#386 - “The Sphinx Proves History Is Wrong” NEW Lost Ancient Text Revealed | Matt LaCroix

Watch every episode ad-free & uncensored on Patreon: https://patreon.com/dannyjones Matthew LaCroix is an author & researcher who has extensively studied the secrets of ancient civilizations, megalithic architecture, planetary cycles, and esoteric texts for over two decades. SPONSORS https://whiterabbitenergy.com/?ref=DJP - Use code DJP for 20% off. EPISODE LINKS Matt's YouTube: @MatthewLaCroix https://thestageoftime.com FOLLOW DANNY JONES https://www.instagram.com/dannyjones https://twitter.com/jonesdanny OUTLINE 00:00 - The mystery of a lost civilization 09:15 - The broken timeline of human history 15:38 - The oldest city ever built 19:28 - The Shuruppak excavation 25:54 - Epic of Gilgamesh 32:04 - The sacred knowledge of heaven and earth 36:30 - Symbolism of stone T's 40:39 - Why America has no ancient megaliths 48:19 - Stone T symbolism found in Egyptian pyramids 57:55 - The "signature" of advanced ancient civilizations 01:02:50 - Kailasa Temple 01:07:26 - Cosmogram: the meaning of ancient symbols 01:11:54 - When & how an ancient civilization died out 01:22:03 - Climate graph no one talks about 01:24:11 - Dating ancient civilizations using the sphinx 01:29:45 - Why the sphinx is likely 38,000 years old 01:37:57 - Sacred knowledge & the three doorways 01:43:07 - Gods of life & death 01:44:52 - Ancient symbols decoded 01:49:18 - What the "T" symbolism represents 01:53:30 - The 3 levels of reality encoded in stone 02:00:56 - The temple gateway to the Underworld 02:04:41 - Gold rods as an ancient altar tool 02:07:25 - Ancient mystery schools 02:09:14 - Hermeticism 02:14:40 - Why hermeticism was destroyed 02:20:51 - The fractal source code 02:22:40 - The pyramids as stargate technology 02:31:30 - How the blueprint could restore humanity 02:36:46 - How the ancient blueprint will change the world Learn more about your ad choices. Visit podcastchoices.com/adchoices

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• 1:06Danny Jones?

  Matt La Croix, welcome back. I'm very excited to talk to you, bro. Where did we leave off last time? We were talking about a lot of crazy stuff. And, uh, cause you, on the last podcast that you did, you had just returned from Turkey, I think?

• 1:17Speaker 03

  Yeah, we, this show is actually going to be a really wonderful expansion.

• 1:21Danny Jones?

  Yes.

• 1:22Speaker 03

  Off of everything that we were laying out last time and discussing. Because so much has happened since the last show that we did. And a lot of what we were talking about before, Danny, and of course, it's always a pleasure to have conversations with you, my friend. I really, truly appreciate talking to you.

• 1:37Danny Jones?

  I'm pumped, man.

• 1:38Speaker 03

  Yeah, I am too about this. And so last time, we were laying out this mystery, right? Let's, we'll set the stage here. This mystery of do we have a lost civilization, a lost chapter of our history that has not been acknowledged by mainstream scientists, academics, you know?

• 1:56Speaker 03

  And that has been fought over for a long time. You know, there's exit academics like, for instance, Dr. Robert Schock, who's part of my team, who has, you know, presented a lot of really significant evidence to show the water erosion on the Sphinx enclosure. But things like that has still not shifted the narrative. It still remains the same, right, Danny, that where our civilization emerged 6,500 years ago in ancient Mesopotamia, and anything that exists before that is hunter-gatherers and primitive. And that has been a fierce line that very few academics have wanted to cross.

• 2:34Danny Jones?

  Yeah, but wasn't there a recent article that came out, and this might have been more than, more than a year ago, actually, that they found a Chinese skull in China that they said was over a million years old. Remember that article, Steve, that we pulled that up recently in a podcast? There's, there's, there's research that's coming out, that's dripping out, whether, like, like, everything just keeps getting older and older and older. So like, there are definitely academics that are researching this stuff and publishing on it. Million-year-old skull rewrites human evolution, scientists claim. This was published September of 2025. So about three months ago.

• 3:13Speaker 03

  And I think that's, well, that's where we're going to continue to see these new pieces of evidence coming out that are challenging the old narrative.

• 3:20Danny Jones?

  And it says, it says that it's our species. So our species goes back a million years at least.

• 3:28Speaker 03

  And that's why what I'm about to present and what we're about to talk about should not be that shocking then, right? If we consider the fact that-

• 3:35Danny Jones?

  Well, normies aren't reading these articles. That's the problem. We gotta, we gotta, we gotta initiate the normies.

• 3:41Speaker 03

  Okay, well, we're gonna bring some evidence today, Danny, that is, I believe, paradigm shifting. And I'm not going to say that grandiose statement without backing it up with extensive evidence. What we're about to go over is historic.

• 3:56Speaker 03

  And I mean that on the most serious sense. Okay, this is not something that can go back in the box. This is Pandora's box opening.

• 4:05Danny Jones?

  What is this new research that you've recently discovered?

• 4:07Speaker 03

  This is based on after our, a number of months after our podcast. I, when we filmed in Turkey, we finished the filming and I'll give a little snapshot to where we were. We had finished filming in six countries, six countries. We got, we had Cambodia, we had Turkey, we had in the United States at the, at Penn Museum, in the archive museum, right? Peru, Bolivia, and then we were adding, and then of course, the Philippines. And we added the last one, which is part of my discovery, which is I'm going to get into here. So essentially, we were done. We're going to do all post-processing on the documentary. We're going to do all the editing. It was time, right? I was very proud of what we, what we'd done, and I am very proud of it.

• 4:48Speaker 03

  And I felt like what we had laid down was a lot of evidence to really show that there was a forgotten or missing chapter of human history, but not a primitive chapter, a quite a sophisticated chapter. Not talking about cell phones and computers, but their own level of sophistication and understanding and high level of knowledge. And what I didn't expect though, Danny, is how everything unfolded after. And so I think we need to, we need to spell this out and lay out, lay out some things before we get to that moment though, because we're kind of jumping too far. Okay, so what we were essentially talking about in the last show is, is there a lost chapter of human history?

• 5:28Speaker 03

  We were, I was showing you similar symbols in different parts of the world, similar megalithic masonry, right? And we were talking about them, we were talking about ancient cuneiform tablets, we were discussing a Dapa member being, and all those things. Well, this is going to take that to a completely different level. We're going to go down a road in which we can actually say, not only do these symbols match around the world, But we can now prove what they mean, what they're leaving behind for us to understand, and what those implications are in history, for history. And that's what we're gonna lay down in the show. And I guess I'll start with just this example right here really quick,

• 6:10Speaker 03

  just to set the stage here, Danny. I think it's helpful if people see these things, because when you talk about them, you say, "Oh, by the way, have you ever seen how big the megalithic masonry blocks are at Oyantetombo?" Most people are like, "Oh, I don't know, I've never seen that before." Well, take a look at these.

• 6:29Danny Jones?

  For people listening, this is gonna be a very visual podcast, so I highly recommend either watching it, the video version on YouTube or on Spotify, but this is one you're definitely gonna wanna see with your eyes.

• 6:39Speaker 03

  Yeah, there's a lot of visuals and graphics. I spent an enormous amount of time putting these together, because what I realized, Danny-

• 6:45Danny Jones?

  It's fantastic stuff, man.

• 6:46Speaker 03

  Thank you. What I realized, though, when I started presenting this, only recently, because I had to publish the book first. I could not talk about this discovery until the book was published. So, "The Missing Key: Ancient Code of a Lost Civilization" is out. I'm really excited for that, to unveil this to the world, so that, God forbid, if something happens to me, that this model and what I've found is preserved. So, going back now, on the left, you see Oyantetombo. It's in Peru. It's an ancient site that's considered Inca. And yet, you have unbelievable granite stones that are sometimes in excess of 50 tons. A ton is 2,000 pounds. And then around the world, you see the same thing. Here in the Vann region of Turkey, you see megalithic masonry that looks extremely similar

• 7:31Speaker 03

  to other parts of the world. But we're told that they had no contact ever in history, and that any of the cultures that built them not only didn't have contact, but had no kind of advanced skills to build anything. And they've never really been able to explain how they've been able to do any of these things. And there's a reason for that, because they don't know.

• 7:50Danny Jones?

  Right.

• 7:51Speaker 03

  And that's the truth. And so if we look at just these quick examples, as I'm pointing this out, there's a mystery here, Danny. There's a mystery in which humanity has to understand, who built these? How did they build them? Why did they build them? And what we're gonna get down to in this, as we go along here in this conversation, and this research and this evidence, is answering those questions, but going much further than that. Going far beyond I ever imagined that I would ever get to. Again, as I, as I pointed out, I was simply in this whole purpose of my journey in this. The documentary, the books, the, the trips all around the world with Robert, Dr. Robert Schock and Hans Orheim and Omer Tan Yurk and all these experts and archaeologists and geologists.

• 8:36Speaker 03

  We were just wanted to find evidence of a lost civilization. So that that narrative can finally exist. But what I found was about a thousand miles beyond that. And I never imagined that that would happen. I wasn't planning on that. Wow. This is going to be incredible when I find, no, I didn't know that any of this was going to lead to what it did. And that's where, when the audience is, is listening to this right now and seeing this, we're starting with stones. And where we end up, maybe that moment where people are sitting quiet, contemplating everything. Because this is the most advanced ancient code ever left before in human history. This civilization left, I'm not showing the code yet.

• 9:20Danny Jones?

  Okay.

• 9:21Speaker 03

  What I'm about to get into and show is a highly advanced code in which they meticulously left it around the world. So that when they, when they were destroyed, in which they knew, because they were tracking cycles, they knew their own destruction, Danny. And they knew that this knowledge was so fundamentally important, that if it was lost, civilization could go down a very dark road. A road of war, destruction and disconnection. So here we are at this very interesting time in human history. When justification exists somewhere that we should, that war is okay. And that we should be doing all these terrible things and have all the division and all these things around the world and polluting the earth and all of it, right?

• 10:05Speaker 03

  It's like we have this justification that we're allowed to do it. Why? Well, because we based ourselves on something. We based ourselves on this.

• 10:15Speaker 03

  This is the timeline of human history in which everything that we think we know about ourselves comes from. So if Danny Jones was saying, "I want to try to understand myself" from an origin age, you would look at this and you would say, "Okay, so everything started 12,000 years ago and everything since then has emerged into civilizations that eventually became war cultures and went on to become what we are now." Well, what we're gonna do is basically destroy this timeline. We're not gonna take all the pieces that are in front of you that are known about, for instance, things like the Roman Empire and others, but there are pieces of this that we are gonna completely

• 10:59Speaker 03

  have to take and move very far in another direction, okay? Because the timeline that we know of right now for human civilization is completely antiquated and outdated, especially based on a lot of the new evidence that it's emerging. And so if you look on the left side where the arrows are, we're told that 12,000 years ago, the Ice Age ended and that's the transition from hunter-gatherers to societies of agriculture, okay?

• 11:25Danny Jones?

  Right.

• 11:25Speaker 03

  Why am I telling you this? Because if you look at how human history continued beyond that point, we got to this place of having to start over again. You see how they show, look right there, the Ice Age ends, right there, hunter-gatherer societies. Look at how primitive they look. Well, there is some truth to the idea that we were completely reset, to having to go back to hunter-gathering and starting fires. I agree with that. I'm not disagreeing that that happened. But what about before that? That's where this whole thing is gonna open up.

• 12:01Danny Jones?

  Well, that's probably when the pyramids were built.

• 12:03Speaker 03

  And that's what we're gonna get into, is that this entire chapter you're looking at is not the only chapter of human civilization, but the second chapter.

• 12:11Danny Jones?

  Yes.

• 12:12Speaker 03

  And so that is what we're gonna-

• 12:14Danny Jones?

  Or third or fourth, who knows?

• 12:15Speaker 03

  Right. Let's just say not the first. How about that? We'll say not the first chapter. And that's where this is very important that we sit here for a second. Again, we justify our actions with all the violence and war around the world. I mean, this is, there's not a better time to talk about this than right now.

• 12:34Danny Jones?

  Right.

• 12:35Speaker 03

  We justify this based on one very specific fact, right here. That we emerged as war empires, okay? Somewhere around 4,000 years ago, with the Egyptian empires, the Ottoman empires, and the Assyrian empires, and the Akkadian empires, and the Babylonian empires, the Mede civilizations. Those are what these images are.

• 12:55Danny Jones?

  Yep.

• 12:56Speaker 03

  So what happens? Well, academics, scientists say, that's how we started. That's how we always were. We emerged from war cultures all battling each other. So then what happened? Darwin tries to understand what role we play with evolution for all the other species on earth. Right? You know this story.

• 13:13Danny Jones?

  Mm-hmm.

• 13:14Speaker 03

  So he goes to the Galapagos, he's studying all the species. He doesn't understand, humans don't seem to fit into anything.

• 13:19Danny Jones?

  Right.

• 13:19Speaker 03

  Why, the only thing we seem to match are ants battling and fighting each other, like red ants. Because it's the only, one of the only species in the world that will go to war against each other.

• 13:30Danny Jones?

  Mm-hmm.

• 13:30Speaker 03

  And hills do.

• 13:31Danny Jones?

  Mm-hmm. Well, it's interesting, every other species on earth is, is in this symbiosis with nature.

• 13:40Speaker 03

  Exactly.

• 13:40Danny Jones?

  And there's this balancing act that happens in nature. And it, like you said, it, I don't, human beings don't really fit into that. We just like, sort of tip the scales.

• 13:48Speaker 03

  But we should.

• 13:49Danny Jones?

  Right.

• 13:50Speaker 03

  And so that is where this is going to go, is that, are we a war species? No. I'm gonna, what we're gonna, again, the reason this is here is because of the state of the world. And also, when I go through this, work with people, and I show the civilization that existed, this lost civilization, and I talk about how there was no war, and how there was no, none of these things. People don't seem to understand why that's so important. Because we define ourselves on this. You see that, Danny? It gives us all the justification we have to say, we've always done it. It's what we are, so that's why we should continue doing it. What we're about to do is show that none of these things ever existed. War didn't exist. Destroying the planet didn't exist.

• 14:35Speaker 03

  Living in harmony, in complete balance, was not only important, was necessary. And that this civilization...

• 14:44Speaker 03

  Basically unlocked every single secret understanding that we don't know today. They were masters of everything that we don't understand. And that's why instead of looking forwards, as humanity moves forwards, we need to look back in order to understand probably far more than we ever imagined. And that's where this is going to go is that, again, I wanted to start with this because it's a very important moment to point out that our timeline is based on our understanding of what we are, right? We're about to change that understanding. So if we change the understanding of what we are and what role we're supposed to play, then how would that then ripple out into what we are now? You see what I'm saying?

• 15:29Danny Jones?

  Yeah, totally.

• 15:29Speaker 03

  And so let's do this, Danny. Let's rewrite the entire story. And I want to bring evidence in that is so astounding and shocking that people may have their jaws on the floor from some of this. Because honestly, some of the feedback I've already had from a lot of the audience and people that have seen this, it's mind blowing. And it's been hiding almost in plain sight. Okay, so let's, you ready to get into it?

• 15:52Danny Jones?

  Let's do it.

• 15:53Speaker 03

  Okay, so it all begins with this idea of where did we start? Well, remember the timeline, ancient Mesopotamia. That's true, but that's not the first chapter that started there. Imagine chapters of our history. One rises up, falls, gets destroyed. Another one builds in the exact same place. Because they understood it's important and various other reasons. And so you get this combination of civilizations, like a jumble of one on the bottom and then one that's built on top. And then archaeologists come and they go, oh, that's built by the same civilization. No, no, no, no. There's been more than one that's come and gone. And that's why the masonry looks so different, why the artifacts look so different, why the layers are completely different in where they are, okay?

• 16:37Danny Jones?

  Right.

• 16:38Speaker 03

  So let's start with this. This is an actual real photograph. We talked about this a little bit last time, but I have to set the stage here. This is a mythical city called Shuru Pak. It's considered the one of the first cities in the tablets ever, ever built. The tablets, ancient Mesopotamian tablets, for instance, the Sumerian kingless, the Atrohostis, the Aridugensis, the, um, all those tablets discuss the same thing. They say there was five cities created first in, on earth and that nothing existed before then. And that after that, there were other cities and other emergences of those civilizations that came, that came later on in history. But the wild thing is though, is that even though the tablets state

• 17:20Speaker 03

  that Shuru Pak was one of the original first five cities, academics don't. In fact, academics up until potentially even now, believed that Shuru Pak wasn't real. It was a myth. And that's the same thing that happened with Troy, right? When they found Troy in the 1800s in Western Turkey, all of a sudden they realized that this, this story that's been throughout history is, is based on a real place.

• 17:43Danny Jones?

  Sure.

• 17:44Speaker 03

  So all of a sudden you're like, wait a minute. So allegory and myth, is there truth woven into that?

• 17:50Danny Jones?

  Well, it's hard to know when you're just reading text, right? Because as you know, in modern day texts tend to lie.

• 17:56Speaker 03

  Yeah. And then it can be rewritten over time, based on influences of other people.

• 18:01Danny Jones?

  Well, by its very nature, it's deceptive. Writing is deceptive.

• 18:04Speaker 03

  It definitely is, which is why it's very interesting that this civilization that I have uncovered didn't leave any writings behind at all. They didn't believe in writing.

• 18:13Danny Jones?

  Right.

• 18:13Speaker 03

  That might seem crazy until you go into the dialogues of Plato and Socrates. Do you know that Socrates told Plato, basically his emphasis or his stature on the whole idea of writing versus, versus talking was that he didn't believe anything could be written down because it could be misinterpreted too easily, which that's dangerous because then if you die and then it's just oral tradition, right? Well, there may not, there may be some truth to that because this civilization, as far as I'm aware, they left behind symbols and motifs, but no writings. So if you can put in a complex meaning, so let's say Danny Jones is like, well, I want to put in a super complex meaning of something, you can take a really large amount of information and condense

• 18:56Speaker 03

  it into one single thing. That's the brilliance behind symbols. So we think writing is so advanced, but actually symbols are far more advanced because they can carry complex meanings that can carry over through time, right?

• 19:09Danny Jones?

  Off kind of a random anecdote to this is have you seen the crop circles that this guy in the Y- Files, I saw this on a clip the other day, was showing these crop circles of, basically it was pie? Have you seen this?

• 19:27Danny Jones?

  It's insane. Like there's, it's like these, these perfect, this perfect diagram that's like printed into like a wheat chaff field or something?

• 19:35Speaker 03

  Yeah.

• 19:36Danny Jones?

  And it like, they took it and they like made a rendition of it and it's like perfect, it's a perfect depiction of pie.

• 19:44Danny Jones?

  It's insane.

• 19:44Speaker 03

  And I think the reason for that is that that is the level of knowledge that we're talking about that this civilization encoded. So it's the same thing.

• 19:52Danny Jones?

  Sure.

• 19:52Speaker 03

  What you're about to see, you're gonna be like, oh, that's, that's exactly what it is.

• 19:56Danny Jones?

  Okay. If you enjoy watching our show on Spotify or YouTube and you want to be more involved, I encourage you to please come check out our Patreon community. Not only does our Patreon community get every episode you see on YouTube, early, fully uncensored and ad-free, but we're also doing Patreon exclusive episodes as well as live Q and As, and you can get your personal questions answered by our guests every single week. For me, being able to collaborate and communicate back and forth with our Patreon community every week has been huge. And this is my way of saying thank you for the cost of a cup of coffee a month. Now back to the show.

• 20:28Speaker 03

  But let's, let's start here just for a minute here. I want to explain something. Now, you see on the right, I have Iraq and Gilgamesh. Okay, so this is the famous excavation of a place called Telfara, Iraq in 1931. That was the reason why I went to Penn Archive for the documentary. Because Penn Archive in Pennsylvania has all the records from this excavation. So you can go and you can, you can read through them all and you can actually see things you can't see online. So in that excavation expedition in 1931, they're trying to find Shurupak even though it's not real. Okay. And you see on the right that this six to seven feet down, Uruk, you see that? U R U K and Gilgamesh. Super important to remember this going forward.

