Museum Tour. I got lost in the city of Newcastle and became overwhelmed by a 2500 year old corpse

Visiting the great north museum in newcastle Hosted on Acast. See acast.com/privacy https://acast.com/privacy for more information.

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• 0:00Speaker 00

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• 1:01Blindboy Boatclub?

  Greetings, you steaming quavers. Welcome to the Blind by Podcast. If this is your first episode, consider going back to an earlier podcast. If you're noticing that things sound a little bit differently this week, that is because at this very moment, I'm not in my studio, I'm not in my mobile podcast recording studio. I am in the city of Newcastle. Today is Halloween, north-east England. I'm literally right across. I'm looking at Gateshead across the river. I'm looking at the Baltic Flower Mill. I don't know what that is, but it looks like

• 1:44Blindboy Boatclub?

  it was once very important and provided a lot of employment. Newcastle's on this side of the river, Gateshead is on the other side of the river. Crossing into Gateshead feels a little bit like walking from West Berlin into East Berlin. That's the vibe that you get. So I'm here at the river fucking Tyne. And I'm incredibly privileged to say that at this very moment, it's fucking October. The sun is doing that October thing that it does, where it winks out. The sun winks out this lemony, slanty thing. Reminds me of a William Turner painting.

• 2:28Blindboy Boatclub?

  Actually, this is fucking Turner country here. Big William Turner vibes here. William Turner was a painter from, I think, the early 1800s. Very unique painter. A proto-expressionist, you could have called him, I suppose, but what makes Turner so fascinating for me, and I'm sure I've done podcasts on it, is the way that he would paint the weather. But Turner painted Industrial Revolution England with a very hazy sky, and I think I'm looking at that sky right now. But in Turner's time, there'd been a massive volcano

• 3:10Blindboy Boatclub?

  went off in, I think it was 1816, I don't have my notes with me, lads. Think around 1816, there was a volcano in Indonesia, and it covered the world with debris, volcanic debris that blocked out the sun. And we didn't, there were two summerses that were basically winter, but you can look at Turner's paintings and see a yellow quality to the sky, and what he's actually recording, pre-photography, is the impact of that volcano, the particles of glass as they block out the sun. I'm here on the fucking Tyne, and there's a fog on

• 3:51Blindboy Boatclub?

  the Tyne. And that's a very, I'm so privileged to be witnessing a fog on the Tyne, because there's a famous song called "The fog on the Tyne is all mine, all mine." I believe it's a folk song, but I know it from the soccer player Gazza, who for some reason did it as a novelty song in the early 90s. So, I mean, that's the shit I love about going on tour, lads. I get to witness the fog on the fucking Tyne. I get to witness the fog on the Tyne. What am I looking at right here? Some very diminutive gulls, bizarrely.

• 4:32Blindboy Boatclub?

  I'd need to ask Sean Ronan about that, but the seagulls here are fucking tiny. There's a few logs floating around in the river. I have nothing against a log floating in the river. You don't see much of that in Limerick. Very proud-looking log, actually. That's what happens now when I do a fucking podcast that isn't planned. I start admiring the aesthetics of a log. It is a great log, though. I can't believe I'm pausing to admire a log. It's not a log, it's a plank. Why am I enamored by that plank? It just looks like it has history. It looks like a plank that could be 400 years old, just gently floating down the fucking, down the Tyne on a Friday afternoon

• 5:17Blindboy Boatclub?

  with that lemony, slanty fucking William Turner sun coming through the bridge. I wish I knew the name of that bridge, but I'm staring at a, it's probably a very famous bridge. There's a bang of Industrial Revolution of that. So what am I doing today, lads? I'm gonna go up to a museum called the Great Hancock Museum, which is, it's a bit like, it's a bit like the British Museum. It's got a little bit of fucking everything. I have to be careful now, talking out of my hole on this. There's cunts on bicycles. Well, I'm the one who's wrong. It's not them. I'm walking around doing a podcast. I'm the one who's wrong, not the people on the bicycles. But I do have to be cautious, because

• 5:59Blindboy Boatclub?

  my head is up my hoop and I'm getting distracted by logs. What was I talking about? I'm gonna up to the Great Hancock Museum, which has a little bit of everything. Well, I'm gonna cross the road here. Prancing like a glorious cunt, am I, across the road? Alright, I'm not doing this in stereo. I like not doing these podcasts in stereo. I like the honesty of mono. Like a car went past there, but you didn't get any left and right. You didn't get movement, so you just got ambiance. Newcastle's a nice city.

• 6:43Blindboy Boatclub?

  I'm abusing a Vicks inhaler. I came down with a bit of a flu at the start of the tour, and I used it as an opportunity to stop vaping. So I haven't vaped in about nine days, but instead I took the fucking Vicks inhaler. So I'm huffing, huffing eucalyptus. I'm walking around, marveling at the fog on the Tyne and huffing eucalyptus. That's what I'm doing with my life. It's very noisy here. I'll wait until we get somewhere quieter. I'm walking now underneath what's called the High Level Bridge, designed by a fella

• 7:27Blindboy Boatclub?

  called Robert Stevenson in 1849. I mean, this is just fucking fantastic. You don't have this shit in Ireland. It is a gigantic railway bridge with the most beautiful masonry you've ever seen. This thing is, if this whole city collapsed, and you came back in 500 years, you'd assume it was a Roman aqueduct. It is, it makes, there's a train going overhead. It makes me feel insignificant. It's huge. It's a behemoth. It's gorgeous. It's beautiful.

• 8:05Blindboy Boatclub?

