard's reign. And I think that plays into this notion of Robin Hood is this timeless. The Ballad of Robin Hood, the first version we have recorded, is in the reign of Edward the Second.

• 48:18Eleanor Janega?

  True.

• 48:18Matt Lewis?

  So completely out of all of this kind of King Richard time period. And Robin Hood was just one of those names that crops up all over the place for a generic rebel who's up to no good and the government wants to deal with. So he is this kind of anybody hero that can pop up in any time. But then I just enjoyed watching it, the idea that he steps into the role of a nobleman rather than being a nobleman who's deprived of everything, who is a common man who is wanting to fight for the common man. He's not some noble that's had this revelation from going to the Holy Land and seeing horrible things that he ought to be a better person. And then I guess where I really have problems with it is the whole

• 49:01Matt Lewis?

  D-Day landing scene at the end, which looks great and plays into this French invasion of England, you know, around 12, 14, 12, 15, when Louis of France comes over to try and take John's kingdom. They never. Fight on the beach like this, but you end up with this scene that looks like something out of a World War Two movie and the D-Day landings, which is just ridiculous.

• 49:26Eleanor Janega?

  Yeah, and I feel like it's also kind of rubbishing a little bit the whole point of Robin Hood, which is that no, English people can be rubbish on their own. Like, you don't, we don't have to have like a French threat from the outside, you know, this is what happens when in a world where there aren't laws that can be executed in a particularly microscopic way, I suppose, people can get away with some really bad stuff. And I think that the Robin Hood myth really plays on that. And I'm like, no, the problem is not the French, right? Like, this is.

• 50:01Matt Lewis?

  It's just not the issue. In my defence of the film, I'm going to throw in, there is Eleanor of Aquitaine telling John he's an idiot.

• 50:06Eleanor Janega?

  Oh, I do love Eleanor in this. It is quite funny.

• 50:09Matt Lewis?

  We get a bit of William Marshall.

• 50:11Eleanor Janega?

  Mm hmm. I guess my biggest problem with it is I don't like the whole, oh, and like, everybody loves Magna Carta. Richard the First wanted to free everybody. He just loved regular, shut up. Nobody loved regular.

• 50:24Matt Lewis?

  Yeah. And all of these regular people who had stored a copy of this charter in the stone of a cross in the village that was written by Robin Hood's dad. I mean,

• 50:33Eleanor Janega?

  Like, get out of town. Get out of town. Like, I, and it's not that I am not pro people power. That's my whole deal, right? But don't go around acting like Richard the Lionheart was going to somehow be the one to, like, he's like, oh, I was getting around to freeing everyone, but I just couldn't stop pouncing around Europe and getting killed, unfortunately.

• 50:52Matt Lewis?

  As soon as I get back home, the first thing on my to-do list.

• 50:55Eleanor Janega?

  I have any, don't worry about it. It's just that I've got something more important to do, which is to die at the siege of this random castle.

• 51:02Matt Lewis?

  Yeah. So I, I think, maybe I'm 50/50 on this. I know it's ridiculous, and yet I somehow still enjoy watching it.

• 51:09Eleanor Janega?

  Well, hey, look, if you're having a nice time, that's chill. I'm not coming over.

• 51:13Matt Lewis?

  The look on your face is otherwise. It's not okay. I'm sorry, Eleanor.

• 51:19Eleanor Janega?

  That's right. Fear me. Matt, I think we can get back on the same page by talking about the 2018 Robin Hood. Do you know which one this is?

• 51:30Matt Lewis?

  I do, because I deliberately re-watched this film in the last couple of days, because I thought, you know, it's got Taron Egerton, it's got Jamie Foxx, it can't be as bad as I remember it being when I first watched it. Sometimes you watch a film like that and you remember it as being a bad film, you go back to it and you think it's better than I remembered, actually. It has some positives, I can pull positives. I can't believe I wasted another two hours of my life sitting through 2018's Robin Hood. It is such a jumble and a mess. I almost don't know where to begin. The intro, when it's like, I could tell you the year, but I can't remember. I could tell you the history, but you wouldn't be interested. I flipping would.

• 52:15Eleanor Janega?

  Yeah, I would. Like, what are you, and then, and then it proceeds to throw in a bunch of historical stuff as well.

• 52:24Matt Lewis?

  Yeah, because then he gets drafted for the Third Crusade.

• 52:26Eleanor Janega?

  You know.

• 52:27Matt Lewis?

  Which very clearly places us at a specific moment in time.

• 52:30Eleanor Janega?

  Which also, I just love it. Yeah, drafts for the Third Crusade, definitely a thing. Mm-hmm. Go off, King. Right? Like, yeah.

• 52:37Matt Lewis?

  And it's just the, I mean, before we even get into the story, the costumes are ridiculous. So I'm conscious, last time we talked about films, we talked about A Knight's Tale as being completely anachronistic, modern elements to it, but it absolutely works. This is one that has very modern-looking costumes, parts of the cart chases that they have look like they go through 18th century factories in London where there is molting metal pooling everywhere. There are sparks shooting up all over the place. I'm waiting for the woman from Footloose to come and dance across the screen.

• 53:15Matt Lewis?

  I literally have, my brain can't work out what is going on. It looks a mess to me.

• 53:23Eleanor Janega?

  Well, do you know, okay, the problem and difference between A Knight's Tale and 2018 Robin Hood is A Knight's Tale knows what it's doing. You know, it is presenting you with a really fun bit of fluff and it's telling you a, an unserious story. 2018 Robin Hood pretends that it's telling you a real story. It pretends that it's telling you something kind of historical while refusing to give you any history. And then just presents you with this thing that is supposed to be very worthy and very serious, right? Because why? They mentioned that Muslims exist like in our man, Mr. Fox, you know? And, you know, talking about the horrors of the Third Crusade.

