Pod Insights The Watch What We Watched Over the Holidays: The End of ‘Stranger Things,’ ‘Marty Supreme,’ ‘Heated Rivalry,’ and ‘Landman’ About this episode Chris and Andy talk about the end of ‘Stranger Things’ and whether the final season lived up to the hype (7:10). Then they discuss the exhilarating experience of watching ‘Marty Supreme’ in the theater, Timothée Chalamet’s remarkable performance, and the expert use of cameos throughout the film (22:18). Later, they discuss the excellent close to ‘Heated Rivalry’ Season 1 (38:26) and ‘Landman’ Season 2, Episode 8 (45:26).
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Hosts: Chris Ryan and Andy Greenwald
Producers: Kaya McMullen and Kai Grady
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Transcript 13,336 words · 5 speakers
Speaker names marked ? are inferred from speaking time and the show’s known hosts — they are not voice-verified.
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1:17 Speaker 00 I need sports staff to clear the room.
1:20 Andy Greenwald? Stand up and walk now.
1:23 Chris Ryan? Hello and welcome to The Watch. My name is Chris Ryan. I am an editor at theringer.com. And joining me in the studio for another year, it's Marty's supreme clientele. It's Andy Greenwald.
1:39 Andy Greenwald? It's good. It's good New Year's energy.
1:41 Chris Ryan? What's up, man?
1:42 Andy Greenwald? You look and sound rested, replenished, reborn in a lot of ways.
1:48 Chris Ryan? I mean, I've been out there. I've been pounding the pavement on the East Coast.
1:50 Andy Greenwald? You have been.
1:51 Chris Ryan? The East Coast metropolises of New York City and Philadelphia. My voice feels a little bit off, honestly, but my energy is great. My mind is sharp.
1:59 Andy Greenwald? Couple Lucy's and Zorong's America.
2:01 Chris Ryan? I did have some heaters. I did. I had, I smoked a Capri Slim.
2:07 Andy Greenwald? Okay, that sounds-
2:08 Chris Ryan? Uh, you know, like, just like a slim cigarette.
2:10 Andy Greenwald? Did you, who'd you pawn that off of?
2:12 Chris Ryan? My wife.
2:14 Andy Greenwald? Just put her out on Front Street, I see.
2:16 Chris Ryan? Sorry.
2:17 Andy Greenwald? Okay.
2:18 Chris Ryan? Health insurance premiums are paid, so-
2:19 Andy Greenwald? Did you like the skinny nature of the cigarette?
2:22 Chris Ryan? It tasted like a roly, uh, you know, as the English kind of, you know, roll their cigarettes. It didn't have a lot of the, like, um-
2:29 Andy Greenwald? This is the difference between-
2:29 Chris Ryan? The Turkish power of camels.
2:31 Andy Greenwald? I thought you were mispronouncing Rollo, the caramel candies that my children like.
2:37 Chris Ryan? If they made cigarettes taste like Rollos, they'd be fully back.
2:41 Andy Greenwald? So back.
2:42 Chris Ryan? Uh, Greenwald, what an amazing time to be alive.
2:44 Andy Greenwald? Yeah.
2:45 Chris Ryan? Here we are in Taylor Sheridan's America, and it is 2026. The inbox to reach us is still the [email protected] .
2:54 Andy Greenwald? How'd it do over the holidays?
2:55 Chris Ryan? Our email inbox?
2:56 Andy Greenwald? Yeah.
2:57 Chris Ryan? We got a couple. I got one over the weekend, uh, from a lovely lady from the South who wanted to call us out on some of our- Our, like, litigation of Rebecca from Landman's purse holding. She was like, "That is actually how women from the South do hold their purses."
3:12 Andy Greenwald? Is Rebecca meant to be from the South?
3:14 Chris Ryan? No, she's a Northwestern grad, in fact, I believe.
3:17 Andy Greenwald? The character, the actress is Canadian.
3:18 Chris Ryan? Uh-huh.
3:19 Andy Greenwald? Okay.
3:19 Chris Ryan? So, you know, and-
3:21 Andy Greenwald? So you think she went method and started walking around like a velociraptor?
3:24 Chris Ryan? Well, it's kind of like, you know, I, yeah, I bet it was like the way Shalit made it to Marty Supreme. We're gonna also have-
3:30 Andy Greenwald? In the defense of this reader and this listener-
3:32 Chris Ryan? Yeah.
3:33 Andy Greenwald? That is pretty small potatoes, considering what we could be complaining about on the show, and perhaps it's a bit unfair. Just, just like a, a little bit. It's like a little bit unfair.
3:43 Chris Ryan? Uh, we will talk about Landman at some point, but we have a big, a big menu of stuff. You can also, uh, follow us on Instagram, thewatchpod underscore. You can watch us on YouTube at the Ringer dash TV YouTube channel, and you can also watch us on Spotify, where I hope you were listening to us today. We are gonna talk about the stuff we watched over Christmas vacation, quote unquote.
4:01 Andy Greenwald? Mm-hmm.
4:01 Chris Ryan? Because when you're two guys who love culture, there's no days off.
4:04 Andy Greenwald? No.
4:05 Chris Ryan? Every day you go out and you say, "Inspire me," you know?
4:08 Andy Greenwald? Yeah, and Los Angeles never does, but you were in a more, uh, captivating metropolis.
4:14 Chris Ryan? Yeah, I feel, I feel energized. I feel stimulated, you know?
4:17 Andy Greenwald? You saw theater.
4:18 Chris Ryan? I saw two plays.
4:19 Andy Greenwald? Goddamn.
4:20 Chris Ryan? Uh, and- I saw Liberation.
4:22 Andy Greenwald? Mm-hmm.
4:23 Chris Ryan? And I saw a preview of Tracy Lutz's Bug, starring Carrie Coon, which was excellent. And I highly recommend anybody who's able to get to the theater in the coming weeks.
4:31 Andy Greenwald? Our favorite couple.
4:32 Chris Ryan? Yeah. And yeah, well, we were gonna just do kind of like a loose rundown. How are you doing? Do you want to talk to me a little bit?
4:39 Andy Greenwald? About, yeah, sure. Let's talk. I mean, first of all, my oil futures are going great. So, thank you for asking about that. My portfolio is looking, looking pretty tasty.
4:49 Chris Ryan? Um, I was heavily invested in, in the nationalization efforts of Venezuela, so this is a tough time for me.
4:56 Andy Greenwald? I'm so sorry. I didn't realize that. That's going good. What else?
5:00 Chris Ryan? What else?
5:00 Andy Greenwald? Yeah, I don't know.
5:01 Chris Ryan? I mean, it's another year for us. Do you feel like the flame is still as bright as ever?
5:05 Andy Greenwald? Well, I think that the flame...
5:07 Chris Ryan? When did it start? The 12th? Something like that?
5:09 Andy Greenwald? When did our flame start?
5:10 Chris Ryan? Yeah.
5:12 Andy Greenwald? Our flame started, uh, I mean, we started in January.
5:15 Chris Ryan? Right?
5:16 Andy Greenwald? Um...
5:17 Chris Ryan? You're usually the archivist of this couple.
5:18 Andy Greenwald? I don't remember the first day.
5:19 Chris Ryan? Okay.
5:20 Andy Greenwald? But, but we were all over the fourth episode of the third season of Down Nabby or whatever, so we hit the ground.
5:26 Chris Ryan? That was early Downton, because Snitch Butler's was super early.
5:29 Andy Greenwald? That's true, because that was when it was a more focused show. It was really about what it was about. Before they widened the aperture too much and went woke. It was just about like, how it's hard to get good service.
5:40 Chris Ryan? Uh.
5:41 Andy Greenwald? It's a much better show. Yeah, it was early, it was early January.
5:44 Chris Ryan? Uh, where would you like to start?
5:45 Andy Greenwald? We didn't say, January 2012.
5:47 Chris Ryan? 2012, yeah.
5:47 Andy Greenwald? So this is your 14th?
5:49 Chris Ryan? Yeah. God.
5:51 Andy Greenwald? It's great.
5:51 Chris Ryan? Do you still enter each year with a lust for like, what's gonna be, you know, big and new and fresh and interesting in television?
5:59 Andy Greenwald? Do you?
6:00 Chris Ryan? Well, I'll tell you what.
6:01 Andy Greenwald? Yeah.
6:02 Chris Ryan? This year, and one of the reasons why I think I'm fired up is because they're, they've given us such a bountiful January. And some of our favorite shows are coming back in January. The Pit, Industry, um... New shows like A Night of the Seven Kingdoms, returning shows like Night Manager from 10 years ago.
6:18 Andy Greenwald? Yeah.
6:19 Chris Ryan? Uh, and a ton of other stuff, so...
6:21 Andy Greenwald? Wonder Man.
6:22 Chris Ryan? It was just gonna be dropped as a binge on January 27th, right?
6:26 Andy Greenwald? I think that's right.
6:27 Chris Ryan? So I thought maybe we could just cap off, you know, just some of the stuff that was happening towards the end of December that we didn't cover in the last 10 days or so.
6:34 Andy Greenwald? That sounds good. Also, I did want to ask you.
6:37 Chris Ryan? Yeah.
6:38 Andy Greenwald? Because I'll be, I'll be honest about it as well. How, where are you with your pre-engagement with any of these January shows? Because I have not, this won't surprise anyone.
6:48 Chris Ryan? Yeah.
6:49 Andy Greenwald? But also, like, we do have, this is not meant to be a brag, but just to restate that the shows, generally the shows that we really love, like Industry, or like The Pit, we like to enjoy week to week.
7:00 Chris Ryan? Yes. And I also, I, one of the things that I respect is embargoes. So.
7:04 Andy Greenwald? You really do respect.
7:06 Chris Ryan? I try not to break embargoes in terms of my comments about a show. I will say that I am net positive on the shows from this January that I have checked out.
7:14 Andy Greenwald? Oh, oh, you are not, I see. Oh, you are not embargoing anything.
7:17 Chris Ryan? Yeah. No, I don't wanna, I don't wanna, I don't wanna explicitly state one way or another how I feel about something until.
7:24 Andy Greenwald? That was why you didn't invite me to also profit from the war actions over the weekend. Because you peeked behind the black curtain in Mar-a-Lago and you saw that they had X.com searching. Did you see that on one of the screens, they were searching X for Venezuela?