  And I have no doubt many Irish people died constructing it. And that there is the dichotomy and the difficulty of walking around that, an absolutely stunning, beautiful industrial city like Newcastle. I'm marveling at this man-made structure, 1840 fucking nine. It is astounding. And I'm looking at the amount of wealth. Well, I'll tell you what this is. This is, do you know those big fuck-off skyscrapers in Dubai? And you just look at them, and they're reaching into the clouds. And when you see these skyscrapers, all you

• 8:47Blindboy Boatclub?

  can think of is wealth. The amount of money that's not just on display, but that's being performed to show you this fucking skyscraper. That's what this cunt of a bridge is. And they built it in 1849. And what was happening in 1849? The Great Irish Famine. So, I'm not having a chip on my shoulder. I'm just saying, when you're Irish, or when you're from any of the colonies, it's, you got, you walk around marveling at this shit, looking at how beautiful it is, and then you're reminded of the blood of your people. You greedy fucking

• 9:28Blindboy Boatclub?

  cunts built that, while 2 million Irish people starved to death in a genocide. You cunts. That's what I'll do for my ancestors. I'm gonna whisper the word cunts. Gonna whisper the word cunts at this bridge. Cunts. There's someone staring at me now. You cunts. That's how you cleanse this. Gonna cleanse the spirits of all the dead Irish on this bridge you ever built. Cunts. You silly cunts. Silly English cunts. Silly cunts. Imagine I got a slap of a car. Imagine I got a, I'm after going the wrong fucking

• 10:10Blindboy Boatclub?

  way. Bollocks. That's what I get now. I should not have come up this direction. I'm not used to this. My fucking Irish brain isn't used to this industrial complexity. So I'm after getting lost underneath a bridge that crushed my fucking ancestors. Cunts. Okay, where am I now? All Saints Presbyterian Church. Let's have a crack at the Protestants. I'm gonna dance around the Protestant church, just to my feet.

• 10:46Blindboy Boatclub?

  I suppose it can't be sectarian.

• 10:50Blindboy Boatclub?

  Nothing against the Protestants, they had a good idea. I don't think communions are made out of Jesus Christ either. I'm fucking lost. I'm fucking lost. In a Presbyterian church. I'm gonna have to go fucking backwards now, fuck this. That's what I get for roaring cunts at a bridge. No, do you know if I'd have shouted it? I probably wouldn't have offended whatever spirit is in this landscape. That's pure fairy mythology now.

• 11:20Blindboy Boatclub?

  That's how that shit happens. You start taking the piss out of the ancestors. And then you get lost. What I technically should do now in accordance with the rules of Irish folklore, at this very moment, I'm supposed to take my jacket off and put it inside out to confuse the fairies who are obviously after getting me lost in Newcastle. Imagine I died now, imagine I got hit by a car and

• 11:48Blindboy Boatclub?

  the only thing left is this fucking recording. How did he die?

• 11:54Blindboy Boatclub?

  He whispered cunts.

• 11:57Blindboy Boatclub?

  He whispered cunts at a bridge. And then got lost because he thought it was the fairies. I'm going past the bridge again, listen to the train. Cunts. Colonial cunts. Okay, I'll turn this off and I'll reconnect with you when I'm not lost.

• 12:18Blindboy Boatclub?

  Alright, I'm after.

• 12:21Blindboy Boatclub?

  I'm walking up a very steep hill.

• 12:26Blindboy Boatclub?

  Newcastle is full of hills and it's very labyrinthine. Which is what you get with a, a very, very old city. You can get lost very easily in these tiny little streets and alleyways that could be thousands of years old.

• 12:43Blindboy Boatclub?

  So I'm coming up a hill here now. At the other side of that bridge and the Presbyterian church. Trying to make my way into the city centre. So that I can find my way, number one to a Pret a Manger.

• 13:01Blindboy Boatclub?

  Which, if you're English, that's probably the most ridiculous way you've ever heard anyone pronounce that. What the, what do ye call it? Pret a Manger? Go fuck yourself. Pret a Manger. I'm going into Pret a Manger to get a croissant and they're gonna have to deal with that.

• 13:21Blindboy Boatclub?

  No, I'm going in there to get the, uh, there's a chicken salad.

• 13:27Blindboy Boatclub?

  There's a ver- a very simple chicken salad. In the English Pret a Mangers. And I quite enjoy that for my lunch.

• 13:40Blindboy Boatclub?

  So now I think I'm lost again, I'm underneath another fucking bridge. God, this place is nice.

• 13:47Blindboy Boatclub?

  It's like, how would I describe this? I'm right underneath another railway bridge. This place.

• 13:57Blindboy Boatclub?

  It's, it's, how do I describe what I'm seeing right now?

• 14:03Blindboy Boatclub?

  It's like Edinburgh if it was bitching about Glasgow. If Edinburgh was having a good old bitch about Glasgow. And it was exaggerating.

• 14:14Blindboy Boatclub?

  The industrial, old industrial filth of Glasgow. You'd get Newcastle and that's what this is. It's astounding, but they have that. There's a sandstone on the buildings, you see this up in, you see this in Edinburgh too and you see it in Glasgow, it's when you get a certain point north.

• 14:35Blindboy Boatclub?

  You see a, a yellow sandstone, but it oxidizes, you see, and then turns black. But it's not, and it's not just pollution, you'd assume it's pollution from the years of the Industrial Revolution, but it's, it's not just pollution. It is an oxidization that occurs that turns the stone black. I'm underneath this fucking green bridge here.

• 14:57Blindboy Boatclub?

  If you showed this to a Yank, they'd have a heart attack.

• 15:03Blindboy Boatclub?

  This is the English equivalent of the cliffs of Moher, lads.

• 15:08Blindboy Boatclub?

  I will not give the British Empire credit.

• 15:12Blindboy Boatclub?

  But where I'm standing right now, underneath this gigantic, actually no, if you showed this to a Yank, it wouldn't give him a heart attack. Actually, where I'm standing right now feels like how you'd describe Brooklyn in nineteen fifteen. Underneath the bridge. It's amazing. Phenomenal, astounding. Up the rail.

• 15:34Blindboy Boatclub?

  So I think it is. It's reasonable to say now that I'm actually lost in Newcastle because

• 15:43Blindboy Boatclub?

  I don't.

• 15:46Blindboy Boatclub?

  So because the place is so industrial and there's so many gigantic bridges. It's like being in a huge cavern. And I don't have any reception on my phone. So I can't rely on Google Maps.

• 16:02Blindboy Boatclub?

  So I'm climbing these giant hills. Right now.

• 16:08Blindboy Boatclub?

  I'm outside Newcastle Castle.

• 16:12Blindboy Boatclub?

  Which, I'm gonna walk up the cobbles to Newcastle Castle now. And I'm gonna, I'm gonna use a map.

• 16:19Blindboy Boatclub?

  I'm gonna use a map outside the castle to orient myself and try and find this museum. Course we gotta give an honourable mention. To Newcastle Castle. Where the city was named after, the fucking Newcastle, alright? Fair play to the Brits for doing that, sorry for bashing the old Brits, lads, if you're English listening, but

• 16:41Blindboy Boatclub?