• 21:13Speaker 03

  Why? Because academics still today, to this, to this day now, will say that Uruk and Gilgamesh is where civilization began. That's, and if I go, just, I'm just gonna jump ahead just for a second and show you, if no one believes me, you just do a Google search and look. So, this is not me saying this. Academics actually believe that not only was Gilgamesh part of the Sumerian civilization, but Uruk was a Sumerian city, which none of those are true. Neither of those are true.

• 21:44Danny Jones?

  But this is, this is consensus, though.

• 21:45Speaker 03

  Yes, this is consensus is in what they consider to be true. The problem is that none of the tablets say that Uruk was one of the first cities at all. None of them do. So why are they saying that? Well, because this is literally a lost time period of human history. So what I mean is, if you look at this image again, this is a real image, when they dug down way beneath what they called stratum layer number two, which is Uruk and Gilgamesh time period, which they identified in the reports. So it doesn't make any sense. They're already contradicting themselves. Anyway, when they discuss this, they state that they dug way down below Gilgamesh. Why? Well, they shouldn't have been because nothing

• 22:25Speaker 03

  should have existed beneath there. Not only that, but like 60 or 70% of the team left because they didn't expect anything to find because there's not supposed to be anything that exists beneath that layer. That layer of Gilgamesh represents the layer they consider to be the rise of human civilization. Does that make sense? And everything before then is hunter gatherer stone age.

• 22:46Danny Jones?

  Where did they find these tablets?

• 22:48Speaker 03

  Well, the tablets have come from all throughout Iraq, places like Sapar and the Asher Bonapal Library, which are these ancient libraries that the Assyrian and Neo-Acadian kings had preserved. So the tablets are all what we call Neo-Acadian Assyrian and Babylonian tablets. Now, they say they're Sumerian, but I have come up to evidence to show that there are no Sumerian tablets. It's all Neo-Acadian tablets. Neo-Acadian is Gilgamesh. Neo-Acadian is 6,000 years ago during the time of Gilgamesh.

• 23:19Danny Jones?

  So they dug these tablets up in the same strata layer?

• 23:22Speaker 03

  So they dig up the tablets from Gilgamesh and they confirm that that time period, that layer is Gilgamesh with Iraq. But they keep digging. Why? And that's what it's so fascinating is in the report, again, most people left from the excavation. They keep digging and at 13 feet down, they hit a massive flood layer of material, completely void of all human evidence, just of evidence of a massive flood, just like the tablets describe. So ancient tablets like the Autrohostes in the Epic of Gilgamesh, they describe an ancient flood, you know, the narrative that destroys the Old World, right? Well, when they're excavating this site, which Sheru Pak is supposed to exist before the flood, they find a flood

• 24:04Speaker 03

  layer five to six feet thick. That is unbelievably thick for an event like that to have to create that. And then when they dig underneath it, they find Sheru Pak. And they acknowledge that it's very interesting that Sheru Pak exists beneath this flood layer and seems to coincide with the descriptions from the tablets of this great deluge, right? But then they go on to say that it has to be purely myth and speculative, and they are not willing to go any further. Now, when I found that excavation report, it in many ways was the beginning of what led to everything else. And that's why I'm starting here. Because not only do we need to start at the beginning, but this is what cracked open to me, the

• 24:45Speaker 03

  first major academic crack of a paper that was contradicting itself, that had massive information and evidence of basically a lost civilization, that they were not acknowledging was that they were then falling back on myth and legend, okay?

• 25:03Speaker 03

  So again, I just pointed out that this is the problem is that we, we are now having to say, well, okay, so Shurupak's not, not part of the Iraq Gilgamesh time period, then what part of time period, what time period is it part of?

• 25:17Danny Jones?

  But the, the tablets write about Shurupak.

• 25:19Speaker 03

  Yes.

• 25:20Danny Jones?

  Okay.

• 25:20Speaker 03

  So all the tablets discuss that Aridu to Shurupak was the first five cities ended with Shurupak was last. Iraq was in a complete reemergence thousands of years later. And yet academics believe that that's when it all started.

• 25:35Danny Jones?

  Right.

• 25:35Speaker 03

  So that's what we're essentially tackling right now.

• 25:37Danny Jones?

  Got it.

• 25:37Speaker 03

  Okay. Now in this story, and that's why some of these slides are so important because it's really complex stuff. I had been tracing this very mysterious phrase in tablets and it's only in two Canaeiform tablets. It's in a tablet called the Death of Gilgamesh or Death of Billagames. And it's in another tablet called the Enki and World, Enki and World Order tablet. They're both on here. So bear with me here for a moment. Now, this is super important that we go over this because you'll see that what this is, is what this lost civilization encoded, if that makes sense. So check out this here. Just they, they discovered the death of Gilgamesh in the 1800s. It's from the pure Iraq, right?

• 26:19Speaker 03

  It was pieced together by a serologist Samuel Noah Kramer, great guy, did the best he could at the time, right? He's a great a serologist. Now I'm going to read this and then I want to break it down really quick. Lord Billagames, having erected stelae for future days, having founded temples of the gods, you reached Saiya Sudra in his abode. You brought to the land the Mies of Sumer that were forgotten forever. The commandments and rites. Danny, first of all, check this out. He, it says right there that this is Gilgamesh, by the way, who the story, if you, if you're not familiar with it, if anyone has not read the Epic of Gilgamesh, have you read the Epic of Gilgamesh?

• 27:04Danny Jones?

  I've, I've not read the original, but I've read like rough translations of it.

• 27:09Speaker 03

  So let me just give a little, a brief synopsis of what it is because then you'll have to understand it versus what this is in context, okay?

• 27:16Danny Jones?

  Right.

• 27:16Speaker 03

  So in, in the Epic of Gilgamesh, Gilgamesh is a tyrant king. Not so mythical. He's a tyrant king of the city of Urok. See that? And he goes on a journey to find the secrets of immortality and learn all these lessons. And he meets a companion along the way named Enkidu. And there's all these astronomical connections that are not, they're allegorical, they're not real. But there's, there's a journey still. There's a journey that exists in it. Why? Because Gilgamesh is with his companion Enkidu and they're on this adventure. And Enkidu dies, gets killed. And Gilgamesh is, is so moved and so affected by this that he fears his own, his own mortality so much

• 28:01Speaker 03

  that he becomes obsessed with this journey of finding immortality. That's what the Epic of Gilgamesh, the entire thing is about that. Okay? He wants to live forever. Very noble of him, right? So in the Epic of Gilgamesh, if you read it, he, the way he finds how to, well, at least the way to be immortal, even though you can't be immortal, we'll say that. Is be, is through this hero Ziasudra. See that? Ziasudra, according to the tablets, is the last king of Shurupac.

• 28:35Speaker 03

  Okay? Okay. That we were just looking at. And it's described that he's, he's what all religions based the character on Noah on. All of them. Right. All Hebrew and Christian traditions base themselves loosely, I'm gonna, I'm gonna emphasize loosely, on the original stories of what Ziasudra, his life, okay? No, there was not two of every animal. All of that stuff was, was rewritten and, and added later. That's not what the tablets say. What it, what they actually say is that Ziasudra is a great sage and a king of Shurupac. And he's warned by his patron god Enki that a great disaster is going to come, that is going to wipe out the old world. But the Anuna, Anunnaki, the gods, the pantheon gods,

• 29:20Speaker 03

  made a pact that they're not supposed to tell anyone. No humans are supposed to know that this disaster is coming because they want to wipe them all out. That's what, that's what the story is. It's, it's from the Autrehasus and the Epic of Gilgamesh, both of them. They tell the same story. They, they completely overlap. So. Zaya Sudra is warned by Anki of this catastrophe. So he is told to build this ark. We all know that story, right? And he lands up in the Mount Ararat region. Well, that's where all the tablets break off and fracture. We never, ever find out what happens again. There's no tablets that exist beyond that point. From that point of Zaya Sudra, it's a mystery. We're going to fill that mystery in today.

• 30:03Speaker 03

  But before we fill that mystery in, we have to first understand this part.

• 30:07Danny Jones?

  Okay.

• 30:07Speaker 03

  So now, now we're caught up, okay? Now, when Zaya Sudra lands in the Ararat Mountains, the Anuna gods descend down from above. And they say, how could any man survive the flood? And Anki says, paraphrasing, I warn, I, because I warned Zaya Sudra, so he could preserve the seed of mankind. Now, I originally thought the seed of mankind was genetics. It's knowledge, but a very specific kind of knowledge. Okay? Because Zaya Sudra lived and preserved that knowledge, who's a great sage, he was rewarded with being the last, and still last, human ever given immortality.

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• 31:51Speaker 03

  Okay, so in the Epic of Gilgamesh, in Otrahasis, it says that. So he's given immortality, but what does that mean? Well, you can't be immortal in the physical world. It's only mortals can exist here because everything must die. And so he's given immortality where? In the underworld. And that's the beginning of where we're about to go into a very interesting journey. And how a lot of people talk about how this conscious expansion and going down into lost civilizations is like a journey down the rabbit hole. And a lot of people say, well, it shouldn't be called that because you're really going to ascend up. And you know, as you look up, as you go into celestial understandings, this really is a rabbit hole because we're going down into the underworld for a lot of this. And that's where all this begins.

• 32:32Speaker 03

  Now, the underworld obviously became what religions turned into hell. Blocking off anything, it turned into this evil place. None of that's true. None of that ever existed. And so let's get into what it actually is.

• 32:46Danny Jones?

  Okay.

• 32:47Speaker 03

  So Zaya Sudra is given immortality in the underworld in his abode. We know that it states it. And Gilgamesh then knows about Zaya Sudra, that Zaya Sudra was given immortality. He knew about that. They, that knowledge was carried down. He just was aware of it, right? So he goes on a journey. Now I'm coming back where we started. He goes on a journey to go to see Zaya Sudra. In the underworld. How did he get there? Very mysterious. But there's a famous scene in the tablets. You know, the, well, you know, the famous scene with Sharon, the boatman, remember with the two gold eyes and the, the two gold coins on the eyes and you ferry them across? Remember the ferryman?

• 33:31Speaker 03

  Sharon from ancient Greek mythology?

• 33:33Danny Jones?

  Oh, yeah, yeah, yeah.

• 33:34Speaker 03

  That's based on this. That's, that came from this story. So imagine Gilgamesh gets into the underworld and we'll get into that as we go along. And he's ferried across, that's what the tablets talk about. He's ferried by Sharon across the abyss into the underworld.

• 33:54Danny Jones?

  Okay.

• 33:54Speaker 03

  Wild to think about. He gets there and he meets up with Zaya Sudra. And then this is where we're continuing now. Right? And he says, and look at some of the really key parts here. He reaches Zaya Sudra in his abode, see? And he says here, you brought, he's, was Zaya Sudra's talking to, he's talking to, he's talking to Gilgamesh.

• 34:12Danny Jones?

  Okay.

• 34:13Speaker 03

  He says, you brought the land to the land, the mes. M E S.

• 34:19Danny Jones?

  You brought, you brought to the land, the mes of Sumer.

• 34:24Speaker 03

  That were, that were forgotten forever. Okay, so first part there. Sumerians not part of the same time period. You see that? Look, look at how he references Sumer. He says that we're forgotten forever. He's talking about a huge amount of time that has gone by between these events. Okay? And we know that because in the Epic of Gilgamesh, he says that he was once from a city called Sherupac that was long before Gilgamesh. So we know that Sumer, Sumerians and Zayasudra, it's from a completely different time period than Gilgamesh.

• 34:59Danny Jones?

  Right.

• 34:59Speaker 03

  I really want to establish that. It's very important we understand that. Now, I became extremely interested in this concept of Mese.

• 35:08Danny Jones?

  Is it knowledge? The knowledge of Sumer?

• 35:10Speaker 03

  Well, that's, yeah, basically, well, it's knowledge, but it's a type of knowledge.

• 35:14Danny Jones?

  Okay.

• 35:14Speaker 03

  That's where this rabbit hole is going to go. Now, as I, as I'm studying that and I'm writing the book, the missing, the, um, the missing key, and I'm, we're doing the documentary and we're writing in some narration, we're including it, but we don't know what it is. I didn't know what it was. I was, I knew it was knowledge, but what kind of knowledge?

• 35:31Danny Jones?

  What's the language?

• 35:32Speaker 03

  Well, it's, it's Sumerian, but it's Neo-Acadian, meaning that I believe that the story was actually first written down by Gilgamesh, not before.

• 35:41Danny Jones?

  Okay.

• 35:42Speaker 03

  So that's what I mean by that. Now, Samuel Noah Kramer did his best to translate this, but I don't think he got commandments and rites correctly. In fact, I know he didn't. Instead of commandments and rites, they're more like divine statues of the universe. Okay, and I can, now this is where we're going to prove it. Okay?

• 36:00Danny Jones?

  Okay.

• 36:01Speaker 03

  Now, here is the only other tablet of all the hun- there's a hundred thousand cuneiform tablets, Danny. Hundreds of them haven't even been translated. But of the known tablets, only two mention the Mese. Well, that's, that survived, right? There's a lot of these things get destroyed. We're talking about huge time periods. You're lucky if things got preserved.

• 36:22Danny Jones?

  How the hell does anyone translate that? Like, what even is that?

• 36:25Speaker 03

  Well, it's cuneiform writing, or they're wedges in clay. And essentially, once you can, you can crack the code, you can understand it. And what I, what we're looking at right now is what's called Anki in the World Order tablets.

• 36:36Danny Jones?

  It looks like, it looks like old leathery elephant skin or something. You can't, it doesn't even look like anything.

• 36:41Speaker 03

  That's because it's thousands of years old.

• 36:43Danny Jones?

  Right. I'm just saying like, good lord, to be able to translate actual, like, English out of that is bonkers.

• 36:48Speaker 03

  So Danny, on the left side, take a look at what it says. It says, it's talking about Anana and Enki.

• 36:55Danny Jones?

  Yeah.

• 36:55Speaker 03

  Anana is a goddess of the Anunnaki Anuna.

• 36:59Danny Jones?

  Right.

• 36:59Speaker 03

  Right, so she's talking about visiting, she basically, she goes to visit Enki in the abzu. What's the abzu? The temple to the underworld. Enki's a god to the underworld.

• 37:09Danny Jones?

  Mm-hmm.

• 37:10Speaker 03

  Okay? So she goes to see him and she says she, describes how she knows the me. Now, I'm gonna, it's me's in English, but me in sumer. But we can't say me because it doesn't really work as we're talking. So what they did is they translated to say me's, but they're the same thing. Okay? So it says, "She knows the me's, the holy laws of heaven and earth." So that's not quite the same as commandments and rites, is it? Which is how we know, unfortunately, Samuel Noah Kramer mistranslated that part.

• 37:44Danny Jones?

  Commandments and rites or holy laws?

• 37:46Speaker 03

  Well, because he's looking at it from kingship, from an existing structures of kings. That's why he's doing, it was, it's just, it's just based on an existing understanding.

• 37:55Danny Jones?

  I get it.

• 37:56Speaker 03

  Yeah, so this is where it all, this all really began. What are the me's? Well, that is exactly what this lost civilization encoded into all these temples around the world. All these symbols that we've been following, which is what I cracked and found. And what's, what we're about to give back humanity. Something that has not been known about in this kind of capacity. In potentially centuries, if not longer. Maybe millennia.

• 38:26Danny Jones?

  Let's do it.

• 38:27Speaker 03

  Let's do it. So.

• 38:28Danny Jones?

  Show me.

• 38:30Speaker 03

  We begin here, right? You've seen these, these giant tees. By the way, that tee, that's from Şavustepi in eastern Turkey, near the Mount Eretu region.

• 38:39Danny Jones?

  Mm-hmm.

• 38:40Speaker 03

  And that weighs around seven tons.

• 38:44Danny Jones?

  That little thing?

• 38:45Speaker 03

  That is not so little. That is made, first of all, it's made out of basalt. It's a volcanic stone. Remember, all stones aren't created equal. Some stones are very soft, some stones are very hard. And to manipulate them and work with them really matters depending on that. Because if you don't have tools capable of that, that are harder than what you're working with, you're not gonna be able to do anything with them.

• 39:07Danny Jones?

  Right.

• 39:07Speaker 03

  Which is why Iron Age and Bronze Age tools could never have created these things.

• 39:13Speaker 03

  Now, this is the first motif I want everyone to pay attention to. I did not know what it was at first. I didn't understand. Now Danny, do you see the center of that T? You see how my hands on the left picture? Do you see how my hands are on either side, but there's a central square?

• 39:28Danny Jones?

  Yes.

• 39:29Speaker 03

  That top part, the line from left to right is exactly 12 inches. It's the first foot. We're talking about a mathematical-

• 39:37Danny Jones?

  On the inside.

• 39:37Speaker 03

  Yes. And Robert Grant was there filming with me and we were measuring that. And with also Dr. Robert Schock, we were measuring that and we were like, whoa. Here we have the foot, one of the most important early measurements in mathematics.

• 39:51Danny Jones?

  Okay.

• 39:51Speaker 03

  Now, the reason I say that is that I didn't know what these were. We're following these and it's a T, okay? It's a T, but what does the purpose of a T have with all around the world? Well, that is where we really started to unfold. Now, if you look carefully, you'll notice the Ts repeat themselves all over this in the center and on around the gods. And then you get introduced to these other symbols. We talked about some of these before. The step pyramid, the doorways, okay?

• 40:18Danny Jones?

  Oh, that's wild. Those Ts are all in the background.

• 40:21Speaker 03

  But what I didn't understand is what they all mean, Danny. Okay, so these sites around eastern Turkey have these mysterious enigmatic ruins. These highly sophisticated andesite and basalt places that archaeologists today are considering Urartian from 2000 years ago. But the Urartians were an Iron Age primitive culture that we know their adobe mud brick is built on top. So they adopted these sites and built castles on them. So they called them things like kalesi. So kalesi means castle or fortress.

• 40:50Danny Jones?

  Right.

• 40:51Speaker 03

  But that's not at all what their original purpose was. So this just gives you a really good snapshot example as we're talking about this is that

• 41:00Speaker 03

  I started to notice, and that's why we did the documentary, is that the Ts from Shavu Tepe look really similar to the same motifs from Pumapunku in Bolivia across the world. The basalt stone, perfectly square stone blocks, look really similar to Bolivia too. And then Kaf Kalesi, the bavre leaf, the step pyramid, the three level step pyramid design, okay? And the three doorways, you start to see it mirrored around the world. But they, these cultures are not supposed to have any contact. Not only that, but what they're building into is not adobe mud brick or anything primitive. It's, it's some of the hardest stone in the world.

• 41:39Danny Jones?

  Are these, what are these?

• 41:40Speaker 03

  So that's what's wild is that every stone you see is either basalt or andesite in most cases. And it's, give me an example of hard that is to work with. It's what you have what's called the Mohs hardness scale. So you take zero, right?

• 41:53Danny Jones?

  Like diamonds at the top.

• 41:55Speaker 03

  Yeah, diamonds is 10, right?

• 41:56Danny Jones?

  Right.

• 41:56Speaker 03

  Well, these stones would be like seven, eight or nine.

• 42:00Danny Jones?

  Wow.

• 42:00Speaker 03

  Very, very, very hard.

• 42:02Danny Jones?

  Yeah, maybe they had to be hard, right? I mean, this certainly is not the easiest way to do this, right? So like they were, why were they choosing the hardest stones?

• 42:09Speaker 03

  Well, not only will it last the test of time, but they have piezoelectric mineral properties we're going to get into.

• 42:15Danny Jones?

  Right.

• 42:16Speaker 03

  Okay.

• 42:16Danny Jones?

  We're doing some Minecraft shit. You know how you build the portals in Minecraft with obsidian?