7:39 Chris Ryan? Were they?
7:40 Andy Greenwald? Yeah. I mean, that's what I do.
7:45 Andy Greenwald? The only, my only.
7:46 Chris Ryan? I usually do that during like the third, third quarter of an Eagles game.
7:49 Andy Greenwald? I'm just searching Kevin Patullo to just see who's saying the meanest thing.
7:53 Chris Ryan? Oh, I thought you meant finding him a new job.
7:56 Andy Greenwald? Oh, no, exactly. Yeah, no.
7:59 Chris Ryan? Offensive coordinator, Venezuela.
8:02 Andy Greenwald? Recruiter.
8:04 Andy Greenwald? Yeah.
8:05 Chris Ryan? I'm very, I'm very pleased with what we have on, on tap.
8:09 Andy Greenwald? Okay.
8:09 Chris Ryan? Put it that way.
8:10 Andy Greenwald? Yeah. And so we'll probably, second show this week, we'll hit the return of The Pit.
8:14 Chris Ryan? The Pit, and then next Monday is Industry.
8:15 Andy Greenwald? The biggest television news that happened, of which I am, and I, I do think, I ought to apologize again, I am ignorant of this really, is Stranger Things ended.
8:23 Chris Ryan? Yeah.
8:24 Andy Greenwald? Now, just to fully contextualize it for our new listeners, starting this year with a new podcast, Stranger Things is a con. Instant presence in my life now because my older daughter is completely obsessed. I don't think it's a violation of any embargo to say that the lock screen on her device is completely Joe Keery coded.
8:47 Chris Ryan? Coded or just?
8:48 Andy Greenwald? Is it coded if it's just Joe Keery?
8:49 Chris Ryan? I think it's just Joe Keery. The other way would be like drawings of him, things that he like maybe likes, you know, like.
8:56 Andy Greenwald? That's true. Okay, right. No, it's just him.
8:59 Chris Ryan? Some Joe singles, you know?
9:01 Andy Greenwald? Again, this is Joe single. First of all, I don't know if Joe is single.
9:05 Chris Ryan? No, I meant DJ O's band. Yeah, singles by that band.
9:08 Andy Greenwald? I'm saying that his big single, the end of beginning, is her favorite song ever recorded and she has no interest in any other songs.
9:19 Chris Ryan? By him?
9:19 Andy Greenwald? By him.
9:20 Chris Ryan? Okay. I think that might be a challenge for his music career and he's talked about that.
9:24 Andy Greenwald? The people only want the one song?
9:25 Chris Ryan? Yeah.
9:26 Andy Greenwald? It's a good song.
9:27 Chris Ryan? Yeah.
9:28 Andy Greenwald? But I was like, this is, I was like, you know, you could go to the play song radio option on Spotify. And maybe I was like praying that like Elevate Me Later by Pavement would come up or something.
9:41 Chris Ryan? Well, he does play Malkmus in the Pavements talk.
9:43 Andy Greenwald? I've mentioned that to her. It's received zero traction so far, I gotta tell you. And she won't even do that because she just likes this one song.
9:49 Chris Ryan? I do find it fascinating if we're, if we're so lucky as to be recording this podcast, say in 2035.
9:56 Andy Greenwald? Okay.
9:57 Chris Ryan? Like how people's relationships to actors, bands, shows, all that stuff changes as our habits become so algorithmic. Not to say that your daughter is not having an organic relationship with art and, and life.
10:13 Andy Greenwald? TBD.
10:14 Chris Ryan? TBD, but the idea of being like super into just one song.
10:18 Andy Greenwald? Yes.
10:19 Chris Ryan? By a person.
10:19 Andy Greenwald? And no interest in digging deeper.
10:21 Chris Ryan? And also being like, this person is Steve from Stranger Things. Like he does not have like a life outside of it or whatever.
10:27 Andy Greenwald? No, well, that.
10:27 Chris Ryan? So she's interested in that.
10:29 Andy Greenwald? She's very interested in Charlie Heaton and Talia Dyer's relationship continuing. And in fact, she informed me the other night that many of the international dubbers of those characters have also fallen in love.
10:40 Chris Ryan? Oh, that's nice. I, I saw that. I think they're body doubles.
10:43 Andy Greenwald? And their body doubles date as well.
10:45 Chris Ryan? That's cool.
10:46 Andy Greenwald? Yeah. So this is, so I'm now done talking about my knowledge of Stranger Things. How are you feeling about it?
10:51 Chris Ryan? I, I thought that as an event. It was fun.
10:56 Andy Greenwald? Because you went to the theater at midnight?
10:57 Chris Ryan? No, because-
10:58 Andy Greenwald? You didn't see it in the theater, you saw it on TV?
11:00 Chris Ryan? I didn't, but I will say that it was like a fun experience over the holidays, the way that they parceled these out.
11:05 Andy Greenwald? Yeah.
11:06 Chris Ryan? I think I talked a little bit about watching it with like my wife's best friends, like-
11:10 Andy Greenwald? Yeah, the youth-
11:11 Chris Ryan? Daughters for the Thanksgiving ones.
11:13 Andy Greenwald? The youth contingent.
11:14 Chris Ryan? You know, we knocked out like the Christmas ones over the course of like a couple of nights in New York, like we would just throw it on. I found the finale to be like, nice, you know? Like, I think this show for me probably peaked with its first and second, to some extent, seasons. And that the way that they kind of made it all about, the mechanics of like the upside down, I mean, it's hard to talk about because I don't know if you care or understand, but like, it basically became very video game in its logic and in its execution. So rather than having, like, the character moments were like, this guy is gonna have this character moment, but it's only gonna be as a quick aside, like almost a cutscene-
11:59 Andy Greenwald? Right.
11:59 Chris Ryan? From, we have to do this to do this to do this. It's like watching The Avengers, like an end of Avengers movie. So, I thought it was pretty like about itself by the end of it. But, you know, I also, I feel warmly towards it. And I wonder if in a different world, without strikes and COVID and stuff like that, if it would have worked out differently for that show. Because I think part of like, the abstraction of it is just how long it has been-
12:26 Andy Greenwald? The experience.
12:27 Chris Ryan? In gestation, like in being a 10-year experience.
12:29 Andy Greenwald? Purely like Pitchfork rating scale, like how do you feel about the finale? Because-
12:34 Chris Ryan? The finale, I would say-
12:37 Andy Greenwald? And you can spoil whatever you want.
12:38 Chris Ryan? I'll do this, I'll say the finale, I would give like a five. The coda, I would probably give like a six or a seven.
12:45 Andy Greenwald? Okay.
12:45 Chris Ryan? I thought like that once they kind of wrapped up the action- The sort of character beats were nice.
12:51 Andy Greenwald? The sense that I get, again, based on very little, just ambient understanding of it, is that it is in some ways, it reminds me of Lost in the sense of you strike gold with all the things that make TV good.
13:06 Chris Ryan? Yeah.
13:06 Andy Greenwald? In the sense of like, you know, finding actors right before everyone falls in love with them, creating characters in a world that people want to spend time with, and a world that seems to have potentially unlimited depth to keep scratching the surface and finding more and more wrinkles to, and people get excited about the gamification of the story in that way.
13:22 Chris Ryan? Yeah.
13:23 Andy Greenwald? But inevitably with a show like that, I don't, I mean, I haven't read interviews, but I can't imagine if they were given some of Carol from Pluribus's Sodium Pentathal, the Duffer Brothers would be like, we always imagined an endgame with Vecna.
13:38 Chris Ryan? And I think also, the bigger the show got, the bigger the show had to
13:42 Andy Greenwald? Yeah.
13:42 Chris Ryan? like expand to reach what they assumed what people wanted.
13:47 Andy Greenwald? Right.
13:47 Chris Ryan? So that by this end of the season, it just becomes a magical action movie where all these characters have now become warriors somehow, even though they are like teenagers.
13:57 Andy Greenwald? Like Blono too, right? I heard she-
13:59 Chris Ryan? Yeah, yeah, but like Natalia Dyer's character is like basically Ripley and Alien in this, in this show now.
14:04 Andy Greenwald? That's pretty sick.
14:05 Chris Ryan? Yeah.
14:05 Andy Greenwald? Yeah, I think that it is a different, as the one-time host of America's leading podcast about television shows ending, I would say that there ought to be a different category for shows that have to wrangle the multi-headed Hydra of their own success to end. There is no naturally satisfying ending to a show that didn't have, I mean, what's the name of the Joe single? They didn't have the end at the beginning. So-
14:32 Chris Ryan? Yeah.
14:33 Andy Greenwald? Kudos to anybody who tries and even manages to come out with a gentleman's five.
14:37 Chris Ryan? Yes, there, I mean, I have like read a little bit about how like- The origins of this show and how they had thought about it, maybe as an anthology and maybe as like this sort of like homage to like very like like a Stephen King contained universe rather than something that was going to be a dimension sprawling magical teenager. Potter meets Avengers kind of Lord of the Rings level show.
15:02 Andy Greenwald? Yeah.
15:03 Chris Ryan? And it just wound up being that big. And I I guess that that's what they felt like they needed to expand it into. And it wasn't as interesting to me. But for some reason, in the specific time it was released this year.
15:15 Andy Greenwald? Yeah.
15:15 Chris Ryan? I didn't really feel distracted by a ton of other stuff. And the weather being the weather, it was like kind of fun to like at midnight, throw it on and just kind of like zone out.
15:25 Andy Greenwald? I think the marketing and the way Netflix turned it into something even bigger and then.
15:29 Chris Ryan? And then they made like 25 million dollars.
15:31 Andy Greenwald? Eventized it was really, really smart. To your point about like what they originally intended, it is always for me at least worth remembering that the initial pitch for the show was a series called Montauk.
15:40 Chris Ryan? Yes.
15:41 Andy Greenwald? Which I believe was about Lizzie Grubman's parking shenanigans at the Surfside Inn 20 years ago. And to think that from that.
15:49 Chris Ryan? Yeah.
15:49 Andy Greenwald? They ended up with what they ended up with. But it's interesting like it was it was an homage, right? To the spirit of the things that people in our generation grew up loving that became a.
16:00 Chris Ryan? It became an homage to like the things that kids, the age of the kids in the show would have also loved that because it was like an homage to Marvel and Potter and L L T R, which are like more 21st century.
16:13 Andy Greenwald? Right.