  I must be anti-colonial about this. Isn't that great? Isn't it great that you get to name a fucking city Newcastle, isn't it? What does that mean? What does Newcastle mean? Well, it means there's a castle and it's new. Isn't that fucking great? Because you came over to Ireland and changed all our fucking names, you cunts. That's a bit harsh. It's not a bit harsh, I'm not talking about you, I'm talking about the, the British Empire. We'd love to have places called Newcastle, we don't. We have, uh, ye hard Irish names that used to mean things, very important things, and then changed them into what ye think they sound like. And now we have names that mean nothing, like Limerick, means fucking nothing. Mayo. The fuck is Mayo? You put that in your sandwich, man? Put that in a sandwich.

• 17:27Blindboy Boatclub?

  But Mayo, really, in Irish, it means plain of yew trees. Ah, the place with all the yew trees. So anyway, I'm outside, uh,

• 17:37Blindboy Boatclub?

  the Newcastle Castle and I wanna give this an honourable mention. Strange looking thing. I know that, oh wait, no, there it is over there, I was looking at the wrong castle.

• 17:49Blindboy Boatclub?

  I was looking at the wrong castle, I wasn't, that's not Newcastle Castle at all, and what the fuck that is? The castle's over here. I'd be shit if I was invading England, wouldn't I?

• 18:00Blindboy Boatclub?

  I'd be terrible.

• 18:03Blindboy Boatclub?

  Bitching about, standing outside not the castle to pause and have an old bitch. And then miss the castle entirely. Get shot into the head like a, i- i- shot into the eyeball. With an arrow, which I believe happened too. I could be wrong, but I believe William the Conqueror got shot into a fuck, shot into the eyeball with an arrow. As is depicted in the Bayeux Tapestry. And this Newcastle, which I'm standing outside right now, it's definitely the castle.

• 18:36Blindboy Boatclub?

  So William the Conqueror was the, the Norman, the Norman in ten sixty-six that took over this island. And the current royalty and the king and the queen and all those stupid cunts. Traced their ancestry to that one person, William the Conqueror, who was a, a French Viking. And I'm sure I've done podcasts about him before, he's got one of my favourite deaths. He, after sacking all of England, especially the north. He, he got fond of, uh, sausage sandwiches or whatever the fuck they used to eat, head chugs, Normans used to eat head chugs. He got fond of eating head chugs and got a big belly on him.

• 19:21Blindboy Boatclub?

  And then one day on his horse, his saddle caught his belly open and he died from sepsis. But then when they'd thrown his body into the, when they'd thrown his corpse into his coffin. This was the eleven hundreds, like, so they didn't have embalming or anything. His corpse was kinda beginning to rot and there was sepsis. So he bloated inside in his coffin, but then he was a bit too big for his coffin. And his coffin exploded with his entrails everywhere and the poor people rifled through his guts. And stole jewels from his fingers. Anyway, his son, whose name I can't think of, built this castle that I'm looking at right now, William the Conqueror's son, and he built it because he was terrified of Scottish people.

• 20:06Blindboy Boatclub?

  Newcastle right there was a defensive structure to defend against the picts. The mad Scottish cunts up above. Fair play to him.

• 20:18Blindboy Boatclub?

  So now I'm standing in an Argos, in a shopping centre. I don't know the name of this shopping centre, it's very large. There's a John Lewis.

• 20:30Blindboy Boatclub?

  There's Saint George's Way, Eldon Square. I'm in the Eldon Square Shopping Centre. And I'm in an Argos.

• 20:40Blindboy Boatclub?

  I came here when I need to purchase a loafer. I left my loafer in Brighton, so I've been washing my skin with my bare hands, which I don't like. I like to wash myself with a loafer. So I came to Argos to purchase a loafer. Now, I could have bought in the loafer anywhere I wanted, but we don't have Argos's in Ireland anymore.

• 21:00Blindboy Boatclub?

  So I came here just to feel something and to reorient it and to reorient myself. I'm after getting lost in Newcastle, lads. My phone isn't working.

• 21:11Blindboy Boatclub?

  So I found this shopping centre, which is, it's in the direction of the museum. So I'm just gonna wait here to get my loafer on number 210.

• 21:21Blindboy Boatclub?

  I mean, why don't we have Argos in Ireland anymore? Because of cunts.

• 21:26Blindboy Boatclub?

  Private equity.

• 21:29Blindboy Boatclub?

  I believe Argos was subject to a leveraged buyout. Same with Debenhams. Basically, what happens is a collection of wealthy cunts.

• 21:40Blindboy Boatclub?

  Um, private equity company, right? They will purchase a successful business using debt. They will purchase it with debt. But then the successful business is purchased by cunts with debt. And now this successful business has debt, which it can't pay. And then all the workers get fired, the stores close down. And the people who purchased it give themselves giant bonuses. So that's why we don't have Argos's in Ireland anymore. So it's nice here to be, feels like 2019. Feels like being in Limerick in 2019, standing here in an Argos. Oh, there we go. Okay, I'll see you later.

• 22:19Blindboy Boatclub?

  Thank you so much.

• 22:23Blindboy Boatclub?

  Thank you. Okay, I got a new loafer in Argos. Now I'm feeling good about myself. Onto Pretta Manger.

• 22:34Blindboy Boatclub?

  So I'm here in the Pretta Manger of Eldon Square, having just reoriented, reoriented myself in the Argos and purchasing that loafer. I'm settling down now to my Italian chicken salad.

• 22:49Blindboy Boatclub?

  I mean, this is a strange journey. My, my phone, I'm not getting any 3G, 4G, 5G, anything on my phone. I don't know what's after happening. So I'm effectively lost and I'm trying to find my way to the museum, the old school way.

• 23:05Blindboy Boatclub?

  The young Ian in me.

• 23:08Blindboy Boatclub?

  Earlier on, lads, that high level bridge. I mocked the ancestors. That big bridge was built. On 1848, 49, most definitely, most definitely. I, I don't have the facts in front of me, but I would wager heavily. Because of the year that was built using the labour of Irish people escaping the famine, without a doubt. I know by the size of it and the year, people died making it. So I would wager strongly. Irish famine people died making that bridge. And then I went to underneath the arches and started whispering, cunts, cunts. Whispering cunts at it.

• 23:52Blindboy Boatclub?

  I offended the ancestors, the fairies got involved somehow, because I literally just turned around. Found myself in the graveyard of a Presbyterian church, disorientated, lost. And that's what happens in the folklore. That's what happens. The fairies would spin you around and before you know it, you're lost. And then I checked my phone and now I'm lost in Newcastle. And I'm not saying that's what definitely happened, but the young Ian in me

• 24:24Blindboy Boatclub?

  is leaning towards that direction.