• 42:21Speaker 03

  Wait till you see where we're about to go on this, okay?

• 42:23Danny Jones?

  I knew it. I love this.

• 42:26Speaker 03

  And you start to realize that it's more like an ancient technology. Okay? So again, I'm just giving an example of how far away these locations are across the world. They're not supposed to be connected in any way.

• 42:38Danny Jones?

  Is there anything in North America?

• 42:40Speaker 03

  Well, and everybody keeps asking me this. Let's, let's answer this because it's, it's like never ending patriotism questions because they want to know what's there. Right? I get it.

• 42:51Speaker 03

  North America was a very inhospitable place. I'll, I'll say specifically the United States. Mexico wasn't Mexico, obviously Mexico, Central America, down to South America was a totally different ballgame. But the United States in particular, Canada, where everybody asks about.

• 43:08Danny Jones?

  Sure.

• 43:08Speaker 03

  Was so inhospitable.

• 43:11Danny Jones?

  North America.

• 43:11Speaker 03

  Because of the glaciation during the last ice age, that that area was in some places, like for instance, up in northern Montana, where people think there's a wall. There probably wasn't even life living there during the Ice Age because we're talking about ice caps that are miles thick that are, what are we call moving, they're moving forward and backwards based on slight thaws and freeze. And so if you're in a place that has that ice cap going back over you, it's grinding everything down to nothing beneath you. No trees can really live. That's why when people bring this up about the United States, there are no ancient highly advanced megaliths, but that doesn't mean there's no evidence of what we're looking for.

• 43:51Danny Jones?

  So, most of these sites are, a lot of these sites are in Turkey, correct?

• 43:55Speaker 03

  A lot, most of them are in South America, Turkey, Egypt, places, some places in Southeast Asia and some other places like

• 44:03Danny Jones?

  What latitude does Turkey match up with in North America?

• 44:06Speaker 03

  It's all built on this 30th to 40th latitude parallel, 30th to 40th, 30th to 40th parallel, depending on where you are.

• 44:13Danny Jones?

  What does that run through in the US?

• 44:14Speaker 03

  Well, that's, that's gonna be, that's gonna be south. But keep in mind, our

• 44:19Danny Jones?

  Can you find it, Steve?

• 44:20Speaker 03

  Our climate is not the same here. It is in those parts of the world. You have what's called the Gulf Current off of the Atlantic that creates huge warming environments in a lot of Europe and in parts of even parts of Western Asia. So it's not, this latitude doesn't necessarily always

• 44:35Danny Jones?

  The latitude doesn't matter?

• 44:36Speaker 03

  Doesn't always work out that way because, for instance, you know the climate of like London, right?

• 44:41Danny Jones?

  Uh, I've never been to London.

• 44:43Speaker 03

  Well, it's just rainy and mild.

• 44:45Danny Jones?

  Right, right.

• 44:45Speaker 03

  Whereas that's way further north than New York City. And yet, New York City or Boston or wherever gets snow every year, right? It has to do with climatic effects. But the reason I'm saying this is that there are, there are pieces of evidence in the southwest of the United States that we're going to get into.

• 45:01Danny Jones?

  Steve, what did you search?

• 45:05Danny Jones?

  What latitude does the US run into?

• 45:07Speaker 05

  Yeah, I thought that's what you said.

• 45:10Danny Jones?

  No, I was saying, what, what latitude is Turkey, is Turk, is Turkey on? Like, and, and if you ran that line straight through the US, what, what is, what US states are on the same latitude as Turkey?

• 45:29Speaker 03

  It doesn't work that way because of glaciation.

• 45:31Danny Jones?

  Right, no, I understand. I'm just curious. I'm just curious to see. I would be, can you pull up an image or something?

• 45:37Speaker 03

  The ice caps in Europe and Asia were very different than they were in North America. The Loration Ice Cap in North America, North America was like the largest on earth besides Antarctica.

• 45:46Danny Jones?

  I see.

• 45:47Speaker 03

  Okay, so it just became a very inhospitable place.

• 45:50Danny Jones?

  But if you were to draw a line around the globe, it would probably run into like New Jersey or something.

• 45:55Speaker 03

  Yes, yes. And unfortunately, the US was just not a very hospitable place during that time period to build civilizations. And they just didn't because of that.

• 46:03Danny Jones?

  Right. How old were those white sands footprints that we found?

• 46:07Speaker 03

  We can talk about that. So.

• 46:08Danny Jones?

  I don't want to derail you.

• 46:09Speaker 03

  No, I mean, it's good that we point this out because we're told that, that, um, we're told that, we'll go back to this map because this highlights it really well. We're told that humans first entered the Americas by the Bering Strait during the last Ice Age, right? And that that's how they got here. Well, the problem is that white sands to Mexico just occurred within the last couple of years.

• 46:26Danny Jones?

  Right.

• 46:26Speaker 03

  White Sands to Mexico are these footprints that have been, that have been preserved from Homo sapiens sapiens that were in North America more than double the age that we're told. So we're told that they got here around 12,000 years ago or so, 12, 16,000 years ago. They, the white sands footprints are 26 to 28,000 years old, confirmed, confirmed.

• 46:50Danny Jones?

  Right.

• 46:50Speaker 03

  So not only is that double the age now that people are here, but it basically completely takes the timeline and says, oops, what about all this other stuff? Right? And we're going to add a lot more to that. And you brought up the United States. And again, I want us just bring up that as we're going to go through this, there are sites in the Southwest, like the Three Rivers Petroglyph Site that have this code embedded in their petroglyphs. Meaning that there were continuations of this knowledge far later on into Hopi and Pueblo nations. So those are what people are asking about Chaco Canyon that has tees in some of the doors. Yes. There were, there was a continuation of some of this knowledge into the Southwest United States, and it survived for a little while before.

• 47:33Danny Jones?

  Interesting.

• 47:33Speaker 03

  Yes, but we're gonna, that's at the end. Let's go, let's go back to the beginning.

• 47:37Danny Jones?

  Yeah, make sure we talk about the Chaco Canyon stuff.

• 47:39Speaker 03

  Yeah, first thing I first thing I noticed is, look, you have the three step pyramid with the doorway in Oyente Tomba in Peru across the world. The left side broke off. Why? How is that possible? They're mirroring mimicking the same things. They're not supposed to have any contact. And then same thing, Oyente Tomba, this is called the Spring of the Nusta. You get the same three level step pyramid with the three levels inside and a spring. Not only a spring. Literally, Oyente Tomba is built because of this spring. So if you go there, the spring flows, they actually designed it to flow right through the center of their site. And they redirected the flow. How wild is this? They redirected the flow to then have it flow over sacred things that they designed.

• 48:24Speaker 03

  Yeah. So it never originally flowed over that rock. They designed that symbol. And then why do they flow the water over it? Because the symbol itself has a direct representation, meaning that has to do with balance, harmony, water, like what the ancients believed as well. Right. So that was why they essentially encoded that in that. Right. So here we have again, the most important symbol in South America, the Chakana. Well, what are the chances that Chakana is the same symbol as the step pyramid on in Turkey? You're looking at these motifs and symbols that are carrying all around the world. But what does it mean? What is all this?

• 49:02Danny Jones?

  You can't date this, right?

• 49:03Speaker 03

  Well, we can't date stone, but you can date alignments. Two things that we're going to get to that.

• 49:09Danny Jones?

  Okay.

• 49:10Speaker 03

  So here I was and right now we're caught up to where we were last time. Right. So here we see these symbols are all around the world. They're they're in three continents.

• 49:19Danny Jones?

  Right.

• 49:20Speaker 03

  Right. That's not supposed to exist. They're in highly advanced stonework. They're next to beautiful masonry that is of just amazement and in awe. We go to a place like Sasko de Mont. You ever been there? And you look at the huge pillow like stones. You've seen them on video, right?

• 49:38Danny Jones?

  Oh, of course.

• 49:39Speaker 03

  And you're like, how did they make that? Well, that's where we were last show. We're sitting there where we're trying to figure out all what all these things mean. But we can at least say, well, it's part of a lost time period of human history. But that's all we had then. That's all that's all we had to go by. Now, this is, let's go forward several months. I'm in my northern, northern Great Lakes cabin on a lake in the middle of nowhere. It's snowing outside.

• 50:06Danny Jones?

  In a blizzard.

• 50:06Speaker 03

  In a blizzard, yeah. And it is, um, it's November and I am looking at the snow, looking outside. It's, and I'm just kind of, you know, enjoying my day. That picture is sitting in my living room. I bought that photograph. Are you ready for to go down a wild journey here, Danny?

• 50:27Danny Jones?

  Let's do it, bro.

• 50:28Speaker 03

  I bought that picture eight years ago at a yard sale for like four bucks. Okay, it was nothing, it's nothing special. It's a generic image that looks like the Sphinx. I had it, you, you look at videos, it's funny, right? You go to my YouTube, you go back like five, six, seven, eight years. You'll see this picture behind me all the time, just sitting there. I've looked at it hundreds of times.

• 50:48Speaker 03

  It's so funny how things work in life and how there seems to be this hidden hand that we don't understand. I'll just say that. The chances of this are nearly an impossibility. I'm standing there and I had this really bizarre moment, really weird. This voice comes in and I'm not crazy. It says, look at the picture. And I was, I actually initially was like, I've looked at that picture enough times. And I sat down on the couch, totally disregarded it.

• 51:19Speaker 03

  Same thing happened again. Said, look at the picture. And again, it's like this direct thing was really strange, but I'm no, I'm no mystery to, um, the metaphysical realms of reality. So I was like, okay, I got up and I looked at it, literally looked at this thing hundreds of times. I was like, it was like, really? That was my, that was my feeling was like, really? I look at it and I was like, wait a minute. And it was like something formed in front of me that I'd never seen. And it's really strange how that works. There's this psychological term called the, the invisible gorilla, where if you are not looking for something, you won't see it. And that's, the idea is that there could be a giant gorilla sitting in a room.

• 51:59Danny Jones?

  Sure.

• 52:00Speaker 03

  And you won't even see it because you're not looking for it. Well, that very same thing happened here. So I'm looking at this picture and I'm like, you gotta be kidding me. Is that an inverted three level step pyramid with the right side broken off on the Giza Plateau? So before I got too excited because it could just be a coincidence or whatever it is, I start trying to go find other pictures. Michael, of course, there's gotta be like a ton of pictures of this everywhere on the internet, right?

• 52:27Danny Jones?

  Sure.

• 52:28Speaker 03

  Giza Plateau, most visited archaeological area in the world, right? It's most studied archaeological area on earth. Can't find a single image anywhere on the internet, including images, reverse searches with AI, anything.

• 52:42Danny Jones?

  Right.

• 52:42Speaker 03

  Nothing.

• 52:43Danny Jones?

  Interesting.

• 52:44Speaker 03

  Whoa, what is going on here? Do a little research, find out it's in one of the only off limits, private areas in the entire Giza Plateau.

• 52:51Danny Jones?

  This picture?

• 52:52Speaker 03

  It's called this, where it was taken.

• 52:53Danny Jones?

  Right.

• 52:54Speaker 03

  It's called the Sphinx Temple. And so, meaning that if you, Danny Jones goes on a trip to Egypt, you can't get in here.

• 53:02Danny Jones?

  To where this photo was taken?

• 53:03Speaker 03

  It's gated, it's gated, large gates in front of the entrances, okay? You can only get in if you have private access. So you have to actually like, apply for permits or have a guide that has access to it that has permission. So we are getting permission to film here, and I'll get to that as we go. But, so the first thing I do is, I'm like, I'm realizing, so this is a really rare picture.

• 53:27Danny Jones?

  Yeah.

• 53:28Speaker 03

  Where this is taken. And then I contacted Dr. Robert Schock.

• 53:33Danny Jones?

  Why would they make this off limits to the public?

• 53:35Speaker 03

  Good question. It's the only thing off limits because the nearby valley temple that's associated with it is not off limits. So...

• 53:42Danny Jones?

  They don't, what is there, do they have a public excuse that's known?

• 53:46Speaker 03

  They don't say anything.

• 53:47Danny Jones?

  They don't say anything?

• 53:47Speaker 03

  No. And so, isn't it interesting that the Rosetta Stone that may have unlocked everything is in the one off limits private area in the Giza Plateau? Coincidence, Danny?

• 53:58Danny Jones?

  So, so what did you do? Did you try to get in there?

• 54:00Speaker 03

  Well, the story is just beginning.

• 54:02Danny Jones?

  Okay.

• 54:02Speaker 03

  So I, that's not enough to prove anything.

• 54:05Danny Jones?

  Right.

• 54:05Speaker 03

  No, I mean, so I contacted Dr. Robert Schock, who is one of the, who is the expert who has studied the Sphinx Temple more than anyone else, pretty much in history. And he's been there with another Egyptologist named Mohammed Ibrahim numerous times. And much respect to those, to those two gentlemen, but the same principle is the invisible gorilla. If you're not looking for something, you don't see it.

• 54:26Danny Jones?

  Right.

• 54:26Speaker 03

  They didn't see it. Nobody saw it. It's, it's, I don't know if you could see it. It's weird to say that, but I don't know how I never saw it either. I guess that is what I'm trying to say.

• 54:38Danny Jones?

  Sure.

• 54:38Speaker 03

  So I'm thinking to myself, okay, that's cool, but I need a lot more evidence than that before I can prove that's an inverted.

• 54:45Danny Jones?

  It just looks like a, I mean, you could say it's an inverted step pyramid, or you could say it's just a.

• 54:49Speaker 03

  Exactly. It's not, it's not nearly enough to prove anything.

• 54:52Danny Jones?

  Exactly.

• 54:52Speaker 03

  But it's what's called a cipher stone, meaning that it's pointing to something much larger. And that's where all this unlocked. So I said to myself, okay, Danny, I was like, I pulled up the temple layout for the Sphinx temple and the Valley temple. And I, I almost had a heart attack. There embedded in the entire design of the temple itself was the same three level step pyramid, both above and below, and the Ts inside.

• 55:19Danny Jones?

  Whoa. So the one on the right is the.

• 55:21Speaker 03

  It's the Sphinx temple. And then on the left is a gigantic T in the Valley temple. Do you see that?

• 55:27Danny Jones?

  Yeah.

• 55:28Speaker 03

  So the, the symbols that have been falling around the world, the T, the step pyramid, both inverted and non inverted, because they combine to create both.

• 55:35Danny Jones?

  Right.

• 55:36Speaker 03

  And then the other symbol, which is the three doors, which isn't in this, but it's in the other ones.

• 55:40Danny Jones?

  Are these visible from the air?

• 55:42Speaker 03

  Yes. So nobody's ever looked at that.

• 55:46Danny Jones?

  There's no photos of it?

• 55:47Speaker 03

  Apparently, nobody's ever looked at the temple site layouts and noticed this. So.

• 55:51Danny Jones?

  But can we find images of this on like Google Earth and see?

• 55:53Speaker 03

  Yeah, yeah, yeah. Okay. Just know, but it's again, it's the invisible gorilla. If you're not looking for it. Nobody's looking for a global code.

• 56:00Danny Jones?

  I really want to see what this looks like from the air.

• 56:01Speaker 03

  Well, so this is just beginning, Danny. Buckle up. Okay. It's been a wild ride.

• 56:07Danny Jones?

  My seatbelt is off and I'm ready to go right through the windshield.

• 56:10Speaker 03

  November, November on to now has been like the most exciting time in my life for these discoveries. So I call Dr. Overshock.

• 56:19Speaker 03

  Like, Robert, you've got to see this. And I sent him an email and all this, all this stuff. And I am anticipating getting some pushback because Robert is a top, you know, academic. He does not jump on board unless something is absolutely 100%. Okay. And I respect him for that deeply. Which is why I wanted, if anyone is going to give you the green light, Danny, it's going to be Robert. Because he's, you know, he's one of the top, he's one of the most famous geologists in the world. He's arguably one of the most studied of ancient lost civilizations of anybody. So, and he's on my team and we've gone all over the world filming. We have, you know, a great relationship. So I, there you go. They're right there. You can see them. You just, people didn't know what they were looking for.

• 56:57Danny Jones?

  Can you zoom in?

• 57:00Speaker 03

  Now, a lot of these are super eroded, so keep in mind, Danny, when they're making these original, when they're first going into these sites, long time ago-

• 57:07Danny Jones?

  And this is not straight down, this is at a slight angle.

• 57:10Speaker 03

  Yeah, but keep in mind, when they're making these temple layouts, they're doing them when they first find the temples. So, the first protocol you do, Danny, when you find an ancient site, you have to map it out, meaning that you have to design what the temple layout looks like. And so, these all come from the original archaeologists that mapped out what the temple layouts looked like.

• 57:28Danny Jones?

  Steve, so you can find a better image, I would just go to Google Images and type in, um, aerial photo of the Sphinx Temple.

• 57:34Speaker 03

  Get a drone shot, that's gonna be better off for you. Yeah, so, we're gonna be doing drone shots of that. So, I, I email him this, Dr. Robert Schock, and, um, he, okay, he's been all over the world to see these symbols, he knows what we're looking for, right? But he's skeptical, which he should be, he's a scientist. And, I was expecting pushback. Instead, I get an email that says, "By the way, Matt, can you put that back up really quick?" He says, "By the way, Matt, I was looking in the second pyramid mortuary temple, and I found that it looks like the same symbols are repeating there, too."

• 58:10Danny Jones?

  So- The second pyramid, oh, the Kafray Pyramid?

• 58:14Speaker 03

  It's Kafray's Pyramid, which is-

• 58:16Danny Jones?

  The middle pyramid.

• 58:17Speaker 03

  He's not really the one who built it. Yeah, the second pyramid. Imagine now, the code is now including the Great Pyramids of Giza. So, the first thing he identified is that, on the right side is Kafray's Mortuary Temple. Now, you can see in the center of the Ts, in the layout, up in the square, and then the step pyramid is in the circle, right? Now, the first thing I did immediately is I run, um-

• 58:42Danny Jones?

  Where did you get these diagrams?

• 58:43Speaker 03

  You can just get them online, they're easy. You just, and this is part of what I'm terming as called Citizen Archaeology, I'm starting a movement, because people are finding this stuff now.

• 58:52Danny Jones?

  So, this diagram on the right, this is accepted, that this is what it looks like inside the Kafray Pyramid?

• 58:56Speaker 03

  No, this is, this is the official, the diagrams. I'm not using some like fringe diagram that like no one accepts. Everything that I'm using are official archaeological, like the temple layout designs, okay?

• 59:07Danny Jones?

  I've just never seen it before.

• 59:09Speaker 03

  Well, because nobody's looking at temple layouts. So, the first thing I do is go to Kufu, the Great Pyramid. Same thing, same thing embedded in that. And then I go to Mancur's Pyramid in the mortuary temple. Remember, these are the mortuary temples are basically like leading into the pyramids. Same thing, all three of the great pyramids, same code embedded in them.

• 59:32Danny Jones?

  God damn, the one on the left looks like a, like a computer chip or something.

• 59:34Speaker 03

  Well, that's the idea is a lot of people have come back and you can actually see Ts up in there. Look in the top left. If you look at the negative space, there's Ts, it's all over the place. If you know what you're looking for. And a lot of people have commented, Danny, and said what you just said. Is this some kind of an organic computer?

• 59:49Danny Jones?

  Like a circuit board?

• 59:50Speaker 03

  Yes. And there may be a lot of truth to that because this may be a type of technology. Okay, so I am trying to figure out what's going on here. I'm like, wow. But what do we do now? Okay, what's one thing to have? We have the temple layouts, we have all these designs, but what now? Well, talking to Robert Shock and he said this profound thing to me. He says, it's one thing to argue symbols in stones all around the world. And you could, archaeologists could, could say maybe it's a coincidence. It's another thing to have those same symbols embedded in the entire temple layouts themselves. You can't argue those.

• 1:00:28Danny Jones?

  Right.