16:14 Chris Ryan? Like tokens or totems rather. Do you think like, does your daughter have any connection to it being like an 80s vibe show?
16:26 Andy Greenwald? Broadly, yes. I think she gets the.
16:29 Chris Ryan? That that's when it's set?
16:30 Andy Greenwald? Yeah.
16:30 Chris Ryan? Yeah. And that's why they don't have phones and stuff, you know?
16:33 Andy Greenwald? Yes, although she does feel frustrated in a way that maybe we would feel when characters couldn't call each other in black and white movies as easily. I don't know. She's just like, why doesn't she just search that up? You know?
16:45 Chris Ryan? Pennsylvania 324.
16:48 Andy Greenwald? Like, that's.
16:48 Chris Ryan? Now he's not here. Click.
16:50 Andy Greenwald? Yes, operator. Um, there's some of, there's definitely some of that. It's also funny where like today, on the way to school, she was explaining Joseph Quinn's character, because that's where she, I think she's in season four now.
17:00 Chris Ryan? Eddie, yeah.
17:01 Andy Greenwald? And she's like, people think that he's like, a bad guy because he plays Dungeons and Dragons and listens to heavy metal. I'm like, right, that was a thing. And she's like, I know, but I'm like, do you? Turns up end to beginning.
17:17 Andy Greenwald? And I'm like, do you know where Chicago is? And that's a whole other story. But, um, do you know about Lounge Jax?
17:24 Andy Greenwald? It's the punk club where, um, I, I, I, I welcome this because like, it is, it is.
17:29 Chris Ryan? Have you been watching along as she watches or is she just watching it on iTunes?
17:32 Andy Greenwald? She's just grinding tape, just trying to, trying to catch up and not, and not avoiding spoilers and not really caring.
17:38 Chris Ryan? Yeah, that's another thing that I think people have largely given up on.
17:42 Andy Greenwald? Yeah.
17:42 Chris Ryan? They, they don't, they don't care about embargoes.
17:45 Andy Greenwald? They don't respect embargoes like you at Pennsylvania 1500. That's where, that's our other watch inbox.
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19:56 Chris Ryan? I did want to tell you one more thing about Stranger Things. So spoilers for the finale. You don't care.
20:01 Andy Greenwald? Nope.
20:03 Chris Ryan? Hawkins is this hotly contested interdimensional property now because there's like
20:08 Andy Greenwald? Like no one's gonna listen? What do you mean?
20:10 Chris Ryan? Well, there's the Hawkins Town.
20:12 Andy Greenwald? Okay, right.
20:13 Chris Ryan? Then there is the Upside Down, which is sort of like Dark Hawkins, which is you can get to through some portals in different places.
20:19 Andy Greenwald? Right.
20:20 Chris Ryan? The thing that they introduced in this final chapter or season is the idea that in fact, there is then like a thing called the Abyss, which is where Vecna lives. Vecna is this really bad guy.
20:31 Andy Greenwald? Is that like when we found out about Dumbo? That there was like another part of Brooklyn? With like, the streets looked a certain way, but
20:38 Chris Ryan? See, this is why you can never quit.
20:40 Andy Greenwald? Is that?
20:40 Chris Ryan? Yeah, this is why you have
20:42 Andy Greenwald? Cause I remember we were like
20:42 Chris Ryan? Don't listen to any of the haters, man. You're the best.
20:44 Andy Greenwald? Like the first time people took us to Galapagos in Williamsburg. And I was like, oh, there's a dark Brooklyn. But then we found out about Dumbo.
20:50 Chris Ryan? This is where the G ends. Yeah.
20:52 Andy Greenwald? Okay, go on.
20:53 Chris Ryan? So there's Hawkins, Upside Down. Then there's the bridge, I think, or the bridge might be between Hawkins and the Upside Down. I can't remember.
21:01 Andy Greenwald? This is literally me explaining where I live in LA to people in London.
21:03 Chris Ryan? And then there is the Abyss, which is where Elle sent Vecna.
21:09 Andy Greenwald? Right.
21:10 Chris Ryan? When she like zapped him with her mind.
21:12 Andy Greenwald? Is Elle what you call 11?
21:13 Chris Ryan? Yes.
21:13 Andy Greenwald? Okay.
21:14 Chris Ryan? And Vecna and the Mind Flayer are in this fucking desert. Like it's like, like outside of Tucson.
21:21 Andy Greenwald? But are they together?
21:22 Chris Ryan? Yeah, very much so.
21:23 Andy Greenwald? That's sweet.
21:23 Chris Ryan? They're really, they, they, they are bonded together.
21:26 Andy Greenwald? Okay.
21:29 Chris Ryan? There's a huge destructive moment, event where, you know, they blow up the upside down. Brett Gelman does that.
21:35 Andy Greenwald? Damn. Brett Gelman blows up the upside down?
21:40 Andy Greenwald? Do you feel like, what if the Dever Brothers had pitched that 10 years ago to Cindy Holland and Ted Sarandos? Close your eyes. I'm gonna paint you a picture.
21:50 Chris Ryan? And, you know, so there's this huge destructive thing, there's a ton of damage done. Can I, can I really spoil it? Elle closes the gate to all of this stuff and sacrifices herself.
22:02 Andy Greenwald? My child already told me this. She's not watched this, but she already told me this.
22:05 Chris Ryan? Another big explosion happens, you know? Cut to 18 months later.
22:10 Andy Greenwald? I love an 18 months later.
22:11 Chris Ryan? Hawkins, the tax base has exploded. That's not, it's not just that the infrastructure got destroyed. It was like, the population came back.
22:20 Andy Greenwald? And they were just like?
22:21 Chris Ryan? It's teeming. It's like Hawkins is, there's a gold rush happening in Hawkins. And everybody has come back and there's so much construction and building going on.
22:30 Andy Greenwald? So I'm giving the wrong cities. This is actually San Francisco, once Daniel Lurie became mayor.
22:34 Chris Ryan? Exactly.
22:35 Andy Greenwald? And he's like, there's a new Gap store.
22:36 Chris Ryan? But it's just the funniest thing, it's like, there's no coverage whatsoever of multiple interdimensional explosions happening in Indiana.
22:43 Andy Greenwald? But, no, but so are they like, spending their way through it? Is it like, it's?
22:47 Chris Ryan? Yeah, it's no.
22:48 Andy Greenwald? Is it abundance?
22:48 Chris Ryan? It, it kinda seems like that. It seems like there's no permitting, there's no zoning, they're just like, putting everything back where it belongs.
22:55 Andy Greenwald? Okay.
22:56 Chris Ryan? And I thought that was a very funny like, note to end on. Although it is kinda nice, because like, these six people or 10 people are like, kinda like, everybody's just moved on, you know?
23:04 Andy Greenwald? I'm also interested in the 18 months as like, kind of a default, like, that's the appropriate length of the ellipsis. And it's, it's front of mind, because I, I, we were re-watching Sleepless in Seattle this weekend. It's, it's, it's on the Criterion's Fresh Start collection. Otherwise, clearly, why would I watch one of the most beloved movies of all time? And, and for those who haven't re-watched it recently, it opens with Tom Hanks like, in just paralyzing grief, with good reason.
23:34 Chris Ryan? Yeah, right.
23:35 Andy Greenwald? His wife, Carrie Lowell, is just suddenly... Passed away.
23:38 Chris Ryan? Yeah.
23:38 Andy Greenwald? That's not a spoiler. That's the movie. And then it's like, then they're like, what will you do?
23:42 Chris Ryan? Did you ever get him?
23:43 Andy Greenwald? Rebuild your life. It's possible. What would you? And, and he's like, I think I'm going to uproot myself and my child from the only home he's ever known and live on a boat in Seattle.
23:51 Chris Ryan? Yeah.
23:51 Andy Greenwald? Cause I'm super into Mother Love Bone and think this town is really about to pop off. But the yada yada for like, when it's okay for him to start dating again is 18 months.
24:01 Chris Ryan? Right. 18 months is, I think that that's like a solid time. It's two pregnancy cycles, you know?
24:06 Andy Greenwald? That is a wild call for you. That is the first thing you thought of? You could just bang out some Irish twins and then you're ready to start over.
24:15 Chris Ryan? It's nearly a rookie contract, you know?
24:16 Andy Greenwald? Okay. Kai, what do you, how do you feel about this? Just in terms of someone like you, you're, you're living your life.
24:21 Chris Ryan? Specifically Tom Hanks mourning his wife or Hawkins moving on from?
24:24 Andy Greenwald? Do you think 18 months is a generally reliable benchmark for moving on from something? Something good or bad, like rebuilding a Midwestern town?
24:34 Chris Ryan? Did you expect this to be the first time we threw to you in 2026 was going to be asking this?
24:39 Speaker 04 Yeah. I feel like after 18 months, it's kind of like, all right, wrap it up.
24:42 Chris Ryan? What's it supposed to be like a month for every year?
24:45 Andy Greenwald? For what?
24:46 Chris Ryan? For like a breakup?
24:47 Andy Greenwald? Is that, wait, they have that for like time?
24:50 Chris Ryan? I think it was supposed to be like.
24:51 Andy Greenwald? Jet lag, it's a day for every hour.
24:53 Chris Ryan? Or maybe it's a death. I can't remember. I ca, it's something, it's something. It's like a month for every year. Uh, you, you basically like, you're like, that's the way you're supposed to like mourn or whatever.
25:02 Andy Greenwald? Okay. Well, that's right on target then, because in Sleepless in Seattle, definitely the things that we're leading this pod with for our first pod back. He says, he's talking to, and beautiful Rob Reiner performance in that movie. He says how, when's the last time you dated?
25:16 Chris Ryan? Yeah.
25:17 Andy Greenwald? And he says Jimmy Carter was president and the movie is set in 1991. So.
25:21 Chris Ryan? That would be 20 years. It's about 20 months.
25:23 Andy Greenwald? No, no, like 14 year, 14. He's ready.
25:26 Chris Ryan? Yeah.
25:26 Andy Greenwald? In fact, he's a little behind.
25:28 Chris Ryan? Yes.
25:28 Andy Greenwald? He's a little, he's a little bit lagging.
25:30 Chris Ryan? Let's go now to a film that we both saw.
25:33 Andy Greenwald? The movies.
25:34 Chris Ryan? I can tell you're chomping at the bit. Marty Supreme.