• 24:27Blindboy Boatclub?

  What am I doing in Pretta Manger, you're asking? Because I know there's people listening going, you useless cunt. You're in a gorgeous city like Newcastle, because it's a beautiful city with a functioning economy. There's loads of beautiful, wonderful restaurants around you. And I'm looking at the lovely restaurants. What are you doing in a Pretta Manger? What's wrong with you? Pretta Manger is like healthy McDonald's, you know what I mean? We don't have Pretta Manger in Ireland. And the reason I'm here is I am on tour, lads. And I'm on tour for the past two weeks. And I've been touring for 20 years and there's a few things that you learn when you're on tour.

• 25:07Blindboy Boatclub?

  And one of those things, first off, this tour is going fantastically. Do you know why? I'm not drinking alcohol at all. I'm going to bed on time, I'm exercising. And then the other thing, consistency with food. That's actually really important on tour.

• 25:25Blindboy Boatclub?

  This is really stressful. I'm doing 12, 14 hour days, non-stop travelling, gigging nearly every night. A million things can go wrong. It's a high stakes, high stress job. And one of the things I've learned over 20 years of touring, and if you're in a band, you can learn from this. Consistency in your diet is essential. So my lunch every single day is a Pretta Manger, uh, Italian chicken salad.

• 25:56Blindboy Boatclub?

  Because if I start mixing things up, I decide Tuesday, I'm gonna have some Thai food. Wednesday, I'm gonna have some Chinese. You start mixing things up like that and it can have unpredictable, an unpredictable impact on your gut. You can feel weird or you can get the shits. You don't want the shits on the road trying to get to gigs. So I stick with that Pret salad so that I have identical consistency every single day. And I don't interrupt my gut biome. So there's a reason for this, if you're very disappointed in me. Once I've finished eating this chicken, what a fucking weird podcast. What an odd podcast episode, but what are you gonna do? I'm doing this so that when I get back on Monday night, I don't have to cram on a Tuesday.

• 26:39Blindboy Boatclub?

  And I want to spend time with my little fucking children on Tuesday, who haven't seen me in two weeks. So I'm doing, this is my day off and I'm trying to see what I can do on this day off. And take you on an odyssey now, thought I was just going to a fucking museum. I'm gonna eat this salad and then we'll get back on the road. And I'm gonna just keep travelling north, the old school way, until I find this museum.

• 27:03Blindboy Boatclub?

  I'm walking past Newcastle University now, I've exited the shopping centre. I've orientated myself correctly, travelling north, doing it the old school way, looking at road signs.

• 27:16Blindboy Boatclub?

  I quite enjoyed the here and now-ness of this experience.

• 27:22Blindboy Boatclub?

  You know, we're used to just looking at our Google Maps, but this time couldn't do that. I had to ask people for directions. I had to look at road signs. I had to orient myself towards north.

• 27:37Blindboy Boatclub?

  I found a public toilet, lads.

• 27:40Blindboy Boatclub?

  Back in that shopping centre, I found a public toilet, not by using signs, but by observing people's body language, which is one of my favourite things to do.

• 27:51Blindboy Boatclub?

  You can always tell where there's a public toilet because, especially in shopping centres, the way that men stand. Men stand around holding bags in a very, a very specific way. They look like little lost children. Grown men looking like lost children holding bags. And that suggests that they're waiting for their wife or girlfriend to come out of the toilet. So that's one indicator.

• 28:15Blindboy Boatclub?

  Women, when women come out of public toilets, they tend to walk very quickly. They tend to walk away from the toilet rapidly to get away from it as, as soon as possible. Which connotes shame. It's an interesting thing. It connotes shame.

• 28:32Blindboy Boatclub?

  Um, somehow some type of shame that's imposed upon women for doing natural things like going to the toilet. So I notice women walk away very quickly. And when I see that type of walk, I'm like, okay, there's a Jack's nearby.

• 28:47Blindboy Boatclub?

  I think I may be at the museum, I'm not sure.

• 28:52Blindboy Boatclub?

  I'm at a World War One memorial now, I believe.

• 28:57Blindboy Boatclub?

  1914, yeah, there's a bang of World War One after that.

• 29:02Blindboy Boatclub?

  Oh, there's a Union Jack.

• 29:06Blindboy Boatclub?

  Um, I suppose, oh, there's Newcastle University, okay. Now is a good time to do an Ocarina Pause, I suppose. I don't know how far I am into this podcast. I've been walking now for at least 90 minutes. I don't know how that's gonna translate to you, the listener. But let's have a little natural Ocarina Pause before I actually enter this museum. Because my goal is, can I tell the history of the world in five objects? That's what I want to try and do this week.

• 29:38Blindboy Boatclub?

  So this podcast is supported by you, the listener, via the Patreon page, patreon.com forward slash TheBlindByPodcast. This is my full-time job and this is how I earn a living. This is why I am traipsing around the streets of Newcastle. On what should be my day off, to make sure that I get a podcast done for you, the listener. I adore this podcast. I am eternally grateful that this is my job, but it's only possible because of listener funding. So if you find yourselves listening to this because it gives you mirth, merriment, entertainment, distraction, please consider supporting it directly. Look, all I'm looking for is the price of a pint or a cup of coffee once a month, that's it.

• 30:23Blindboy Boatclub?

  If you can't afford that, don't worry about it. Because the person who's paying is paying for you to listen for free. And if you are paying, you're paying for another listener to listen for free. Everybody gets the exact same podcast. I get to earn a living. It's a wonderful model based on kindness and soundness. And also it means we're not beholden to advertisers, all right? Um, I think I can see that museum now in the distance. I'm looking at it. Upcoming gigs, not that much after this tour. Well, look, there's a Sligo gig that's sold out. There's that gig in Waterford on December 11th, I believe, called Winterfell. I'll have a couple of Irish gigs in early 27. I think I'm doing Cork and Dublin.

• 31:08Blindboy Boatclub?

  I'll have more information on them when I, when I get grounded, when I get back home and I'm in my studio and I can fucking remember. And then we've got that tour of April 27, Australia, New Zealand. All right, go to my website, theblindbypodcast.ie for all of these tickets, all right? Now let's just have a little gentle, natural Ocarina Pause before I venture forth towards that museum yonder.

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• 34:16Speaker 07

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• 35:01Speaker 07

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• 35:46Blindboy Boatclub?