• 1:00:29Speaker 03

  You can't argue temple layouts, okay? Now, before I tell you what they all mean, I want to show you a couple more examples. Okay, because it's important that people see this all. That's a good, that's a good one. Yeah, you can see it on the right. I mean, a lot of this is super-

• 1:00:44Danny Jones?

  On the right, you can see the steps, yeah.

• 1:00:45Speaker 03

  Yeah, it's super eroded, but you can still see it, right?

• 1:00:47Danny Jones?

  It is super eroded, yeah.

• 1:00:48Speaker 03

  Okay, so bear with me here, Danny. What we're gonna do is we're gonna go through, and I want to show you these all over the world first. I don't want to tell you what they mean yet. I know some people in the audience might be mad. But again, if you, I want everyone to see how prolific this is. Once you start looking for it and identifying it, it is the signature of this civilization.

• 1:01:11Speaker 03

  If you can find it, it's only found in older structures. Super advanced stonework.

• 1:01:16Danny Jones?

  Right.

• 1:01:17Speaker 03

  And it's their signature. And we're going to get into what it all means, but it is incredible. It's there. It's truly what like what Graham Hancock said in his first book. It is the fingerprints of this lost civilization. So the first thing I do is I'm trying to go find other temple layouts. See if I can find it anywhere else. Right? And this is where I told you the whole citizen archaeology thing started because other people started finding stuff too, based on this and telling me.

• 1:01:42Danny Jones?

  Wow.

• 1:01:42Speaker 03

  And so there's a movement that's emerging right now where anybody that knows what they're looking for, that's going to find these site temple layouts is finding this code. It's exciting. Now, you ready? Temple of Horus in Egypt. We're not even on the Giza Plateau anymore. We're down hundreds of miles away. And check this out. You ready? On the right is the Sphinx and Valley Temple Designs. Now, take a look. The Temple of Horus, you have Ts in the every single entryway that gets smaller and smaller. It's very key to understand. It's what's called fractal geometry. Fractal geometry means something smaller that gets bigger or the reverse. Now, the same thing is true with the other symbols.

• 1:02:23Speaker 03

  If you look at the combination of the T, the step pyramid, it's just repeating everywhere, all over the place. And I want to really emphasize it's important to understand. They're now combining the T and the inverted pyramid together as a single symbol in some of these. And you're going to see that a lot more, especially in South America as we go forward. Now, in the center of the star where it says sanctuary, that design is nearly identical to what we call Susi temples in Turkey in Iona's at that design. So you're seeing the same motifs, the same architectural designs, the same knowledge embedded into these sites. But I'm just beginning, my friend.

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• 1:04:02Speaker 03

  Let's keep going. Here we have, are in Tiwanaku, Bolivia. There you have the door. Now, this is all three symbols in one. You ready? They got, they were brilliant. They said, okay, let's take the three most important symbols that represent the highest level knowledge we have. And let's not only embed them all around the world, but here in Tiwanaku, let's put them all together as one. Take a look, you have the door, you have the T and the inverted step pyramid in one single symbol.

• 1:04:32Danny Jones?

  Right.

• 1:04:33Speaker 03

  Okay, so that's an Andesite stone. And I am so proud of my team for this. This is Dr. Robert Schock and Hans Orheim. Hans Orheim is an archaeologist. They both found this one. As I'm saying, this isn't just me, this is others that are involved in both my team and citizen, citizen archaeology people that are finding this now and it's turning into a movement. It's like a revolution of, of, of ancient history. This is wild. At Tiwanaku, it's, the entire temple layout design is the same symbol in the stone. Now, this is what I call like a home run. What I mean by that is this, there's a symbol we're looking for, you find it in the stone. Great, that's one.

• 1:05:17Speaker 03

  What you get for a home run though, is when that exact same symbol is then also in the temple layout itself.

• 1:05:23Danny Jones?

  Right.

• 1:05:24Speaker 03

  Now, the quote that Robert Schock said about, you can't argue temple layouts. You can't say that's a coincidence anymore. Once the same symbols are embedded into the entire temple layouts, which is what the Sphinx and Valley Temple was, remember? You then have a problem. You then have something highly sophisticated, highly organized, that's being shared all around the world. Okay? And this is just, I have a lot more examples. How about Kailasa, India?

• 1:05:51Danny Jones?

  Oh, this one is like the most insane thing.

• 1:05:53Speaker 03

  This is incredible. I mean, this is one of my favorite examples of all of them in the world. Kailasa for those who, well, let's talk about Kailasa for a minute.

• 1:06:02Danny Jones?

  Yeah.

• 1:06:02Speaker 03

  Kailasa is considered the largest monolithic temple carved out of a single rock in the world. Meaning that this mountain, which is by, by the way, is basalt.

• 1:06:11Danny Jones?

  Right.

• 1:06:12Speaker 03

  Very similar to the stone we see everywhere else.

• 1:06:13Danny Jones?

  It's all negative relief, even the whole thing.

• 1:06:15Speaker 03

  They carved the entire mountain into one single temple. Okay, it's one of the most advanced ancient sites in the world, arguably, hands down. Now, they say they know who built it theoretically, but if you go look at the story, they don't really know who built it. And they don't really know when it was built because a lot of cultures have come later. Same thing in India, a lot of cultures have come later and adopted these sites, okay? Now, when I found this, it was like a heart attack. It was like a heart attack. Nobody's looking at temple layouts. That's what's happening right now. So, let me give an example of what this is. In the very center of the entire temple, literally the focus of the temple itself. You see that?

• 1:07:00Speaker 03

  In the very heart of the temple is the exact same design as Tiwanaku. And I mean exact, I mean, look at that, that dandy, isn't that incredible? And I showed the temple layout above, and not only that, but the three stairs that lead to it are exactly three. I say three because three is the number that repeats over and over again, and then, then you add three and three and you get six, then you add again, you get nine. Which we know Nikola Tesla and others have talked about, the mystery number of the universe being three, six, and nine, right? Everything is encoded in that here.

• 1:07:34Danny Jones?

  I didn't know that's what he said, the mystery.

• 1:07:35Speaker 03

  Well, it's, it's one of those things where some people are gonna call him, are gonna, are gonna call me out on that quote. He, his official quote is that if you want to understand the secrets of the universe, it's through energy vibration frequency. But, the quote about three, six, and nine.

• 1:07:50Danny Jones?

  Right.

• 1:07:51Speaker 03

  Many, many people that have delved into his work believe he said that as well. Because all his work talks about three, six, and nine.

• 1:07:56Danny Jones?

  Okay.

• 1:07:57Speaker 03

  You see what I mean? So, even though they can't 100% prove he said it, pretty much everybody knows he did say that.

• 1:08:02Danny Jones?

  Okay.

• 1:08:02Speaker 03

  Okay, so. There's a code embedded, Danny, it's all over the world, but it's in only these older advanced structures. And so when I saw all these, I'm linking it now back to the very beginning. Here we are at the very core of where we started. And this is a very important slide. It's what we call the proto-origin of these symbols. So when you have symbols over time, they become more advanced, like anything, right? So if you, Danny, built a car, what's gonna happen in that car after like 20 years, 30 years, 40 years? It's gonna become way more modified, right? Get better and more sophisticated, exactly the same thing as these. These are what you're looking at are the proto-origins of where this civilization,

• 1:08:44Speaker 03

  I believe, began. And where is it? Lake Vahn in eastern Turkey, precisely where the stories of Zayasudra, where he ended, start. You see that? And so, I want to go through this and just explain it really quick. That Susi Temple design that I showed that was in the Temple of Horus and other places, but also look, if you look very carefully, it's hard to notice, but the three-level step pyramids are also in the entrance, and then two Ts that differ based on their sizes. And that's the fractal geometry. And then on the right is Shabu's Tepe, which is a site right next to Ionis. And as you can see, the Ts then become giant monoliths. They actually create versions of them into monoliths, right? And

• 1:09:25Speaker 03

  then on above to the top right is, of course, what's called the Kef Ba relief, and it came from another site right next to Ionis. And that's where you get all the rest of the symbols. So if you combine them all together, you get something incredible. You get a code. And that's why I called this "The Blueprint." The blueprint of lost civilization. It's their code. And I wanna, I wanna go over what all of this means, and how I found it, and how all this unfolded. I'm sitting there trying to understand this.

• 1:09:56Speaker 03

  How could these civilization, why would they encode these advanced symbols into everything? What are they doing? Why are they encoded Ts in step pyramids and, and doorways? What is, what is going on here? Right? This is what broke all of this open. I was studying ancient hermetic geometric designs. Hermeticism is an ancient secret society type of knowledge that existed teachings long ago. And we'll get into what more about that soon. And I found a word that unlocked everything. If that photograph was the catalyst to point it to me. This was the word itself was an unlocked every single meaning for it.

• 1:10:37Danny Jones?

  Cosmogram?

• 1:10:38Speaker 03

  It was a word that has become nearly extinct in our, in our world today. Very few people on earth even spoke it any longer. It was, it was used in only fringe papers. And anyone who wants to look it up and go, please do.

• 1:10:51Danny Jones?

  Cosmogram?

• 1:10:52Speaker 03

  Cosmogram itself is a word that I write in the, the book, The Missing Key. The word itself was on the very edge of oblivion. It was about to die. And if we lost this word, we may never have ever understood what these things are.

• 1:11:08Danny Jones?

  Google says a cosmogram is a diagram, map or symbol representing a specific cultural, religious or scientific worldview of the universe organization.

• 1:11:18Speaker 03

  Yes. So what they're doing is they're encoding the structure. Remember this Danny, they're encoding, yeah, go back to mine. They're encoding the structure of the universe into their temples.

• 1:11:29Danny Jones?

  Okay.

• 1:11:30Speaker 03

  So I, when I found this and I said, oh my God. How could they have known the structure of the universe?

• 1:11:38Danny Jones?

  As above, so below.

• 1:11:40Speaker 03

  Well, that's hermeticism and we'll get to that. That's where that comes from is hermeticism. Okay? So, once I found this, everything unraveled, everything. It was, it was like a freight train. Once this happened because it filled every single other thing in. They're all cosmograms. All of them are. Every single one of these symbols are cosmograms. Okay? And we'll get into what, what they all mean and how they're all related to this and how it all connects. So, what they, what they understood was that, and let me tell you how I found it though, is that in Egypt, they preserve their understandings of

• 1:12:19Speaker 03

  How they, what the, how the, the structure of the universe, the ancient Egyptians did a really good job with preserving that. And even though they may have been very bad with certain things, I'm talking about the dynastic Egyptians, Khufu, Khafre, I'm not talking about the people who built these structures originally. Okay. The dynastic Egyptians did a lot of bad stuff, right? They re-carved the Sphinx to be a pharaoh, we'll get into that. They did a lot of bad stuff. But the best thing they ever did.

• 1:12:44Danny Jones?

  Those naughty Egyptians.

• 1:12:46Speaker 03

  Those naughty Egyptians, the best thing they ever did was that they really did a great job carrying down traditions. Very, very happy they did that. Because I was able to just go into ancient Egyptian understanding through the Book of the Dead and others, well, what are the three structures of reality? What are they? Well, they understood that the universe was made up of only three pieces. And it's not quite as hard to understand as we think it is. They understood it as physical reality, like what we see around us, and two metaphysical realms of reality that support the manifestation of physical reality. The first realm is the celestial realm. Totally

• 1:13:25Speaker 03

  metaphysical, non-physical. Nothing's physical in these realms. Okay? You can't, it's not space. You don't fly into the celestial realms. I want to be really clear on that because a lot of people confuse that. They think, oh, like the stars above us, I'm not talking about that. We're talking about realms of reality, outside of our existence. Things we can only peer into through some kind of psychedelics, or meditation practices, or shamanic journeys. Okay? You see where we're getting at, right? So they understood that.

• 1:13:57Danny Jones?

  Non-physical.

• 1:13:58Speaker 03

  Yeah, they understood, the universe was only three pieces. So, physical, celestial, and the underworld. Or what the Egyptians called the duat.

• 1:14:06Danny Jones?

  Wouldn't the underworld be similar to the celestial world?

• 1:14:08Speaker 03

  Well, they marry each other. There's no separation between them. And we're gonna get into the whole models.

• 1:14:12Danny Jones?

  So like heaven and hell, basically?

• 1:14:14Speaker 03

  But it's not really hell.

• 1:14:15Danny Jones?

  Sure, it's just a.

• 1:14:17Speaker 03

  In fact, the path of ascension seems to have as much importance, if not more, of going through, going through down first before you go through up. And we'll, again, we'll show that in a minute. So, yeah, which is why it's really interesting how monotheistic religions literally blocked off what may be part of the path of ascension.

• 1:14:35Danny Jones?

  They did what?

• 1:14:36Speaker 03

  Literally may have blocked off part of the path of ascension of humanity by doing that, because the underworld is not what we think it is. It's where souls incarnate, it's where souls are judged, all these different things happen. It's also where life is. So, hold on with me there for a minute. Okay. So, they understood all this stuff, and then unfortunately, they all were destroyed. They all were destroyed because they were falling to cycles. And they understood how to map the heavens, and they knew that everything followed cycles in the universe. So, we're gonna get into what all of those meanings mean in a second, but we gotta start with dating. Because everyone always yells at me on dating, and says, "What about the dating? How old is this? How can you prove it's dating?" Right.

• 1:15:20Speaker 03

  So, we're gonna pause on what all the cosmogram stuff is for a moment. Let's pause for a minute, and let's do dating. Because the dating has a lot to do with that, because we have to understand when this civilization even existed, before you can appreciate what they left behind. Okay? And so, how do we date all this? Well, you can't date stone. So, what do you do? Well, you can do some organic dating at Gobekli Tepe, remember? They did, they found some organic matter, and they already had the dating of that double the age of civilization? Right. But that wasn't really enough to crack anything, was it? Academics didn't find that compelling enough. So, what do we do? Where do we go from here?

• 1:15:58Speaker 03

  Well, once we're able to separate out disasters in Earth's history, we can then try to match them up with stories and tablets that discuss those events, right? And there's actually a lot more correlation than some people might know, in those stories. Like, for instance, how about the story of Zayasudra? What are we told about that? Well, it's a huge flood. Just a flood. Unlike other disaster stories talked about with Atlantis and Plato and all those things, The one that Zayasuch is talking about didn't have fire or anything. The other ones did. But the one that they're talking about was just a flood. So the first thing to separate is that I do not believe that that event is the same as the Younger Dryas at all.

• 1:16:43Speaker 03

  So meaning that when we talk about these catastrophes in history, most experts are going to lump them all into this Younger Dryas 12,000, 13,000 period. What I'm saying is that that's not the first event. That's simply the last one. That's the one that wiped everyone out.

• 1:16:59Danny Jones?

  The most recent.

• 1:17:00Speaker 03

  That's the one that destroyed the entire global culture. That's the one that wiped them out. That's the one that made them encode all of this into their structures because they knew they were all going to die. How poetic and sad. They knew it because they tracked cycles and they understood that cycles that follow these alignments, the influence of the sun, other things. And there's these catastrophic things that can happen to Earth that we have never experienced in modern human history, not even close.

• 1:17:30Danny Jones?

  Right.

• 1:17:30Speaker 03

  And so, how do we try to date this? Well, there's a very interesting study that came out over the last 10 years with these koori trees in New Zealand. So you see these trees up here? They find these giant extinct trees in New Zealand that have fallen into these pits and have been preserved because it's when they died. So they were able to take the tree rings and they were able to extract out the data from the tree rings and find out that 41,500 years ago was a devastating, devastating flood on Earth. At the same time, they find these lava fields in France called the La Champs lava fields. And these lava fields happen to have this really unique kind of bubbling lava that

• 1:18:14Speaker 03

  they can take the air pockets inside the lava and get a snapshot of what the Earth's climate was like. So they're combining that with these tree rings. Yeah, they're taking these things. This is not me.

• 1:18:27Danny Jones?

  What about ice cores? Can they do that with ice cores?

• 1:18:29Speaker 03

  Yes, ice cores too. So all three. So tree rings.

• 1:18:32Danny Jones?

  You can go back that far with ice cores?

• 1:18:33Speaker 03

  Yes, Antarctica ice cores you can, not Greenland. So they're taking tree rings, they're taking those lava fields, they're taking these different events, and they're not saying lost civilization was destroyed then. They're saying this is the last confirmed. Geomagnetic excursion in Earth's history. So I don't think I, I think I killed that slide out of here. Yeah. So what, what does that mean? Geomagnetic excursion? What is that?

• 1:18:57Danny Jones?

  Just because there was a flood, they think there was a geomagnetic excursion?

• 1:19:00Speaker 03

  No, no, no, they're not saying a flood. Scientists aren't saying there was a flood. They're saying there was a geomagnetic excursion. But when there's a geomagnetic excursion, there's a massive flood.

• 1:19:09Danny Jones?

  Right.

• 1:19:10Speaker 03

  See what I'm saying?

• 1:19:10Danny Jones?

  Sure.

• 1:19:11Speaker 03

  Why? Because what happens is-

• 1:19:13Danny Jones?

  And what was in the bubble? Sorry to interrupt. What was in the bubbles in the lava?

• 1:19:15Speaker 03

  Snapshots of the climate so they could match up with the Cory trees and ice cores to pinpoint that 41,500 years ago, some absolutely horrible catastrophe occurred on Earth.

• 1:19:28Danny Jones?

  Was going wrong.

• 1:19:29Speaker 03

  Very badly.

• 1:19:30Danny Jones?

  Right.

• 1:19:31Speaker 03

  So what they've determined is that for a 700 year period, then the magnetic north wobbled all over, like it's kind of doing now, but in an extreme way, it shifted so much that it caused the entire axis of the earth to tilt and bulge a huge amount of water on one side of the planet.

• 1:19:51Danny Jones?

  Who's saying this?

• 1:19:52Speaker 03

  Scientists. This is not for me at all.

• 1:19:55Danny Jones?

  In a separate lane from-

• 1:19:55Speaker 03

  So all you have to do is go look up what's called the Adams event or the La Champ event, the last geomagnetic excursion, and just go read about it. They don't think humans existed at this point, remember?

• 1:20:04Danny Jones?

  Right.

• 1:20:05Speaker 03

  So they're not going to reference anything like that.

• 1:20:07Danny Jones?

  Okay, so, so what they're finding in the lava bubbles, the ice cores and the tree rings is that something crazy happened, which confirmed the hypothesis of the, uh, I don't know what you would call the people who tried to determine there was a geomagnetic event.

• 1:20:22Speaker 03

  Scientists.

• 1:20:23Danny Jones?

  Forty thou- what type of scientist that would be?

• 1:20:25Speaker 03

  I-

• 1:20:25Danny Jones?

  That would be probably a, maybe a geologist? Maybe that would be a geologist?

• 1:20:31Speaker 03

  Yeah, and, and a few other things too.

• 1:20:33Danny Jones?

  So, so there's already a theory with those folks that there was some sort of a geomagnetic event?

• 1:20:40Speaker 03

  No, not a theory, established. So if you, you can go look it up right now if you want, just to show him so he feels better.

• 1:20:46Danny Jones?

  I'm just trying to understand it, that's all.

• 1:20:48Speaker 03

  So La Champ event, if you just go type it up on Google,

• 1:20:51Danny Jones?

  Okay.

• 1:20:52Speaker 03

  It'll say the last time that scientists have confirmed a geomagnetic excursion.

• 1:20:56Danny Jones?

  The Adams event.

• 1:20:57Speaker 03

  Yeah.

• 1:20:57Danny Jones?

  Polar drift caused climate change forty two thousand years ago. Earth's magnetic field is one of the most mysterious forces that shaped the life on our planet. It's likely powered by solidification of Earth's iron core and appeared more than thirty, three billion years ago, blah, blah, blah. Where's it, where's the, get to the point. Uh, for some forty two thousand years ago, Earth went through several centuries of dramatic climate cha- okay, and environmental chaos. The weather patterns went wild and shifted violently with cold snaps commonly spreading from the Arctic to North America and the ozone layer was likely destroyed. And electrical storms created auroras, even in the tropics. Uh, Netherlands Neanderthals and some impressive representatives of megafauna went extinct.

