Hosted by Bill Simmons and Chris Ryan
Written by a model from the transcript; not yet reviewed.
This episode explores the massive horror phenomenon Obsession, breaking down why an indie film made for under one million dollars became a massive cultural and box office hit. The hosts and guests analyze the deliberate subversion of the manic pixie dream girl trope, arguing that the socially awkward protagonist Bear is the true villain of the story rather than the seemingly possessed Nikki. They debate the film's generational resonance, the brilliant breakout performance by Indy Navarrete, and how the movie traps viewers in Bear's distorted point of view.
They analyze why Obsession’s twist keeps viewers returning and the film’s unique narrative structure.
Debate over whether Bear is the true villain, focusing on actor portrayal and character motives.
Discussion of the lead actress’s Oscar prospects, nomination strategy, and industry buzz.
Hosts trace the evolution of female‑centric horror from the 1970s to present, noting cultural shifts.
They explore how Obsession reflects generational anxieties about online life, dating, and communication.
The episode concludes with Obsession’s record‑breaking box‑office run and its significance for indie horror.
The hosts discuss why horror films remain popular and cost‑effective while comedy struggles to find communal success and star power.
The hosts discuss the film’s reception, the scrutiny it faced, and how it compares to previous horror successes like ‘Hereditary’ and ‘Get Out’.
The conversation turns to the film’s production history, including the director’s creative choices, budget constraints, and the film’s journey to TIFF and VOD release.
They analyze how ‘Obsession’ was marketed, its delayed VOD window, and the impact of streaming platforms like Peacock on its box‑office performance.
They dissect memorable scenes, hidden details, and internet theories that make ‘Obsession’ a rich subject for a rewatchable episode.
They speculate on possible sequels, prequels, and an anthology series inspired by the film’s premise.
The hosts create playful awards and meme categories for the film’s funniest, scariest, and most iconic moments.
Subverting the Fatal Attraction Formulainsight
The hosts explain how Obsession tricks the audience into expecting a standard thriller about a dangerous woman, only to reveal that the male protagonist is actually the villain.
Shift in Perspective at Forty Minutesinsight
The guest points out that the movie keeps the viewer off-kilter until the pivotal sex scene around forty minutes in, when you realize the main character is a piece of shit.
A Social Horror Movieinsight
The host defines Obsession as a social horror movie because it is dialogue-heavy and ropes you into believing the characters are entirely normal before escalating to full horror.
The One Wish Willow Logicstrategy
The group discusses how Bear makes a careless wish on the One Wish Willow to force Nikki to love him, effectively trapping her because he refuses to communicate like a normal person.
Box Office Record and Legsdata
The host shares the staggering data that the film surpassed Enter the Dragon as the highest grossing movie with a sub-one-million-dollar budget and increased its box office for three straight weeks.
Refusing Studio Notes on the Herostory
The director Curry Barker turned down a larger budget because the studio wanted Bear to be the hero at the end, insisting instead on keeping him irredeemable.
The Hansel and Gretel Monologuestory
The panel reads and analyzes the bizarre and terrifying Hansel and Gretel poem scene where Nikki delivers chilling accent work during a disastrous boys' night.
The Cat Possession Theoryinsight
The hosts discuss a popular internet theory suggesting Nikki is actually possessed by the spirit of Bear's dead cat, adding a bizarre layer to her erratic movements.
“The year of CR continues. Obsession live, next.”
“I think the twist was what I thought the movie was versus when I saw the movie.”
“It has surpassed Enter the Dragon as the highest grossing movie ever with a budget under $1 million.”
“The year of CR. I was getting mail back questions about this, that this is the year of CR now”
“I hate that term. He's like, I actually really hate that term.”
“You don't need stars, it's inherently theatrical, it's budget friendly.”
“The star is the horror.”
“I think after the hereditary sort of moment.”
“Well, her dad's alive. I don't know if her mom's alive.”
“But I think that the irony of this movie is that this guy never actually wanted the person that he damned to hell in the first place.”
Bill, Chris, and Joanna make a wish to revisit Curry Barker’s 2026 phenomenon, ‘Obsession,’ starring Inde Navarrette and Michael Johnston. Producers: Craig Horlbeck, Chia Hao Tat, Eduardo Ocampo, Chris Wohlers, and Kevin Cureghian Learn more about your ad choices. Visit podcastchoices.com/adchoices
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Speaker names marked are inferred from speaking time and the show’s known hosts — they are not voice-verified.
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