  Lovely pause there, so you could hear adverts for bullshit.

• 35:51Blindboy Boatclub?

  So lads, I'm here in the great Hancock Museum,

• 35:56Blindboy Boatclub?

  which is an utterly phenomenal space and a gorgeous public resource, like just a proper, proper fucking museum. It has everything from natural history to fossils to the history of Roman Britain, Anglo Saxons. I'm looking at a big giant cunt of a T-Rex skeleton. I wonder is that real? My goodness me.

• 36:19Blindboy Boatclub?

  Wow. I wasn't, I wasn't, I wasn't gonna speak about this. But it's amazing to see an actual T-Rex. I've never been beside a big T-Rex skeleton before. Wow. I wasn't, I wasn't, I wasn't gonna speak about this. But it's amazing to see an actual T-Rex. I've never been beside a big T-Rex skeleton before. Five-year-old me, five-year-old me would have gotten very, very excited about this. I'm trying to reconnect with that feeling.

• 36:54Blindboy Boatclub?

  I didn't think I'd be talking about dinosaurs here, lads.

• 36:58Blindboy Boatclub?

  Oh, what have we got? We have some fossils here now of...

• 37:05Blindboy Boatclub?

  Sure, fuck it, I said I was gonna tell the history of the world. I was gonna start maybe 2,000 years ago, but why not start several million years ago? Because what I'm looking at right here are...

• 37:17Blindboy Boatclub?

  There are fossils of ancient ferns from the Carboniferous period. So you're talking 300 million years ago. These are fossils of ferns. Not trees, but gigantic kind of ferns that are the same size as trees. And I don't know if this... They'd have to be making this connection somewhere because it's too obvious. These 300 million year old ferns, the Carboniferous forests, they decomposed in a... There was a giant extinction event 305 million years ago and a lot of those ferns died

• 38:02Blindboy Boatclub?

  and rotted on top of each other into swamps, which would have been like over Newcastle now. Now, how do I know that? Because of coal. These 300 million year old ferns, their carbon stayed in the earth and became the great coal seam. And Newcastle, those bridges and shit that I got lost under earlier, Newcastle was a coal city. It was burning coal, it was bringing coal in, it was mining coal.

• 38:35Blindboy Boatclub?

  Newcastle's wealth and splendor over the past 200 years is based upon coal that came from these 300 million year old ferns that rotted into the earth and held their carbon deep in the swamps and that became the coal seam.

• 38:54Blindboy Boatclub?

  I'm standing here in the museum beside the body of a mummy by the name of Etthorou and it's a very strange situation to be in because this is an actual, this is a human being's body that I'm staring at and even though she's, I think, 2,500 years old, she's preserved so perfectly that it doesn't feel ethical. I'm conscious that this is the actual body of a, a human being. I don't know how dignified this feels. And just before I came over, I can see some of her internal organs, I believe, just before I came over here,

• 39:33Blindboy Boatclub?

  there were some women about, they would have been in their 40s with their little kids and when they brought the kids over to the... Like this is, to describe this to you, it's a mummy and the shawl has been wrapped off and you're dealing with kind of really dark leathery skin. This is a human, an emaciated, preserved human corpse on display. And you can see the expressions on her face. And these women came up with their little kids and there was silence because you can tell that both the kids and the women were confronted with the, the feeling of this

• 40:14Blindboy Boatclub?

  is uncomfortable, this is an actual human being here, this doesn't feel right. And one of the women said to her friend, "Oh, I remember this from when I was a kid." So this mummy here is quite famous in this museum and I think it's been, I won't say traumatizing, but it has been confronting generations of people from Newcastle with something quite uncomfortable. I'm just gonna move away from the mummy now because a lot of little kids came over and I don't want to hear, just in case I say the word cunt or something. So I'm gonna go out into the corridor where it's a bit quieter, but yeah.

• 40:53Blindboy Boatclub?

  I don't know how I feel about that. Yes, it's a 2,500 year old body, but...

• 41:01Blindboy Boatclub?

  You know, it's a human being on display, just there in a museum for us to gawk at. And, like, again, I believe her body was this, her body would have been brought to Britain. Around the eighteen thirties, you're talking the big colonial period. Britain is incredibly wealthy from looting the world, the Industrial Revolution. And a body like Etroo in there, who was, we don't know who she is. The thing is, they don't know if that was her name, they don't know was she a princess? They haven't a fucking clue, it's just a mummified body.

• 41:44Blindboy Boatclub?

  And they don't know if the sarcophagus, which is the ornate coffin that mummies come in, if that even belonged to that body. Because in the eighteen thirties, they used, the, the rich people, the really, really wealthy English people and the French people and any of the colonial nations, they would have had what were called unwrapping parties, which were macabre events, where you'd pay a lot of money. I'm talking the equivalent of Elon Musk now, but it's the eighteen thirties. So some fucker who owns a steel factory or some shit like that.

• 42:22Blindboy Boatclub?

  Posh people would call around to his house and they would have an unwrapping party. And an unwrapping party is when they would get an Egyptian mummy that's been taken from its tomb. And they would take the bandages or whatever you call it, wrap them off their body and reveal the remains, the preserved remains of the human being underneath. And it's from that culture of just effectively really rich people doing shit in their houses, that a lot of that ends up in museums like this. And I still don't know how I feel about it. Yeah, it's two thousand five hundred years old, but I don't know, can they not just make a copy of it?

• 43:08Blindboy Boatclub?

  Doesn't feel right, I don't like the feeling of it. It's a human being and we're gawking at her naked body and it's quite clear from the belief system at the time, they took burial very, very seriously and these bodies were not to be disturbed. So her afterlife now is in a museum in fucking Newcastle, where a man is talking about the dignity of his corpse after eating a Pret a Manger. I'm still in the Egyptian section and what I'm doing is I'm looking at some scarab beetles. I fucking love scarabs. Scarabs are, there's lots of them, they were from ancient Egypt.

• 43:54Blindboy Boatclub?

  Some of them carved into stone, some of them carved into precious stone, some of them carved into gold. They were like amulets, it was the body of a beetle carved into stone. And people might have worn them as necklaces, carried them around with them, they'd be the Egyptian equivalent of a Saint Christopher or a crucifix. And what I mean by that is they didn't necessarily denote class. You can walk into fucking Argos and you can buy yourself a crucifix for fifteen quid. Or you can go into a big fancy Jodas and you could buy yourself a crucifix for a quarter of a million quid, or a million quid if you wanted to. But it's still the same crucifix and scarabs were a bit like that. Some of them were mad posh, some of them were not, but what it was.