• 1:21:38Danny Jones?

  Strangely amidst all the destruction, there was a boom of surviving Homo sapiens cave art?

• 1:21:48Danny Jones?

  Whoa.

• 1:21:49Speaker 03

  Yeah.

• 1:21:50Danny Jones?

  What is a geo, okay, so-

• 1:21:51Speaker 03

  Geomagnetic excursion means that, means that the magnetic poles move.

• 1:21:56Danny Jones?

  That's crazy. They could know that. They, they, they could know-

• 1:22:01Speaker 03

  From the record, from the tree rings and from the, the lava fields and from the, the ice cores, yeah.

• 1:22:06Danny Jones?

  What I'm saying though is just because it was chaos, like, how do they know it wasn't from something else? Like, wasn't from comets or wasn't from supervolcanoes or-

• 1:22:16Speaker 03

  It's because, well, they're not saying what caused it. They're saying what happened. They're saying that the magnetic poles moved significantly to where it created chaos all over the earth, killing all these corey trees.

• 1:22:28Danny Jones?

  I, I understand what you're saying. I, I understand that they can, they, they're using the chaos as the proxy to figure out something went wrong, but how are they using that? How does all of that equal poles shifting?

• 1:22:40Speaker 03

  Uh, because they know that those effects can only happen. You're looking at this backwards. The magnetic poles are what determine everything. Everything physical in our reality comes out of an energetic reaction. Do you understand what that means? The earth is a giant toroidal field of energy. So it goes like this. The energy comes out of Antarctica.

• 1:22:59Danny Jones?

  Yeah, I know what you're saying.

• 1:22:59Speaker 03

  It comes out and goes through the, through the north pole. And it's an energy flow and there's magnetic north and south poles.

• 1:23:04Danny Jones?

  Right.

• 1:23:05Speaker 03

  They're saying that this is the most significant excursion of that they've seen bar none in, in the, in the last forty, two thousand years. And so what I'm saying is that when you then put this into the mix and you, you identify the older and younger Dryas events, but you separate them from the last Shump event, you then get a working timeline. You then start to get where you can piece some of these events together because we know that the Zayas Sutra event was not the same event that's described by Plato. They're not even, they're not even close to the same event described, right? But what is, what is Solon told in Egypt? Remember he says, he, so for those who don't know, Solon goes down to Egypt. He's the first Westerner to be in ancient Egypt at that time.

• 1:23:50Speaker 03

  He meets with the two priests in Egypt at the, at the temple of Neath in Sais. Okay. One of them is named Sancho's and the other one is named Sanofis of Heliopolis. Most people don't know that. So both of these individuals, they tell him this ancient history long before even the records that he knows about existed. In which they say, "You Greeks remember one deluge, but there have been many, mostly of water and fire." Remember? So why would we, why would we think there's one event then? Right? So that's why I've been able to separate out the Zayas Sutra flood, the beginning with the younger and older Dryas as being the end. And then we can start piecing together a timeline.

• 1:24:36Speaker 03

  Then we can start putting this all together because that's not the only evidence we have to line these things up. I'm giving you the catastrophe evidence first as we start working through this.

• 1:24:44Danny Jones?

  Oh, interesting. Steve just answered my question. When lava cools and sediment settles, these, the minerals align with the magnetic field. Okay, that makes sense.

• 1:24:53Speaker 03

  That lava field just happened to be-

• 1:24:55Danny Jones?

  I did a poor job of asking my question, so sorry.

• 1:24:57Speaker 03

  That lava field just happened to be the best representation of that, of any of in the world. That's why they used it.

• 1:25:02Danny Jones?

  Okay.

• 1:25:02Speaker 03

  So here is a graph that most people don't know about. This is, these are Greenland ice cores, not Antarctica, because Greenland only goes back 20,000 years, because the Greenland ice cap is only 20,000 years old. So, take a look at this. Look at where we are on the right side. They're talking about climate change, talking about how we're so warm and blah, blah, blah. No, we're not. No, we're not. And if anything, you look at disruptions over the last 10,000 years, and they're minor. Wouldn't you agree?

• 1:25:30Danny Jones?

  Oh, yeah.

• 1:25:31Speaker 03

  Now, look at 11,600 years ago to about 14,500 years ago. Insane. Like-

• 1:25:39Danny Jones?

  Freezing.

• 1:25:40Speaker 03

  We're talking about-

• 1:25:42Danny Jones?

  That was your backyard a couple of months ago.

• 1:25:44Speaker 03

  Basically, basically. Yeah, but also warming temperatures too. It's not just cooling. Look at the warming on the front side. 14,500 years ago, that's why you get- That's why Edward Toll found weird, weird alder trees growing up and they were frozen, with frozen green leaves up in Siberia because of that event. Now, that's, that's the climatic way we can, we can start creating our timeline. If you create a timeline, you have to have as much moving pieces of evidence as possible to try to do that. That's just the beginning. So that's, that's our climatic timeline. Now, that climatic timeline fits very well with tablets, though. And very well with stories of two primary events, right?

• 1:26:26Speaker 03

  Two, two events that basically were enough to destroy that entire chapter of our, of our history.

• 1:26:33Danny Jones?

  The Younger Dryas was 11,500, something like that-

• 1:26:37Speaker 03

  I'll go back.

• 1:26:37Danny Jones?

  12,000 years ago? Between 11 and 12,000 years ago, basically? And what do you call the other event?

• 1:26:44Speaker 03

  Well, the-

• 1:26:45Danny Jones?

  What was the 40,000 year event called?

• 1:26:47Speaker 03

  It's either the Last Shomp or Adam's Event, has two names.

• 1:26:49Danny Jones?

  Adam's Event?

• 1:26:50Speaker 03

  Yeah.

• 1:26:50Danny Jones?

  So the Adam's Event was 40,000-

• 1:26:51Speaker 03

  41,500 to 42,000 years ago.

• 1:26:54Danny Jones?

  To 42,000 years ago from now.

• 1:26:55Speaker 03

  Yeah, look at that gap.

• 1:26:56Danny Jones?

  What's the, yeah, what's the-

• 1:26:57Speaker 03

  Which is why I'm about, which is what I was going to get to, is that I believe that this civilization existed for over 20,000 years. Which is why they were able to master everything they were.

• 1:27:11Speaker 03

  Okay, so let's get into the dating to prove this, though.

• 1:27:14Danny Jones?

  Okay.

• 1:27:14Speaker 03

  Take a look at these angles. Not everybody sees these angles of the Sphinx. There's a lot of really clever angles that don't really show you the truth of it, and this does.

• 1:27:23Danny Jones?

  Okay.

• 1:27:23Speaker 03

  If you're a civilization creating a structure like this, and if anybody doesn't know, the Sphinx is a solid piece of bedrock, similar to Kailasa, where they just cut out the rock around it and then just forms it in the middle, right? It's not stones stacked together. It's a single piece of bedrock cut out.

• 1:27:37Danny Jones?

  Why do the paws look so perfect in the upper part?

• 1:27:40Speaker 03

  That's what we're gonna, that's what we're gonna talk about.

• 1:27:42Danny Jones?

  Okay.

• 1:27:42Speaker 03

  And so around the enclosure is what is called the Sphinx enclosure. That's where Dr. Robert Shock went in the 90s to show the water erosion, okay?

• 1:27:50Danny Jones?

  Yep.

• 1:27:51Speaker 03

  So, the first thing you notice is that if you were in ancient civilization creating a structure like that, why would you make the head so small?

• 1:27:57Danny Jones?

  Right.

• 1:27:58Speaker 03

  It doesn't make any, it looks silly. It looks ridiculous. That's because it was not a pharaoh. It was a lion. And we're gonna get into the proof on how that was a lion. But I just wanted to show you the examples of how silly it looks from these angles. Because not everybody sees these angles when they're looking at the Sphinx. And they really show you the disturbance, and you just brought it up. Look at the erosion and how much of, how affected the front body and the head have been compared to some other parts. Now, some other parts have been rebuilt a little bit. I do get that.

• 1:28:26Danny Jones?

  Yeah.

• 1:28:27Speaker 03

  But, look at the manipulation on the head especially. We're talking about something that was probably not quite double as big, but certainly quite a bit bigger than it is now. Now, why do we know it's a lion? Well, the lion is a motif that is shared by this lost civilization all over the world. Everywhere. They consider a lion an archetypal guardian. We're gonna get into guardians now. Guardians are what is shown as another on all of these sites. Guardians are playing this very big, big part. Because they understood that... These realms of reality needed guardians to maintain them and balance them.

• 1:29:07Speaker 03

  And they considered Leo to be this celestial representation that also matched the most fierce basically predator we have here, a lion, the strongest, right? So they used both as a means to create a type of guardian. Now, top of that image, if you look at the Kef Bovary, if I have a piece of it, he's standing on a lion. And what's interesting is that on Kailasa on the right, the lions are identical. I mean, not only is it a lion, but it has the same artwork on its legs and body and everything, right? And yet, these are in two completely different parts of the world.

• 1:29:43Danny Jones?

  Right.

• 1:29:43Speaker 03

  And so, these aren't the only lions, though. The lion is all over the ancient world. And in, so in this civilization, it's well-accepted in most more-studied, higher-level academics. For instance, Dr. Robert Schock, John Anthony West, it's a lion. They are convinced, without a doubt, that it is a lion.

• 1:30:06Danny Jones?

  Doesn't the Sphinx face a specific constellation?

• 1:30:10Speaker 03

  Well, that's what we're gonna get into with dating. It faces Leo. That's the whole point of it being a lion. Yes. So, once they determine it's a lion, because ancient Egypt was obsessed with lions, you saw it all over, and the lion is then, it's an architectural guardian all over the world. Once you understand that, you then can take, what we just mapped out with the catastrophes, and you can take celestial alignments, and we can get some dating. We can finally understand when all these things were dated, okay? Because, because of this. Now, I love this, and again, Dr. Robert Schock and John Anthony West, the best examples of this, they would have this debate for years.

• 1:30:53Speaker 03

  And then, and then, you know, John Anthony West isn't with us anymore, and now, Dr. Robert Schock and I have this debate, just like they used to have. And it is this. Now that we can establish the Sphinx with a lion, I mean, that's pretty well-established by most.

• 1:31:08Danny Jones?

  Could you imagine how fucking cool it would have looked before they?

• 1:31:11Speaker 03

  So much better than a pharaoh, right? So, this is the, this is the big thing. It only faces Leo during certain time periods in history because of what's called the procession of the equinox.

• 1:31:23Danny Jones?

  Isn't it facing Leo now?

• 1:31:26Speaker 03

  Not like, not like this. No.

• 1:31:27Danny Jones?

  Okay.

• 1:31:28Speaker 03

  So what it means is that the earth spins on a slight kind of wobble. And the ancients understood that's how you track cycles. That's what they were tracking. That's what the zodiacs are. Okay?

• 1:31:39Danny Jones?

  Hmm.

• 1:31:39Speaker 03

  That's what, it's why we're going into the age of Aquarius. We're leaving Pisces.

• 1:31:42Danny Jones?

  Right.

• 1:31:42Speaker 03

  We're going into a new zodiacal age, which is why all this chaos is happening because in between ages is when this always happens. So.

• 1:31:53Speaker 03

  John, Dr. Robert Shock believes it's 12,000 years old. John Anthony West believes it's 38,000 years old because those are the only two dates that this, that the Sphinx can align with Leo.

• 1:32:04Danny Jones?

  Really?

• 1:32:05Speaker 03

  Yes. Those are the only two because of the procession, the equinox. That means that the earth is wobbling and it's facing different constellations for 2,100 years.

• 1:32:14Danny Jones?

  It's every how many years?

• 1:32:16Speaker 03

  2,100 years is an age. It's quite, you put it all together and you get the great year.

• 1:32:22Danny Jones?

  Are you sure?

• 1:32:22Speaker 03

  16, yes. It's what you get that it was called the, the great year.

• 1:32:26Danny Jones?

  I thought it was a different number. I thought it was like 242 or something.

• 1:32:29Speaker 03

  2,100 years is an age. So it's like, it's right around 2,000 years. It's just why you see some of the interesting things with like the Roman empire 2,000 years ago with like the whole story with Jesus and everything. It's almost exactly 2,000 years ago. So these two dates, John Anthony West and Robert go back and forth, back and forth, right?

• 1:32:50Danny Jones?

  Uh huh.

• 1:32:50Speaker 03

  Well, why did, why do they believe what they did? Well, John Anthony West did not believe that it would be possible for them to build these structures during 12,000 years ago. Why? Cause it was the year of the end of the world.

• 1:33:01Danny Jones?

  Hold on, I'm sorry. I can't, I'm, I'm, I'm losing my mind right now.

• 1:33:04Speaker 03

  Okay.

• 1:33:04Danny Jones?

  I gotta, I gotta, I gotta, I thought, I swear, I thought an age was 21 or 22.

• 1:33:10Speaker 03

  21.

• 1:33:11Danny Jones?

  Great year.

• 1:33:12Speaker 03

  So that's the great year combined.

• 1:33:13Danny Jones?

  25, 7 to 26.

• 1:33:15Speaker 03

  Yeah.

• 1:33:15Danny Jones?

  Okay. I thought, I could have sworn you said 2,100.

• 1:33:19Speaker 03

  2100 years, yeah.

• 1:33:20Danny Jones?

  No, this is saying 20, 25,000 years.

• 1:33:23Speaker 03

  Daniel, you're in the great year. So you gotta combine 12 zodiacs together to get that.

• 1:33:27Danny Jones?

  Oh, that's the great, that's a single procession.

• 1:33:29Speaker 03

  So it means that when this, when the earth spins an entire procession, it takes 26,000 years. That makes sense?

• 1:33:36Danny Jones?

  Okay, so 12, 21, 100 year cycles.

• 1:33:39Speaker 03

  So they knew that, and they knew that, that when the Sphinx aligned with Leo, it had to be either 12,000 or 38,000 years ago because of the procession. Does that make sense?

• 1:33:49Danny Jones?

  Yes, it makes perfect sense.

• 1:33:50Speaker 03

  Now, look, look back at this. How could they possibly have built the pyramids of Egypt during that? 12,000 years ago was chaos on the earth.

• 1:34:00Danny Jones?

  Yeah.

• 1:34:00Speaker 03

  Chaos, right?

• 1:34:01Danny Jones?

  Right.

• 1:34:02Speaker 03

  Which is why then we go back a previous age, 38,000 years ago. Well, this is where it gets really interesting. What was the date on the last Shump event?

• 1:34:13Danny Jones?

  Forty something?

• 1:34:13Speaker 03

  Forty one thousand 500 years ago. If Egypt was built 38,000 years ago, then it means it would have given the builders after Zayasudra nearly 3,000 years to reach it. So let's, let's take into account for a minute, let's try to put these into a timeline. Yes, I, you heard what I said. I believe Zayasudra was over 42,000 years ago. That the original first cities on earth, well, was, was 40, was, well, no, we don't even know how old they were. We only know when they were destroyed. So I can't tell you when they're originally built. Maybe, maybe 45,000 years ago. I don't know, though.

• 1:34:52Danny Jones?

  Right. So, so what you're saying is, I mean, it's, it's, I don't think people claim, anyone thinks that they would have been built during the Younger Dryas, right? They claim the Younger Dryas is what ended the civilization that built it.

• 1:35:05Speaker 03

  No, Dr. Robert Shock does believe that that was built then.

• 1:35:08Danny Jones?

  In the middle of the Younger Dryas?

• 1:35:09Speaker 03

  It's, he has his reasoning and I respect him as an, as an academic for that, yes. Maybe that's also because as a top level academic, maybe it's a little easier to, to start with 12,000 rather than 38.

• 1:35:21Danny Jones?

  Right, okay.

• 1:35:22Speaker 03

  Baby steps bud, remember that.

• 1:35:24Danny Jones?

  No, well, maybe it was built like right before the catastrophe happened.

• 1:35:27Speaker 03

  Well, the problem is there is no.

• 1:35:29Danny Jones?

  There is no right before.

• 1:35:32Speaker 03

  The younger Dryas combines with the older Dryas, it's like a 2,000 year period of disaster on the earth.

• 1:35:38Danny Jones?

  Right, right.

• 1:35:38Speaker 03

  So there is no like building it right before because then.

• 1:35:40Danny Jones?

  The younger and the older, so.

• 1:35:42Speaker 03

  Then you're not in 12,000 years ago anymore and it wouldn't have lined up. Do you see that? They, they do everything perfectly. They don't make any mistakes. The great pyramid is like a perfect half ratio of the earth.

• 1:35:53Danny Jones?

  Right.

• 1:35:53Speaker 03

  Related to the earth, sun and moon relationship.

• 1:35:55Danny Jones?

  So, so in that, in that period, in that, what is that? A thousand year roughly period?

• 1:36:02Speaker 03

  Well, if you, if you add the older and the younger, it's even longer.

• 1:36:05Danny Jones?

  Okay, but during, during that crazy climate drop.

• 1:36:08Speaker 03

  Yeah.

• 1:36:08Danny Jones?

  Right there, when it's, when it's, when it's chaos on earth. During that period is when the Sphinx was aligned with Leo.

• 1:36:18Speaker 03

  You're saying 12,000 years ago or before?

• 1:36:20Danny Jones?

  12,000 years, during the younger Dryas.

• 1:36:21Speaker 03

  12 it was, but, but that was, but there's different, it's aligned during different ages. And so 12 was one of them.

• 1:36:28Danny Jones?

  It was the last time.

• 1:36:29Speaker 03

  Yes.

• 1:36:30Danny Jones?

  Okay, got it.

• 1:36:31Speaker 03

  Yes, so essentially what we're doing is we're taking climatic data, ancient tablets, all the stories we can from Solon and everything we have, right? And we're then combining it with procession and with these alignments and that's how we're getting the dating. So let me lay this out there.

• 1:36:48Danny Jones?

  I completely understand what you're saying now.

• 1:36:50Speaker 03

  Yeah, so I believe that Zayasudra's flood, the flood that destroyed Shurupac from the very beginning was 41,500 years ago or 42,000 years ago, it was right in that window. And that, think about how much time he would, that would give him. Then if Egypt is 38,000 years old and the same symbols and builders are involved, it would give them 3,000 years to get there. That's plenty of time.

• 1:37:15Danny Jones?

  Oh yeah, totally.

• 1:37:16Speaker 03

  Plenty, I mean, look at what we've done in the last 700 years since horse and buggy. Right, so the timeline starts to match really well, do you see that? All of a sudden, things, truth falls into this. Perfect place because truth is truth. Once you, once you find something that matches where it's supposed to, it's like, oh, that makes complete sense. Because how else would you then put this? Where else would you put it? We now can place each of these events during sequences of not only procession, but also climatic events that match destruction mentioned in the stories. All of it comes together to say, look, we have an over 20,000 year period of human history in which we became the greatest masters we've ever been. And then we were all destroyed.

• 1:38:01Speaker 03

  But before they were destroyed, they left all of their knowledge for us. All of it.

• 1:38:05Danny Jones?

  And they knew they were gonna be destroyed.

• 1:38:07Speaker 03

  And they knew they were all gonna die.

• 1:38:09Danny Jones?

  And the people that were leaving this knowledge, they were built, so you think the pyramids and the Sphinx were built post the Adams event?

• 1:38:17Speaker 03

  No, no, no, all that? Okay, so let me lay this out there. This is definitely important. I'm glad you brought that up. Imagine there was a previous civilization age that existed on Earth. It was the Sumerians, and that's the only one. There might not have been any other Homo sapiens, sapiens civilizations anywhere. It may have just been like more Neanderthal hunter gatherers, right? Let's say something started there very special, like, like it states, just like the tablet says, says it does. Where something very special emerges in that region with Eridita Shurupac. Now, that was the first beginnings of everything, but they were destroyed. Right? And so what, what happens? Well, you learn that Zayasudra landed up there, and then there's this mystery.