25:36 Andy Greenwald? Yeah.
25:36 Chris Ryan? How many times did you go to the movies last year or in the last 12 months?
25:40 Andy Greenwald? How about the last 18 months? I was a different guy. How many times?
25:45 Chris Ryan? Yeah.
25:45 Andy Greenwald? Embarrassingly few.
25:47 Chris Ryan? Okay.
25:47 Andy Greenwald? I would say. Under a dozen.
25:50 Chris Ryan? I think it's it's it's opened you up. Because now like I feel like when you go and you like something, you really love it.
25:56 Andy Greenwald? I I I will say this, just to start, like, I I like our friends at the Big Picture Podcast. I am a great believer in the in theater, in-person cinematic experience. I was.
26:08 Chris Ryan? So am I.
26:08 Andy Greenwald? First of all, it's a. Oh, are you?
26:10 Chris Ryan? Yeah.
26:12 Andy Greenwald? Sorry, I just, I only listen to that.
26:13 Chris Ryan? There's not only three people who love in in in theater.
26:16 Andy Greenwald? I only listen to the big picture when it's pure.
26:18 Chris Ryan? Yeah.
26:18 Andy Greenwald? When it's just the two of them. I don't like any interlopers on that show. Just like that dynamic, it's like if there's guest hosts on PTI, you know what I mean?
26:25 Chris Ryan? Yeah.
26:27 Andy Greenwald? First of all, a little like glimpse behind the curtain. We we we were ships in the night.
26:32 Chris Ryan? Yeah.
26:32 Andy Greenwald? We passed each other, you were coming out of the movie and I was coming into the movie.
26:35 Chris Ryan? I had gotten back from a very early flight and I wanted to see it. And I could not wait till 8:00 P. M.
26:41 Andy Greenwald? Here's the thing, I had not had a good night of sleep and I was. Here's what I didn't communicate to you in that moment, although I tried to with my searching look that I gave you as you passed the giant fucking poster cutout for Chris Pratt's Mercy. A real movie that has the ad, wait, I had it open just to like look at it for a minute.
27:00 Chris Ryan? I know what this movie is about. It's Rebecca Ferguson is an A. I.
27:03 Andy Greenwald? The head tagline for this film, which is a real film. The future of criminal justice is artificial intelligence. Way to read the room. If there's two things that are equally beloved in America in 2025.
27:16 Chris Ryan? Yeah.
27:17 Andy Greenwald? It's the criminal justice system and artificial intelligence. And you give me Chris Pratt not smiling? Fucking, that's my 13th time in the theater. Can't wait. Anyway, as we were passing, I was really, really concerned that I would be sleeping through this film.
27:34 Chris Ryan? Mm hmm.
27:35 Andy Greenwald? No judgment on the film, I was just not feeling.
27:39 Chris Ryan? You would have been easily the first person to fall asleep in a Safdie Brothers movie.
27:42 Andy Greenwald? I had that, I was hoping for that. I was like, that might be my my my saving grace here. That was not the case. I was so exhilarated and transported by seeing this movie in the theater. I loved it. I loved the movie, I loved the experience of seeing in the theater.
28:00 Andy Greenwald? I think this is a great.
28:00 Chris Ryan? It's a great movie. It's a great movie. I, you know. I think that. When you step into the theater, like the thing though, the thing you can hope for is to feel fully immersed in something. And I think we've probably started to confuse world building with like, like more genre, like fantasy sci-fi kind of things. Like, are you convincingly building a fictional universe for me to explore?
28:26 Andy Greenwald? Yes.
28:27 Chris Ryan? But to me, like, world building is what Jack Fisk does in this movie. And he's the production designer, and he's been, he's probably one of like, the handful of greatest production designers in the history of Hollywood filmmaking, and worked with Terrence Malick in the, in the seventies on Badlands and Days of Heaven and-
28:42 Andy Greenwald? David Lynch.
28:43 Chris Ryan? Yeah, David Lynch did Mulholland Drive and-
28:45 Andy Greenwald? And then PTA. He did The World Be Blood.
28:47 Chris Ryan? Yeah. And when you watch Marty Supreme, like, the thing that leaps off the screen-
28:52 Andy Greenwald? Eight years old, this man.
28:52 Chris Ryan? Is the sort of tactile nature of the New York that they create. And feeling like, as Marty is going down fire escapes or running through the backs of stores, that there is an alley and then another store. And like, the illusion, probably because film is just magic-making anyway, is that, like, you are actually in this interconnected warren of the Lower East Side in the 1950s. And that is like, it's so captivating. And then when you add the seemingly incongruous but like, wonderful score on top of it, from Daniel Lepatten, it just, it just takes you away. Beyond ping pong and, you know, youth and young manhood and, and finding a sense of purpose beyond yourself, which the movie
29:37 Chris Ryan? is also about.
29:38 Andy Greenwald? I mean, every time, I'm not, I'm not even being like, self-deprecating. I often don't feel qualified to talk about movies because I see so few of them these days. But like, every time I see a great movie, my first thought is always, oh my God, it's so hard to make a good movie, let alone a great movie.
29:55 Chris Ryan? Yeah.
29:55 Andy Greenwald? And every frame counts and every second counts. And you're talking to the specificity of the decisions made in it. And, you know, reading about the film after seeing it, talking about how they like, wet down the trash in the streets to like, increase every potential moment of realism. And so the actors would be feeling it too. You read about like, Tyler and Timothy filming like, after their insane night scene, and that they were filming that at four in the morning and ad-libbing how tired they were, because they were.
30:24 Chris Ryan? Yeah.
30:24 Andy Greenwald? You read about Chalamet secretly training to become a ping pong champion for six years, which could be super annoying, honestly, but isn't because it's-
30:32 Chris Ryan? Are you fine? How, where are you with him?
30:34 Andy Greenwald? I sent you a gif of Shaquille O'Neal saying, "I owe you an apology. I wasn't familiar with your game." And I have taken all caveats away from my embrace.
30:46 Chris Ryan? Did you ever see the Dylan movie?
30:47 Andy Greenwald? No.
30:47 Chris Ryan? Okay. Do you like the Dune movies, though?
30:50 Andy Greenwald? I like the Dune movies. I think I've seen, I think I've, I feel fairly well-versed in his filmography.
30:58 Chris Ryan? I mean, you're one of the preeminent experts on his appearance in Homeland.
31:02 Andy Greenwald? That's true. Famously, I met him on the set of Homeland, and in no moment was I like, "This is the next great movie star."
31:08 Chris Ryan? Yeah.
31:10 Andy Greenwald? It's an incredible performance, and the entire movie hinges on his face and his commitment. And also, I was thinking about another recent re-addition to Criterion Collection that I re-watched because it was just there again. Because I'm clearly desperate for a "let's turn the TV on and just watch what's on" experience. This is as close as we get, was I was re-watching Boogie Nights, and I was watching it thinking about DiCaprio having worked now with PTA, and how great he is in one battle after another, and how he now says, or has said in past interviews, that he does regret passing
31:43 Chris Ryan? On Boogie Nights, yeah.
31:43 Andy Greenwald? On Boogie Nights, and thinking, "I don't think he would be good for it." Like, that's obviously like, you know, hindsight, but that there's a specificity to what Wahlberg is good at, that PTA, as a great director, sees and excavates and shines a bright light on. Interestingly, now, I'm more like, Sidney Pollack would have been a good Jack Horner, too.
32:05 Andy Greenwald? I'm open to that argument, that there could have been a different one there. But anyway, you watch Almay in this movie, and you're like, absolutely no other actor, contemporary actor, could have given us that specific performance.
32:17 Chris Ryan? Yeah, I also don't really know, on an extra level, like, who else could have sold this movie?
32:21 Andy Greenwald? Yeah.
32:21 Chris Ryan? You know, I mean, the work he has done. To get this movie, I think it opened better than the Dylan film did. Uh, I think it's appealing, at least from what I've read, to 18 to 34 year olds, who are not always dependable box office supporters. And he's like a new generation of movie star while also having the chops of somebody who could have been famous in 1972, you know?
32:46 Andy Greenwald? I did, and I felt really exhilarated by the fact that the movie does, you know, it's highly stylized, obviously. It has that saftige and a sequoia that keeps people awake in movie theaters. It has the reliance on anachronistic needle drops that I do want to ask you about. But it also has an absolutely genuine, sincere, and I think really interesting curiosity and engagement with reality, in terms of like historical reality. And I thought the movie was incredibly compelling and moving as a snapshot of Judaism in the 20th century, but also the way capitalism works and has always worked in America versus the world. And it's not like heavy handed about any of that, but it's alive to it.
33:29 Chris Ryan? Sure.
33:29 Andy Greenwald? In a way that I really liked. I also wanted to ask you, so struck, I was so struck by the use of non-traditional actors up to, and this is the most me, I feel like this movie has been well covered at this point by everyone.
33:43 Chris Ryan? Sure.
33:44 Andy Greenwald? Here's what I can bring to it. I think that I am the only minor media figure to audibly gasp when one of my favorite writers, Pico Iyer, appears as the supercilious chairman of the World Table Tennis Association.
33:59 Chris Ryan? That's who that was?
34:00 Andy Greenwald? Yes. The, to me,
34:02 Chris Ryan? I don't, I don't even know this writer.
34:04 Andy Greenwald? Deeply influential and beloved travel writer, um, wrote two of my like most formative books in the 90s, Video Night in Kathmandu and then Lady and the Monk. And then since then, he like, he lives in Japan and he's just thoughtful. He's very, he writes a lot about Buddhism and spirituality and travel and our global world. And all of his books are good, including his most recent one. And I was like, I recognize that guy. He's never acted.
34:29 Chris Ryan? Did you find out like what Safdie's connection to him was?
34:31 Andy Greenwald? No, because you look down the list of this and you're like, and George Gervin is running the
34:35 Chris Ryan? Tracy McGrady's on the Globetrotters.
34:37 Andy Greenwald? Tracy McGrady's on the Globetrotters.
34:38 Chris Ryan? Abel Ferreira and Penn Jillette.
34:40 Andy Greenwald? Yeah, New York great, in quotes, John Katsimatidis, the chairman of the D'Agostino Grocery Store Corporation, plays Dion's dad.
34:48 Chris Ryan? Yep.