• 44:39Blindboy Boatclub?

  Why are people walking around the gaff with a carving of a beetle? What did that mean to them in Egypt? Well, the dung beetle, the scarab, I'm after moving into a quieter area. What I have not taken into account is that this is midterms, so there's children having unbelievable crack and marveling and screaming and roaring at the excitement of being in the museum, fair play to them. And isn't that wonderful? But I'm having to move around screaming children. Um, I think the joy of a tiny child in a museum is infinitely more important than my fucking podcast, The Truth.

• 45:21Blindboy Boatclub?

  But scarabs, right? They're based on the dung beetle. And the dung beetle is a really, really important insect, in terms of its role in biodiversity. Roll dung, it would roll shit, the shit of animals, horse shit, camel shit, whatever shit you had, the dung beetle would roll it, lay its eggs in there. But it would, it would help dung to decompose and release those nutrients back into the soil, so it had a hugely important role in biodiversity. But the thing with dung beetles and the ancient Egyptians is, they, they had a god, I cannot

• 46:03Blindboy Boatclub?

  remember the name of this fucking god because I'm doing this off the back of my, I'm doing this off a memory, so I can't consult things, right? But the ancient Egyptians did have a sun god, not Ra, a different one, a sun god who had a beetle for a face, a dung beetle for a face. And the scarabs are about that god. Because the Egyptians, when they, when, when the sun would rise in the morning, all the little dung beetles would come out and they would start rolling their balls of dung, that's what dung beetles do, you've, you've seen them on documentaries. They'll get dung and make it into a perfect ball and then they'll roll it across the ground and they lay their eggs inside in that ball.

• 46:45Blindboy Boatclub?

  But the Egyptians believed that the god would roll the sun across the sky and that's how the sun moved around the earth. So dung beetles were very, very important to the ancient Egyptians and it's very beautiful when you think about it. They were like cosmic insects. They would look up at the sky and see the sun rolling across the sky and then they'd look down at the ground and see that same activity mirrored exactly in the dung beetle's behaviour, in the way that it rolled shit. So the dung beetle would roll a lump of shit across the ground and then they would assume, oh, the god, the sun god must roll the sun like it's a giant lump of shit.

• 47:30Blindboy Boatclub?

  And I find that very, very beautiful, the way that the biodiversity in the ground is echoed up in the sky and how people drew that connection and got meaning out of it. That's gorgeous. So that's why I love scarabs. I fucking love Egyptian scarabs and there's many of them here at this museum. Okay, I've moved to a quieter part of the museum now because it's the midterms and all the little kids are in this museum having unbelievable amounts of fun and screaming and roaring and expressing joy at the, at all the wonderful things they're seeing here. But that is difficult for me to record a podcast, so I've come to a quieter area and

• 48:15Blindboy Boatclub?

  now I'm looking at the taxidermied body of a common wombat from the country we'd call Australia. And it's from seventeen ninety-eight and what I find fascinating about, about it is, it looks nothing like a fucking wombat. Because what happened was, one of the explorers, English explorers, caught a wombat over in Australia, decided to try and bring it back to Newcastle, it died along the way. Then when he brought the dead body to Newcastle, he brought it to a taxidermist. But the taxidermist had never seen a wombat and the person who brought the body had never, didn't know anything about wombats or how they behaved.

• 49:00Blindboy Boatclub?

  So they reconstructed its skeleton in the most strange way and put it standing upright like a kangaroo. Because the context that they did have was Australia has kangaroos, so let's put it standing upright like a kangaroo. So you have this perversion. Again, it reminds me of that body of the mummy upstairs. It reminds me of that, here we are supposedly in this fucking museum of science. And what you have is this, this level of, of ignorance, utter ignorance to, we'll say the beliefs of the Egyptians and the dignity of a person's body. And now you have here the dignity of the wombat.

• 49:44Blindboy Boatclub?

  Or maybe what did the mom, what does the wombat mean to the ecosystem of Australia? What did the wombat mean to the indigenous people of Australia and their belief systems? Did anyone ask those people? So now you just have this crazy looking taxidermed wombat standing on two feet, not looking like any animal you've ever seen in your entire life. And there's an arrogance to all that. An arrogance and an idea that just because you're this big fancy fucking empire with so much money that you're right about absolutely everything and now we can look at it and go, this is the stupidest shit I've ever seen in my life.

• 50:27Blindboy Boatclub?

  It's cross-eyed as well, cross-eyed wombat standing up.

• 50:33Blindboy Boatclub?

  As absurd as the mummy upstairs. I've now exited the museum and it's fucking dark outside.

• 50:45Blindboy Boatclub?

  It's getting dark, that Newcastle skyline in front of me, that orange gloom. It's Halloween, it's thirty-first of October. Loads of people, adults and kids, walking around with painted faces, costumes. Before I came out, I went into the gift shop, had a little look around the mu, the museum gift shop and I bought two, two little hand puppets, rubber hand puppets, two different coloured T-Rexes that I have now on my, on my hands. They're not for me, I bought them for my, my two little children because I often do,

• 51:26Blindboy Boatclub?

  I do puppet shows for my little children, but normally I use socks, two different coloured socks on either hands and I do voices, but now I've got these like rubber T-Rexes, a green one and a red one that I can do. Do you ever see, do you ever see a stegosaurus? Do you ever see a? I have to whisper because people fucking look at me. Do you ever see a stegosaurus wearing shorts? What do you mean stegosaurus can't wear? Stegosaurus putting on shorts, they'd never be able to wear shorts because they can't get them on over their horns. Stegosaurus doesn't put fucking shorts on. It's hard to stroke cunt. It's too loud now, I got too excited. People staring at me.

• 52:07Blindboy Boatclub?

  If you saw a middle aged man walking away from the North Hancock Museum with two rubber T-Rex puppets on either hand having an argument, then that was me.

• 52:17Blindboy Boatclub?

  It was difficult recording inside in that museum because of all the, the little children and

• 52:25Blindboy Boatclub?

  it's not because they were being noisy, it's because it was breaking my heart. And it was reminding me of my own little children who I haven't seen in two weeks. And every time I heard a yelp or a scream or a little tiny figure running past in the corner of my eye, I felt very sad and I wanted,

• 52:46Blindboy Boatclub?