• 1:39:00Speaker 03

  Well, Zayasudra was rewarded for maintaining all of the knowledge of mankind. That's what it's told about in the tablets. So why would we not think that the golden age came out of that? The other reason we say that is that the tablets, before they break off and we never hear anything again, the last thing they say is that they reward Zayasudra and they give him immortality, and they also decide to basically like give humanity another chance.

• 1:39:28Danny Jones?

  Okay.

• 1:39:28Speaker 03

  Now, so what does that mean? It means that I believe that the greatest golden age that ever existed in our history began, I'm not gonna say 41,500, because they need some time after a disaster. Let's give them 500 years, okay? Let's just give them 500 years. Let's call it 40,000 and make it easy.

• 1:39:45Danny Jones?

  Okay.

• 1:39:46Speaker 03

  40,000 years ago, the greatest golden age that's ever emerged, ever emerged in our history began. Began in Vahn, Ionus, then spreads around the world.

• 1:39:57Speaker 03

  Cultivates, it's culminate, cultivate, cul- culminates itself to the greatest expression of that of all in Egypt. The largest versions of it, but the same symbols, right? And so Egypt is like the perfection of this, of this global civilization there.

• 1:40:12Danny Jones?

  Okay.

• 1:40:12Speaker 03

  Now.

• 1:40:13Danny Jones?

  So post Adams event.

• 1:40:14Speaker 03

  Yeah. So then they build it, they build it all 38,000 years ago. And then everything in between, we don't really know. I can't tell you when Tiwanaku was built. I can't tell you when, um, when some of these other places in, in other Egypt was built, because we don't have the celestial alignments, but we can know that they're in that period somewhere.

• 1:40:33Danny Jones?

  Okay.

• 1:40:33Speaker 03

  Somewhere in there, right? Now, Posnansky, who was a great, um, great scientist, Posnansky was the first one to study, um, Tiwanaku and Pum Pumku in Bolivia. And he, way before anybody else, believed that it was like 16,000 years old. So he was way ahead of the game back then. Okay? So what I'm, we're now catching up to where we were. Now, we just laid out timelines, right? Timelines and, uh, the code around the world. Now, let's break it down. What does it all mean? What is all this knowledge? If they left the greatest knowledge of the universe, what is it?

• 1:41:11Speaker 03

  Well, I think the greatest question we can have here that we need to ask ourselves is who were we though? Because in order for us to understand where we're going, we have to first understand who we were once, where we were, right? Where we been? So Chavistepe, there's your three inserts going right in, highly advanced stonework. Okay? Now.

• 1:41:33Danny Jones?

  Where's this?

• 1:41:34Speaker 03

  That's Chavistepe around Ionas. That's the Vaughan region of Turkey.

• 1:41:37Danny Jones?

  Okay.

• 1:41:37Speaker 03

  Look at the stonework, unbelievable, right? It's just incredible. That's the stonework of a lost civilization. For instance, what I mean by that is that the Araritan culture who had to prop up underneath it because it was all broken, that's why there's limestone underneath it. Those stones. These types of stones all around the world were essentially very little manipulated ever again. I say little because they were slightly manipulated. And one of the things they did is that the Eurartians carved cuneiform into these blocks to claim ownership for them. That's why, that's why archaeologists believe that the Eurartians built these sites because they tried to claim ownership. Well, look what the dynastic Egyptians did.

• 1:42:16Danny Jones?

  Right.

• 1:42:16Speaker 03

  They re-carved the whole head into a pharaoh. Talk about some confusion. So, look, obviously, I deeply revere ancient cultures, but some of them did bad stuff. We have to just accept the fact that some of them tried to pretend they built things. They didn't. They tried to reshape things. They, you know, different things like that. Okay, so we have to wrap our heads around that mindset. Now, let's get into the whole thing. These motifs around the world, the first thing is three doors. Now, you're going to see this in some pretty wild places as we go forward, like Da Vinci. We'll get into that as we go. But on the left is what's called the Napa Iglesia. Now, that is in Peru, and you see the same step pyramids, which the Spanish blew up the

• 1:43:00Speaker 03

  top there. There would have been a third level, but they put dynamite into a hole there and blew it up when they conquered this area, which was really nice of them to do that.

• 1:43:09Danny Jones?

  Yeah, very nice.

• 1:43:10Speaker 03

  I've been to this site multiple times, and it is one of the most sacred, magical places I've ever been in my life. When you sit in that doorway, Danny, you feel something. Okay, this is an ancient technology, and I'm going to get into that as we go along. But here's the motif we're spreading around the world. Now, here is Teotihuacan. This is the famous gate of the sun, but it's the backside, which most people don't even look at. Now, these three doors, what do they mean? We were talking about the ancient Egyptian under understandings of what the universe, the three aspects of the universe, the three aspects that's not just shared by Egypt, but basically the entire ancient world believed the exact same thing. They understood that. They didn't look

• 1:43:53Speaker 03

  at the universe in these separate pieces. They looked at it all as part of a whole, as part of a singular thing. And they understood that the middle door is always the largest. Because physical reality is what matters most. Basically, it's like being in the moment in physical reality in that the other two doors manifest physical reality. Now, how do this understanding is very important because it then allows us to not only back engineer understandings, but even technologies. If we can crack their code, we can essentially rebuild their world. Now, how do I, how do I know that these doors represent this? Well, from this, two key pieces of evidence. Again, back to the Kef Baal relief.

• 1:44:37Speaker 03

  Everything is a fractal, microcosm, macrocosm relationship, meaning that they understood that the small has to mirror the large and that everything has to be a mirror of left and right, above and below, like you know, right? So when you look at this, imagine the tree in the center is the middle door. Physical reality with a tree of life. Okay. Now, the tree of life doesn't just represent a tree. It also represents consciousness. They understood that the ascension process of humanity is very much the same process of what's unfolding in the entire universe. They did not see humanity separate from the cosmos. And that's a really important thing that we're going to get into as we go along. So imagine these are the doors and the way we figure out what the left door and the right

• 1:45:21Speaker 03

  door is, is based on this, but it's not just this. So for instance, the God on the left is Nergal, God of the underworld, and we know that. Not only, not only that, but ancient Egyptians understood that west is death and right is east for life because the sun rises in the east and sets in the west. And they considered it like a, a relationship of death and life, like the sun rebirth every day. So that's how we know which, which, which of these doors represents which thing. So once I was able to do that, it was basically like back engineering the rest of it. All the rest of the things just unfolded like, like dominoes. It was beautiful, but I had to first get those understandings. Okay.

• 1:46:07Speaker 03

  Now, each of these gods, now the God on the left. Archaeologists are gonna go, wait a minute, Matt, that's Teshiba, or Teshub. And go, sorry, it's misidentified. This is an underworld god, not a celestial god. That's why I've identified as being the counterpart, the equivalent of Nergal in the underworld. He's an underworld god. Now, if you imagine, Danny, can you have life without death? No, right? Because everything's balanced.

• 1:46:32Danny Jones?

  Yep.

• 1:46:33Speaker 03

  So, everything is part of a delicate balance that exists. Meaning that Nergal's responsibilities as a god of death and war, his counterpoint, he always, they always have to have a balancer. So, meaning in the underworld, there is a negative god.

• 1:46:49Danny Jones?

  Yeah, I get it.

• 1:46:50Speaker 03

  But there's also a positive god. That's who Enki is. Now, the same thing is true above us. Do you know who the negative god above us is?

• 1:46:58Danny Jones?

  The negative god above us?

• 1:47:00Speaker 03

  The god who plays a negative role.

• 1:47:02Danny Jones?

  Zeus?

• 1:47:03Speaker 03

  Yes. His name was Enlil. You got it. Zeus is his later name, his Greek name. So, Zeus, or Enlil, it means lord of the air.

• 1:47:13Danny Jones?

  Okay.

• 1:47:13Speaker 03

  Right? So, his job, his role of responsibility, he was the one who determined to wipe out humanity, destroy everyone.

• 1:47:21Danny Jones?

  Right.

• 1:47:22Speaker 03

  Because he's playing the negative role.

• 1:47:23Danny Jones?

  Trying to save us?

• 1:47:24Speaker 03

  And his counter in the upper celestials is Marduk. So, they're just, they all-

• 1:47:28Danny Jones?

  Marduk is Prometheus?

• 1:47:30Speaker 03

  Well, it depends on how you want to label those. But they're all playing positive and negative roles. You see that?

• 1:47:34Danny Jones?

  Yeah.

• 1:47:35Speaker 03

  Above and below, and then physical realities manifested right in the center. So, once you understand that, you then get to extrapolate all over the world. Meaning that every single thing had a relationship based on that understanding. Everything did. And the most beautiful thing to me about the realms of reality is these flowers. If it's, this would be considered, I would consider this the most beautiful connection. So, in Vawn, the three sites we just talked about.

• 1:48:05Danny Jones?

  Right.

• 1:48:06Speaker 03

  So, well, the underwater ruins is right there, in the same area. I dove down there last year for the documentary.

• 1:48:11Danny Jones?

  Yep.

• 1:48:12Speaker 03

  So, three sites, top right, Ionis, bottom right is Kef, the one on the left is the underwater ruins. Now, the underwater ruin sits underwater, way down below.

• 1:48:24Speaker 03

  Kef Kalesi, where that baofle came from, sits on a mountain right above it. And then Iona sits on a beautiful little peak to the right of it. Now, what is so fascinating is that every realm of reality has its own flower that represents it. So, for instance, we'll start on the bottom right. That flower on the baofle, do you see it? They're tetrahedrons that make a flower. Do you see that? Because it represents physical reality, tetrahedrons represent manifestation of physical reality through sacred geometry.

• 1:48:58Danny Jones?

  So, how was that a tetrahedron?

• 1:49:01Speaker 03

  Because you had to see the shadow effect. The shadow effect creates, gives you the understanding. Yeah. So each one of those tiny little triangles, each one of those creates a tetrahedron based on the shadow.

• 1:49:12Danny Jones?

  I see how the shadows make it look like that. Okay.

• 1:49:14Speaker 03

  So they're tetrahedrons. Now, where it gets beautiful is that the symbol for the underworld was a circle. A circle. And I'll get into how I know that in a second. But look at the underwater ruins. It was always amazing to see the flower, and I touched this flower. Is that it's, it's not a regular flower, though. They're seeds. You see that? They're flower petals that are like seeds. Why? Because it's the underworld and that's where they, they believed that all life originated from.

• 1:49:44Danny Jones?

  The one next to it looks different.

• 1:49:46Speaker 03

  Well, that's because it's not a flower. That's a spiral.

• 1:49:48Danny Jones?

  Oh, yeah.

• 1:49:48Speaker 03

  So both, I'm glad you pointed those out. So the symbol to the right is a counterclockwise spiral. And even though one on the left is broken, I already know what it is. It's a clockwise spiral because they had to follow a blueprint. It's like an understanding of how everything had to be perfect symmetry and balanced based on their knowledge. And so, why would you have a counterclockwise spiral and a clockwise spiral? Do you know? Think about the universe. What does a galaxy look like?

• 1:50:17Danny Jones?

  Spiral.

• 1:50:19Speaker 03

  Exactly. They understood that the that the universe is is a living thing. It's it's God or source and that it breathes in, it expands and it contracts. That's the nature of everything, expanding and contracting, and that the that the universe itself followed those models. And so they're putting it in to show the balance and harmony and how everything basically works.

• 1:50:43Danny Jones?

  Interesting.

• 1:50:44Speaker 03

  So, the last flower, it's really beautiful. What's the last realm? We did the underworld, which is the circle, right? Which is the circle. We'll show those as we go. The last one is Ionus, because Ionus, the temple that's there, the holy temple, is a celestial temple. And what is it? A sunflower. So beautiful, isn't it? So poetic. Each flower represents its corresponding realm of reality. And not only that, but the underwater ruins forms a perfect circle. Do you see that structure? If you swim above it, it's the it's a perfect circle all the way around. Amazing achievement in the ancient world to do that. So they're taking the symbol. You remember the

• 1:51:25Speaker 03

  giant Ts of Chavuz Tepe? Now, there's Ts in temples, but also within other things. It's the fractal relationship. So they're taking the idea that the circle, they're embedding as a as a symbol, and then designing the entire temple to be a two that represents it. So the underworld temple is a circle because it has to, because it represents the fractal nature of what it is. It's beautiful. And so at Chavuz Tepe, you have giant Ts. Why? Because they represent balance. And we're gonna get are gonna get into that. So.

• 1:51:55Danny Jones?

  Let's take a quick pause. I gotta take a leak real quick. We'll be right back.

• 1:51:58Speaker 03

  So we're gonna go over what all this means now. We're gonna go through the descriptions, some of the understandings, and also what it leads to, because it's it's profound where this goes, okay? For people who think this is already incredible as it is, we still have a lot more that's gonna be even more mind blowing. So, the T, right? The step pyramid, if it represents the structure of the universe, then the T represents the balance of all of it. Because, take them, if take it and you condense the symbols together, the, the, the stem of the T would represent the, the larger middle door, and then you'd get the left and right, see that? And so they understood that it's, if you were trying to explain something, right?

• 1:52:43Speaker 03

  If you told me about what the structure of the universe was, that wouldn't really tell us what the purpose of everything we're doing, right? You'd have to be like, well, you understand the universe, but what are you, what are you trying to understand about it? You'd be like, well, we, what the importance of it is that we have to, the importance of the universe is finding balance. Meaning that everything in life, doesn't matter what it is, remember this to everyone listening. The ancients believed that the key to everything was balance. Didn't matter what it was. Balance within, balance without, balance in the world around us, how we live, how we, how we exist. Everything is about balance. They were obsessed with this idea of balance. And so they encode these Ts all over the world.

• 1:53:26Speaker 03

  And I mean, even, even things you wouldn't even notice are Ts. Like, for instance, I was just looking at the Temple of Seti in Abydos. The Ts that, where you walk into the front, they're actually Ts above. People probably didn't even notice that there were Ts the whole time.

• 1:53:40Danny Jones?

  Can I ask you something?

• 1:53:40Speaker 03

  Yeah.

• 1:53:42Danny Jones?

  So are you saying that this T on both sides of it, it's, it's almost like an inverse of the two sides? So if you look below the top on each sides of the trunk of the T, you're saying the left is the underworld and the right of it is the celestial world?

• 1:53:58Speaker 03

  But the middle stem is the biggest and that's where physical reality's manifested.

• 1:54:02Danny Jones?

  And the medical, the, the middle is where physical reality is? Okay.

• 1:54:06Speaker 03

  That's why there's Ts all over the Baal relief and why there's Ts everywhere. Because it's one thing for them to encode the, the understanding of it, but to them, the goal, we call it the goal, was that the teaching related around it was that once you understood the structure of it, the more important understanding was how it all worked and how balance was the key. See that? So they, that was what they, they wanted us to understand because we don't understand any of this today. Any of it. We don't live in balance with the earth at all. We don't live balanced with the universe. We don't even consider ourselves important in that way.

• 1:54:40Danny Jones?

  Yeah.

• 1:54:41Speaker 03

  It's it's sad what we become.

• 1:54:43Danny Jones?

  Do you see any connection between this and like binary code, like ones and zeros?

• 1:54:49Speaker 03

  I think that you're looking at certain mathematical constants that are woven into this for sure. Now, um, the, I think that if we're gonna, if we're gonna have a s- some kind of a binary code like function, like computers with ones and zeros. I think for them it would be like three, six and nine. So I think that's their code, which is why they embedded that into everything. All those circuit b- board type things you were saying, the temple layouts that look like circuit boards.

• 1:55:14Danny Jones?

  Yeah.

• 1:55:14Speaker 03

  It's because that's their code is three, six and nine. I think that once we can understand that, we can crack their technology too.

• 1:55:20Danny Jones?

  Do you know Jeffrey Drum, knew who he is?

• 1:55:21Speaker 03

  I don't know him, but I know a lot of him.

• 1:55:23Danny Jones?

  Are you familiar with his work?

• 1:55:24Speaker 03

  A little bit.

• 1:55:25Danny Jones?

  How deep have you gone into it?

• 1:55:26Speaker 03

  Only surface level.

• 1:55:28Danny Jones?

  It's fucking insane. He basically thinks that all the pyramids were like chemical manufacturing, industrial chemical plants.

• 1:55:34Speaker 03

  Well, we're gonna get into some of the purposes of that in a second. So I'll give you my, my perspective on that.

• 1:55:38Danny Jones?

  And you know how everything looks like a circuit board on the outside of it and like what you were showing?

• 1:55:43Danny Jones?

  He, he literally goes, drills down into the types of stones that are used.

• 1:55:48Speaker 03

  I will too.

• 1:55:49Danny Jones?

  And some are, are heat conductive. Some of them are, are conductive of like electricity and stuff like that.

• 1:55:57Speaker 03

  Yes, yes.

• 1:55:58Danny Jones?

  And, um, he has this crazy elaborate theory that ties all the pyramids together with the Serapeum. And as well as other pyramids that are in South America and Central America that have very similar layouts that like all fit into his theory. It's pretty bonkers.

• 1:56:13Speaker 03

  Well, let me, let me lay mine out and see if that, see if that fits too, because it's probably pretty similar. I just, I don't think there was chemical plants.

• 1:56:19Danny Jones?

  Right.

• 1:56:19Speaker 03

  But they are all related in this.

• 1:56:21Danny Jones?

  Okay.

• 1:56:21Speaker 03

  So we'll get there. Yeah, we're gonna, we're gonna definitely move there next. So, once I had that understanding, this all of a sudden made sense. What I'm, my perspectives on this from studying it is I do believe this is one of the most important ancient artifacts that's ever existed. Because it provides all of those motifs and symbols together into a shared teaching.

• 1:56:45Speaker 03

  And what it's, what it's showing that I believe based on uncovering the entire code of this is that you get the two lion guardians, right? Guarding the realms of reality and then the eagle guardians above. So this, they understood that there were realm guardians needed for both. The eagle was always the celestial realm guardian. And then the lion was the garden realm guardian between the physical realms and the underworld. And so here you see them passing what we see all around the world, which is like a pine cone, right? Everywhere in the world. Well, I believe this is the first depiction.

• 1:57:15Danny Jones?

  Some people say it's an artichoke.

• 1:57:17Speaker 03

  It's definitely a pine cone, sacred geometry. So it's, what it is, is it's seeds of the tree of life. So the tree of life is in the center. They're basically pollinating and seeding the tree of life. And the pine cone, not only does it represent sacred geometry, but around the world, we see it's passing knowledge. But what knowledge? See, that was always understood with the handbag or bucket, right? That they had, they're holding that and they're passing the pine cone. But what we're looking at here, and I think it's without a doubt, is that's the first depiction of the pine cone ever. Ever, ever, ever depicted in that way where it's the origin of all of it. So if we were to imagine every other civilization that came after, that built these pyramids and structures and encoded this,

• 1:58:01Speaker 03

  they're all basing it on this very origin moment. When something very, very special happened after Zaya Sudra. In the Vaughn region where there was the beginnings of a golden age that was basically laid down there. And this Baal relief contains every teaching you could imagine. To understand their entire knowledge system with all the other things that were combining. For instance, the tree of the life, the tree of life in the center is also a metaphor for consciousness. And they're talking, they're showing feeding, they have, they have a circle above their head, right in the middle door. You see that?

• 1:58:34Danny Jones?

  Yeah.

• 1:58:35Speaker 03

  And then in their, in their hand, they have not only a pine cone, but a chalice or a cup.

• 1:58:39Danny Jones?

  Yeah.

• 1:58:40Speaker 03

  Which means they're passing a spiritual, spiritual or religious doctrine. Then you go further and you see that both of them are basically on either side of this balancing point between three pillars, three doors, see? Three trees. The same thing is repeated all over at three pyramids. See that? Three doorways. All of it is telling us one thing.

• 1:59:01Danny Jones?

  What country is this in again?

• 1:59:02Speaker 03

  This is Turkey, Eastern Turkey around Vaughan.

• 1:59:04Danny Jones?

  Got it.

