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This episode features a discussion about the critically acclaimed documentary You Can See Everything, directed by Nathan Fielder, which chronicles the final thirty-four days before Elizabeth Holmes entered prison following her conviction for defrauding investors. The hosts and guests explore Fielder's unconventional approach of moving in with Holmes in Del Mar, California, and utilizing hyper-realistic reenactments, including a recreation of a prison interior and bringing in actress Amanda Seyfried to watch early footage. They examine the complex relationship between Holmes and her fiancé Billy, the unsettling nature of the documentary, and how the film leaves viewers deeply conflicted about whether Holmes is a master manipulator or a victim of a reality distortion field.
Hosts introduce the episode, warn listeners about spoilers, and explain the focus on the new Elizabeth Holmes documentary.
The hosts explain the film’s premise: Nathan Fielder living with Holmes 34 days before her prison sentence and the film’s narrative arc.
Hosts analyze Fielder’s unique approach to documentary filmmaking, including his use of close‑up shots and reenactments.
Examination of Holmes’s claims about her blood‑testing technology, the fraud allegations, and the evidence presented in court.
Hosts introduce the episode and give a brief ad read before diving into the discussion.
Discussion focuses on Fielder’s blunt, awkward questioning approach and its impact on interviewees’ responses.
Listeners reflect on how the documentary subverts expectations, weaving multiple narrative paths rather than providing definitive answers.
Hosts dissect memorable scenes—egg‑mixing, the “who’s on first” moment, and the shocking “dick drop”—and discuss their thematic significance.
Debate centers on Holmes’ awareness of fraud, her justification of means over ends, and the thin line between hustle and crime in startup culture.
Nathan Fielder moves in with Elizabeth Holmesstory
Nathan Fielder spent thirty-four days living with Elizabeth Holmes right before she reported to prison, resulting in a secret three-year project that premiered at the Telluride Film Festival.
Documentary favored for best picturedata
The documentary achieved the highest rating across Letterboxd, Rotten Tomatoes, and movie critic sites, becoming the first documentary favored to win best picture.
Restarting Theranos using AIinsight
While Holmes prepares for prison, they are simultaneously restarting Theranos and pitching investors to do it better using artificial intelligence.
The egg whisking control dynamicstory
Billy interrupts an intense conversation about Theranos to forcefully take a bowl of eggs from Elizabeth's hands because he believes she is whisking them incorrectly.
Strongest damning evidence of frauddata
A review of court records shows that Elizabeth Holmes personally doctored Pfizer reports and added pharmaceutical logos to deceive Walgreens and investors.
Recreating the prison inside a setstrategy
Because cameras were not allowed in prison, Nathan Fielder built a hyper-realistic replica of the prison interior, complete with guards, fake prisoners, and vending machines.
An unexpected visual revealinsight
The documentary features a shocking, unprompted visual of Billy in the shower within the first ten minutes, establishing an extreme level of transparency.
“The movie is 34 days before Elizabeth Holmes was going to go into prison. So she post, it's post all the scandal after she was already convicted, now 34 days away from going into jail.”
“She doesn't blink. And you know, they say like, you know, the eyes are the window to the soul. And so here you are, you're that close with her, you see her eyes that wide open.”
“The production budget was only five to seven million dollars.”
“The egg mixing scene I thought was so good.”
“The means justified the ends.”
“The most shocking thing. You're there in their house and it's this like family scene, it's her, it's the kids. And then it's just Billy's schlong.”
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