  I wanted my kids to be with me in that museum so I could show them things, tell them all the facts about the objects and answer the questions when they ask me, what, what's that? Dada, what's that? What's that? So that was, I wasn't expecting that and that's what made that recording difficult for me. Not necessarily the noise. And, and this is also the, this is the big reason that

• 53:11Blindboy Boatclub?

  why am I walking around Newcastle trying to record a podcast on what is supposed to be my day off? I've been gigging every single night and travelling and today, Halloween is supposed to be the day that I get to do absolutely nothing and relax. The, the reason is

• 53:31Blindboy Boatclub?

  I'm gonna go back to Ireland on Monday night and I don't want to have to go into work on Tuesday morning and spend the entire day at work recording Wednesday's podcast. I wanna spend all of my time with my two little kids and I definitely don't want for them to see me a tiny bit on Monday and then I'm gone all of Tuesday. It's very tough being away for two weeks and I'm sure it's tough for the two of them as well because I can't explain why I'm gone away for two weeks. So hopefully something like bringing back these two little dinosaur puppets. That's the type of shit that makes my return memorable and happy and joyful. But I haven't said that. I fucking really loved,

• 54:18Blindboy Boatclub?

  I just loved this, this journey today, this odyssey. This was unplanned. The plan was, is I was gonna get to that museum nice and easily and just record a straight museum podcast. That was the plan. I even had, there were certain objects in the museum that I'd, I'd spent yesterday researching with the intent of speaking about them. Like the Carcass Carnes, which were these Bronze Age gold ornaments that they'd found up in Northumberland, which I thought were gonna be in the museum and they weren't. Ireland is one of these street sweepers.

• 55:02Blindboy Boatclub?

  They're always very loud. The things did not go as planned today.

• 55:09Blindboy Boatclub?

  But I leaned into the failure of it. Fuck it, I can't get to the museum, then let's, let's make the journey the story. And themes emerged. The themes that emerged this week just spontaneously bubbled up into existence. I think respect for the dead, mocking the dead jumped up. It's Halloween. Sowen back in Ireland is where, you know, that's where Halloween fucking comes from. But this is the day where the veil between the other world and this world is thin and the dead and the fairies can wander amongst our world today and they play tricks on us. You know, everything went, everything went pear shaped.

• 55:54Blindboy Boatclub?

  When I began this journey,

• 55:57Blindboy Boatclub?

  just on the keys there on the River Tyne, I took a turn and found myself underneath the high level bridge

• 56:04Blindboy Boatclub?

  and became enamoured by the giant arches. And then when I started whispering cunts, whispering cunts into the arches of the bridge. Now, I was actually whispering cunts at the, the English industrialists who would have built this and who would have used dangerous exploitative labour to build that bridge. Most likely famine Irish, the poorest of the poor. So when I was whispering cunt into those arches, it was actually directed at the industrialists. But if that, but if there were Irish ghosts in there. So I was, I was whispering anti-colonial cunts into those arches. But if there were Irish Halloween spirits in there, the spirits of labourers who died building that bridge, it'd be very Irish of them to mishear me and think that I was

• 56:49Blindboy Boatclub?

  calling them cunts. And then what happened? I suddenly found myself, I turned around, walked up one little alleyway and I was in a Presbyterian graveyard and I felt dizzy. I felt, I felt disoriented, whatever way I turned around, because that part of Newcastle is overwhelming. It's a cavern of giant buildings and tiny winding little alleyways. It, it's overwhelming and confusing. And when I found myself in that Presbyterian fucking graveyard, I was confused and disoriented and I didn't know what was north or south or east or west and my phone wasn't working. Now, this can all be rationally explained.

• 57:33Blindboy Boatclub?

  Most likely, I'm experiencing the beginning of autistic burnout. I'm at the very end of a tour. I've spent the past two weeks speaking to, small talk with multiple strangers every single day. So at the end of every tour, I have to mind myself because I get burnout. And when I get burnout, I get really confused and I get disoriented and I lose skills of executive functioning, planning, reading maps, looking at road signs, being able to ask people for directions. So there's a bit of that going on. But I liked the Jungian analysis. I whispered anti-colonial cunts at the arches of a bridge.

• 58:14Blindboy Boatclub?

  Offended the ancestors, the fairies got involved and spinned me around because that's what they do if you go through the folklore, the Irish folklore. There's so many stories of people walking by themselves and then they get distracted. They get distracted by lights over a bog, the willow, the wisp, or they get distracted by a white horse running through a field. Something almost supernatural pulls their eye and then before they know it, they're disoriented and they're lost. And then they wander a type of purgatory landscape, the other world, for what they think is days.

• 58:56Blindboy Boatclub?

  And when they finally return home to their family, all their family are dead, hundreds of years have passed. And that's a motif in Irish folklore. The fairies will spin you around, they confuse you, they'll make you get lost and disoriented if you're a lone traveller. That's why when I got lost in that church at the start, I said, I'm supposed to put my jacket inside out now, because that's what the folklore says. If you're a lone traveller and you're concerned about a fairy landscape or a landscape where the line between this world and the other world is hazy, such as Halloween, you wear your clothes inside out to confuse the fairies. So a person back in Ireland, 1930s, 1920s, if they were scared and paranoid about walking

• 59:41Blindboy Boatclub?

  alone by themselves, the superstition, they'd have to take their jacket off and put it on inside out to protect themselves. But also that theme of mocking the dead,

• 59:53Blindboy Boatclub?

  that's what popped into my unconscious. And I think that's why when I was suddenly confronted with the corpse of a Tuero

• 1:00:05Blindboy Boatclub?

  in the museum just there, it didn't feel nice. It's, I was just looking at a woman, a 2,500 year old woman, but I'm just looking at a human being.

• 1:00:18Blindboy Boatclub?

  Her body was mocked. They ripped the shrawls from her flesh, put her on display. The Victorians drove screws through her head to, because at one point she was standing up around 1880, she, she would have been on display, standing up. So her body has been through so much and it hasn't been allowed to decompose because the Egyptians were so good at the mummification preservation process. And when those two women come up with their kids.

• 1:00:51Blindboy Boatclub?

  And when they saw the mummy with their tiny little children, it wasn't a good feeling.

• 1:00:56Blindboy Boatclub?

  And one of the women turned to the other and said, "Oh, I remember her from when I was a kid." And it wasn't a nice "I remember her," it was, "Oh yeah." That was a bit unpleasant when I was a child, and now my child is seeing that unpleasant thing too. And I felt sorry for those women, for those kids, and I felt sorry for the body of Ovotru. She's a source of little shocks. There's people walking around here in Halloween masks, skeletons, scary faces, and that's what those British explorers did with her body. They made her a scary face zombie mask thing at their unwrapping parties, a macabre display to give people a little shock.