• 54:08Eleanor Janega?

  And you know what? I'm, I'm fine with that. If you want to talk about the horrors of the Third Crusade, I'm not going to stop you. Yeah, like I think that that was bad. I'm going down on the, you know, renegade side of Third Crusade bad, right? But it does all these things that are just so much like putting on a hair shirt. And then it's like, oh, and yeah, have a cart chase. Like, what are you talking about? You need to pick one. It's either cart chases in molten metal or it's, we are castigating ourselves with a version of history that tells a particular moralistic story. Killed me.

• 54:45Speaker 05

  Everyone thinks I'm dead, so this must be hell. You want to know what hell is? I lost my hand in the swarm. My people were in chains. My lander was pillaged and my son was murdered.

• 55:04Speaker 05

  I'm sorry.

• 55:05Speaker 07

  Couldn't save him. But you tried to.

• 55:11Speaker 07

  In all my years of war, I've never seen anything like it.

• 55:18Speaker 07

  That's why I chose you.

• 55:20Matt Lewis?

  And then it does all of these other weird juxtaposed things where you've got the sheriff of Nottingham, who is a bit of a rubbish villain, but talks about the people of Nottingham as his subjects. But people aren't subject to a sheriff.

• 55:36Eleanor Janega?

  No.

• 55:37Matt Lewis?

  And then this evil, wicked, autocratic sheriff who treats everyone like a subject has town hall meetings in the middle of the castle, where people are allowed to generally complain about taxation and the way things are a bit rubbish. Those two just don't sit together.

• 55:54Eleanor Janega?

  No, absolutely. That would be the most enlightened ruler that you could possibly find in the medieval period if he ever let anyone come together and yell at him. I mean, please, absolutely not.

• 56:07Matt Lewis?

  I think we're back on safe ground of agreeing that this, is this the worst Robin Hood film? I think it's the worst.

• 56:14Eleanor Janega?

  I think it's probably the worst. There's absolutely nothing redeeming in it. You know, in 2010, I can pick out the things that I think are cool. At least you get to see Cate Blanchett in the 2010 one. You know, God bless Bono's daughter. She tries. She's there. I don't know what she was supposed to do with this script either. I don't want to be too down on her.

• 56:32Matt Lewis?

  Yeah, no, I think all around the script, the story, the look of it, it's just a bit of a mess and it kind of just doesn't work. It feels really bad ending on a downer. Maybe we ought to just mention 1973 Disney Robin Hood?

• 56:47Eleanor Janega?

  Oh, come on. Yes. Like the formation of, I think, everyone my age's first crush. You know, like that, that's for some reason, that fox was very sexy. I don't know. It was very confusing for four heroes. An entire generation, for some reason, you know, has the hot for a cartoon fox. Or, you know, one or the other is wide open, right?

• 57:09Matt Lewis?

  Yeah, again, it just does this really good. Story of Robin Hood. It's funny, the characterizations just all work. The animals are spot on picks for who they all are. And it just does all of the things right that we've just said are wrong with some of the other films.

• 57:25Eleanor Janega?

  Absolutely. It is having a great swashbuckling time. You get swinging from broats, you get cool archery competitions. The little church mice, I think about them all the time. They're so great and cute. And you know, it just, it's giving you a storybook world because fundamentally, Robin Hood is a storybook story. And I don't think you need to turn it into some examination of the Middle Ages. It's okay to just have fun. And I think that you and I have come down on the side of, we like the fun ones. Every time there's one that's just, you know, we're doing a musical comedy, we like that. That's fine. Do it. Why not?

• 58:01Matt Lewis?

  Yeah. And Robin Hood is a genuine, it's an everyman's story that can mean anything to anybody. You can do it in any way you like. It can be a comedy like Men in Tights. It can be an animated bunch of animals like Disney did it. There is almost no wrong way to do Robin Hood, apart from 2018 Robin Hood.

• 58:21Matt Lewis?

  I didn't think there was a wrong way. They found it. Congratulations. Well done. But I think we should, we should end on a high of Disney's all time classic.

• 58:29Eleanor Janega?

  Absolutely. Absolutely. Watch it right now. Let's go. But look, we are just about to roll right into Christmas. I'm very, very excited about it myself, but I'm setting us a little bit of homework for the new year before we do that. I promise we can come back to it later. I don't think we've covered Robin Hood yet here on Gone Medieval.

• 58:50Matt Lewis?

  Well, no, he's one of those weird blind spots that we come across every once in a while. That is massive and yet we've not seen him.

• 59:01Eleanor Janega?

  Look, it's just a thousand years of history or so. I can't believe we haven't covered every angle yet. But I would encourage you, gentle listeners, to write in and let us know what it is you want to see us cover about Robin Hood.

• 59:13Matt Lewis?

  How do we do Robin Hood? How should we do it?

• 59:15Eleanor Janega?

  I mean, can we do it? It's Robin Hood month, everybody. Get ready for that, you know, four episodes.

• 59:22Matt Lewis?

  Do we go back to the ballad? Do we put him back into the reign of Edward the second? Do we go for something more classic? How do we tackle Robin Hood? Was he real? Was he not real?

• 59:30Eleanor Janega?

  Yeah. Have a couple of sherrys and let us know what you think. But a very, very Merry Christmas to everyone out there listening. The day itself is almost upon us. We'll have a couple of more episodes coming out for you over the festive period. And we'll be back in January as always. But until then, we just want to thank you so much for spending a part of your holiday season with us.

• 59:55Matt Lewis?

  Yeah, thank you very much. I hope everyone has a wonderful Christmas, a fantastic new year and joins us in what is promising to be a big hitting January.

• 1:00:03Eleanor Janega?

  Ah, 2025, Matt, it's upon us.

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