• 1:59:04Speaker 03

  It's telling us one thing. They're passing us the knowledge of how to reach our highest states to find ascension. Because look at what happens above the middle pyramid. See that? Keep going up, up there Danny. The two eagles are guarding this flowering that has seven spokes at the top. There are seven colors in the visible light spectrum. There's also seven chakras, main chakras in the, in the human body. They're telling us that if we follow this knowledge to find balance, that we can literally find ascension. That's the path.

• 1:59:37Danny Jones?

  Isn't there seven rays on like the, um, Apollo or something?

• 1:59:41Speaker 03

  That's that. They're always about the same thing over and over again. It's a repeating motif.

• 1:59:44Danny Jones?

  And it's like the, um, it's based off, the, the statuary is based off that. There's seven, seven rays on the crown.

• 1:59:50Speaker 03

  Yep. And so you can see that repeating all over the world. In fact, that symbol in the center of the eagles, that looks like a diamond with little swirls. You can see that built into architectural areas in the United States. You can go to like old estates and see it in fences and stuff. I have pictures of it in fences. It's like we lost this knowledge and had no idea what it was anymore, but still encoded into all kinds of things. So that, I mean, there's a lot more I can talk about this, but I don't want to spend too much time on this. There's a lot more to go over. So essentially what you're looking at is a model of the three different aspects of reality. Do you see how the middle has three levels?

• 2:00:27Danny Jones?

  Yeah.

• 2:00:28Speaker 03

  That's the three, the three levels of reality. So they're telling us that they're not in the physical reality. Look. Do you see how they're not in the physical one? Why? Because the upright pyramid is physical reality and that sits where the arrow is at the top. They're not there. They're in the underworld. They're passing the knowledge of ascension from the underworld, Danny.

• 2:00:50Speaker 03

  Now imagine what would happen if the church blocked that.

• 2:00:54Speaker 03

  Now, this might sound kind of strange to people, but when you're going to ground, do you climb a ladder or do you sit on the ground to ground yourself with energy?

• 2:01:02Danny Jones?

  Sit on the ground.

• 2:01:03Speaker 03

  Where does a tree grow from?

• 2:01:04Danny Jones?

  The ground.

• 2:01:05Speaker 03

  Everything comes out of the ground. It is, everything is a relationship to that. So even though you go into a cave, you're not in the underworld, it is, is it a representation of it? So for instance, the earth, sun, the moon are also another representation of this. It's three repeats itself over and over and over again, and we're gonna, we're gonna get into that as we go. Now, check this out. This is Ionus, okay? Now, there's your realm guardians on the left and right. See how they're winged? All of them are winged because it's a celestial temple. That's why they all have wings. And so there's three different guardians that they understood. There is the eagle guardian, and they always have lion bodies. That's how we know the Sphinx is a lion. Because every single body of these guardians is a lion.

• 2:01:50Speaker 03

  They just have different heads.

• 2:01:51Danny Jones?

  Do you think the Sphinx had wings on it at one point?

• 2:01:53Speaker 03

  No, no. Because it wasn't, it wasn't a temple to the celestial. So this is a celestial temple, that's why they have wings. And so you have Haldi guarding the physical reality as like a human, human type of figure. And then you have above are the eagle head, the eagle guardian, and then below is a combination of the dragon and it's like a griffin, it's like a dragon lion.

• 2:02:17Danny Jones?

  Okay.

• 2:02:18Speaker 03

  Okay. Now, those three repeated everywhere at Ionus. That's what, those guardians are all over the place. Now, there's a flame in the back, okay? It's, that has two spokes to it. I don't know if you can zoom in on, I'd have to like, right here. Okay, so how do I, I probably can't do that, can I? Nope, I can't do that.

• 2:02:40Danny Jones?

  I can see it.

• 2:02:41Speaker 03

  Okay, so right here is a symbol that repeats itself over and over again, besides the amazing Knights Templar cross.

• 2:02:47Danny Jones?

  Right.

• 2:02:48Speaker 03

  See this symbol over here and over and over again?

• 2:02:49Danny Jones?

  Yeah.

• 2:02:50Speaker 03

  Took me a long time to figure out what this meant. And it wasn't until I cracked this actual code that it made all, made perfect sense. Now, this is a, this is a celestial motif. One is a ray of the sun, but another one is a flame, a holy flame, a metaphysical flame, like religion teaches us. And what was so beautiful about this is that there's only one Suci temple left at Ionus. But we know there was a second one. The same pillars that surround it are there, but there's nothing there any longer. The altar that used to be in that other temple, the Eretians moved over to the edge of this one. They also took all the alabaster floors from the old one,

• 2:03:32Speaker 03

  and they moved it over to the outside of this and then built a castle on top. Archaeologists do not admit or acknowledge there's a second Suci temple that used to exist, but I know there was. Because the altar has only two symbols on it. Now, if I told you that the cosmogram was a big deal that broke this whole thing open, this might be even bigger. This is probably the most significant thing I've ever discovered in my life. And I mean, those temple layouts and the connections of lost civilizations is amazing. But this connects something on a whole nother level. This connects what humanity needs the most. Not just our origins and who we are, but what about our connection to God? What about our connection to Source? Who are we?

• 2:04:17Speaker 03

  What are we a part of? Well, the altar contains only two symbols repeating over and over again. And I'm going to show them in a second. It's a flame and a circle over and over and over again. Only two symbols and they have guardians around all of them. Now, this temple only has the celestial symbols to it. It has no underworld symbols to it. Okay. Except for the altar. But because the same symbols repeat and they had the same pillar system, we know there was once an underworld temple that the Eretians dismantled. Now, why they did that, I don't know. Maybe they thought it was evil. I don't know why they did. But they dismantled and took everything out of it. Okay. Which means that there was once

• 2:05:01Speaker 03

  a specific type of Suci temple for the celestial and a specific Suci temple for the underworld. How do you think Gilgamesh got to the underworld?

• 2:05:14Speaker 03

  Some kind of a realm gateway.

• 2:05:16Danny Jones?

  Okay.

• 2:05:18Speaker 03

  That's which is what we're about to get into. Okay, and we and we even have the capability because we can put the blueprint back together.

• 2:05:24Danny Jones?

  Right.

• 2:05:25Speaker 03

  Because everything's asymmetry, we could actually rebuild this temple. It's a temple to the underworld now.

• 2:05:31Danny Jones?

  And what is this a temple to right here that we were just looking at with the big white thing in the middle?

• 2:05:36Speaker 03

  I'm showing you that there was two Suci temples. Okay, you're in the background is the only one that's left still. It's the one on the right. It's the celestial Suci temple.

• 2:05:46Danny Jones?

  Got it.

• 2:05:46Speaker 03

  What I'm showing is that there once was another one because of the altar. Now I'm going to show the altar.

• 2:05:52Danny Jones?

  Okay.

• 2:05:52Speaker 03

  So this is where it gets into something so pivotal that you thought lost civilizations was a big deal. Proving them, this will reshape humanity. I mean that I anticipate this creates an entire new world religion. No joke, I'm serious. Her medicine, her medicine will become the new world religion because of this. Let me go over why that's a huge, bold statement, I know. Let me explain what I mean by that. On the altar, the two symbols that repeat over and over again are the flame in the circle. Now, this rod in the center is a pure gold rod and it used to.

• 2:06:32Danny Jones?

  Where is it? Where is the flame in the circle here?

• 2:06:38Speaker 03

  Flame in the circle is over and over again. This is basically, this is the same thing as this. This is drawn out by like a computer. So like, so like they took, you know how they're basically, if you're gonna go old school with like a piece of paper and a pencil. Right?

• 2:06:53Danny Jones?

  I see.

• 2:06:53Speaker 03

  You put it over the top of that and you sketch out what it was.

• 2:06:56Danny Jones?

  Okay, now the flame is under that arrow. There's, there's, there's two flames.

• 2:07:00Speaker 03

  Yes, so here is the flame.

• 2:07:01Danny Jones?

  Got it.

• 2:07:02Speaker 03

  Over and over again. And then here's the circle over and over again. You see that? Right here. Now, each one of these are guardians. This is your underworld guardian. This is like your griffin. Okay, and then you get, and then, well, you can't see all of it because it's broken. I only have a piece of it, but over here you can see them, right? Here's your eagle headed god. Here's your, here's your enky, haldy, mid, uh, physical reality guardian. And then here's your underworld guardian. Now.

• 2:07:26Danny Jones?

  Got it.

• 2:07:27Speaker 03

  Each one of them is guarding only two things. There's nothing else that they're guarding. Over and over again, the flame in the circle, flame in the circle, three of them. See that as a candelabra now.

• 2:07:41Speaker 03

  This rod right here is a pure gold rod. It's the only one that survived. And it also has the flame in the circle repeating. Do you see that?

• 2:07:50Danny Jones?

  Yes, I do.

• 2:07:51Speaker 03

  That, those would slide into Ions.

• 2:07:53Danny Jones?

  Where was this rod found?

• 2:07:54Speaker 03

  Ions. And so my theory is that these rods slid into the altar of Ions because there's these perfect holes that I've already determined would be the right ratio and size to slip these metal, gold, these gold rods into, gold. Some kind of technology.

• 2:08:09Danny Jones?

  Do you have a picture of these holes?

• 2:08:10Speaker 03

  Yeah, I can, it's not the best. I was hoping it would be a lot better.

• 2:08:15Danny Jones?

  Ions.

• 2:08:16Speaker 03

  So, the altar itself was a giant T. And I'm sure that makes sense. You'd have to look at it from a different angle, but basically, you can see it from the top how it fits in like that. Now, the holes on the bottom are perfect for each of those gold rods to slide into.

• 2:08:30Danny Jones?

  How deep are those holes?

• 2:08:32Speaker 03

  Um, well, they're, they're, they're, at least the width is, is correct for them to slide into. I don't know exactly how far back in they go.

• 2:08:40Danny Jones?

  Okay.

• 2:08:41Speaker 03

  So I have to admit that, but.

• 2:08:42Danny Jones?

  They don't look super deep. They look maybe a couple inches deep.

• 2:08:44Speaker 03

  But they fit the perfect parameters of that, um, of that metal rod, of that gold rod. I should say not metal, it's gold, pure gold. And that's important because gold through ancient alchemy has always been considered very, very powerful and sacred and very important.

• 2:08:57Danny Jones?

  Right.

• 2:08:58Speaker 03

  So, anyway, we're gonna go back to where we were here. Hold on.

• 2:09:02Danny Jones?

  How many of these gold rods are there?

• 2:09:04Speaker 03

  Um, the only one that survived.

• 2:09:05Danny Jones?

  Okay.

• 2:09:06Speaker 03

  So, um, they, the, the, the thinking is that the Eartians most likely use the other ones because they're gold. Um, here, let's get back to where we were now. Okay. Okay, so we're back. So that's the gold rod that would slide in each one of them. And of course, it has the same symbols.

• 2:09:23Danny Jones?

  You're hypothesizing that it would slide in there. You're just saying it's a similar size.

• 2:09:27Speaker 03

  Well, there, it had, there's no other, there's no other purpose for it because the holes exactly, um, match the size of those. So I, I measured the outside dimension of the width of it. It fits exactly, like it would fit just perfectly inside there.

• 2:09:41Danny Jones?

  Okay.

• 2:09:41Speaker 03

  So I mean, yes, that is a theory I have.

• 2:09:43Danny Jones?

  Right.

• 2:09:43Speaker 03

  But, uh, but look at the top. You also have the, um, see the spirals up here?

• 2:09:49Danny Jones?

  Yeah.

• 2:09:49Speaker 03

  Just like on the underwater ruins? Okay. So, this is where I made a profound connection. And when I mean profound, I mean, very, very significant to history. Because it's one thing to prove lost civilizations. It's another thing to prove like our relationship to God. In the universe, and that's what this does. So imagine the most sacred temple of all of Iona's, right? The most sacred temple, and the whole thing is focused around these only two symbols. All of it, the most important two symbols of all. What are they? Well, that's where this came in. I have been a long study of mystery schools, hermeticism. And so we were talking a little about this off air a bit before we started.

• 2:10:33Danny Jones?

  Yeah.

• 2:10:33Speaker 03

  The reason I discovered this and that archaeologists and other academics and brilliant minds didn't is that you had to be an initiate, a deep initiate in a mystery schools. Or you never would have known what any of these things mean.

• 2:10:46Danny Jones?

  What's a mystery school?

• 2:10:47Speaker 03

  Mystery schools are what used to exist for high level adepts of the greatest knowledge that of the universe. And you would imagine special schools existed way back in deep antiquity, in which not everyone was necessarily a student, but people who were identified as being special or unique in that kind of way, were brought in to these mystery schools to be taught the secrets of everything. Okay, the origins of all secret societies and mystery schools came from this. That's they're all fragmented versions of this. Now, the reason why most people don't know about mystery schools or hermeticism is because it has been severely demonized by the church for centuries.

• 2:11:30Danny Jones?

  Where does hermeticism come from?

• 2:11:33Speaker 03

  Hermeticism comes from Hermes. Now Hermes is the Greek god of knowledge. He's the equivalent of Thoth in Egypt. They're archetypal messengers. They're messengers of ages. They basically provide vast wisdom during a time when the stability of that age threatens the balance that exists. The messenger and the knowledge through messengers emerges, meaning that this knowledge will never be allowed to die.

• 2:11:59Danny Jones?

  So what does hermeticism actually mean?

• 2:12:01Speaker 03

  We're gonna get into that in a second. Yeah, hold on, you're jumping ahead just a little bit too far here. We're gonna go all over hermeticism in a second.

• 2:12:10Speaker 03

  Hermeticism, well, I guess I'll do it right now. So hermeticism is based on the oldest knowledge that exists. Period. It's what we used to consider to be the truth of everything in reality. It's based on what's called natural law. So it's understanding how the universe functions, understanding how every relationship functions. As above, so below, as within, so without. That's based on an understanding of relationships. Meaning that there is no separation between this and above. Everything's like a great stage or play, right? Everything's all working together like an orchestra. All like music instruments are playing some beautiful, beautiful play that we're acting on. We're that we're on the stage of this great play.

• 2:12:54Danny Jones?

  Sure. Balance, nature, the universe, physics.

• 2:12:57Speaker 03

  Yeah. And so hermeticism, what it was, was based on the oldest level of knowledge that existed for how everything functioned. And Hermes just happened to be the last of those archetypal messenger gods that existed before we sort of left that time period in that age. So he's exactly like Thoth. You see Thoth, the ibis, right? In Egypt, who is passing all the knowledge, it's the same thing. They're essentially, they're not, they may be a real person, but they're an archetype that emerges, that has to. And meaning that this knowledge is fundamental to the universe. It can't be lost. Do you know what I mean? It has to emerge every time the balance is disrupted everywhere.

• 2:13:39Danny Jones?

  Good and evil.

• 2:13:39Speaker 03

  Yeah.

• 2:13:40Danny Jones?

  Yeah.

• 2:13:40Speaker 03

  So I have been obsessed with this passage. So if you were to take hermeticism and think of it like a Bible, right? All the knowledge together. This is the most important piece of all of hermeticism. This right here. How do I know that? Because it's the core of the highest level of knowledge. Now, this story comes from what's called the Hermetica that I have on my coffee table. I, every day I sit next to and read. And in this Hermes, the great god, the great Greek god, he has a conversation with the great dragon, who's point maker, which is god of the universe. It's considered a dragon for all those who are wondering, okay? Where the dragon motif comes in.

• 2:14:20Speaker 03

  He says, "I wish to understand the nature of God, or Father, the Father, and the nature of man," right? And God, or Poimander, goes to, basically states, um, do you wanna, you wanna read it for us? No, no, you can do it. Okay, it says, "Then Hermes asked how the righteous and wise passed to God, to which Poimander replied, 'That which the word of God said, 'Because the Father of all things consists of life and light, whereof man is made. If therefore a man shall learn and understand the nature of life and light, then he shall pass into the eternity of life and light.'"

• 2:15:03Speaker 03

  Meaning, basically, the highest level knowledge possible of the nature of us, the nature of God, and our relationship to God. Okay. That we are basically the same thing. Do you see that? Mm-hmm. Well, guess what the two symbols repeating on the altar are over and over again? The flame and the circle, the circle and the flame. Life and light. The only two symbols repeating everywhere, on the rod, on the altar, everywhere, meaning that Hermeticism, this can prove that this is the origin of the oldest knowledge that ever existed. Now, wait till you see what happens to Hermeticism as I go forward. So, they encode this into the oldest structures ever built.

• 2:15:48Speaker 03

  And then, Hermeticism comes out of it later. This, so this is the origin, all that knowledge, right, on the kef ba'olif, ba'ol, as within, without, right? Right, right. Symmetry, the doorways, the, all of it. And then, they encode this as the core of all of it. So, if you think those things were important, Ionus is in the center of all those things. And its core focus, the circle and the flame, life and light. Life is always a circle. It's always shown as a circle. And we know that it's life because of its depictions all over the underworld and it's in the trees, right? It's life. And then, the flame is the holy flame, just like in religion teaches us. It's the holy flame.

• 2:16:31Speaker 03

  It's what we have inside each one of us, meaning that we are made of only two things, life and light. And that they're basically teaching us the path to ascension.

• 2:16:43Speaker 03

  Okay, so what is hermeticism? For those who are listening to this, hermeticism is a philosophical tradition concerned with the underlying order of reality itself. It teaches that the universe operates according to consistent principles that link mind, nature, and the cosmos, and that these principles can be understood through symbolism, geometry, and observation, rather than belief or doctrine. They're all based on governing reality. Reality is ordered, intelligent, interconnected. It's all a system. It's all balanced. Knowledge is conveyed through this, through symbolism and allegory. They emphasize, always emphasize, the harmony of consciousness, nature, and the cosmos. And they encode it in the most important things possible.

• 2:17:25Speaker 03

  So, this, this may be another thing that's gonna completely shock people, is that this whole story, and how this emerged, like how hermeticism was destroyed, and but what it led to before it was destroyed. So what we're gonna do is, we're gonna talk about this time period in which hermeticism was basically banned, and, and destroyed, and how Leonardo da Vinci and other secret societies were trying to maintain this knowledge. So the story goes that, if you look it up and you're really curious, is that in the 15th century, in the 1400s, during this time period of Constantinople collapsing, this is the Byzantine Empire, right? You have, hermeticism is widely practiced.

• 2:18:08Speaker 03

  In fact, the early, early origins of Christianity was based on hermeticism. Most people don't know that. And it was being practiced all around the ancient world. In fact, Constantinople was the center of the ancient world at that time. Well, what happened was, as the Byzantine Empire is transferring over into Christianity in a more powerful way, you're seeing a little bit, you're seeing a lot of friction with people that are still studying hermeticism. It's not a very, it's, Constantinople became a place where you couldn't freely practice those things any longer. So what happened? Hundreds, if not thousands of people from Greece and Western Turkey, that region migrated somewhere, all of them, they all migrated to one place, Florence, Italy.

• 2:18:52Speaker 03

  Mid 1400s, 15th century Florence, Italy becomes the center of the intellectual world. Why? Because hermeticism is brought there. Okay? So what happens? Da Vinci learns everything about it. Da Vinci's in secret societies. Da Vinci is initiate, remember this, Da Vinci is an initiate of mystery schools. That's what he is. So he paints very, very clever things to protect this knowledge. Okay? Not only is the table a T, but you have the three doors in the back with the middle door being the biggest right behind Jesus. Same concept. And then if you get into the idea that man is like the cosmos with a Vitruvian man and

• 2:19:35Speaker 03

  it is the T, you start to see this relationship that is not separate between us and the cosmos at all. And that they understood that we're actually a fundamental part of the expression of the entire universe itself. Right. So I want to go over what happened to hermeticism. This is super important to us to understand. There's a very evil man in history that nobody has ever heard of called Isaac Casubon. Welcome Isaac Casubon back into history. Isaac Casubon was an expert in ancient antiquities, ancient texts. When did he live? He was, he died in like 16, it was like 1640 something, in the mid 1600s and he, you know, he was born around like 14 something, right? Okay.