34:50 Andy Greenwald? That can work, or it can catastrophically not work. And I thought that the casting of non-traditional actors, the Kevin O'Leary thing, I thought it worked to a degree that was totally invigorating and exciting. But like even the dude, what's his name, Philippe, what's his name who walked across the towers?
35:06 Chris Ryan? Yeah.
35:07 Andy Greenwald? He's, he's the Belgian ping pong commentator, like
35:10 Chris Ryan? Are you serious?
35:11 Andy Greenwald? The use of faces. And then not just saying like, that's who should be in the scene, whether it's the kid who plays Dion, who I guess they found on YouTube, or Levon Hawk, Maya's brother who's in the hustling scene, or Tyler, who I didn't know was an actor and maybe isn't, but is incredible. Like, Richard Brody in The New Yorker wrote that he thought that this works well for the Safdie's because the Safdie's communicate their story, they tell their story
35:37 Chris Ryan? Yes.
35:37 Andy Greenwald? through, less through like traditional performance, more through visuals and reaction and presence, which makes sense.
35:45 Chris Ryan? You know, it was also awesome in Spencer Grenese, who's in Dope Thief, but is in that one bowling alley scene, talking to Tyler about like, guard your, guard your wad, like, don't, don't let anybody see your cashier. And then obviously chases them to the gas station. Like, he's got like that same kind of face. Even though he's done some acting, obviously, he's like a, like an up and coming actor. Like, I just think that he's like, Safdie is
36:10 Andy Greenwald? Abel Ferreira, we didn't even mention Jesus.
36:11 Chris Ryan? You know what it is? It's a total commitment to an idea. So it's the same thing with the music. When it opens with Forever Young, and you know, like, we won't, we don't have to spoil
36:21 Andy Greenwald? Yeah.
36:21 Chris Ryan? Marty Supreme, folks haven't had a chance to see it, but it also ends on a very significant needle drop. And if you kind of go halfway.
36:29 Andy Greenwald? Yeah.
36:29 Chris Ryan? Or if in the middle of the movie, you weirdly start changing, oh, now we're doing 1950s needle drops. It's like, you have to be
36:38 Andy Greenwald? You have to be fearless.
36:39 Chris Ryan? You have to be fearless, but you have to be committed to an idea. And the idea is essentially that Marty Supreme is a memory piece of this guy remembering in the 80s, what life was like in the 50s. That's what Josh talked about with Sean.
36:51 Andy Greenwald? Josh himself remembering the feeling of the past through the emotional.
36:55 Chris Ryan? No, the character. Josh is like, this idea is like, kind of, you know, it almost feels, he's making the 1950s feel like the 1980s because it would be older Marty Supreme remembering the 1950s.
37:07 Andy Greenwald? Okay.
37:08 Chris Ryan? So it basically gives a rationale to the postmodern new wave vibe of the music in the film. To commit to something that fully and then to not even be like, this is why I did it in the film itself is so brave and fearless. And it's the same thing with like, Kevin O'Leary could have fucked that movie up.
37:28 Andy Greenwald? Yes.
37:29 Chris Ryan? So many people could have just.
37:30 Andy Greenwald? It's a major part.
37:31 Chris Ryan? I mean, there is, something happens in, um, in this thing on, the Bradley Cooper movie with Bonnet, that is like, the wrong version of this.
37:39 Andy Greenwald? Mm-hmm.
37:40 Chris Ryan? And it completely takes you out of the movie if you're even in it in the first place. The fact that they're able to pull off all of these faces, you're essentially the entire movie is like the bar scene in Goodfellas where they're just like, and then there was, you know, this guy and then this guy. And it's like, that's the whole movie is faces like that and people like that. It's so invigorating to see because you realize that, especially when we're watching TV, seeing a lot of the same faces, seeing a lot of the same people.
38:09 Andy Greenwald? And a lot of interpretations of an idea that a character is on the page.
38:12 Chris Ryan? And there, and when it comes to like extra work or people filling out a scene or people in the background or people who are briefly on camera, it's like, there just doesn't seem like there's a ton of thought given to it, probably because they have to move so quickly. But.
38:23 Andy Greenwald? Are you talking about the geologist on Landman? Not yet. But I, I, I agree with that. I will, maybe this is a sign of my, uh, trepidation and lack of fearlessness. The last needle drop was the only time that I was like, only because that song is so overly dropped.
38:42 Chris Ryan? Yes.
38:43 Andy Greenwald? The New Order one, um, shout out to the upcoming season of Industry, works for me. And like the Peter Gabriel one worked for me. The last one is when you, when you.
38:52 Chris Ryan? You can say it's, I mean, we can.
38:53 Andy Greenwald? Tears for Fears. When you drop a song that is not just known in its moment as a famous huge song, but has been known by every subsequent generation, almost like by clockwork in the decade from a needle drop.
39:06 Chris Ryan? Yeah.
39:07 Andy Greenwald? I think that it removes you from the immediacy of the moment, which Chalamet is delivering in terms of his performance. That was the one time that I was a little out of it. But, but there was a feeling. That I had after the opening sequence where he's in London and everything that happens in London and Gwyneth Paltrow and their connection. Where I was like, I don't remember the last time I had this feeling in the movie theater, where I was, it's actually more like a sports thing, and maybe it's fitting that it's a sports movie, where I was like, please don't blow this lead.
39:38 Chris Ryan? Hmm.
39:39 Andy Greenwald? I was so in love with my, and I don't think I was out of it, I was fully invested, but I was so in love with the experience I was having. And I was so worried, eventually that faded, but like of a wrong note that would.
39:51 Chris Ryan? Do you feel like that's.
39:52 Andy Greenwald? I was like, you're up 21-0, don't let the Cowboys back in it.
39:56 Chris Ryan? Do you feel like you're more now aware of how you're feeling about a movie while you're watching a movie or a TV show? Like, are you more like, do you think it's because like you maybe you're like, you have less time? So it's like, my relationship to culture is now a little bit more transactional, and when you do feel like I'm levitating, don't, don't, don't bring me down now.
40:18 Andy Greenwald? I, I think so, but then there were a couple moments, when the bathtub crashed to the ceiling, I think then I lost all reservations about it.
40:26 Chris Ryan? Sure.
40:27 Andy Greenwald? Cause I was just laughing and euphoric and like, this is, here we go.
40:30 Chris Ryan? Yeah.
40:31 Andy Greenwald? Um, I mean, I, it's of no value, based on my almost complete ignorance of the larger cinematic slate still of 2025, for me to say this is my favorite movie of the year, but I, I, I would rate it higher than One Battle After Another.
40:45 Chris Ryan? Okay.
40:46 Andy Greenwald? In my own personal top two list, which might expand over the next few weeks as we build up to the Oscars.
40:50 Chris Ryan? Do you think you're gonna do a deep dive into 2025 movies? Like when you're watching and you're like, um, I'm just like watching Boogie Nights or whatever?
40:58 Andy Greenwald? I'm going to watch Sinners in Eddington, and I still wanna take a, take a return to Zombieland with you. I mean, I saw the, I saw the, the trailer for.
41:06 Chris Ryan? Bone Temple.
41:07 Andy Greenwald? Bone Temple.
41:08 Chris Ryan? Yeah, it's coming soon.
41:09 Andy Greenwald? You excited about it?
41:10 Chris Ryan? Very, yeah.
41:11 Andy Greenwald? It's, is Ralph Fiennes, he's playing the, um, the Rabbi of the Bone Temple?
41:16 Chris Ryan? Not exactly, but yeah.
41:18 Andy Greenwald? He is in 28 Years Later as this character.
41:20 Chris Ryan? He is.
41:21 Andy Greenwald? And then they're like, let's spend more time in the temple.
41:23 Chris Ryan? Yes.
41:25 Andy Greenwald? Okay, and then there's another one.
41:27 Chris Ryan? I, there will be hopefully a third one. I, I don't want to spoil anything about 28 years later.
41:31 Andy Greenwald? I don't want you to.
41:32 Chris Ryan? I think you should go into it as blind as possible.
41:34 Andy Greenwald? Okay.
41:34 Chris Ryan? Yeah.
41:35 Andy Greenwald? How will I feel about the needle drops?
41:37 Chris Ryan? Uh, Young Fathers did the soundtrack. It's an incredible score. I wanted to briefly tell you about one other thing that I watched that I know you probably are only in and out on. We talked about this show briefly for the first episode. It's heated rivalry, which is still the number one show on the Max streaming app.
41:52 Andy Greenwald? God, Casey stays winning.
41:54 Chris Ryan? And we didn't do a best episode of 2025 episode of this podcast, which we have done the last couple of years.
42:01 Andy Greenwald? We were unable to due to scheduling reasons.
42:03 Chris Ryan? We did Shogun one year, uh, we did the bear one year. And I, I think we were a little bit like, you know, I feel like we left it all on the field of adolescence, but we were, we were talking about like, maybe we should try and do the third episode of adolescence, or maybe the second to last episode of task. Like, there was a couple of candidates.
42:20 Andy Greenwald? Yeah, and I, I think I would have voted for ultimately the third episode of adolescence, but I think wrangling all the overseas talent would have been challenging.
42:28 Chris Ryan? Although they were just in town for critics' choice. I think they're gonna be in LA for a while to get some awards.
42:34 Andy Greenwald? Do you think they want to talk to me about Jedleg? And like, that is just like how best to manage that flight and what to order? Don't get the soup. But then otherwise, just as this is just, you know, inside baseball, but like, we were also like, what more do we have to say about Andor or the pit since we've already done interviews with creative people?
42:50 Chris Ryan? Yeah.
42:50 Andy Greenwald? Anyway.
42:51 Chris Ryan? It's probably recency bias, but I, I would have made an argument for the fifth episode of heated rivalry.
42:56 Andy Greenwald? God, it's great. Good for you.
42:59 Chris Ryan? I've watched the rest of this over the course of sort of the Christmas break. It is an amazing achievement of a show. Uh, just the level of skill from Jacob Tierney, who created it based on these novels by Rachel Reed and then wrote and directed the episodes.
43:17 Andy Greenwald? Yeah.
43:18 Chris Ryan? He's a fucking big time talent, man. Like, I'm so blown away. And I asked you to watch like a brief moment at the end of the fifth episode where it kind of is the culmination of one side subplot of the show, this established, uh, hockey star's public coming out.
43:35 Andy Greenwald? Mm hmm. Quite, quite public.