• 1:01:42Blindboy Boatclub?

  She thought she was being laid to rest. The people who cared about her thought she was being laid to rest. But now she's a spectacle, floating in a permanent purgatory, frightening the public without her consent in a museum. It feels like mocking, mocking the dead. And then that ridiculous fucking wombat, standing up on two legs, fake nose, a completely unrealistic reassemblage of a wombat for people who've never seen a wombat, but presented as factual at the time under the authority of natural science and colonialism.

• 1:02:24Blindboy Boatclub?

  So what I liked about today's journey is that past hour, well, it was, it was four hours in my time, but that past hour that you just listened to, that's an example of psychogeography. A story was written there with my feet. Psychogeography was used by an artistic movement called the Situationists around the 1950s. And it's basically where you would explore a place on foot. But you examined the geography, the architecture, the history, the atmosphere of it, and you let it influence your thoughts and then your storytelling, your artistic practice.

• 1:03:07Blindboy Boatclub?

  Everything that happened in today's journey would work as a short story. All the elements are there. It's got setup, conflict, resolution. I'm trying to go to a museum, but then I get distracted by a bridge and disoriented and I can't find the museum. I've become convinced that I'd offended the dead and the fairies had spun me around. And then when I finally find the museum, I'm confronted by artefacts that mock the dead. And I become sad. Then I realise that the sadness all along was me missing my children. So that there is a, that's a short story. That has all the elements there. That's a first draft of a short story. I'd go back and edit it. And probably the first thing I'd get rid of in the edit is I'd go,

• 1:03:53Blindboy Boatclub?

  "That's a good story, but did he need to go into Argos to buy a loofah? What was the motivation behind that?" This week's podcast is like, it's a demonstration. If you're listening to this and you're an artist, you're a creative person, and maybe if you're stuck in your studio or stuck at your writing desk and nothing is coming to you, go for a creative walk. You go, your phone is not allowed. You are going for a walk with curiosity and your senses being the driving force of that wander. I mean, I did get lost there and it did take me a long time to find that museum. And I didn't have my phone to search for directions.

• 1:04:38Blindboy Boatclub?

  And I could have asked more people for directions, but I also didn't do that because I can feel that burnout coming on and I don't want to be talking to strangers. I mean, I found a public toilet by observing the body language of people who walk away from toilets. That's a bit of a burnout warning. Would you not just ask someone where the toilets are? No. No, because that would mean conversation. So I did get lost, but the difference between simply getting lost and this week is I recorded it all. I had a goal and the creative goal was, no matter what happens, I'm recording a podcast. So I'm going to record the failure. The playfulness of that, that'll open you up to flow states to openness,

• 1:05:22Blindboy Boatclub?

  to the relaxed, safe parts of your brain where your ideas come from. The ideas that you couldn't get back in the studio or sitting down at your writing desk. Go out and have a walk with curiosity and playfulness as the goal and you can drag yourself out of a rut. I mean, I mean, what's widely considered to be the greatest piece of literature of the 20th century is, what would often get named would be Ulysses by James Joyce. It's just a book about a man having a walk. I mean, that's what it is. Joyce took the structure of the Odyssey, that ancient journey, that ancient tale. But it's a dude walking around Dublin and his thoughts and what he sees

• 1:06:06Blindboy Boatclub?

  and the people he meets and the conversations he overhears. I would imagine that Joyce wrote a lot of that on his feet. So give that a try. Psychogeography, the derive, which was the name that the Situationists gave for a very specific type of creative wandering through a city. So before I leave you, next week is Science Week. So I'm gonna, I'm gonna be speaking with a scientist next week for Science Week in Ireland. It's from the 8th, 15th of November. Gonna be free events with scientists all around Ireland. Go to scienceweek.ie if you want to find out what's going on in your locale if you're living in Ireland. And one last thing, I don't do merch, you know, I've never done merch.

• 1:06:50Blindboy Boatclub?

  But I'm gonna be doing a very small amount of merch on the 6th of November with 100% of the profits going to charity. So there's a company up in Dublin by the name of Warren X Bread. So W O R N X B R E D dot I E.

• 1:07:12Blindboy Boatclub?

  And they're making like a limited edition Blind Boy t-shirt. So it'll be a really nice t-shirt with a painting of me on it. And you'll be able to get them from the 6th of November from warnxbread.ie, W O R N X B R E D dot I E. And like I said, 100% of the profits go to charity. And the charity that I've chosen is an Irish charity called Honored Hindra Jap. It is an Irish Palestinian humanitarian centre which supports tiny children who've been displaced by the genocide in Gaza. So I'm talking about,

• 1:07:58Blindboy Boatclub?

  it's very difficult to even talk about this stuff, lads. Children of about three, four, five, six years of age who don't have parents, who've been displaced, who don't have homes because of a genocide that's happening. And they're too young to understand what's going on. And this centre helps them with education, literacy, giving them nutritious meals, clean drinking water, support.

• 1:08:26Blindboy Boatclub?

  This, they tried to give them a childhood, a dignified childhood that they deserve as human beings that they're not being fucking given because of a genocide. And the centre was named after Hindra Jap, who was a little

• 1:08:39Blindboy Boatclub?

  five-year-old girl who was murdered during the genocide. So I've chosen that charity, Honored Hindra Jap, because

• 1:08:49Blindboy Boatclub?

  I want to see, I want to see that money going to tiny little children, to give them those school bags, to give them food, to give them some bit of dignity and humanity and glimpses of joy into their little lives. So if you want to get one of those t-shirts, they're available from the 6th of November, 12pm. Very limited edition, warnxbread.ie. I will catch you next week. In the meantime,

• 1:09:19Blindboy Boatclub?

  rob a dog, wink at a wasp, gen you fleck to a seagull. Dog bless.

• 1:09:38Speaker 04

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• 1:10:14Speaker 06

  The Quarter Pounder with Cheese is made with 100% fresh beef, cooked when you order it. Then comes the melted cheese, the slivered onions, the pickles, the ketchup and the mustard. Add hot crispy fries and an ice cold Coke, all for $8. And if things go well, one loose fry at the bottom of the bag. The Quarter Pounder with Cheese meal, now $8. Ba da ba ba ba.