• 2:20:20Speaker 03

  So that was the time period, right? During this, right during this Leonardo da Vinci, but later on time period. So Isaac Casubon would become, would be like after, after Da Vinci, okay? If you want to think of it as a time period. Right. So what's happening right now? Christianity has risen very significantly in the, in the Roman Byzantine area. It's becoming very significant and they want a reason to cut off all ties to hermeticism. They don't want hermeticism being involved in anything to do with religion or spirituality. There's interest involved in that in the church. So what they do is very clever. They hire Isaac Casubon because he's an expert in antiquities.

• 2:21:02Speaker 03

  They say, Isaac, we need you to discredit the hermetica, hermeticism. And he's not told that. He's told, we need you to date that what the age is of what we think is the oldest, you know, text. So Isaac Kasabon takes the Hermetica and he says, he starts, he studies the pages and the ink and he can tell when things were written and whatever it is. And he determines that the version that people are reading of the Hermetica is from Alexandria. So the scribes of Alexandria, Egypt. But the problem is that it's been rewritten for thousands of years before that. But he tried to claim that the version that they're, that they're studying

• 2:21:45Speaker 03

  or using as the Bible, you know, in that kind of consensus is not genuine. It's not, it's not as old as the teachings of Moses. See, this is super important to understand. So you had hermeticism that was supposed to be older than teachings of Moses. Teachings of Moses are here. They don't like that because these need to supersede this. You see that? So what they do is they discredit the Hermetica as saying that the version that they wrote was from Alexandria and that the teachings of Moses were actually older. Then they completely discredit hermeticism and they basically go on a witch hunt throughout Europe and burn people to stake and kill whoever is practicing. It's

• 2:22:25Speaker 03

  pagans and Druids, all that stuff. It's all based on this. Now that pagans and Druids, the Druid, St. Patrick's story is earlier, but it's based on the same prosecution of this knowledge. They wanted to stamp out hermeticism because it's a threat to everything. It takes the power away

• 2:22:42Danny Jones?

  from all religion. It's easier to control when there's one God.

• 2:22:45Speaker 03

  It's, yeah, in all ways, right? So they banish hermeticism. It becomes illegal. People get killed for it. Hundreds, if not thousands, get burned at the stake for it. If you practice it, if they call them witches, remember? They burn them all at the stake. That's what all of that was. All of that throughout history has been this. The blocking off of hermeticism of the oldest knowledge possible so that the church can rewrite their own story. So hermeticism dies. Christianity rises up, it gets buried. It exists only in fringe areas of the world. People start studying it a little bit. I've been studying it for at least four or five years. I've been fascinated by it.

• 2:23:30Speaker 03

  I understood that hermetic teachings seem to incorporate everything that the ancient world had all together in one. I recognized how important it was, you know, a long time ago. And now to find that the altar proves that hermeticism, the origins of the most important knowledge of everything.

• 2:23:45Danny Jones?

  It's definitely an interesting connection.

• 2:23:47Speaker 03

  It changes the whole ballgame. And what it teaches us is this, is that they explain to us that everything in the universe is based on fractals. But we've been told the opposite. We've been engineered and conditioned our entire lives to make us believe that we're nothing and that we're insignificant and we're not something that's a part of the entire universe. They're trying to have us understand that if not only are we a part of the entire universe, but we're the great actors of it. They explain to us that we are the manifestation of all of these things that are playing out here. And that a human eye looks like a nebula and a birth of a cell looks like a star and a brain cell looks like a universe because everything is based on a fractal source code.

• 2:24:32Speaker 03

  So what they understood was that the universe itself is not dead, empty space, that it's a giant source field of consciousness, the entire universe itself. And that the reason why people tap into it when they become healthy is because you turn your body into a temple, a temple in and the temple out. That's why ancient secret societies were trying to create perfect societies based on this. Because they recognize the relationship of the temple, the body temple, and the temple outward to create that perfect synergy of the all. That's why there's three pyramids of Giza, because each one of them represents the relationship between the earth, sun, and the moon. And it's a fractal relationship that builds off of the trinity within us.

• 2:25:16Speaker 03

  Do you know that the first triptych trinity is inside us? Mind, body, and spirit.

• 2:25:23Speaker 03

  We're the first triptych. It's us. We're a key component of this entire thing. In fact, I don't even think that the technologies of this even work without us. Like, that's the entire purpose of-

• 2:25:34Danny Jones?

  So the pyramids were supposed to symbolize that?

• 2:25:36Speaker 03

  No, so get this, it goes, it gets even better. The three pyramids, based on the specific stone they're using. Limestone is an insulator on the outside, right? And then granite has an incredible piezoelectric properties of that. When you start looking at the relationship between first us, then the three pyramids, and the relationship between earth, sun, and the moon. Three, three, three. There's one final three. Remember, the universe is made of three parts. So the three parts keep repeating themselves in everything. That's what's so beautiful about it. It's a fractal relationship that repeats on a greater and greater scale. And so they understood that on every level, which means that the last triptych, Orion's Belt. The three belt stars of Orion.

• 2:26:20Speaker 03

  That's why they were pointed to that. What I believe that created-

• 2:26:23Danny Jones?

  The pyramids?

• 2:26:24Speaker 03

  Yeah. That's why I believe it created some kind of a conscious technology that's like a stargate. But not a physical stargate. But I firmly believe that these are realm gateways to not only realms of reality, but other aspects of the universe that we don't even understand yet. It uses consciousness as the ultimate form of technology to incorporate the human into what looks like a system that gets created based on fractal geometry that gets bigger and bigger, and then allows them to create a synergy with the universe. Now, let me show you what I mean by that. Take a look at these images. On the left is a place called Bapuan. It's in Cambodia. It's one of the places that I filmed as part of the documentary.

• 2:27:07Speaker 03

  Off to the side, in this really remote part of it that nobody goes to, that's overgrown in the jungle, I found with Dr. Robert Schock and the team, we found these fractal miniature temples that look exactly like the larger versions next to it. They're miniature versions of it. They were creating the fractal relationship of each one being smaller to bigger to bigger to bigger, which is the same relationship as us to the universe and earth to the stars and everything. So they're creating these miniature temple versions, but not only that- On the right side, that's Hans Orheim, he's an archaeologist on our team. That's a miniature version of the larger temples right above it. So I could never figure it out. I'm walking up the mountain

• 2:27:50Speaker 03

  along these temple ruins and there's all these little miniature versions. Like, what are these? It wasn't until I understood this, that that's what they were building. It was these relationships between fractal geometry. Everywhere, that's why the Ts get bigger and bigger and everything is that relationship. That's what they understood. Everything in the universe is connected. Everything. We are part of something so vast and important. And unfortunately, we forgot. And it has allowed us to have so much disconnection that we are literally living in the inverse version of what we're supposed to be. They understood that. And that, and this is the last slide, is I just want to, you know, have this be the part, we can kind of bring this home, is that

• 2:28:34Speaker 03

  they understood that this blueprint of how everything works is essential for a civilization, or it will destroy itself eventually. Essential. Which is why, when I showed you Gilgamesh going and finding the Mese with Zayasudra, he lost them after. That's why the Mese never made it into our society after Erock. Because Gilgamesh became obsessed with his own immortality. He tried to use them for his own superiority, and he didn't give them back, and humanity lost all of this. And it became fragmented in certain secret societies and eventually used to control us. Because if you know how humanity can reach its optimal form, you also know the opposite.

• 2:29:19Danny Jones?

  Wow.

• 2:29:20Speaker 03

  So basically, they're leaving us the greatest knowledge of the universe and humanity and God and what we are into their structures so that we can find our way back.

• 2:29:29Danny Jones?

  So you think that the pyramids were not just symbolic? You think they opened up some sort of like a stargate?

• 2:29:36Speaker 03

  Yes. There's a technology that's involved here. How do you think Gilgamesh got to the underworld? You have to go through-

• 2:29:43Danny Jones?

  How do you think Gilgamesh got to the underworld?

• 2:29:45Speaker 03

  I think it got through to Ionus, from the underworld, the underworld Susi temple. That those Susi temples, I believe their purpose were literally realm gateways. That's what they are. A human would lay on the altar, which was a T, and it would literally be a realm gateway to take consciousness, not your physical body, consciousness, and allow you to go to other realms of reality.

• 2:30:08Danny Jones?

  Do you think there was drugs involved?

• 2:30:10Speaker 03

  I don't know what they used to get there, but it certainly was a deep alignment and a balance in meditation. Let me give you an example of how beautiful this whole thing is.

• 2:30:18Danny Jones?

  When was that cup of best dated to Stephen? That Tampa, the University of Tampa, have you heard of that? The cup of best?

• 2:30:25Speaker 03

  No.

• 2:30:26Danny Jones?

  I guess best was a god that the Egyptians worshipped. I don't know the exact dates, but there was a cup that was found, an ancient Egyptian cup that was found. And they did an analysis on the inside of it to determine what was held in that cup. And they found, yeah, there it is. Okay, 2,200 year old hallucinogenic ritual found.

• 2:30:45Speaker 03

  Oh, there's plant psychedelics have always been a critical element in all of these things, of course. We know the Egyptians highly valued Lotus as their psychedelic.

• 2:30:53Danny Jones?

  Yeah, yeah, yeah.

• 2:30:54Speaker 03

  No, no, a hundred percent, I'm for sure. I mean, these are all just things to help. What they do is they they bridge, they bridge and separate us from being locked into physical reality. So that we can, it's like a, it's like you take the

• 2:31:09Speaker 03

  the divider between those realities and you kind of, you kind of make that an easy seamless way to go between. Yeah, you dissolve it. Thank you.

• 2:31:14Danny Jones?

  Yeah, yeah.

• 2:31:15Speaker 03

  And so I believe that what we're looking at are highly advanced technologies that are so much more advanced than we can ever imagine. We're so, sorry, but I think we're so stupid thinking that we're going to build all these ships to fly everywhere. The journey has always been within and not only that, but they're building technologies that we can take consciousness and travel the stars. What are we doing?

• 2:31:36Danny Jones?

  Yeah, I think you're right.

• 2:31:37Speaker 03

  We could be doing the most incredible things. You imagine if we, this blueprint right here, right? And I'll, I can close this out now because we're done, but I'm going to end on that. It's the last thing. That's Cambodia, this blueprint. You imagine how far we've gone from this? Just think about it for a minute, Danny. How far has our civilization gone from this? From what they knew?

• 2:32:01Danny Jones?

  It's certainly on a completely different path.

• 2:32:03Speaker 03

  Now imagine we found this now. Now what's going to happen?

• 2:32:09Speaker 03

  We found everything. We found our way back. It's always been a circle. Do you realize that there's always been this fractal journey that's always described in the entire universe and within the human experience? It is that you start in a place where you know everything. Humanity, we start from an origin point, right? From source. The whole idea is that this is beautiful design woven into it. It's a story. It's a hero's journey where you're supposed to forget everything. Humanity, you're supposed to, it's deliberate. You're supposed to forget everything and wonder. And then you're supposed to find your way back and then end up right where you started. Perfect circle over and over and over again. It's a story that repeats itself across time. See all the story that's ever known, ever been known.

• 2:32:50Speaker 03

  It's, and it's the fractal relationship for our story and our consciousness to the universe is profound. Humanity thinks that we're separate from the cosmos. We are the great stage of the cosmos. And what is playing out here is the greatest story ever told. We just forgot it.

• 2:33:06Danny Jones?

  Yeah.

• 2:33:08Danny Jones?

  Certainly fascinating, man. It's hard to, uh, so.

• 2:33:14Danny Jones?

  So essentially, when we were on this path, we were continuing this until the church came up, came around and sort of pushed this to the side and made the church the main story. Tried to get control of the world and civilization.

• 2:33:30Speaker 03

  They understood that if you follow this, you can never be controlled by anybody.

• 2:33:34Danny Jones?

  Right.

• 2:33:35Speaker 03

  You would always be your own temple. You could, you could find ascension through your own means. You wouldn't need any intermediary. That's, that's dangerous because you can't control that. So what do they do? They discredit all of it, burn everybody that practices it alive on stakes, right? And then they basically banish it so nobody hears about it, doesn't think it's, doesn't think it's anything. And it's the truth all along. And now with this, these ancient, this ancient code, we can prove it. We can bring all this back. We can bring humanity back into balance, into equilibrium. We can bring them back to being gods of the universe again.

• 2:34:11Speaker 03

  That's what we're supposed to be all along. We just forgot.

• 2:34:18Danny Jones?

  It's wild shit, bro. It's fucking wild.

• 2:34:25Speaker 03

  I know, it's a lot.

• 2:34:26Danny Jones?

  I don't know how you, I don't know how you, uh, it's it's certainly fascinating and I can see how, um,

• 2:34:35Danny Jones?

  you can incorporate this stuff into your life and kind of like fall down the rabbit hole and get consumed by it. But, um, I, I certainly don't see how any path to our society returning to some sort of a a knowledge or, or incorporating something like that back into

• 2:34:57Speaker 03

  What do you mean?

• 2:34:57Danny Jones?

  Society in a greater way.

• 2:34:58Speaker 03

  How do you not see that?

• 2:35:02Danny Jones?

  How, how, how do you see?

• 2:35:04Speaker 03

  Would you possibly ignore that? You, you think that's gonna be able to stay, stay?

• 2:35:07Danny Jones?

  I, I can't, I can't ignore it personally, but I, I don't see how you could get the structures and the systems of society today to accept something like this.

• 2:35:20Speaker 03

  I am 42 years old. I have a lifetime to change this world. And I won't stop until this blueprint and this code is embedded into our culture again. This, this is, you can't stop this. There is no going back. It is already out. This world that we've created based on unbalance, destroying the planet, killing each other, being completely disconnected to everything. That nightmare is about to end. And whether or not you're, you can see that it's gonna happen in the future. It's inevitable. It just matters how long it's gonna take. This old world that we have is, is, is dying and it should die. This, all the stuff we've built.

• 2:36:01Speaker 03

  It's not built on what matters. Imagine what we could do with this. Imagine the stone temples and structures we could build. Imagine the society we could build with coherence, with balance and, and, and everything in the universe and earth. Imagine what we could accomplish. That is precisely what the entire purpose of Freemasonry and secret societies was. The temple in and temple out. That's, they understand that the basis of A society was this knowledge and deep understanding of philosophy and all of that. That's what they understood was the core. And if you, if you lost that, if it was degraded, you would basically always have a civilization that would go down a destructive path

• 2:36:46Speaker 03

  and eventually would destroy itself. You see, let me, let me answer what you just said. You said that I can't see this being incorporated into our civilization. If this doesn't, here's a, here's a bold statement. If this doesn't, we will destroy ourselves.

• 2:37:00Danny Jones?

  Yeah.

• 2:37:00Speaker 03

  That is why this is emerging now.

• 2:37:03Danny Jones?

  I, I think you probably would need some sort of a large scale destruction before you could see something like this be rebirthed.

• 2:37:10Speaker 03

  Why is that?

• 2:37:12Danny Jones?

  I think you need something catastrophic.

• 2:37:14Speaker 03

  Do you not think that people want this already? How many, if I walked up to someone in the street-

• 2:37:18Danny Jones?

  No, I agree with you. I think people want it, but I think you have to have a massive, massive civilizational global shift in consciousness.

• 2:37:29Speaker 03

  What about an internet that's, that's all over the world? That everybody can two seconds find information at?

• 2:37:33Danny Jones?

  What about it?

• 2:37:34Speaker 03

  What happens if something like this goes viral? What if this is that viral show that just takes off? All it needs is to have the seed. It just needs to have the seed planted in the right way. That's all it needs is that I don't, we don't need academics or higher level people to bow down to this. We need, we need a revolution. We need a new renaissance. We need a renaissance of the people. That's why I'm calling this Citizen Archaeology. Let's take back our story. Let's take back the knowledge that we once embodied in everything that we did. And let's remember everything that we can be again. Because we don't need any high level presidents or academics or people that supposedly rule this world to determine this for us. It's time for us to take back our lives here.

• 2:38:18Speaker 03

  We can live that life again. And we're supposed to.

• 2:38:23Danny Jones?

  Yeah, you would just need a complete-

• 2:38:28Danny Jones?

  A complete destruction of the system that exists.

• 2:38:34Speaker 03

  Why do you think it has to be torn down? Why not slow integration of things changing over time? Don't you see that already happening?

• 2:38:40Danny Jones?

  Things have changed in the past as being torn down.

• 2:38:43Speaker 03

  But don't you see that the things that have already become integrated into our culture? Look at how many people are eating organic and from farms and not wanting factory food anymore. Look at all the people that turning stupid TVs off and not even having it anymore. Look at all the people that are just going to ancient sites and becoming so interested in all this stuff again. The movement is already here. It doesn't need to start. It's already here. This is just coming at the perfect time. I see such potential for this and I know there's so many obstacles still. There's so much for us to get by.

• 2:39:16Danny Jones?

  Yeah.

• 2:39:18Speaker 03

  It won't matter because this is something that can't be stopped. It's a reason why it emerges during these ages. It will transform us. It doesn't mean, I'm not advocating for a tear down of our entire world. That would be chaos. Chaos would violate the blueprint of balance. You can't do that. Anything that violates the blueprint, you can't do, meaning that you have to live in a balanced state. So how would we do this in a balanced way? Slow integration, which is exactly how it's going to happen. Peace by peace. The first piece that's going to change? Lost civilizations. I'll map it out for you and I know how the trajectory goes. Lost civilizations gets mapped out.

• 2:40:01Speaker 03

  Finally prove lost civilizations exist, then everybody asks what they were like. Who were we? Then, once they go into who were we? Then this all comes out. Simple as that. It's a baby step process that will lead to an inevitable conclusion and an outcome. And I know that before I die.

• 2:40:16Danny Jones?

  You think it'll happen in our lifetimes?

• 2:40:18Speaker 03

  Before I die, mark my words, Daniel.

• 2:40:20Danny Jones?

  I love your optimism.

• 2:40:21Speaker 03

  Before I die, this world will be completely different than it is now.

• 2:40:24Danny Jones?

  I agree with that. I agree with that statement. I just, uh, yeah, it's hard to be optimistic in, uh, in the times we live in, man. When you have, uh, these, these global empires battling over shit that's in the Bible.

• 2:40:38Speaker 03

  Danny, it's like, it's like a child trying to grow up. They always have tantrums. Remember, remember, it is always darkest just before the dawn. We're at that point right now.

• 2:40:48Danny Jones?

  You sound like a prophet right now.

• 2:40:49Speaker 03

  Well, I can tell you that this age of transformation or transferring into the age of Aquarius from the age of Pisces, look at, look at how bad Pisces was. Look at how awful it was. If you have a balance of another age, just imagine what the opposite of that would be. You can't have, remember this, you can't have a golden age during Aquarius if you don't have the opposite, the previous age. That's what balance is. Every age must balance itself. Meaning that Aquarius can only be that, that beautiful if Pisces was that dark.

• 2:41:26Speaker 03

  Everything's perfectly designed the way it's supposed to. And you know what? It's okay if, if it looks like it's a, it's a challenging road ahead of us because it is.

• 2:41:39Speaker 03

  We already have this though. Now we just need to incorporate it. Piece by piece, Daniel. This is, this is when everything changes. Are you ready?

• 2:41:51Danny Jones?

  I'm ready, brother. And I love your optimism. It's fascinating shit. Where, so where can people find more of your work?

• 2:41:59Speaker 03

  Yeah, please, please check out, like, I put my heart and soul into The Missing Key, the book that lays out this entire thing. It's, it lays all the models, all the, I have an entire codex for what everything means, all the whole journey, the discovery. And please, you know, check out my YouTube at, you know, Matthew La Croix and my website, The Stage of Time. But truly appreciate these conversations. We're gonna have to have another one again.

• 2:42:20Danny Jones?

  Absolutely, man. Yeah, you keep going deeper and deeper every single time. And this has been a wild one, for sure. Thanks again, dude. We'll link all your stuff below. And that's all, folks.

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