43:37 Chris Ryan? How that affects the two main actors, uh, main characters, uh, Ilya and.
43:42 Andy Greenwald? Who at this point in their journey are closeted.
43:45 Chris Ryan? And Connor, yeah. And, uh, Spoilers for this episode, if you haven't seen it, I would just highly recommend you watch Cheetah Rivalry. But the end of this episode, which is actually excellent, it also features, like, Ilya has to go back to Russia for a funeral, and Connor's in the hospital after an injury, and like, there's this, like, it's just a very, very, very well-done episode of television.
44:11 Andy Greenwald? This is five of, out of eight?
44:13 Chris Ryan? Six.
44:13 Andy Greenwald? Six. Oh, so this is the, this is the penultimate?
44:15 Chris Ryan? Yes.
44:15 Andy Greenwald? Okay.
44:16 Chris Ryan? And then the last five minutes of this is, uh, this guy coming out after, after winning what would be the Stanley Cup, and these two younger hockey players watching it at their separate homes.
44:29 Andy Greenwald? Yeah.
44:29 Chris Ryan? While, uh, I'll Believe in Anything by Wolf Parade plays.
44:34 Andy Greenwald? I just got chills.
44:34 Chris Ryan? And the reason why I think I've, like, I've checked this out so many times is because of the filmmaking in it. You know, they're shooting it on anamorphic lenses, the way that they are communicating the emotional and psychological reality of the characters with camera movement and music and cutting, it is so high level for a show that could, in another person's hands, could have just been very straightforward soap opera, hot sex, TV show.
45:09 Andy Greenwald? Yep.
45:10 Chris Ryan? And he, he makes it, like, cinematic. It is so good. I, I would just, if, if you, if you have heard about this show and you haven't watched it, please check it out and see if you, if you can get to episode five. I mean, I think if you're watching it, you'll just, you'll just watch it. It's just really compelling anyway.
45:27 Andy Greenwald? I was glad you told me to watch it for two reasons. The first reason is, it's good to be validated, in my opinion, that, that those Wolf Parade records are incredibly important to the culture, because that, that hits.
45:40 Chris Ryan? Yeah.
45:41 Andy Greenwald? That was, that was the pure uncut.
45:43 Chris Ryan? I would have been a tyranny on just to talk about Wolf Parade.
45:45 Andy Greenwald? I would love to talk about Wolf Parade at length.
45:47 Chris Ryan? I was more of a Shina Lake guy than a, uh, I'll Believe in Anything guy, but for sure.
45:54 Andy Greenwald? That's a sign of great artistry. You just sort of can unearth these nuggets of or. Yeah, I, I think that what I appreciated the most is the way that historically, but like, this century of television and the role the penultimate episode often plays, especially with the type of shows that we talk about in Lion Eyes, there has often been a, a death.
46:20 Chris Ryan? Yeah.
46:20 Andy Greenwald? In the second to last episode.
46:21 Chris Ryan? Exactly.
46:21 Andy Greenwald? And the death is both shocking in terms of your audience investment in the character who dies and also the timing of it. Like you, we were, I think, no longer, but we were conditioned to expect fireworks in finales. And so that was the great innovation of George Pelikanos and the rest of the Wire staff.
46:36 Chris Ryan? Oh, yeah.
46:38 Andy Greenwald? But you do it in that episode so that you can actually, you can remind the audience that, that, that good shows aren't about the rock getting thrown in the pond. It's about the ripples.
46:48 Chris Ryan? Sure.
46:49 Andy Greenwald? And how the ripples affect on people. And so to watch an episode cold of characters I did not.
46:55 Chris Ryan? Yeah, you don't know who Scott is. You don't know what's going on.
46:57 Andy Greenwald? I didn't know what was going on on the main stage thing. But I immediately, I mean, I figured it out pretty quickly.
47:01 Chris Ryan? Actually, before you keep going, I just realized that I transposed the actor who plays Ilya's first name Connor. It's Connor Story.
47:07 Andy Greenwald? Yeah.
47:08 Chris Ryan? And the character who I was referring to is Shane Hollander. So Connor Story plays Ilya and then Hudson Williams plays Shane. So I just fucked that up.
47:17 Andy Greenwald? You have to apologize to me. I don't watch the show. This is, I would have let you get away with anything.
47:21 Chris Ryan? I'm just trying to do the work. I'm sorry. Yeah.
47:23 Andy Greenwald? Absolutely. Anyway, just to say that the, the power of the scene was coming into a cold and realizing the significance of the, in this parlance of prestige TV, the, it's the opposite of a murder, but how it affects these characters.
47:38 Chris Ryan? Yeah.
47:39 Andy Greenwald? And where they are in their lives and the significance of it. And again, like there are these little subtle touches that I also really appreciated that with. Connor or Shane? Who's the, who's the, the dark haired?
47:50 Chris Ryan? That's, that's Shane Hollander is the character.
47:53 Andy Greenwald? When Shane Hollander, yeah. Watching this on television.
47:57 Chris Ryan? With his parents.
47:57 Andy Greenwald? He's watching Major League Hockey television, I believe.
48:00 Chris Ryan? I don't have that.
48:01 Andy Greenwald? The New York, the New York Admirals.
48:04 Chris Ryan? Yeah.
48:04 Andy Greenwald? Have won this, this Stampley Cup.
48:06 Chris Ryan? Yeah, Scott Hunter has won the cup.
48:09 Andy Greenwald? It's falling on his parents who are like, oh, we're watching something significant. Something is happening and it's hitting him completely different.
48:18 Chris Ryan? Yes.
48:18 Andy Greenwald? Yeah, it's beautifully framed.
48:19 Chris Ryan? Yeah, uh, really, really excellent TV. So check it out if you haven't already.
48:24 Andy Greenwald? What, I must have Major League Hockey television. I fucking just found out I have Crunchyroll still.
48:31 Chris Ryan? Of course you do, we have kids.
48:32 Andy Greenwald? But we don't watch it.
48:33 Chris Ryan? You guys moved on from anime?
48:37 Andy Greenwald? Yeah, anime is not as popular in the house now that they've discovered, um, YouTube.
48:42 Chris Ryan? Do you want to talk about?
48:43 Andy Greenwald? Yes.
48:44 Chris Ryan? Yeah, you want to talk about Landman?
48:45 Andy Greenwald? Here's the thing, do I want to talk about it? Like, when you, like, what if you had done, what if you were that dude, Morgan Spurlock, rest in peace? And you like supersized me for a year and then you came in to make the movie about it?
48:59 Chris Ryan? That is sort of what's happening.
49:00 Andy Greenwald? And someone was like, so what do you want to talk about today?
49:03 Chris Ryan? Landman's hit a little bit of a slump. Let's just.
49:05 Andy Greenwald? Okay.
49:05 Chris Ryan? Let's call it what it is.
49:06 Andy Greenwald? Sure, let's be honest with each other.
49:07 Chris Ryan? I note this with interest on today, January 5th, because it was just announced that the next season of Mayor of Kingstown will be the last season of that show.
49:16 Andy Greenwald? Do you think this is the first, uh, domino to fall in the Sheridan verse?
49:20 Chris Ryan? I thought it was interesting.
49:21 Andy Greenwald? Hmm.
49:22 Chris Ryan? I, I, I'm sure I'm wrong. Taylor Sheridan is no longer the showrunner of Mayor of Kingstown. You know, I think that the fourth season was quite liked, critically acclaimed even with, uh.
49:33 Andy Greenwald? Put that on the poster.
49:34 Chris Ryan? Of Edie, Edie Falco is, is sort of the co-star of the show in this season. I kind of gave up Mayor of Kingstown like late season two. I don't even know if I watched any of season three. And, uh. I, you know, Taylor Sheridan's moving his productions, his TV production work to Peacock Universal, NBC Universal.
49:55 Andy Greenwald? Yeah.
49:55 Chris Ryan? And I do wonder whether or not it is a signal that the third season of Lioness will be the last season, or that, you know, some of his work is going to start winding down. I say that in relationship to Landman because the middle of this second season has felt a lot like late period Yellowstone to me.
50:14 Andy Greenwald? Mm-hmm.
50:15 Chris Ryan? Where you're like, we have a lot of random kind of action.
50:18 Andy Greenwald? Yep.
50:19 Chris Ryan? We're starting subplots and then sort of like drifting away from them.
50:24 Andy Greenwald? We're not, we can't make up our mind about how characters behave and how they feel about each other.
50:28 Chris Ryan? Well, it has like an almost compressed feeling. Remember that critique, I used to like get really upset when Succession would have like an emotional breakthrough with two characters and then the next episode it would just completely reset back to the original model for their relationship? That happens all the time on this show.
50:44 Andy Greenwald? I mean, every Andy Garcia, Billy Bob Thornton scene is the same scene.
50:48 Chris Ryan? Yeah. And almost, I mean, like, almost every scene between Billy Bob Thornton and Sam Elliott, which are really well done in terms of like, those guys are really good actors, but they is, and I think we'll probably get somewhere with this stuff, but it just really feels like he's writing six different shows that then get cut together into episodes.
51:12 Andy Greenwald? Yeah, I mean, the structure of the show is built out of paper mache and it's a bummer. And I think before we get into the specifics of it and the things that I really do want to talk about in a public forum.
51:21 Chris Ryan? Like Cialis?
51:22 Andy Greenwald? Like, yes. And who's really to blame here in a lot of these like marital tiffs? The point you make is a really interesting one because Taylor Sheridan remains and one of the reasons why I also like covering him, as long as I don't have to watch all the shows, is because he is such a unique figure in the television landscape because he produces content at a volume of all the great high quantity television producers. Your.
51:51 Chris Ryan? Botchko's.
51:52 Andy Greenwald? Botchko, your Dick Wolf, your Shonda Rhimes.
51:55 Chris Ryan? Yeah.
51:57 Andy Greenwald? But the David Kelly one, I would X out only because I think he's more in common with him. The other few, they make, not only are they good investments for whoever nurtured them and had them on their rookie contract, so to speak, they are good for the Pujols contract as well because those shows can run themselves at a certain point. Grey's Anatomy is still thriving. How many years ago did Chanda de Camp to Netflix? Which doesn't mean, I mean, she still is executive producer of that show.
52:24 Chris Ryan? 19, I can't remember, yeah.
