Here's The Thing with Alec Baldwin
Hosted by Alec Baldwin
Written by a model from the transcript; not yet reviewed.
Actor Stephen Root joins Alec Baldwin to discuss his prolific career across film, television, and theater, reflecting on his transition from a traveling Shakespeare troupe to becoming one of Hollywood's most revered character actors. Root explains how he built iconic roles like Monroe Fuchs on Barry and shares insights into working with the Coen brothers, Bill Hader, and a generation of legendary performers. The conversation explores the shifting landscape of casting, the importance of strong scripts in choosing projects, and the unique longevity found in embracing an ensemble-focused career.
Alec Baldwin introduces the podcast and welcomes listeners.
A comedic emergency call about murder hornets and a homicide detective.
Medical ad promoting Rapsodo for chronic spontaneous urticaria.
Alec welcomes Steven Root, noting his calm demeanor and acting pedigree.
Root explains how his roles on Barry and Widows Bay defined the “Steven Root” character archetype.
Root discusses his beginnings in a traveling Shakespeare troupe and early roles.
Root talks about the importance of strong scripts and directors who let him improvise.
Root and Baldwin discuss how remote auditions have altered casting and actor development.
Root shares his interest in ensemble pieces and future roles he’d like to play.
Baldwin thanks Root and lists production credits before ending the episode.
Rewriting the Pilot for Barrystory
Stephen Root explains that his character Monroe Fuchs on Barry was originally written to be constantly screaming and shouting like Yosemite Sam. The creators realized it worked much better as a buddy dynamic, so they rewrote the part to start lower.
Separating Violence and Comedyinsight
Bill Hader insisted that Widows Bay strictly separate violence and comedy rather than mixing them together, believing that mixing them dilutes the impact of both elements.
Coen Brothers' Rigid Storyboardinginsight
Root discusses working with the Coen brothers, noting that they storyboard everything to the nth degree and maintain a rigid structure, though they allow actors to play around and improvise on the final take.
Improvising on Barrystrategy
Bill Hader allowed actors to throw out failing scenes and move to a park to improvise what happened next, resulting in organic moments that made it into the final cut of Barry.
Early Shakespearean Apprenticeshipstory
Reflecting on his time with the National Shakespeare Company, Root describes doing a bus-and-truck tour performing three plays across American colleges, where directors taught him early on to pull back his performance.
The Role of a Good Directorinsight
Root defines a good director as someone who trusts the actor's gut instincts and provides minimal course corrections on intensity and style rather than over-managing the performance.
The Disappearance of In-Person Auditionsdebate
Root and Alec Baldwin voice frustration over modern self-tape culture, arguing that self-tapes prevent casting directors from seeing whether an actor is truly directable in the room.
“I think it's a good director, you've cast this person to do this role, so you must have an idea of what he does well, or she does well.”
“When I was starting in the, this business, when I started, my dad was still alive.”
“I have to say Matthew Rees, just because we had worked together before on Perry Mason for HBO.”
“I would guess for me, in the last few years, to do Trump was the externalization of something nutty and loopy and crazy.”
You would recognize Emmy Award-nominated actor Stephen Root from over 300 film and television credits including iconic roles in “Office Space”, “NewsRadio”, “King of the Hill”, “Dodgeball”, “Idiocracy”, and “Barry” - for which he was nominated for a Primetime Emmy Award for Outstanding Supporting Actor in a Comedy Series. Stephen Root’s illustrious career on screen includes five Coen brothers films and prestige television series such as “True Blood”, “Boardwalk Empire”, “The Man in the High Castle”, “Perry Mason”, “Succession”, “Barry”, and AppleTV’s new comedy-horror series “Widow's Bay” - which has earned Root his second Emmy Award nomination. Stephen Root got his start in a traveling Shakespeare company, then continued to perform on and off-Broadway for fifteen years before becoming one of Hollywood’s most beloved character actors. See omnystudio.com/listener https://omnystudio.com/listener for privacy information.
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