52:26 Andy Greenwald? But these shows can continue because they are a template that works, that the creator established. The thing that's so unique about Taylor Sheridan is that Landman or any of the shows that he makes should be able to run regardless of who's at the helm. If you gave me the log line for Landman, or you, God forbid, read the Texas Monthly article that somehow inspired it, or came across his desk briefly.
52:48 Chris Ryan? Yeah, the Christian Wallace article, or the podcast, boom, boom.
52:50 Andy Greenwald? You could be like, well, obviously, this is a television show. If the show had just had the patience, the very non-Taylor Sheridan patience, to just be about Cooper's journey over multiple seasons from worm on boss's team to someone who Wildcats his way into.
53:07 Chris Ryan? To Jon Hamm, yeah, exactly, yeah.
53:08 Andy Greenwald? That's a fucking show.
53:10 Chris Ryan? Right.
53:11 Andy Greenwald? But the shows only convey what Taylor Sheridan's attention span holds for the microsecond that he spends working on each script. So they are not actually repeatable. And I want to be clear when I say that, when he gets interested in something, it can often.
53:28 Chris Ryan? Well, that's why his shows start so well.
53:30 Andy Greenwald? But it also can be so shocking and weird and surprising that suddenly it can come alive, like it has intermittently over the, for the previous episodes of the season. That even I was like, oh, okay, well, there's something there that's interesting.
53:44 Chris Ryan? Yeah.
53:44 Andy Greenwald? And then he loses interest and then he reboots it or whatever. So I think that's interesting to note that like, Landman should be a franchise that could run for many, many years, which makes it a very valuable investment for Paramount despite its high price tag. Once he walks, I don't see what the show is.
54:03 Chris Ryan? Well, you can almost make an argument that, like, given all the footage that we have, you could cut together.
54:12 Chris Ryan? A more traditional, but actually like probably pretty entertaining version of this show. Because part of the thing that's so disorienting is the juxtaposition of like Billy Bob Thornton's raging erection in a morning.
54:26 Andy Greenwald? Yeah.
54:27 Chris Ryan? You know, with his wife in a hotel room where he terrifies a hotel maid.
54:30 Andy Greenwald? Hold on, don't save it. I'm sorry, Kaya. We're bringing you in on this.
54:35 Chris Ryan? For why?
54:36 Andy Greenwald? I want to tell Kaya about the scene.
54:38 Speaker 04 You said hotel maid where this is, this is where you bring me in?
54:43 Andy Greenwald? Yes. I do think that, you know, this, this is in the spirit of something I issued a few weeks ago, which was the watch landman with a woman challenge. So the opening of this episode, Kaya, begins with Billy Bob Thornton is sleeping in a hotel room. He and his wife have taken a room for a romantic getaway.
55:04 Chris Ryan? Dejeuner.
55:05 Andy Greenwald? Yeah. He wakes up quite upset and startled because there is another person in their room. This is a room service server who is decloshing or whatever, multiple plates of breakfast food, including like omelets with truffles and all sorts of things. He reasonably cries out in alarm that someone is in the room with him. She then cries out in secondary or perhaps primary, in this case alarm, because what we subsequently learn is that he has taken multiple doses of Cialis and is.
55:40 Chris Ryan? At attention.
55:42 Andy Greenwald? At attention. To be clear, the camera shows us this.
55:46 Speaker 04 At which part do you want my thoughts on specifically?
55:50 Andy Greenwald? The maid then screams, "Don't rape me."
55:53 Chris Ryan? You, you started this. You have to get yourself out of it.
55:57 Andy Greenwald? And then Angela, the wife, who has let the woman into the room while her husband sleeps, starts screaming at her husband for waking up and not covering himself.
56:09 Chris Ryan? Yeah.
56:10 Andy Greenwald? And then he has thus not only ruined their breakfast, but their entire.
56:15 Chris Ryan? Marriage.
56:16 Andy Greenwald? Marriage.
56:17 Chris Ryan? Yeah.
56:19 Andy Greenwald? Who you got? Who's to blame here for this whole thing?
56:24 Speaker 04 Probably Taylor Sheridan.
56:25 Andy Greenwald? Right, she answered correctly. I just feel like so many of the bits on the show, not Billy Bob's bits,
56:35 Andy Greenwald? are, begin from a place of such deep, deep impossibility.
56:41 Chris Ryan? Sure.
56:42 Andy Greenwald? Like, to get to the funny part about that scene, which honestly, we never got to, requires an entire suspension of disbelief about how Rue Service works.
56:51 Chris Ryan? It's a different kind of show. It's also just like a crazy screwball comedy about a rich oil executive and his wife.
57:00 Andy Greenwald? Erections?
57:01 Chris Ryan? No, but it's just like, that's like, it's just, it's just like, what happens is he just throws all this stuff at the wall.
57:07 Andy Greenwald? Yeah.
57:07 Chris Ryan? Most people would be like, this works, this works, this works, this doesn't. Especially not together. And since he has kind of carte blanche, she's like, it all works. It also might be why people like the show, is that they never know what's gonna happen from scene to scene.
57:21 Andy Greenwald? That is true.
57:21 Chris Ryan? I think what has sort of emerged over this season specifically is, the first season had the tension of Jon Hamm versus Billy Bob Thornton, but also working together.
57:31 Andy Greenwald? Yeah.
57:31 Chris Ryan? Plus the cartel stuff, plus a lot of work on what the oil industry, how that works in the Permian Basin, and like, how like, drilling, and how it gets staffed, and the dangers that these guys face. I thought that was gonna continue with some of the stuff that they've introduced this season with the accident that happens.
57:56 Andy Greenwald? That was a good.
57:56 Chris Ryan? With the car accident that happens at the drilling site, with the natural, the toxic chemical leak that they have.
58:01 Andy Greenwald? None of these things have led to anything.
58:03 Chris Ryan? No. I mean, broadly, like, it seems like many people working for this oil company are thinking about their own mortality, and thinking about like, what they should be doing with their lives. You add in the Sam Elliott thing of being at the end of his life, and being like, I don't think any of what I did was worth it. There are themes that come out of it that kind of make sense.
58:22 Andy Greenwald? Yeah, and there's a moment like the, like Boss's 20-year barbecue, where what's-his-name shows up with the watch.
58:27 Chris Ryan? With the Rolex, yeah.
58:28 Andy Greenwald? Also, what's that guy's name? It's like, anytime that character... Leaves Dale, Dale leaves the compound. I'm like, oh, I enjoy his character and his and his performance.
58:38 Chris Ryan? Yes.
58:39 Andy Greenwald? These are real people, working jobs and dealing with things.
58:42 Chris Ryan? Yeah.
58:42 Andy Greenwald? And then it just throws it all away again.
58:44 Chris Ryan? Right. And so, yeah, I just think that they have, I, I think one of the things that's really jumped out at me is like, Andy Garcia really is only ever in his office.
58:53 Andy Greenwald? Yeah.
58:54 Chris Ryan? And he's the second or third person.
58:57 Andy Greenwald? He went to the track.
58:59 Chris Ryan? I just, what's, what's going on there, though? Like, we've, we've now done like five hours of him being like, I'll back your oil company. And Billy Bob's like, you shouldn't do this.
59:06 Andy Greenwald? You're evil, but also I need you, but also we see eye to eye.
59:09 Chris Ryan? Right.
59:09 Andy Greenwald? Um, I only want to talk about one scene specifically. And again, I think this is worth it for anyone who doesn't, who doesn't watch the show, because there are moments when, such as the, um, the breakfast scene, where I'm like, this is just, this is, this is actually awful.
59:24 Chris Ryan? Yeah.
59:25 Andy Greenwald? Everything about this is bad, and this is bad for the world and bad for me personally, that I'm watching this. And then there are moments, not to, you know, I'll couch it, I'll be nice. Then there are moments on the show that make me feel like, and this is a small digression here, but are you familiar with, this might be my all time favorite, I don't know if it's TikTok originally, but it's an Instagram thing, which is a, a clip of a guy saying like, when I give my dog a CBD gummy, so he's not scared of fireworks.
59:51 Chris Ryan? Yeah.
59:51 Andy Greenwald? And then it plays, uh, Enigma, and the dog flies up out of the bed.
59:56 Chris Ryan? Yes.
59:57 Andy Greenwald? I, I laugh every time. There is a moment in this last episode that made me feel like the dog on gummies being lifted out of my dog bed and floating through the cosmos.
1:00:08 Chris Ryan? And that was?
1:00:09 Andy Greenwald? And that was the moment when, in response to his elderly father being discovered lying in a hot tub.
1:00:14 Chris Ryan? Yeah, right.
1:00:15 Andy Greenwald? Otherwise, fine. Um, that his response to help his aging and clearly depressed father is to pull off of the road at a strip club that he's never entered before.
1:00:26 Chris Ryan? But his wife has.
1:00:27 Andy Greenwald? Yes. And walk over to the stripper, counting her money.
1:00:32 Chris Ryan? The only one.
1:00:33 Andy Greenwald? I'm so sorry.
1:00:36 Andy Greenwald? Lice's plates as hot lips.
1:00:40 Andy Greenwald? And Cold hire her to be his father's physical therapist.
1:00:46 Chris Ryan? Yeah.
1:00:48 Andy Greenwald? She quite rightly says, I am in no way qualified to do this.
1:00:52 Chris Ryan? And he's just like, show her some of your stretches. Show him some of your stretches.
1:00:55 Andy Greenwald? Here's a wad of money. And also, if you want to give him a handjob, that's fine.
1:00:59 Chris Ryan? Yeah.
1:01:00 Andy Greenwald? And she's like, I understand the parameters of the assignment and I accept.
1:01:06 Andy Greenwald? Even saying it out loud, I'm starting to worry that I've hallucinated this. But this does happen. And over the course of the episode, then she shows up at the house. She has completely inorganic banter with the other men in the house. Like poor calm fury, who I just hope, I just hope that like he would get his retirement straight. Like his role on this show is so insane. Because every time you're like, I guess he's going to be more important because they have a giant legal issue.
1:01:37 Chris Ryan? Standing in the house.
1:01:38 Andy Greenwald? Tommy, I'm gonna zoom into this one. And they cut to him going, I think it's a bad idea, Tommy. And then he closes the laptop.
1:01:46 Chris Ryan? Yeah.
1:01:47 Andy Greenwald? So godspeed. So he has a little interaction where he once again has to see a blonde woman in tight pants and go, oh, I don't know if I approve of this one. She then says to Sam Elliott, I'm going to do aqua therapy with you, man I've just met. I Googled it and watched a YouTube video. Let's both get in our underwear.
1:02:06 Chris Ryan? Aqua size is pretty straightforward. And I will like move around in the water.
1:02:10 Andy Greenwald? Cradle you.
1:02:11 Chris Ryan? Yeah.
1:02:12 Andy Greenwald? In the pool for, and I'm going to quote the show here, hours.
1:02:20 Andy Greenwald? That doesn't even seem.
1:02:22 Chris Ryan? They're pruning.
1:02:23 Andy Greenwald? That's what I'm saying. I mean, maybe when you, you know, he's a, he's a handsome, handsome man, but he has some wrinkles. So maybe you can't tell.
1:02:30 Chris Ryan? There's also a really great Sam Elliott movie called The Lifeguard.
1:02:33 Andy Greenwald? Yes, when he's a younger man.
1:02:34 Chris Ryan? Yeah, which so it's.
1:02:36 Andy Greenwald? Do you think it's a full circle moment for him?
1:02:37 Chris Ryan? Yeah.
1:02:39 Chris Ryan? Would you say that this was a better use of cradling a person in the water than task?
1:02:45 Andy Greenwald? Oh.
1:02:47 Andy Greenwald? Well.
1:02:48 Chris Ryan? Different, different setup.
1:02:50 Andy Greenwald? I guess it's different. I guess it's different. One was sexually charged in inappropriate ways and one wasn't because it would have also been inappropriate. So, no, I don't know if I have an answer to that. Last thing that I just want to get your read on, there's a scene, you know, Demi Moore's role this season has been expanded.
1:03:09 Chris Ryan? Yeah.
1:03:10 Andy Greenwald? Primarily what she's been given opportunities to do is lose it solo. Like cry, cry, scream, hit things, pour out bottles of Pappy Van Winkle, et cetera.
1:03:25 Andy Greenwald? And then take absolutely indefensible business swings, you know?
1:03:30 Chris Ryan? But, you know, she's in a vulnerable spot, you know, the guy who points out that she has salad dressing on her mouth, which I was like.
1:03:35 Andy Greenwald? This is what I want to talk about. This is the scene.
1:03:37 Chris Ryan? Yeah. So there's a scene where Demi Moore is like about to go to a meeting, but she is eating a salad at a grill somewhere, you know?
1:03:43 Andy Greenwald? She's at the bar. She's solo dining, which you and I respect.
1:03:45 Chris Ryan? Sure.
1:03:47 Andy Greenwald? For what's worth, good job by the, you know, onset makeup person because I did freeze frame it and I was like, did they just neglect? To do a touch up on her face because something is on her face.
1:03:58 Chris Ryan? That would be awesome if like in the background of the scene, it was just you taking a picture of your food.
1:04:04 Andy Greenwald? Yeah. I don't even post it, but just want to know.
1:04:08 Chris Ryan? Lovely Cobb salad at Cattleman Ranch.
1:04:11 Andy Greenwald? Ranch, enjoying my trip to Fort Worth.
1:04:16 Andy Greenwald? I also would say in the spirit of this podcast, I'm saying that I don't think Kami is covering herself in glory as the leader of MTEx thus far. That said, I would like some of her energy in the offensive play calling of the Philadelphia Eagles.
1:04:28 Chris Ryan? Sure.
1:04:29 Andy Greenwald? I think we do need a little bit of like, a little less defensive turtling. You know what I mean? Like, let's go for it. If we think oil's there, let's at least, as the clock's winding down, go for it. Okay. So she's sitting there, she's eating her salad, a man who.
1:04:45 Andy Greenwald? Is has the same haircut as the geologist. In that it's like rat tail with like a lot of, a lot of, a lot of extra dressing on top.
1:04:54 Chris Ryan? Uh huh.
1:04:55 Andy Greenwald? But is 20 years older and heavier.
1:04:59 Chris Ryan? Than the geologist.
1:04:59 Andy Greenwald? Than the geologist. Sits next to her, flirts a little bit, makes small talk and then presumes to uh clean.
1:05:09 Chris Ryan? It is an aggressive move. He could just be like, give a little bit of salad dressing.
1:05:11 Andy Greenwald? He went for it.
1:05:12 Chris Ryan? Yeah.
1:05:12 Andy Greenwald? And she like rightly recoils, acts as if he had just woken up in his own hotel room with morning wood. Like it's the most worst thing you could ever do.
1:05:24 Andy Greenwald? That's not the part I want to talk to you about. What I want to really pick your brain on is then later, after Kami's just like, let's spend $400 million on a wish.
1:05:32 Chris Ryan? Yeah, because the geologist is like, I got this.
1:05:36 Andy Greenwald? That guy, that, by the way, when that guy appeared on the show.
1:05:38 Chris Ryan? He's fucking Luke in the trench run. He's just like, I don't need the guidance system. I can just find the gas.
1:05:44 Andy Greenwald? Two weeks ago, when that guy showed up on the plane, drinking watermelon juice and tequila. He was not listed in the credits as geologist.
1:05:53 Chris Ryan? Oh, right.
1:05:53 Andy Greenwald? They've decided this in the last episode and a half. Also, I shared this, my research with you. I did Google oil company geologist. And let me tell you, they look more like chopped Tim Walz.
1:06:05 Chris Ryan? Well, they look like Colm Fuehr.
1:06:08 Andy Greenwald? At best.
1:06:08 Chris Ryan? Yeah.
1:06:08 Andy Greenwald? They do not look like.
1:06:10 Chris Ryan? Colm Fuehr would be the Timothy Chalamet of geologists.
1:06:13 Andy Greenwald? They do not look like, if Desmond from Lost was in Imagine Dragons.
1:06:16 Chris Ryan? Yes.
1:06:16 Andy Greenwald? Okay, so that's a flight of fancy, but as you said, would you say dress for the job you want? I respected that. In the scene after Kami's been like, I trust this guy with my life and all of my fortune.
1:06:28 Chris Ryan? Yeah.
1:06:29 Andy Greenwald? She's like, Tommy, you don't know what it's been like. At lunch today, I was eating a salad. And uh, and I am quoting here, a very handsome man. Tried to wipe green goddess from my mouth.
1:06:43 Chris Ryan? Yeah.
1:06:44 Andy Greenwald? What point did anyone on set be like, we got to recast, no offense to this working Texas actor. But at what point were they like, we may have to recast that part or adjust the dialogue?
1:06:54 Chris Ryan? I don't think that that guy is going to show up again. I think it was more of a symbol of Kami. Now Kami, not wait in 18 months, you know, Kami's, we're six weeks after Monty's dead.
1:07:04 Andy Greenwald? This is a great point. I'm not saying she should have rushed into it, but I'm trying to set a benchmark here. This woman was married to Jon Hamm.
1:07:13 Andy Greenwald? That is what anyone in the future is competing against.
1:07:17 Chris Ryan? I just really hope that the guy who played the dude in the bar.
1:07:19 Andy Greenwald? This is like, I love the watch. Here's the tricky thing. This is how this show works.
1:07:24 Chris Ryan? She's gonna clip this.
1:07:25 Andy Greenwald? We can.
1:07:26 Chris Ryan? And this guy is gonna be like, I'm fucking.
1:07:28 Andy Greenwald? I finally got a job on a major television show. Here's what I know about 14 years in of podcasting for this show. We can glaze the finest actors in Hollywood forever. Crickets. Crickets. I make one passing comment about how crazy it is that Suits is popular now. And Patrick J. Adams, the star of Suits, records a fucking reel being like, they're mentioning my show. Oh, they ripped my heart out.
1:07:57 Chris Ryan? I like suits.
1:07:58 Andy Greenwald? And that's how you win. That's how you win. I don't know how to do this. I am still bad at this.
1:08:04 Chris Ryan? Um, I think that you've had the full Taylor Sheridan experience. In just, in just a few, a few months of Landman, you've experienced the high highs, the confusing middle and the lowest of lows. We'll see over the next two episodes if he can pull it back together.
1:08:22 Andy Greenwald? Do you think?
1:08:23 Chris Ryan? I just don't even know what the next two episodes, you could just tell me the next two episodes were gonna be exactly like the last three episodes.
1:08:29 Andy Greenwald? There's no story.
1:08:29 Chris Ryan? Yeah.
1:08:30 Andy Greenwald? There's no villain. There's no stakes. My hope, if I could just prescribe, I think the next two episodes should be about the fallout in the marriage of the woman at the nursing home after she has been, you know, working this beautiful job, making the best life she can for her and her husband, who I believe works at a high school. He was wearing some sort of athletic garb. And how the first time he's shown interest in her was after the Angela makeover. I'm just worried, I'm curious about the next day, you know?
1:09:00 Chris Ryan? You think that's what Landman should be about?
1:09:02 Andy Greenwald? I think it should be entirely like a kitchen sink drama about those two.
1:09:06 Chris Ryan? All right.
1:09:07 Andy Greenwald? That's what I think.
1:09:08 Chris Ryan? I think we did a good job today. We surveyed a lot of stuff. We're gonna be back on Thursday with the first episode of the second season of The Pit to talk about.
1:09:15 Andy Greenwald? I can't believe you missed the opportunity to be like, you now have the full Taylor Sheridan experience. Just like America woke up to the full Taylor Sheridan experience on Saturday.
1:09:24 Chris Ryan? Turns out Lion is a documentary.
1:09:25 Andy Greenwald? This is all we're saying.
1:09:26 Chris Ryan? Uh, thanks to Kai. Thanks to Kai. We'll be back on Thursday with The Pit. Everybody take care.
1:09:31 Andy Greenwald? Everybody just watch it when you're eating salads. Be careful. Ordering room service. Be careful.
1:09:38 Andy Greenwald? Yes, be safe. Be safe out there.
1:09:49 Speaker 00 This episode is brought to you by Whole Foods Market. Fall is here and Whole Foods Market has everything you need for cozy meals, seasonal treats and easy entertaining. Elevate your hearty dishes with tasty bone-in beef short ribs or New York strip steaks with no added growth hormones or antibiotics. And as the fall evenings draw in, why not get ahead of cold season with immunity shots, herbal teas, lasages and supplements? Make sure you look for sales throughout the month. Shop fall flavors with higher standards at Whole Foods Market.
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